Folk Art Prints and Multiples

Ari Gradus, Israeli (1943 - ) - Puppet Show, Year: 1980, Medium: Lithograph, signed in pencil, Edition: AP, Size: 22 in. x 30 in. (55.88 cm x 76.2 cm), ...

Kay Ameche, American (1904 - 2005) - A Day on the Farm, Year: 1981, Medium: Screenprint, signed and numbered in pencil, Edition: 200, AP 40, Image Size: 17 x 22 inches, Size: 22...

Jack Hofflander, American (1920 - 2003) - S. Bennington Building, Year: 1979, Medium: Lithograph, signed and numbered in pencil, Edition: AP 23/30, Image Size: 22 x 30.5 inches, ...

Title : Garfield, The Beauty Materials : stamps, ink, crayon,marker,pen Date : 2017 Dimensions : 8.5x11"

Ari Gradus, Israeli (1943 - ) - Bringing In the Catch, Year: 1980, Medium: Lithograph. Signed and Numbered in Pencil, Edition: AP, Image Size: 18 x 26 inches, Size: 22 in. x 30 ...

This artwork titled "Singing in the Bath, Tenakee Springs" 1996 is a color offset lithograph on paper by noted American artist Rie Mounier Munoz, 1921-2015. It is hand signed and numbered 1077/1100 in pencil by the artist. The image size is 13.5 x 10 inches, sheet size is 16 x 12.35 inches. It is in excellent condition, has never been framed. About the artist: Alaska painter Rie Mounier Munoz was the child of Dutch parents who immigrated to California, where she was born and raised. She is known for her colorful scenes of everyday life in Alaska. Rie (from Marie) Munoz (moo nyos), studied art at Washington and Lee University in Virginia. In 1950, she traveled up the Inside Passage by steamship, fell in love with Juneau, and gave herself until the boat left the next day to find a job and a place to live. Since then Juneau has been home to Munoz. She began painting small vignettes of Alaska soon after arriving in Juneau, and also studied art at the University of Alaska-Juneau. Munoz painted in oils in what she describes as a "painstakingly realistic" style, which she found stiff and "somewhat boring." Her breakthrough came a few years later when an artist friend introduced her to a versatile, water-soluble paint called casein. The immediacy of this inexpensive medium prompted an entirely new style. Rie's paintings became colorful and carefree, mirroring her own optimistic attitude toward life. With her newfound technique she set about recording everyday scenes of Alaskans at work and at play. Of the many jobs she has held journalist, teacher, museum curator, artist, mother, Munoz recalls one of her most memorable was as a teacher on King Island in 1951, where she taught 25 Eskimo children. The island was a 13-hour umiak (a walrus skin boat) voyage from Nome, an experience she remembers vividly. After teaching in the Inupiat Eskimo village on the island with her husband during one school year, she felt a special affinity for Alaska's Native peoples and deliberately set about recording their traditional lifestyles that she knew to be changing very fast. For the next twenty years, Rie practiced her art as a "Sunday painter," in and around prospecting with her husband, raising a son, and working as a freelance commercial artist, illustrator, cartoonist, and curator of exhibits for the Alaska State Museum. During her years in Alaska, Munoz has lived in a variety of small Alaskan communities, including prospecting and mining camps. Her paintings reflect an interest in the day-to-day activities of village life such as fishing, berry picking, children at play, as well as her love of folklore and legends. Munoz says that what has appealed to her most were "images you might not think an artist would want to paint," such as people butchering crab, skinning a seal, or doing their laundry in a hand-cranked washing machine. In 1972, with her hand-cut stencil and serigraph prints selling well in four locations in Alaska, she felt confident enough to leave her job at the Alaska State Museum and devote herself full time to her art. Freed from the constraints of an office job, she began to produce close to a hundred paintings a year, in addition to stone lithograph and serigraph prints. From her earliest days as an artist, Rie had firm beliefs about selling her work. First, she insisted the edition size should be kept modest. When she decided in 1973 to reproduce Eskimo Story Teller as an offset lithography print and found the minimum print run to be 500, she destroyed 200 of the prints. She did the same with King Island, her second reproduction. Reluctantly, to meet market demand, she increased the edition size of the reproductions to 500 and then 750. The editions stayed at that level for almost ten years before climbing to 950 and 1250. Her work has been exhibited many solo watercolor exhibits in Alaska, Oregon and Washington State, including the Charles and Emma Frye Art Museum, Alaska State Museum in Juneau, Anchorage Historical and Fine Arts Museum, Tongass Historical Museum in Ketchikan, and Yukon Regional Library in Whitehorse; Yukon Territory, and included in exhibits at the Smithsonian Institute and Russell Senate Office Building in Washington, D.C. Munozs paintings have graced the covers of countless publications, from cookbooks to mail order catalogs, and been published in magazines, newspapers, posters, calendars, and two previous collections of her work: Rie Munoz...

Jack Hofflander, American (1920 - 2003) - Lancaster Barns, Year: circa 1980, Medium: Screenprint, signed and numbered in pencil, Edition: 250, 35 AP, Image Size: 15 x 20 inches, ...

Gina Lombardi Bratter, American - Gathering Cane, Year: circa 1978, Medium: Lithograph, signed and numbered in pencil, Edition: AP 40, Size: 31 in. x...

Ari Gradus, Israeli (1943 - ) - The Bird Man, Year: 1980, Medium: Lithograph, Signed and Numbered in Pencil, Edition: AP, Image Size: 18 x 26 inches, Size: 22 in. x 30 in. (55.8...

Jack Hofflander, American (1920 - 2003) - Southwest Balloons, Year: 1981, Medium: Screenprint, signed and numbered in pencil, Edition: 250, AP 30, Image Size: 18 x 24 inches, Siz...

Judith Bledsoe, American (1938 - 2013) - Cats, Year: circa 1980, Medium: Lithograph and Blind Embossing, signed and dedicated in pencil, Edition: EA, Image Size: 9.5 x 15 inche...

Bow Tie Hand signed and numbered, ,limited edition lithograph collage assemblage. Barbara Kohl-Spiro is a Milwaukee, Wisconsin-based artist whose work has spanned over five decades...

Title : Sylvesters Head in The Clouds Materials : stamps, ink, crayon,marker,pen Date : 2017 Dimensions : 8.5x11"

This artwork titled "Sea Spirit" 1965 is an original stonecut on thin paper by Eskimo artist Egevadluq (Eegyvudluk) Ragee, 1920-1983. It is hand signed, titled, dated, described and numbered 20/50 in pencil by the artist. With the blind stamp of the artist at the lower right corner. It is in excellent condition. it has a minor thin crease at the middle center, at the edge of the sheet, barely visible, see picture #4 About the artist: Eegyvudluk Ragee was the oldest child born to Pamiaktok and Sorisolutu at the small campsite of Ikarasak, on the southern tip of Baffin Island in 1920. When Egevadluq travelled to Cape Dorset (Kinngait) to trade for supplies, she would buy graphite pencil and paper from the West Baffin Eskimo Co-operative. Her early works filled entire sheets of paper, mythical creatures, bird-animal-human transformations, and images from reality - all randomly intermingled . By the mid-1960s, Eegyvudluk was using wax crayons, or coloured felt pens on paper. In 1967, improved housing in Cape Dorset resulted in the Inuit abandoning most of the campsites. Eegyvudluk moved into the settlement, and by the early 1970s, explored the use of arcrylic washes, on which she drew her well-known figures and birds. "I started drawing because I was 'tususkuk' (when I saw other people doing it, I wanted to do the same things)...When I start to make a drawing, I have a picture in my mind, but when I try to put that picture on paper, my hands won't do what my mind wants. When I have the picture in my head, I can't get it out by my hands. Sometimes I find it hard to draw when my children are in the house; I find it hard to think with so much noise around me. I make the kids go outside." Eegyvudluk, Cape Dorset Print Catalogue, 1978. Exhibitions Alaska Eskimo Dolls/Inuit Prints, Provincial Museum of Alberta, sponsored by the Alaska State Council on the Arts ART ESKIMO, Galerie de France Art Inuit, Presented by l'Iglou Art Esquimau, Douai at Galerie Akenaton Art Inuit: Autour de la Collection de Cape Dorset 1991, Presented by l'Iglou Art Esquimau, Douai at Le Colombier Art/Facts, McMaster Art Gallery Art/Facts, McMaster Art Gallery Canadian Eskimo Art...

This artwork titled "Feeding the Ravens" 1997 is a color offset lithograph on paper by noted American artist Rie Mounier Munoz, 1921-2015. It is hand signed and numbered 29/950 in pencil by the artist. The image size is 9.65 x 8.35 inches, sheet size is 13.85 x 12.25 inches. It is in excellent condition, has never been framed. About the artist: Alaska painter Rie Mounier Munoz was the child of Dutch parents who immigrated to California, where she was born and raised. She is known for her colorful scenes of everyday life in Alaska. Rie (from Marie) Munoz (moo nyos), studied art at Washington and Lee University in Virginia. In 1950, she traveled up the Inside Passage by steamship, fell in love with Juneau, and gave herself until the boat left the next day to find a job and a place to live. Since then Juneau has been home to Munoz. She began painting small vignettes of Alaska soon after arriving in Juneau, and also studied art at the University of Alaska-Juneau. Munoz painted in oils in what she describes as a "painstakingly realistic" style, which she found stiff and "somewhat boring." Her breakthrough came a few years later when an artist friend introduced her to a versatile, water-soluble paint called casein. The immediacy of this inexpensive medium prompted an entirely new style. Rie's paintings became colorful and carefree, mirroring her own optimistic attitude toward life. With her newfound technique she set about recording everyday scenes of Alaskans at work and at play. Of the many jobs she has held journalist, teacher, museum curator, artist, mother, Munoz recalls one of her most memorable was as a teacher on King Island in 1951, where she taught 25 Eskimo children. The island was a 13-hour umiak (a walrus skin boat) voyage from Nome, an experience she remembers vividly. After teaching in the Inupiat Eskimo village on the island with her husband during one school year, she felt a special affinity for Alaska's Native peoples and deliberately set about recording their traditional lifestyles that she knew to be changing very fast. For the next twenty years, Rie practiced her art as a "Sunday painter," in and around prospecting with her husband, raising a son, and working as a freelance commercial artist, illustrator, cartoonist, and curator of exhibits for the Alaska State Museum. During her years in Alaska, Munoz has lived in a variety of small Alaskan communities, including prospecting and mining camps. Her paintings reflect an interest in the day-to-day activities of village life such as fishing, berry picking, children at play, as well as her love of folklore and legends. Munoz says that what has appealed to her most were "images you might not think an artist would want to paint," such as people butchering crab, skinning a seal, or doing their laundry in a hand-cranked washing machine. In 1972, with her hand-cut stencil and serigraph prints selling well in four locations in Alaska, she felt confident enough to leave her job at the Alaska State Museum and devote herself full time to her art. Freed from the constraints of an office job, she began to produce close to a hundred paintings a year, in addition to stone lithograph and serigraph prints. From her earliest days as an artist, Rie had firm beliefs about selling her work. First, she insisted the edition size should be kept modest. When she decided in 1973 to reproduce Eskimo Story Teller as an offset lithography print and found the minimum print run to be 500, she destroyed 200 of the prints. She did the same with King Island, her second reproduction. Reluctantly, to meet market demand, she increased the edition size of the reproductions to 500 and then 750. The editions stayed at that level for almost ten years before climbing to 950 and 1250. Her work has been exhibited many solo watercolor exhibits in Alaska, Oregon and Washington State, including the Charles and Emma Frye Art Museum, Alaska State Museum in Juneau, Anchorage Historical and Fine Arts Museum, Tongass Historical Museum in Ketchikan, and Yukon Regional Library in Whitehorse; Yukon Territory, and included in exhibits at the Smithsonian Institute and Russell Senate Office Building in Washington, D.C. Munozs paintings have graced the covers of countless publications, from cookbooks to mail order catalogs, and been published in magazines, newspapers, posters, calendars, and two previous collections of her work: Rie Munoz...

Love Dove Earl Klein American (1915–1993) Screenprint, signed, titled and numbered in pencil Edition of 40/75 Image Size: 18 x 22.5 inches Size: 24.5 x 29...

Judith Bledsoe, American (1938 - 2013) - Remember San Francisco. Year: circa 1980, Medium: Lithograph and Blind Embossing, signed and dedicated in pencil, Edition: EA, Size: 24 x 3...

Judith Bledsoe, American (1938 - 2013) - Angels and Saints. Year: circa 1970, Medium: Lithograph, signed and dedicated in pencil, Edition: EA, Image Size: 21.5 x 18 inches, Size: 29...

Mary Faulconer, American (1912 - 2011) - Pencil Box, Year: 1981, Medium: Lithograph, signed and numbered in pencil, Edition: 250, Size: 22 x 30 in. (55.88 x 76.2 cm), Descripti...

Judith Bledsoe, American (1938 - 2013) - Aries from the Zodiac of Dreams Series. Year: circa 1970, Medium: Lithograph with Embossing, signed in pencil, Edition: EA, Size: 21 x 14.5 ...

Ari Gradus, Israeli (1943 - ) - Pigeon Feeder, Year: 1980, Medium: Lithograph, Signed and Numbered in Pencil, Edition: AP, Image Size: 26 x 18 inches, ...

Ari Gradus, Israeli (1943 - ) - The Fountain's Square, Year: 1980, Medium: Lithograph, Signed and Numbered in Pencil, Edition: AP, Image Size: 26 x 18 inches, Size: 30 in. x 22...

Ari Gradus, Israeli (1943 - ) - Sidewalk Cafe, Year: 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 245, AP, Image Size: 18 x 26 inch...

Kay Ameche, American (1904 - 2005) - Ft. Point, San Francisco, CA, Year: 1981, Medium: Screenprint, signed and numbered in pencil, Edition: 200, AP 40, Image Size: 12 x 25 in, Si...

Jack Hofflander, American (1920 - 2003) - HM Lewis Building, Year: 1979, Medium: Screenprint, signed in pencil, Edition: AP 30, Image Size: 22 x 30 inches, Size: 26 in. x 33 in....

This print was created by Peruvian artist Victor Delfin. Delfin found the source of his inspiration in the ancient Paracan culture of Peru, part of the broader Incan civilization. De...

Rendered against a deep teal background, Tighe O'Donoghue's depiction of a moon with a rose superimposed over it is accompanied by a mathematical diagram...

Music Box A Phillips Etching, signed in pencil Image Size: 6.5 x 8.75 inches Size: 8.25 x 11.5 in. (20.96 x 29.21 cm)

Mary Faulconer, American (1912 - 2011) - Victorian Houses, Year: circa 1980, Medium: Lithograph on Arches, signed and numbered in pencil, Edition: 250, AP 35, Image Size: 14 x 16...

Lillian Shao, Taiwanese/American - Chrysanthemum Song, Medium: Screenprint, signed and numbered in pencil, Edition: PP 6/6, Image Size: 31 x 23.5 inches, ...

Mary Faulconer, American (1912 - 2011) - Execution Rock, Year: 1981, Medium: Lithograph, signed and numbered in pencil, Edition: 250, AP 35, Image Size: 13 x 16 inches, Size: 22...

Vic Herman, American (1919 - 1999) - Tortillas are the Staff of Life, Year: 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 200, AP 45, Image Size: 8.5 x 22 inc...

Mary Faulconer, American (1912 - 2011) - White Iris, Year: circa 1980, Medium: Lithograph, Signed and Numbered in Pencil, Edition: 250, AP 35, Image Size: 24 x 18 inches, Size: ...

Shalom Moskovitz (Israel, 1895 - 1980) - Elijah Ascending to Heaven, Year: 1973, Medium: Screenprint, signed and numbered in pencil, and titled on verso, Edition: 143/300, Image Size...

Jack Hofflander, American (1920 - 2003) - Kite Flyers, Year: 1980, Medium: Screenprint, signed and numbered in pencil, Edition: 250, AP 30, Image Size: 26 x 20 inches, Size: 28 ...

Kay Ameche, American (1904 - 2005) - Early American Farm, Year: 1981, Medium: Screenprint, signed and numbered in pencil, Edition: 200, AP 40, Image Size: 16.5 x 21 inches, Size:...

Jack Hofflander, American (1920 - 2003) - Haitian Village, Year: 1981, Medium: Screenprint, signed and numbered in pencil, Edition: 250, 30 AP, Size: 21.5 in. x 27.5 in. (54.61 c...

Kay Ameche, American (1904 - 2005) - Walden Pond in Spring, Year: 1981, Medium: Screenprint, signed and numbered in pencil, Edition: 200, AP 40, Size: 22 in. x 26 in. (55.88 cm x...

Kay Ameche, American (1904 - 2005) - Walden Pond in Winter, Year: 1980, Medium: Screenprint, signed and numbered in pencil, Edition: 200, AP 40, Image Size: 17 x 21 inches, Size:...

Claude Tabet, French (1924 - 1979) - Rue Norvins. Year: circa 1975, Medium: Lithograph, signed and numbered in pencil, Edition: 250, Image Size: 23 x 16 inches, Size: 30 x 22 in. (76...

Vic Herman, American (1919 - 1999) - Little Fisherman from Boca del Rio, Year: circa 1978, Medium: Lithograph, signed and numbered in pencil, Edition: AP, Image Size: 26 x 15 inc...

Jack Hofflander, American (1920 - 2003) - Balloon Race, Year: 1978, Medium: Screenprint, signed and numbered in pencil, Edition: 250, AP 25, Image Size: 22 x 30 inches, Size: 26...

Mary Faulconer, American (1912 - 2011) - Farrah's Original Harrogate Toffee, Year: circa 1981, Medium: Lithograph, signed and numbered in pencil, Edition: 250, Image Size: 26 x 2...

Ari Gradus, Israeli (1943 - ) - Winter Fantasy, Year: 1980, Medium: Lithograph, Signed and Numbered in Pencil, Edition: 300, AP, Image Size: 18 x 26 inc...

Heropass Tighe O’Donoghue, American (1942–2023) Date: circa 1975 Aquatint Etching, signed in pencil Size: 30 x 22 in. (76.2 x 55.88 cm)

Friendly Totems Douglas Mazonowicz, British (1920–2001) Date: circa 1981 Screenprint, signed and numbered in pencil Edition of 134/275 Image Size: 23.5 x 18 inches Size: 29 x 23.25 i...

Claude Tabet, French (1924 - 1979) - The Louvre. Year: circa 1975, Medium: Lithograph, signed and numbered in pencil, Edition: 250, Image Size: 18.5 x 22.5 inches, Size: 22 x 30 in. ...

Judith Bledsoe, American (1938 - 2013) - Clown I. Year: circa 1975, Medium: Lithograph, signed and dedicated in pencil, Size: 35 x 24 in. (88.9 x 60.96 cm), Description: Standing wi...

Silkscreen work by Noche Crist (1909- 2004). Marked in pencil 3/15 lower left. Printed by the artist in the 1970s. Image is from her Year of the Ram series...

Mary Faulconer, American (1912 - 2011) - Spring Hope, Year: 1978, Medium: Lithograph, signed and numbered in pencil, Edition: 250, Size: 22 in. x 30 in. (55.88 cm x 76.2 cm), Des...

Kay Ameche, American (1904 - 2005) - Mt. Shasta, Year: 1980, Medium: Screenprint, signed and numbered in pencil, Edition: 200, AP 40, Image Size: 11.5 x 24 inches, Size: 17.5 in...

Kay Ameche, American (1904 - 2005) - Big Sur, Year: 1981, Medium: Screenprint, signed and numbered in pencil, Edition: 200, AP 40, Image Size: 17 x 21.5 inches, Size: 22.5 in. x...

Jack Hofflander, American (1920 - 2003) - Flowers, Medium: Screenprint, numbered in pencil, Edition: TP, Image Size: 18.5 x 26 inches, Size: 21 x 28 in. (53.34 x 71.12 cm), Des...

Mary Faulconer, American (1912 - 2011) - Anenomes, Year: 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 250, Size: 30 in. x 22 in. (76.2 cm x 55.88 cm), Descri...

Mary Faulconer, American (1912 - 2011) - Librarie Galerie, Year: circa 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 250, AP 35, Image Size: 12 x 17 inches, S...

Mary Faulconer, American (1912 - 2011) - Fortnum and Mason, Year: circa 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 250, AP 35, Image Size: 24.5 x 18.5 inch...

Artist: Ralph Fasanella, American (1914 - 1997) Title: Empire State Year: 1974 Medium: Screenprint on Arches Paper, signed and numbered in pencil Edition: 300 Image: 40 x 24 inches S...

Mary Faulconer, American (1912 - 2011) - Au Rouge Coq Chantilly, Year: circa 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 250, AP 35, Image Size: 17 x 12 inc...

Kay Ameche, American (1904 - 2005) - Eisenhower Farm at Gettysburg, Year: 1980, Medium: Screenprint, signed and numbered in pencil, Edition: 250, AP 40, Image Size: 17 x 21 inche...

Jack Hofflander, American (1920 - 2003) - Country Balloon Fair, Year: 1980, Medium: Screenprint, signed and numbered in pencil, Edition: 250, AP 30, Image Size: 22 x 30 inches, S...