Abstract Expressionist Prints and Multiples

The goal isn't to replicate the real world - it is to show where the real world and the process meet - sometimes pushing towards the real world, sometimes pushing towards the process - but never completely at either extreme. - (the Artist: Mike G Jackson) NEW YORK CITY AND THE HUDSON 2020 "After spending time in New York and producing work that showed the city from the viewpoint of being on the inside, I wanted to show the city from the outside looking in. I wanted to try and capture the city and water using bold shapes - building up the scene piece by piece. Making the sky and sea from rectangles to make them a whole with the city structures." - Mike G Jackson Unique 4 x Prints, Selenium toned Silver Gelatine Luminogram Print, Hand printed in the darkroom, Framed Dimensions: 32 x 24 inches (82 x 62 cm approx including frame); can be framed separately or in one frame upon request Frame: Mounted on aluminium Dibond, custom made hardwood frame (framing options available upon request; colour and various material options) finish with antireflective UV protective AR Art Glass Mounting and framing of this work will be done after the purchase so the framing options like framing colour for example can be made according to specifications of the client; matt or gloss, black, white, metallic etc OFFER! Free Shipping worldwide: the work would be crated for protection and shipped by professional art shipping company; front door delivery; complementary delivery and install available in London area About the Artist: Michael Jackson (b.1966) is an experimental photographer based in North Dorset, England. He studied art at West Dean College in Sussex, then apprenticed under landscape painter Christopher W Baker and later discovered his passion for photography. He moved away from working with traditional camera techniques in 2015 and is currently progressing the Luminogram process into new directions in which he has become regarded as a leading practitioner. Past awards and accolades include being named a Finalist for the Hasselblad Masters Award (2008, 2009, 2010) and winner of the 2013 Chris Beetles Award. His work has been exhibited internationally and is part of various private and public art and photography collections including The National Art Gallery in Washington, USA. Michael Jackson’s Luminograms are a very special piece of photographic art. Not a photograph in itself but a creative medium of its own. Each one is meticulously crafted by Michael in his darkroom. There are many structured stages to go through before the photographic paper can be hand developed and permanently fixed. Once Michael is happy with a finished Luminogram print it’s then toned in Selenium, which not only intensifies the prints tonality, but also increases the prints archival quality. Traditional photographic darkroom printing techniques have an unquestionable pedigree when it comes to the life expectancy of a photograph. Each Luminogram is unique and only one Silver Gelatin Print is produced of each image. The images reveal themselves with a 3D quality; viewed in the flesh the abstracted surreal forms within the paper come alive to the viewer. Michael Jackson’s Luminograms were exhibited for the first time at MMX Gallery in 2016; The Self Representation of Light exhibition and the following year at Photo London 2017 as well as next Photo London editions. The Luminogram work was also paired with theologian Edwin A. Abbott in a book published by 21st Editions, titled after the author’s famous work ‘FLATLAND’ and premiered in November at the Grand Palais in Paris, for Paris Photo 2017. Other recent group exhibitions include Light + Metal, PhotoEye Gallery, (USA) and Unbound 7, Candela Gallery, (USA), ATO>MIC, MMX Gallery, London 2022. “Mike Jackson...

60 x 42.9 cms ( 23.62 x 16.89 ins) Edition of 26 Signature:Signed "Motherwell" in pencil lower right Inscriptions:Numbered in pencil lower right; artist's chop mark lower right Publ...

Jean Miotte - Original Etching 1998 Dimensions: 41 x 33 cm Edition: /40 From La Déchirure Jean Miotte, 1926 - 2016 Miotte came of artistic age in the decade after World War II when non-figurative gestural abstraction was emerging on both sides of the Atlantic as the contemporary artistic language. The term, "L'Art Informel," was coined by the French critic, Michel Tapi, to connote "without form." The negation of traditional form, a radical break from established notions of order and composition, was particularly suited to a cultural environment born out of the circumstances of post war Europe where abuse of morals and fascist ideology had led to such horror and destruction. While Informel is often regarded as the European equivalent of Abstract Expressionism, it is distinguished from its American counterpart, by a loss of faith in progress and the collective possibilities of an avant garde. Rather the artists who came to be grouped as Informel, Jean Miotte, Jean-Paul Riopelle, Emil Schumacher...

Caviar20 is excited to be offering this evocative print by the inimitable Louise Nevelson - one of the most revered and unique sculptors of the 20th century. Nevelson is renowned for her mysterious and complex artworks. She was an active printmaker, experimenting with different techniques and approaches while working with some of the best print-making studios in the United States. Nevelson, whether working in sculpture or in two dimensions typically had a strict palette; almost exclusively black. While there are iconic works in white, gold, or raw wood, Nevelson almost entirely avoids color. However, during the last decade of her life, her palette expanded notably with her printmaking. "Reflections III" is an example from her 1983 portfolio, "Reflections I-V" consisting of six large-scale prints. These prints contain signature elements found throughout Nevelson's prints; ripped or collage-like forms as well as the use of fabric, lace, and toile in the printing process. However one of the strongest characteristics of the "Reflections" series is her new uninhibited use of color. Here it is used to maximum effect. This work features unexpected elements of fuchsia, crimson, and Prussian blue that punctuate her signature layered collage-like composition. Nevelson's late prints are truly some of her best. Over the last few years, there has been tremendous momentum in both interest and appreciation of Nevelson's work. In May of 2021, a new auction record of $1.35 million was established for one of Nevelson's signature white construction sculptures...

Supernova 2, 2017 "The sunflowers displayed here have been chosen, not only because of their golden individuality, but also because, like gold, they seem to have an everlasting quality. They don't readily wither and die but remain timelessly viable; their dazzling petals slowly becoming bronzed and desiccated, their statuesque form, elegantly contorted." Valda Bailey...

Jean Miotte - Original Etching 1998 Dimensions: 41 x 33 cm Edition: /40 From La Déchirure Jean Miotte, 1926 - 2016 Miotte came of artistic age in the decade after World War II when non-figurative gestural abstraction was emerging on both sides of the Atlantic as the contemporary artistic language. The term, "L'Art Informel," was coined by the French critic, Michel Tapi, to connote "without form." The negation of traditional form, a radical break from established notions of order and composition, was particularly suited to a cultural environment born out of the circumstances of post war Europe where abuse of morals and fascist ideology had led to such horror and destruction. While Informel is often regarded as the European equivalent of Abstract Expressionism, it is distinguished from its American counterpart, by a loss of faith in progress and the collective possibilities of an avant garde. Rather the artists who came to be grouped as Informel, Jean Miotte, Jean-Paul Riopelle, Emil Schumacher...

Open-bite etching printed in dark, brownish black on fibrous Japan paper 38 x 28 cms (14 7/8 x 11 1/8 ins) Edition of 200 in three numbered segments

Jean Miotte - Original Signed Etching 1994 Dimensions: 41 x 33 cm Signed and numbered in pencil Edition: /60 From Près du mur

André Lanskoy - Composition - Original Etching From Dédale Edition: 190 Dimensions: 32 x 18 cm This etching is from the first series of etching Lanskoy made. Unsigned and unumbered ...

After Henri Michaux - Moments - Original Aquatint Edition of 130 Dimensions: 34.2 x 30.5 cm Vellum paper BFK Rives 1996 Bibliography: Jørgen Ågerup, Zao Wou-Ki: The Graphic Work, A C...

Zao Wou-ki - Original Lithograph 1962 From La tentation de l’Occident Dimensions: 39 x 28.5 cm Publisher: Les Bibliophiles Comtois Edition of 170 Reference: Jørgen Ågerup 137 - 146...

An abstract expressionist composition in bright and cheerful colors. Rather than opt for the moody and dark tone of other expressionists, this print uses almost youthful shades. The ...

Original lithograph by Jean-Michel Atlan For Description of a Struggle by Franz Kafka Paris, Maeght Publisher, 1946. Dimensions: 30.5 x 24.5 Edition: 300 on vellum Mourlot JEAN-MI...

"The bottomless depths of a private koi pond in a Sussex garden. Dancing light, rhythmic flow and a scattering of flowers on the surface, all help to convey the dark mystery of a life below the surface." - Valda Bailey...

Spring Fever XXI (2018) Oil and watercolor monoprint 12 x 12 Inches Paper Size: 20 x 18 Inches Printed by Sue Oehme at Oehme Graphics

Cold Spring 2 (2016) Solar Plate Etching 12 x 12 Inches Paper Size: 20 x 18 Inches Printed by Sue Oehme at Oehme Graphics

Cold Spring 1 (2016) Solar Plate Etching 12 x 12 Inches Paper Size: 20 x 18 Inches Printed by Sue Oehme at Oehme Graphics

Robert Motherwell Paris Suite II (Summer) 1980 Lithograph on J.B. Green handmade paper, Edition of 60 49.2 x 41 cms (19 1/2 x 16 ins) RM17034 CR 265 Sign...

Robert Motherwell (1915-1991), alongside Jackson Pollock, Mark Rothko, and Willem de Kooning, made up the quartet of American artists that radically defined abstraction and establish...

Etching, 1997, on Hahnemühle copperplate paper, signed and dated in pencil, numbered from the edition of 75 (there were also 15 artist’s proofs), printed by Gemini G.E.L. LLC, publis...

Original lithograph by Jean-Michel Atlan For Description of a Struggle by Franz Kafka Paris, Maeght Publisher, 1946. Dimensions: 30.5 x 24.5 Edition: 300 ...

Maurice Estève - Composition Original Lithograph 1964 Dimensions: 32 x 25 cm Revue XXe Siècle Cahiers d'art published under the direction of G. di San Lazzaro. French painter born...

André Lanskoy - Composition - Original Etching From Dédale Edition: 190 Dimensions: 32 x 18 cm This etching is from the first series of etching Lanskoy made. Unsigned and unumbered ...

André Lanskoy - Composition - Original Etching From Dédale Edition: 190 Dimensions: 32 x 18 cm This etching is from the first series of etching Lanskoy m...

Intersections by Jimmy Ernst, American (1920–1984) Date: 1979 Wash on Arches paper, signed and dated in pencil lower right Image Size: 25 x 40 inches Frame Size: 35 x 44.5 inches

Raoul Ubac - Original Etching 1958 Dimensions: 32 x 25 cm Edition: G. di San Lazzaro. The painter-sculptor Raoul Ubac was born in 1910 in Malmédy (Ardennes, Belgium). He went to sc...

André Lanskoy - Composition - Original Etching From Dédale Edition: 190 Dimensions: 32 x 18 cm This etching is from the first series of etching Lanskoy m...

André Lanskoy - Composition - Original Etching From Dédale Edition: 190 Dimensions: 32 x 18 cm This etching is from the first series of etching Lanskoy m...

André Lanskoy - Composition - Original Etching From Dédale Edition: 190 Dimensions: 32 x 18 cm This etching is from the first series of etching Lanskoy made. Unsigned and unumbered ...

André Lanskoy - Composition - Original Etching From Dédale Edition: 190 Dimensions: 32 x 18 cm This etching is from the first series of etching Lanskoy made. Unsigned and unumbered ...

Four Seasons Arthur Secunda, American (1927) Date: 1989 Screenprint, signed and numbered in pencil Edition of 97/150 Image: 28.5 x 36.5 inches Size: 31 x...

André Lanskoy - Composition - Original Etching From Dédale Edition: 190 Dimensions: 32 x 18 cm This etching is from the first series of etching Lanskoy made. Unsigned and unumbered ...

André Lanskoy - Composition - Original Etching From Dédale Edition: 190 Dimensions: 32 x 18 cm This etching is from the first series of etching Lanskoy made. Unsigned and unumbered ...

Andre Minaux - Portrait - Original Lithograph 1951 Signed in the plate Dimensions: 22 x 16 cm Publisher: Sauret. Frontispice of The Counterfeiters Unumbe...

Four Doors by Donald Saff, American (1937) Date: 1980 Etching, signed and numbered in pencil Edition of 50 Image Size: 24 x 18 inches Size: 30 in. x 22 in. (76.2 cm x 55.88 cm)

Artist: Darryl Hughto, American (1943 - ) Title: Blue Heron Date: 1979 Screenprint, signed and numbered in pencil Edition of 160 Size: 30 x 30 in. (76.2 x 76.2 cm)

Artist: Darryl Hughto, American (1943 - ) Title: Erie Year: circa 1981 Medium: Serigraph, Signed and Numbered in Pencil Edition: 160 Size: 42 in. x 29.5 in. (106.68 cm x 74.93 cm)

Artist: Darryl Hughto, American (1943 - ) Title: Staying Power Year: circa 1981 Medium: Screenprint, Signed and Numbered in Pencil Edition: 180 Size: 42 in. x 29.5 in. (106.68 c...

Pat Steir (born 1940) is an American painter and printmaker. Her early work was loosely associated with Conceptual Art and Minimalism, however, she is best known for her abstract dri...

Artist: Paul Burlin, American (1886 - 1969) Title: untitled from Drawings Portfolio Year: 1968 Medium: Silkscreen on Paper, signed and numbered in pencil Edition: 50 Paper Size: 20 ...

Original lithograph by Jean-Michel Atlan For Description of a Struggle by Franz Kafka Paris, Maeght Publisher, 1946. Dimensions: 30.5 x 24.5 Edition: 300 on vellum Mourlot JEAN-MI...

Original lithograph by Jean-Michel Atlan For Description of a Struggle by Franz Kafka Paris, Maeght Publisher, 1946. Dimensions: 30.5 x 24.5 Edition: 300 on vellum Mourlot JEAN-MI...

Original lithograph by Jean-Michel Atlan For Description of a Struggle by Franz Kafka Paris, Maeght Publisher, 1946. Dimensions: 30.5 x 24.5 Edition: 300 on vellum Mourlot JEAN-MI...

Artist: Raymond Parker, American (1922 - 1990) Title: Untitled Year: circa 1980 Medium: Screenprint, signed and numbered in pencil Edition: AP Size: 22.5 x 30 in. (57.15 x 76.2 cm)

Signature: Signed "R. Motherwell" in pencil lower right Inscriptions: Numbered in pencil lower right; workshop chop mark lower right Edition: 16

Gina Pellón (1926-2014) Cuban Artist "Untitled" Lithograph 24 x 19 in Free Shipping

Christo and Jeanne-Claude Ptoyecto para el Arc de Triomphe2 1970 Lithograph Signed and numbered 92/300 48 x 66 cm

Homage a Hercule Seghers Jean Messagier, French (1920–1999) Date: circa 1970 Lithograph, signed and numbered in pencil Edition of 37/190 Size: 21 in. x 29.5 in. (53.34 cm x 74.93 cm)

Created circa 1963, this color lithograph on Rives BFK paper is hand signed by Sam Francis in pencil in the lower right and inscribed “Special Proof Marlene” in pencil in the lower m...

2024 digital, dye transfer to aluminum with a high gloss finish and float-back framing. Edition 1 of 1. Sizes in inches: 24x18 at $1490, 32x24 at $1990, 36x27 at $2490, 40x30 at $349...

2024 digital, dye transfer to aluminum with a high gloss finish and float-back framing. Edition 1 of 1. Sizes in inches: 24x18 at $1490, 32x24 at $1990, 36x27 at $2490, 40x30 at $349...

2024 digital, dye transfer to aluminum with a high gloss finish and float-back framing. Edition 1 of 1. Sizes in inches: 24x18 at $1490, 32x24 at $1990, 36x27 at $2490, 40x30 at $349...

2024 digital, dye transfer to aluminum with a high gloss finish and float-back framing. Edition 1 of 1. Sizes in inches: 24x18 at $1490, 32x24 at $1990, 36x27 at $2490, 40x30 at $349...

2024 digital, dye transfer to aluminum with a high gloss finish and float-back framing. Edition 1 of 1. Sizes in inches: 24x18 at $1490, 32x24 at $1990, 36x27 at $2490, 40x30 at $349...

2024 digital, dye transfer to aluminum with a high gloss finish and float-back framing. Edition 1 of 1. Sizes in inches: 24x18 at $1490, 32x24 at $1990, 36x27 at $2490, 40x30 at $349...

2024 digital, dye transfer to aluminum with a high gloss finish and float-back framing. Edition 1 of 1. Sizes in inches: 24x18 at $1490, 32x24 at $1990, 36x27 at $2490, 40x30 at $349...

2024 digital, dye transfer to aluminum with a high gloss finish and float-back framing. Edition 1 of 1. Sizes in inches: 24x18 at $1490, 32x24 at $1990, 36x27 at $2490, 40x30 at $349...

2024 digital, dye transfer to aluminum with a high gloss finish and float-back framing. Edition 1 of 1. Sizes available in inches: 24x48 at $2990, 32x64 at $3990, 36x72 at $4990, 48x...

2024 digital, dye transfer to aluminum with a high gloss finish and float-back framing. Edition 1 of 1. Sizes in inches: 24x18 at $1490, 32x24 at $1990, 36x27 at $2490, 40x30 at $349...

2024 digital, dye transfer to aluminum with a high gloss finish and float-back framing. Edition 1 of 1. Sizes available in inches: 24x48 at $2990, 32x64 at $3990, 36x72 at $4990, 48x...