Folk Art Prints and Multiples

Gina Lombardi Bratter, American - Gathering Cane, Year: circa 1978, Medium: Lithograph, signed and numbered in pencil, Edition: AP 40, Size: 31 in. x...

Figurative abstract wood cut print titled "Copula Amarilla" by Cecelia Sánchez Duarte. Pencil signed with edition number "3/10", title, and signature bottom margin. Image, 31.25"H x ...

Ari Gradus, Israeli (1943 - ) - The Bird Man, Year: 1980, Medium: Lithograph, Signed and Numbered in Pencil, Edition: AP, Image Size: 18 x 26 inches, Size: 22 in. x 30 in. (55.8...

Jack Hofflander, American (1920 - 2003) - Southwest Balloons, Year: 1981, Medium: Screenprint, signed and numbered in pencil, Edition: 250, AP 30, Image Size: 18 x 24 inches, Siz...

Jack Hofflander, American (1920 - 2003) - Barnyard II, Year: 1979, Medium: Screenprint, signed and numbered in pencil, Edition: 250, 30 AP, Image Size: 30 x 22 inches, Size: 35 ...

Ari Gradus, Israeli (1943 - ) - The Fountain's Square, Year: 1980, Medium: Lithograph, Signed and Numbered in Pencil, Edition: AP, Image Size: 26 x 18 inches, Size: 30 in. x 22...

Ari Gradus, Israeli (1943 - ) - Sidewalk Cafe, Year: 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 245, AP, Image Size: 18 x 26 inch...

Mary Faulconer, American (1912 - 2011) - Execution Rock, Year: 1981, Medium: Lithograph, signed and numbered in pencil, Edition: 250, AP 35, Image Size: 13 x 16 inches, Size: 22...

Mary Faulconer, American (1912 - 2011) - White Iris, Year: circa 1980, Medium: Lithograph, Signed and Numbered in Pencil, Edition: 250, AP 35, Image Size: 24 x 18 inches, Size: ...

Vic Herman, American (1919 - 1999) - Tortillas are the Staff of Life, Year: 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 200, AP 45, Image Size: 8.5 x 22 inc...

Jack Hofflander, American (1920 - 2003) - Kite Flyers, Year: 1980, Medium: Screenprint, signed and numbered in pencil, Edition: 250, AP 30, Image Size: 26 x 20 inches, Size: 28 ...

This artwork titled "Singing in the Bath, Tenakee Springs" 1996 is a color offset lithograph on paper by noted American artist Rie Mounier Munoz, 1921-2015. It is hand signed and numbered 1077/1100 in pencil by the artist. The image size is 13.5 x 10 inches, sheet size is 16 x 12.35 inches. It is in excellent condition, has never been framed. About the artist: Alaska painter Rie Mounier Munoz was the child of Dutch parents who immigrated to California, where she was born and raised. She is known for her colorful scenes of everyday life in Alaska. Rie (from Marie) Munoz (moo nyos), studied art at Washington and Lee University in Virginia. In 1950, she traveled up the Inside Passage by steamship, fell in love with Juneau, and gave herself until the boat left the next day to find a job and a place to live. Since then Juneau has been home to Munoz. She began painting small vignettes of Alaska soon after arriving in Juneau, and also studied art at the University of Alaska-Juneau. Munoz painted in oils in what she describes as a "painstakingly realistic" style, which she found stiff and "somewhat boring." Her breakthrough came a few years later when an artist friend introduced her to a versatile, water-soluble paint called casein. The immediacy of this inexpensive medium prompted an entirely new style. Rie's paintings became colorful and carefree, mirroring her own optimistic attitude toward life. With her newfound technique she set about recording everyday scenes of Alaskans at work and at play. Of the many jobs she has held journalist, teacher, museum curator, artist, mother, Munoz recalls one of her most memorable was as a teacher on King Island in 1951, where she taught 25 Eskimo children. The island was a 13-hour umiak (a walrus skin boat) voyage from Nome, an experience she remembers vividly. After teaching in the Inupiat Eskimo village on the island with her husband during one school year, she felt a special affinity for Alaska's Native peoples and deliberately set about recording their traditional lifestyles that she knew to be changing very fast. For the next twenty years, Rie practiced her art as a "Sunday painter," in and around prospecting with her husband, raising a son, and working as a freelance commercial artist, illustrator, cartoonist, and curator of exhibits for the Alaska State Museum. During her years in Alaska, Munoz has lived in a variety of small Alaskan communities, including prospecting and mining camps. Her paintings reflect an interest in the day-to-day activities of village life such as fishing, berry picking, children at play, as well as her love of folklore and legends. Munoz says that what has appealed to her most were "images you might not think an artist would want to paint," such as people butchering crab, skinning a seal, or doing their laundry in a hand-cranked washing machine. In 1972, with her hand-cut stencil and serigraph prints selling well in four locations in Alaska, she felt confident enough to leave her job at the Alaska State Museum and devote herself full time to her art. Freed from the constraints of an office job, she began to produce close to a hundred paintings a year, in addition to stone lithograph and serigraph prints. From her earliest days as an artist, Rie had firm beliefs about selling her work. First, she insisted the edition size should be kept modest. When she decided in 1973 to reproduce Eskimo Story Teller as an offset lithography print and found the minimum print run to be 500, she destroyed 200 of the prints. She did the same with King Island, her second reproduction. Reluctantly, to meet market demand, she increased the edition size of the reproductions to 500 and then 750. The editions stayed at that level for almost ten years before climbing to 950 and 1250. Her work has been exhibited many solo watercolor exhibits in Alaska, Oregon and Washington State, including the Charles and Emma Frye Art Museum, Alaska State Museum in Juneau, Anchorage Historical and Fine Arts Museum, Tongass Historical Museum in Ketchikan, and Yukon Regional Library in Whitehorse; Yukon Territory, and included in exhibits at the Smithsonian Institute and Russell Senate Office Building in Washington, D.C. Munozs paintings have graced the covers of countless publications, from cookbooks to mail order catalogs, and been published in magazines, newspapers, posters, calendars, and two previous collections of her work: Rie Munoz...

Vic Herman, American (1919 - 1999) - Dances of Guanajuato, Year: 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP, Image Size: 13 x 23.5 inches, Size: 1...

Figurative abstract wood cut print titled "Copula Blanca" by Cecelia Sánchez Duarte. Pencil signed with edition number "3/10," title, and signature bottom margin. Image, 31.25"H x 23...

This artwork titled "Steam Bath, Aniak" 1995 is a color offset lithograph on paper by noted American artist Rie Mounier Munoz, 1921-2015. It is hand signed and numbered 38/950 in pencil by the artist. The image size is 6.75 x 10 inches, sheet size is 10.5 x 14 inches. It is in excellent condition.. About the artist: Alaska painter Rie Mounier Munoz was the child of Dutch parents who immigrated to California, where she was born and raised. She is known for her colorful scenes of everyday life in Alaska. Rie (from Marie) Munoz (moo nyos), studied art at Washington and Lee University in Virginia. In 1950, she traveled up the Inside Passage by steamship, fell in love with Juneau, and gave herself until the boat left the next day to find a job and a place to live. Since then Juneau has been home to Munoz. She began painting small vignettes of Alaska soon after arriving in Juneau, and also studied art at the University of Alaska-Juneau. Munoz painted in oils in what she describes as a "painstakingly realistic" style, which she found stiff and "somewhat boring." Her breakthrough came a few years later when an artist friend introduced her to a versatile, water-soluble paint called casein. The immediacy of this inexpensive medium prompted an entirely new style. Rie's paintings became colorful and carefree, mirroring her own optimistic attitude toward life. With her newfound technique she set about recording everyday scenes of Alaskans at work and at play. Of the many jobs she has held journalist, teacher, museum curator, artist, mother, Munoz recalls one of her most memorable was as a teacher on King Island in 1951, where she taught 25 Eskimo children. The island was a 13-hour umiak (a walrus skin boat) voyage from Nome, an experience she remembers vividly. After teaching in the Inupiat Eskimo village on the island with her husband during one school year, she felt a special affinity for Alaska's Native peoples and deliberately set about recording their traditional lifestyles that she knew to be changing very fast. For the next twenty years, Rie practiced her art as a "Sunday painter," in and around prospecting with her husband, raising a son, and working as a freelance commercial artist, illustrator, cartoonist, and curator of exhibits for the Alaska State Museum. During her years in Alaska, Munoz has lived in a variety of small Alaskan communities, including prospecting and mining camps. Her paintings reflect an interest in the day-to-day activities of village life such as fishing, berry picking, children at play, as well as her love of folklore and legends. Munoz says that what has appealed to her most were "images you might not think an artist would want to paint," such as people butchering crab, skinning a seal, or doing their laundry in a hand-cranked washing machine. In 1972, with her hand-cut stencil and serigraph prints selling well in four locations in Alaska, she felt confident enough to leave her job at the Alaska State Museum and devote herself full time to her art. Freed from the constraints of an office job, she began to produce close to a hundred paintings a year, in addition to stone lithograph and serigraph prints. From her earliest days as an artist, Rie had firm beliefs about selling her work. First, she insisted the edition size should be kept modest. When she decided in 1973 to reproduce Eskimo Story Teller as an offset lithography print and found the minimum print run to be 500, she destroyed 200 of the prints. She did the same with King Island, her second reproduction. Reluctantly, to meet market demand, she increased the edition size of the reproductions to 500 and then 750. The editions stayed at that level for almost ten years before climbing to 950 and 1250. Her work has been exhibited many solo watercolor exhibits in Alaska, Oregon and Washington State, including the Charles and Emma Frye Art Museum, Alaska State Museum in Juneau, Anchorage Historical and Fine Arts Museum, Tongass Historical Museum in Ketchikan, and Yukon Regional Library in Whitehorse; Yukon Territory, and included in exhibits at the Smithsonian Institute and Russell Senate Office Building in Washington, D.C. Munozs paintings have graced the covers of countless publications, from cookbooks to mail order catalogs, and been published in magazines, newspapers, posters, calendars, and two previous collections of her work: Rie Munoz...

Vic Herman, American (1919 - 1999) - Little Fisherman from Boca del Rio, Year: circa 1978, Medium: Lithograph, signed and numbered in pencil, Edition: AP, Image Size: 26 x 15 inc...

Jack Hofflander, American (1920 - 2003) - Bus Stop, Year: 1980, Medium: Screenprint, Signed, Dated and Numbered in Pencil, Edition: 250, AP 30, Image Size: 22 x 30 inches, Size: ...

Lovers Yannis Amoryanos Greek Date: 1980 Screenprint, signed and numbered in pencil Edition of 300 Size: 28 in. x 22 in. (71.12 cm x 55.88 cm)

Charles Bragg, American (1931 - 2017) - Jury, Medium: Lithograph, signed and numbered in pencil, Edition: 123/300, Image Size: 10 x 14 inches, Frame Size: 18.5 x 22.5 inches

Love Dove Earl Klein American (1915–1993) Screenprint, signed, titled and numbered in pencil Edition of 40/75 Image Size: 18 x 22.5 inches Size: 24.5 x 29...

Kay Ameche, American (1904 - 2005) - Apple Blossom Time, Year: 1981, Medium: Screenprint, signed and numbered in pencil, Edition: 200, AP 40, Size: 22 in. x 26 in. (55.88 cm x 66...

Judith Bledsoe, American (1938 - 2013) - A Leap of Leopards. Year: circa 1974, Medium: Lithograph, signed in pencil, Edition: EA 57/60, Image Size: 8.5 x 13 inches, Size: 11.5 x 23...

Mary Faulconer, American (1912 - 2011) - Chester England, Year: circa 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 250, AP 35, Image Size: 12.5 x 16 inches, ...

Jack Hofflander, American (1920 - 2003) - Balloon Race, Year: 1978, Medium: Screenprint, signed and numbered in pencil, Edition: 250, AP 25, Image Size: 22 x 30 inches, Size: 26...

Mary Faulconer, American (1912 - 2011) - Algarve Landscape, Year: circa 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 250, AP 30, Image Size: 16 x 20 inches, ...

Judith Bledsoe, American (1938 - 2013) - A Muster of Peacocks. Year: circa 1974, Medium: Lithograph, signed and numbered in pencil, Edition: EA 59/60, Image Size: 8.5 x 13 inches, S...

Ari Gradus, Israeli (1943 - ) - Winter Fantasy, Year: 1980, Medium: Lithograph, Signed and Numbered in Pencil, Edition: 300, AP, Image Size: 18 x 26 inc...

Jack Hofflander, American (1920 - 2003) - Noah's Ark, Year: 1979, Medium: Screenprint, signed and numbered in pencil, Edition: 250, AP 30, Image Size: 22 x 30 inches, Size: 26 i...

Ari Gradus, Israeli (1943 - ) - On The Lomac, Year: 1980, Medium: Lithograph, signed and numbered in pencil, Edition: AP, Size: 22 x 30 in. (55.88 x 76.2 cm), Description: Ari...

Mary Faulconer, American (1912 - 2011) - Cottage City, Year: circa 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 250, AP 35, Image Size: 10 x 17 inches, Size:...

Jack Hofflander, American (1920 - 2003) - Barn in Stockport, New York, Year: 1980, Medium: Screenprint, signed and numbered in pencil, Edition: 250, AP 35, Size: 21.5 in. x 28 in...

Ari Gradus, Israeli (1943 - ) - Bringing In the Catch, Year: 1980, Medium: Lithograph. Signed and Numbered in Pencil, Edition: AP, Image Size: 18 x 26 inches, Size: 22 in. x 30 ...

Mary Faulconer, American (1912 - 2011) - Spring Hope, Year: 1978, Medium: Lithograph, signed and numbered in pencil, Edition: 250, Size: 22 in. x 30 in. (55.88 cm x 76.2 cm), Des...

Kay Ameche, American (1904 - 2005) - Mt. Shasta, Year: 1980, Medium: Screenprint, signed and numbered in pencil, Edition: 200, AP 40, Image Size: 11.5 x 24 inches, Size: 17.5 in...

Kay Ameche, American (1904 - 2005) - Big Sur, Year: 1981, Medium: Screenprint, signed and numbered in pencil, Edition: 200, AP 40, Image Size: 17 x 21.5 inches, Size: 22.5 in. x...

Jack Hofflander, American (1920 - 2003) - Flowers, Medium: Screenprint, numbered in pencil, Edition: TP, Image Size: 18.5 x 26 inches, Size: 21 x 28 in. (53.34 x 71.12 cm), Des...

Mary Faulconer, American (1912 - 2011) - Pencil Box, Year: 1981, Medium: Lithograph, signed and numbered in pencil, Edition: 250, Size: 22 x 30 in. (55.88 x 76.2 cm), Descripti...

Mary Faulconer, American (1912 - 2011) - Anenomes, Year: 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 250, Size: 30 in. x 22 in. (76.2 cm x 55.88 cm), Descri...

Mary Faulconer, American (1912 - 2011) - Librarie Galerie, Year: circa 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 250, AP 35, Image Size: 12 x 17 inches, S...

Mary Faulconer, American (1912 - 2011) - Fortnum and Mason, Year: circa 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 250, AP 35, Image Size: 24.5 x 18.5 inch...

Ari Gradus, Israeli (1943 - ) - Pigeon Feeder, Year: 1980, Medium: Lithograph, Signed and Numbered in Pencil, Edition: AP, Image Size: 26 x 18 inches, ...

Mary Faulconer, American (1912 - 2011) - Au Rouge Coq Chantilly, Year: circa 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 250, AP 35, Image Size: 17 x 12 inc...

Vic Herman, American (1919 - 1999) - Ride Em Vaquero, Year: circa 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 45, Image Size: 8.5 x 22 inches, Size:...

Ari Gradus, Israeli (1943 - ) - Winter's Play, Year: 1980, Medium: Lithograph, signed and numbered in pencil, Edition: AP, Image Size: 26 x 18 inches, Size: 30 in. x 22 in. (76....

Mary Faulconer, American (1912 - 2011) - Vinegar, Year: circa 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 250, AP 35, Image Size: 14 x 11 inches, Size: 26....

An illustration of a black cat in a beret playing an upright bass. Behind him is a cow gracefully leaping over a moon with a long nose and smiling face. In one corner, a plate runs hand in hand with a spoon. From the Mother Goose Portfolio, this piece is signed and numbered by the artist. Cat and the Fiddle...

Music Box A Phillips Etching, signed in pencil Image Size: 6.5 x 8.75 inches Size: 8.25 x 11.5 in. (20.96 x 29.21 cm)

Independence Day by Colette Raker, French (1938) Date: circa 1980 Screenprint, signed and numbered in pencil Edition of 250 Image Size: 33 x 26 inches...

Vibrant multi-layer woodblock print by Robin Blake (American, 1955). Three layers of neon ink (yellow, magenta, and blue) form a zoomed-in composition of pills. The bright colors cre...

Charles Bragg, American (1931 - 2017) - Pandora's Box, Year: circa 1970, Medium: Etching, signed, numbered, and titled in pencil, Edition: 300, Image Size: 6 x 9 inches, Size: 10 x...

Judith Bledsoe, American (1938 - 2013) - Zebras, Year: circa 1980, Medium: Lithograph and Blind Embossing, signed and dedicated in pencil, Edition: EA, Image Size: 9.5 x 17.5 i...

Friendly Totems Douglas Mazonowicz, British (1920–2001) Date: circa 1981 Screenprint, signed and numbered in pencil Edition of 134/275 Image Size: 23.5 x 18 inches Size: 29 x 23.25 i...

Bow Tie Hand signed and numbered, ,limited edition lithograph collage assemblage. Barbara Kohl-Spiro is a Milwaukee, Wisconsin-based artist whose work has spanned over five decades...

Printed by Pierre Chave, Vence, published by Bianchi Frères in Nice, France ink on watermarked chiffon de Mandeure paper, hand signed in pencil lower right, "PH Dureux," numbered 4/5...

Judith Bledsoe, American (1938 - 2013) - A Sloth of Bears. Year: circa 1974, Medium: Lithograph, signed in pencil, Edition: EA, Image Size: 8.5 x 13 inches, Size: 11.5 x 23 in. (29...

Judith Bledsoe, American (1938 - 2013) - Clown on Horse from A Little Circus. Year: 1974, Medium: Lithograph, signed in pencil, Edition: HC, Size: 15 ...

Ted Jeremenko, Yugoslavian/American (1938 - ) - The River. Year: circa 1985, Medium: Screenprint, signed and numbered in pencil, Edition: 175, AP 10, Image Size: 20 x 25 inches, Size...

Mystery Indian Artist Untitled, 20th century Print Sight: 10 1/4 x 15 1/4 in. Framed: 18 x 22 1/4 in. Inscribed verso: Property of Alex Dorochovich as gift from Stella & Ken in India

Paying homage to the Ancient Greek myth of Icarus, this print by Tighe O'Donaghue incorporates planets and a string instrument along with several linear diagrams arranged throughout ...

Ted Jeremenko, Yugoslavian/American (1938 - ) - Harrisville. Year: 1992, Medium: Silkscreen, Signed and numbered in pencil, Edition: 175, Image Size: 11 x 16 inches, Size: 19 x 23 in...