Folk Art Prints and Multiples

Signed with pencil. Technique: Serigraph printing Stamp measurements: 60 x 45 cms Number of inks: from 30 to 35 Paper: Biblos Guarro Español 100% cotton Edition: 500 pieces (250 + 25...

Summer solstice. 1984. Paper, linocut, 25x34 cm imprint size 13x25 cm total page size 25x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, i...

Martins day. 1984. Paper, linocut, 25x34 cm imprint size 13x25 cm total page size 25x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fiction ...

Pig day. 1984. Paper, linocut, 25x34 cm imprint size 13x25 cm total page size 25x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrat...

Mikelis day. 1984. Paper, linocut, 25x34 cm imprint size 13x26 cm total page size 25x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fiction ...

Day of ashes. 1984. Paper, linocut, 25x34 cm imprint size 13x25,5 cm total page size 25x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, il...

Peteris day. 1984. Paper, linocut, 25x34 cm imprint size 13x25 cm total page size 25x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illus...

Night of solstice. 1984. Paper, linocut, 20x34 cm imprint size 9x25 cm total page size 20x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fic...

Life in manor. 1982. Paper, linocut, 20x34 cm imprint size 9x26 cm total page size 20x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fiction...

Mindfulness. 1982. Paper, linocut, 20x34 cm imprint size 10x26 cm total page size 20x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fiction ...

A fight against the lords. 1982. Paper, linocut, 25x34 cm imprint size 14x26 cm total page size 25x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklor...

Day of fire. 1984. Paper, linocut, 25x34 cm imprint size 13,5x24,5 cm total page size 25x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fict...

In slavery to the lord and manor. 1982. Paper, linocut, 25x34 cm imprint size 13x26 cm total page size 25x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of ...

Hopefulness. 1982. Paper, linocut, 20x34 cm imprint size 10x26 cm total page size 20x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fiction ...

Unknown. 1982. Paper, linocut, 25x31 cm imprint size 20x23 cm total page size 25x31cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fiction publ...

Work with crop. 1982. Paper, linocut, 20x34 cm imprint size 10x26 cm total page size 20x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and ficti...

Pawns. 1982. Paper, linocut, 20x34 cm imprint size 10x25 cm total page size 20x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fiction public...

Lord of the manor. 1982. Paper, linocut, 20x34 cm imprint size 9x25 cm total page size 20x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illust...

Midsummer wreath. Nr. 2. 1984. Paper, linocut, 20x34 cm imprint size 9x26 cm total page size 20x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore a...

Afterword. Nr. 2. 1984. Paper, linocut, 20x34 cm imprint size 12x25 cm total page size 20x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fic...

A fight against the lords. 1982. Paper, linocut, 25x34 cm imprint size 13x26,5 cm total page size 25x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folkl...

Servants. 1982. Paper, linocut, 20x34 cm imprint size 9x25,5 cm total page size 20x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fiction pu...

Battle. 1982. Paper, linocut, 25x34 cm imprint size 13x25 cm total page size 25x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fiction publi...

Arbitrariness of the master. 1982. Paper, linocut, 20x34 cm imprint size 9,5x26 cm total page size 20x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folk...

Midsummer greetings. Nr. 2. 1984. Paper, linocut, 20x34 cm imprint size 10x26 cm total page size 20x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklo...

Midsummer ferns. Nr. 2. 1984. Paper, linocut, 20x34 cm imprint size 12x25 cm total page size 20x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore a...

Intro. Nr.2. 1979. Paper, linocut, 25x34 cm imprint size 20x20 cm total page size 25x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fiction ...

A flock of poultry. 1979. Paper, linocut, 25x34 cm imprint size 14,5x25 cm total page size 25x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and...

Lone Wolf [2022] Signed by the artist etching & aquatint Edition number 75 Image size: H:20 cm x W:30 cm Complete Size of Unframed Work: H:32 cm x W:42 cm x ...

Chickadee sings. 1982. Paper, linocut, 25x34 cm imprint size 13x26 cm total page size 25x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fict...

Going in battle. 1982. Paper, linocut, 25x34 cm imprint size 13x25,5 cm total page size 25x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fi...

Pasture. 1979. Paper, linocut, 19x33 cm imprint size 8x25 cm total page size 19x33cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fiction publi...

Midsummer wreath. 1984. Paper, linocut, 20x34 cm imprint size 9x26 cm total page size 20x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fict...

Carnival. 1984. Paper, linocut, 20x34 cm imprint size 10x25 cm total page size 20x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fiction pub...

A foal's harness. 1979. Paper, linocut, 19x33 cm imprint size 9x26 cm total page size 19x33cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fict...

The buying and selling of the foal. 1979. Paper, linocut, 19x33 cm imprint size 8x25 cm total page size 19x33cm Dainis Rozkalns (1928 - 2018) Artist, gr...

Care and nurturing of the foal. 1979. Paper, linocut, 19x33 cm imprint size 8x25 cm total page size 19x33cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of fol...

Animal husbandry. 1979. Paper, linocut, 25x34 cm imprint size 13x26 cm total page size 25x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fic...

The diligent and the lazy herdsman. 1979. Paper, linocut, 19x33 cm imprint size 9x25 cm total page size 19x33cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of...

Herdsman meet. 1979. Paper, linocut, 19x33 cm imprint size 8x25 cm total page size 19x33cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fiction...

Sunday herdsman. 1979. Paper, linocut, 19x33 cm imprint size 8x25 cm total page size 19x33cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and ficti...

Village herdsman. 1979. Paper, linocut, 19x33 cm imprint size 8x25 cm total page size 19x33cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fict...

Herdsman's clothes and adornment. 1979. Paper, linocut, 19x33 cm imprint size 8x25 cm total page size 19x33cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of ...

Shepherd's job. 1979. Paper, linocut, 25x34 cm imprint size 13x25,5 cm total page size 25x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fi...

Pig farmer's job. 1979. Paper, linocut, 25x34 cm imprint size 13x25,5 cm total page size 25x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and f...

Joys,sorrows and difficulties of herdsman. 1979. Paper, linocut, 19x33 cm imprint size 8x24 cm total page size 19x33cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustr...

Foal on the way. 1979. Paper, linocut, 19x33 cm imprint size 8x25 cm total page size 19x33cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and ficti...

The time and place for work. 1979. Paper, linocut, 19x33,5 cm imprint size 8x25 cm total page size 19x33,5cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of fo...

Herdsman's food. 1979. Paper, linocut, 19x33 cm imprint size 9x25 cm total page size 19x33cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and ficti...

Herd. 1979. Paper, linocut, 19x33 cm imprint size 10x25 cm total page size 19x33cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fiction publica...

Afterword. 1984. Paper, linocut, 20x34 cm imprint size 12x25 cm total page size 20x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fiction pu...

Clothes making skill. 1979. Paper, linocut, 25x34 cm imprint size 13x25 cm total page size 25x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and...

Midsummer ferns. 1984. Paper, linocut, 20x34 cm imprint size 12x25 cm total page size 20x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fict...

Midsummer greetings. 1984. Paper, linocut, 20x34 cm imprint size 10x26 cm total page size 20x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and ...

Drag Queen on the Rocks By Tim Southall [2021] limited_edition and hand signed by the artist etching Edition number 75 Image size: H:20 cm x W:30 cm Complete Size of Unframed Work: H:0.01 cm x W:32 cm x D:42cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Drag Queen on the Rocks is an allegorical print by Tim Southall. It depicts a drag queen focusing all her charisma, uniqueness, nerve and talent on negotiating a very rocky and uneven landscape. The title alone suggests that it might be all over for the Drag Queen: she is in difficulty and likely to fail; in tatters, ruined, and perhaps beyond repair. But never underestimate a drag queen. The fact that she has the nerve to wear stiletto heels while rock climbing...

Cracow Poland Etching of Polish Synagogue, Jewish temple. From very rare small edition. Most are signed in Hebrew and /or English. some are marked AP some are numbered. please see ph...

Château de Cheverny in the Loire Valley of France Lithograph in colors depicting an enchanted evening at Cheverny with a horse drawn wagon and carriages on a winter day, Signed in...

This artwork titled "Singing in the Bath, Tenakee Springs" 1996 is a color offset lithograph on paper by noted American artist Rie Mounier Munoz, 1921-2015. It is hand signed and numbered 1077/1100 in pencil by the artist. The image size is 13.5 x 10 inches, sheet size is 16 x 12.35 inches. It is in excellent condition, has never been framed. About the artist: Alaska painter Rie Mounier Munoz was the child of Dutch parents who immigrated to California, where she was born and raised. She is known for her colorful scenes of everyday life in Alaska. Rie (from Marie) Munoz (moo nyos), studied art at Washington and Lee University in Virginia. In 1950, she traveled up the Inside Passage by steamship, fell in love with Juneau, and gave herself until the boat left the next day to find a job and a place to live. Since then Juneau has been home to Munoz. She began painting small vignettes of Alaska soon after arriving in Juneau, and also studied art at the University of Alaska-Juneau. Munoz painted in oils in what she describes as a "painstakingly realistic" style, which she found stiff and "somewhat boring." Her breakthrough came a few years later when an artist friend introduced her to a versatile, water-soluble paint called casein. The immediacy of this inexpensive medium prompted an entirely new style. Rie's paintings became colorful and carefree, mirroring her own optimistic attitude toward life. With her newfound technique she set about recording everyday scenes of Alaskans at work and at play. Of the many jobs she has held journalist, teacher, museum curator, artist, mother, Munoz recalls one of her most memorable was as a teacher on King Island in 1951, where she taught 25 Eskimo children. The island was a 13-hour umiak (a walrus skin boat) voyage from Nome, an experience she remembers vividly. After teaching in the Inupiat Eskimo village on the island with her husband during one school year, she felt a special affinity for Alaska's Native peoples and deliberately set about recording their traditional lifestyles that she knew to be changing very fast. For the next twenty years, Rie practiced her art as a "Sunday painter," in and around prospecting with her husband, raising a son, and working as a freelance commercial artist, illustrator, cartoonist, and curator of exhibits for the Alaska State Museum. During her years in Alaska, Munoz has lived in a variety of small Alaskan communities, including prospecting and mining camps. Her paintings reflect an interest in the day-to-day activities of village life such as fishing, berry picking, children at play, as well as her love of folklore and legends. Munoz says that what has appealed to her most were "images you might not think an artist would want to paint," such as people butchering crab, skinning a seal, or doing their laundry in a hand-cranked washing machine. In 1972, with her hand-cut stencil and serigraph prints selling well in four locations in Alaska, she felt confident enough to leave her job at the Alaska State Museum and devote herself full time to her art. Freed from the constraints of an office job, she began to produce close to a hundred paintings a year, in addition to stone lithograph and serigraph prints. From her earliest days as an artist, Rie had firm beliefs about selling her work. First, she insisted the edition size should be kept modest. When she decided in 1973 to reproduce Eskimo Story Teller as an offset lithography print and found the minimum print run to be 500, she destroyed 200 of the prints. She did the same with King Island, her second reproduction. Reluctantly, to meet market demand, she increased the edition size of the reproductions to 500 and then 750. The editions stayed at that level for almost ten years before climbing to 950 and 1250. Her work has been exhibited many solo watercolor exhibits in Alaska, Oregon and Washington State, including the Charles and Emma Frye Art Museum, Alaska State Museum in Juneau, Anchorage Historical and Fine Arts Museum, Tongass Historical Museum in Ketchikan, and Yukon Regional Library in Whitehorse; Yukon Territory, and included in exhibits at the Smithsonian Institute and Russell Senate Office Building in Washington, D.C. Munozs paintings have graced the covers of countless publications, from cookbooks to mail order catalogs, and been published in magazines, newspapers, posters, calendars, and two previous collections of her work: Rie Munoz...