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Style: Folk Art
Bird On Flower, Aquatint Etching by Keiko Minami
By Keiko Minami
Located in Long Island City, NY
Artist: Keiko Minami, Japanese (1911 - 2004)
Title: Bird On Flower
Year: circa 1985
Medium: Aquatint Etching, Signed and numbered in pencil
Edition: 12...
Category
1980s Folk Art Prints and Multiples
Materials
Aquatint, Etching
Folk Art Limited Edition Print 2/20 Morocco African Desert Dance Dogs Camels
Located in Norfolk, GB
This vibrant Folk Art Limited Edition Print is taken from a painting on board is by the wonderful British Canadian artist Nancy Patterson. It comes fro...
Category
2010s Folk Art Prints and Multiples
Materials
Lithograph
Cocina, de la serie Niños Mexicanos
Located in Cuauhtemoc, Ciudad de México
Signed with pencil.
Technique: Serigraph printing
Stamp measurements: 60 x 45 cms
Number of inks: from 30 to 35
Paper: Biblos Guarro Español 100% cotton
Edition: 500 pieces (250 + 250p -p stands for Portfolio-) + 50 P.A.
Date: 1993 a 1995
Printing master: Enrique Cattaneo
Editor: Leonardo Martínez Lanz
This edition was produced by Mr. Bernard Lewin, founder of the Lewin family collection.
The half of the collection marked with a "P" was meant to be sold in a complete series of 8.
Part of the edition was sold at his gallery "Lewin Gallery" in Beverly Hills.
Barefoot little Mexican girl with braids in a kitchen with pink dress sitting on a purple chair holding a black dish...
Category
1990s Folk Art Prints and Multiples
Materials
Screen
Women Loving Woomen
Located in Washington, DC
Signed silkscreen work by Noche Crist (1909- 2004). From Women Loving Woomen series. Wonderful work printed by the artist on thick paper. Catalogue of a postumous retrospective in...
Category
1970s Folk Art Prints and Multiples
Materials
Paper
Clouds behind clouds II and Cloud 2
By Simon Tozer
Located in Deddington, GB
Clouds behind clouds II and Cloud 2 by Simon Tozer [2022]
original
Screenprint on paper
Image size: H:24 cm x W:21 cm
Complete Size of Unframed Work: H:24 cm x W:21 cm x D:0.1cm
...
Category
21st Century and Contemporary Folk Art Prints and Multiples
Materials
Paper, Screen
Crab, Lucy Routh, Original painting, Animal art for sale, illustrative art
Located in Deddington, GB
Crab by Lucy Routh
Limited edition print and hand signed by the artist
Edition size for this print is 100.
Image size: H:50cm x W:60cm
Completed size of unframed work: H:50cm x W:6...
Category
21st Century and Contemporary Folk Art Prints and Multiples
Materials
Paper, Giclée
Carousel
Located in Long Island City, NY
"Carousel" is a colorful and playful print by Chae Tong Yull, Korean (1951). The Screenprint is signed and numbered in pencil
Edition of 250
Size: 35 x 26 in. (88.9 x 66.04 cm)
Category
1980s Folk Art Prints and Multiples
Materials
Screen
1945 Mexican Modernist Silkscreen Serigraph Print Regional Folk Art Dress Mexico
Located in Surfside, FL
This listing is for the one Silkscreen serigraph piece listed here.
Mexico City, 1945. First edition. plate signed, limited edition of 1000, these serigraph plates depict various types of traditional and folk art indigenous clothing and costume styles from around Mexico. The illustrations depict the cultures of many different states in Mexico, including Oaxaca, Chiapas, Jalisco and Veracruz.
Carlos Mérida (December 2, 1891 – December 21, 1985) was a Guatemalan artist who was one of the first to fuse European modern painting to Latin American themes, especially those related to Guatemala and Mexico. He was part of the Mexican muralism movement in subject matter but less so in style, favoring a non-figurative and later geometric style rather than a figurative, narrative style. Mérida is best known for canvas and mural work, the latter including elements such as glass and ceramic mosaic on major constructions in the 1950s and 1960s. One of his major works, on the Benito Juarez housing complex, was completely destroyed with the 1985 Mexico City earthquake, but a monument to it exists at another complex in the south of the city.
Carlos Mérida was born Carlos Santiago Ortega in Guatemala City to Serapio Santiago Mérida and Guadalupe Ortega Barnoya. He later changed his name what is known by as he thought it was more sonorous. His brothers and children also took the Mérida name later on. He was of mixed Spanish/Maya-Quiché heritage which he promoted during his life.
As a young child, Mérida had both music and art lessons, and his first passion was music, which led to piano lessons. He studied at a trade school called the Instituto de Artes y Oficios, then the Instituto de Ciencias y Letras. Here he began to have a reputation for the avant garde.
Merída’s first trip to the United States was in 1917, where he met writer Juan José Tablada. Mérida made several trips to Europe over his lifetime to both study art and work as an artist and diplomat. His early trips in the 1920s and 1930s put him in touch with both avant garde movements in Europe as well as noted Latin American artists, especially those from Mexico. His last trip was in 1950s.
In 1963, he donated canvases, graphic pieces and mural sketches to the Universidad Nacional Autónoma de Mexico. Merida was one of a number of artists such as Diego Rivera and Gerardo Murillo who became committed to promoting the handcrafts and folk art of Mexico and Central America, with a particular interest in those of Guatemala, often featuring Mayan textiles or elements in their decoration in his artwork. He died in Mexico City at the age of 94 on December 21, 1985.
As there was little opportunity for artists in Guatemala, in 1910, Mérida traveled to Paris with a friend named Carlos Valenti on a German cargo ship. From then until 1914, he lived and worked in Paris and traveled much of Europe. This put him in touch with European avant garde artists such as Van Dagen, Amedeo Modigliani, Pablo Picasso and Piet Mondrian as well as Latin American artists studying in Europe such as Diego Rivera, Jorge Enciso, Ángel Zárraga and Dr. Atl. He exhibited his work in venues such as the Independent Salon and the Giroux Gallery in Paris.
Mérida has forty five exhibitions in the United States and eighteen in Mexico from 1928 to 1948. These included an exhibition with Rufino Tamayo at the Art Center of New York (1930), the John Becker and Valentine galleries in New York (1930), the Club de Escritores de México and the Galería Posada in Mexico City (1931), the Stendhal Gallery and the Stanley Rose...
Category
1940s Folk Art Prints and Multiples
Materials
Screen
Honeymooners
Located in Long Island City, NY
"Honeymooners" is a colorful and playful print by Chae Tong Yull, Korean (1951). The Screenprint is signed and numbered in pencil
Edition of 250
Size: 30 x 26 in. (76.2 x 66.04 cm)
Category
1980s Folk Art Prints and Multiples
Materials
Screen
1945 Mexican Modernist Silkscreen Serigraph Print Regional Folk Art Dress Mexico
Located in Surfside, FL
This listing is for the one Silkscreen serigraph piece listed here.
Mexico City, 1945. First edition. plate signed, limited edition of 1000, these serigraph plates depict various types of traditional and folk art indigenous clothing and costume styles from around Mexico. The illustrations depict the cultures of many different states in Mexico, including Oaxaca, Chiapas, Jalisco and Veracruz.
Carlos Mérida (December 2, 1891 – December 21, 1985) was a Guatemalan artist who was one of the first to fuse European modern painting to Latin American themes, especially those related to Guatemala and Mexico. He was part of the Mexican muralism movement in subject matter but less so in style, favoring a non-figurative and later geometric style rather than a figurative, narrative style. Mérida is best known for canvas and mural work, the latter including elements such as glass and ceramic mosaic on major constructions in the 1950s and 1960s. One of his major works, on the Benito Juarez housing complex, was completely destroyed with the 1985 Mexico City earthquake, but a monument to it exists at another complex in the south of the city.
Carlos Mérida was born Carlos Santiago Ortega in Guatemala City to Serapio Santiago Mérida and Guadalupe Ortega Barnoya. He later changed his name what is known by as he thought it was more sonorous. His brothers and children also took the Mérida name later on. He was of mixed Spanish/Maya-Quiché heritage which he promoted during his life.
As a young child, Mérida had both music and art lessons, and his first passion was music, which led to piano lessons. He studied at a trade school called the Instituto de Artes y Oficios, then the Instituto de Ciencias y Letras. Here he began to have a reputation for the avant garde.
Merída’s first trip to the United States was in 1917, where he met writer Juan José Tablada. Mérida made several trips to Europe over his lifetime to both study art and work as an artist and diplomat. His early trips in the 1920s and 1930s put him in touch with both avant garde movements in Europe as well as noted Latin American artists, especially those from Mexico. His last trip was in 1950s.
In 1963, he donated canvases, graphic pieces and mural sketches to the Universidad Nacional Autónoma de Mexico. Merida was one of a number of artists such as Diego Rivera and Gerardo Murillo who became committed to promoting the handcrafts and folk art of Mexico and Central America, with a particular interest in those of Guatemala, often featuring Mayan textiles or elements in their decoration in his artwork. He died in Mexico City at the age of 94 on December 21, 1985.
As there was little opportunity for artists in Guatemala, in 1910, Mérida traveled to Paris with a friend named Carlos Valenti on a German cargo ship. From then until 1914, he lived and worked in Paris and traveled much of Europe. This put him in touch with European avant garde artists such as Van Dagen, Amedeo Modigliani, Pablo Picasso and Piet Mondrian as well as Latin American artists studying in Europe such as Diego Rivera, Jorge Enciso, Ángel Zárraga and Dr. Atl. He exhibited his work in venues such as the Independent Salon and the Giroux Gallery in Paris.
Mérida has forty five exhibitions in the United States and eighteen in Mexico from 1928 to 1948. These included an exhibition with Rufino Tamayo at the Art Center of New York (1930), the John Becker and Valentine galleries in New York (1930), the Club de Escritores de México and the Galería Posada in Mexico City (1931), the Stendhal Gallery and the Stanley Rose...
Category
1940s Folk Art Prints and Multiples
Materials
Screen
1945 Mexican Modernist Silkscreen Serigraph Print Regional Folk Art Dress Mexico
Located in Surfside, FL
This listing is for the one Silkscreen serigraph piece listed here.
Mexico City, 1945. First edition. plate signed, limited edition of 1000, these serigraph plates depict various types of traditional and folk art indigenous clothing and costume styles from around Mexico. The illustrations depict the cultures of many different states in Mexico, including Oaxaca, Chiapas, Jalisco and Veracruz.
Carlos Mérida (December 2, 1891 – December 21, 1985) was a Guatemalan artist who was one of the first to fuse European modern painting to Latin American themes, especially those related to Guatemala and Mexico. He was part of the Mexican muralism movement in subject matter but less so in style, favoring a non-figurative and later geometric style rather than a figurative, narrative style. Mérida is best known for canvas and mural work, the latter including elements such as glass and ceramic mosaic on major constructions in the 1950s and 1960s. One of his major works, on the Benito Juarez housing complex, was completely destroyed with the 1985 Mexico City earthquake, but a monument to it exists at another complex in the south of the city.
Carlos Mérida was born Carlos Santiago Ortega in Guatemala City to Serapio Santiago Mérida and Guadalupe Ortega Barnoya. He later changed his name what is known by as he thought it was more sonorous. His brothers and children also took the Mérida name later on. He was of mixed Spanish/Maya-Quiché heritage which he promoted during his life.
As a young child, Mérida had both music and art lessons, and his first passion was music, which led to piano lessons. He studied at a trade school called the Instituto de Artes y Oficios, then the Instituto de Ciencias y Letras. Here he began to have a reputation for the avant garde.
Merída’s first trip to the United States was in 1917, where he met writer Juan José Tablada. Mérida made several trips to Europe over his lifetime to both study art and work as an artist and diplomat. His early trips in the 1920s and 1930s put him in touch with both avant garde movements in Europe as well as noted Latin American artists, especially those from Mexico. His last trip was in 1950s.
In 1963, he donated canvases, graphic pieces and mural sketches to the Universidad Nacional Autónoma de Mexico. Merida was one of a number of artists such as Diego Rivera and Gerardo Murillo who became committed to promoting the handcrafts and folk art of Mexico and Central America, with a particular interest in those of Guatemala, often featuring Mayan textiles or elements in their decoration in his artwork. He died in Mexico City at the age of 94 on December 21, 1985.
As there was little opportunity for artists in Guatemala, in 1910, Mérida traveled to Paris with a friend named Carlos Valenti on a German cargo ship. From then until 1914, he lived and worked in Paris and traveled much of Europe. This put him in touch with European avant garde artists such as Van Dagen, Amedeo Modigliani, Pablo Picasso and Piet Mondrian as well as Latin American artists studying in Europe such as Diego Rivera, Jorge Enciso, Ángel Zárraga and Dr. Atl. He exhibited his work in venues such as the Independent Salon and the Giroux Gallery in Paris.
Mérida has forty five exhibitions in the United States and eighteen in Mexico from 1928 to 1948. These included an exhibition with Rufino Tamayo at the Art Center of New York (1930), the John Becker and Valentine galleries in New York (1930), the Club de Escritores de México and the Galería Posada in Mexico City (1931), the Stendhal Gallery and the Stanley Rose...
Category
1940s Folk Art Prints and Multiples
Materials
Screen
Independence Day, Folk Art print by Colette Raker
Located in Long Island City, NY
Independence Day by Colette Raker, French (1938)
Date: circa 1980
Screenprint, signed and numbered in pencil
Edition of 250
Image Size: 33 x 26 inches...
Category
1980s Folk Art Prints and Multiples
Materials
Screen
Gift II, etching by Vick Vibha
Located in Long Island City, NY
Gift II by Vick Vibha
Date: circa 1978
Etching, signed in pencil
Edition of AP
Image Size: 20 x 15 inches
Size: 26 in. x 21 in. (66.04 cm x 53.34 cm)
Category
1970s Folk Art Prints and Multiples
Materials
Etching
Folk Art Limited Edition Print 2/20 Morocco African Palm Trees Sunflowers Goat
Located in Norfolk, GB
This vibrant Folk Art Print made from a painting on board is by the fabulous British Canadian artist Nancy Patterson. It comes from her series ‘Days in...
Category
Early 2000s Folk Art Prints and Multiples
Materials
Lithograph
Large 1960s French Art Brut Lithograph Bold Black & White Op Art Philippe Dereux
Located in Surfside, FL
Printed by Pierre Chave, Vence, published by Bianchi Frères in Nice, France
ink on watermarked chiffon de Mandeure paper, hand signed in pencil lower right, "PH Dureux," numbered 4/5...
Category
1960s Folk Art Prints and Multiples
Materials
Archival Paper, Lithograph
Ballpark, Silkscreen by Ralph Fasanella
Located in Long Island City, NY
Artist: Ralph Fasanella, American (1914 - 1997)
Title: Ball Park
Year: 1974
Medium: Screenprint on Arches Paper, signed and numbered in pencil
Edition: 250
Image: 25 x 37 inches
Size...
Category
1970s Folk Art Prints and Multiples
Materials
Screen
Etching of destroyed synagogue - Warsaw, Poland
Located in Surfside, FL
Cracow Poland Etching of Polish Synagogue, Jewish temple. From very rare small edition. Most are signed in Hebrew and /or English. some are marked AP some are numbered. please see ph...
Category
20th Century Folk Art Prints and Multiples
Materials
Etching
Folk Art Limited Edition Print 1/20 Morocco African Desert Voyage Dogs Camels
Located in Norfolk, GB
This vibrant Folk Art Limited Edition Print is made from a painting on board by the fabulous British Canadian artist Nancy Patterson. It comes from her...
Category
2010s Folk Art Prints and Multiples
Materials
Lithograph
Thanksgiving, Folk Art print by Colette Raker
Located in Long Island City, NY
Thanksgiving by Colette Raker, French/American (1938)
Date: circa 1980
Screenprint, signed and numbered in pencil
Edition of 450
Image Size: 25.5 x 33 inches
Size: 28 x 36.5 in. (71....
Category
1980s Folk Art Prints and Multiples
Materials
Screen
Haggadah of Passover, Portfolio of Lithographs by Shlomo Katz 1978
By Shlomo Katz
Located in Long Island City, NY
Artist: Shlomo Katz, Polish/Israeli (1937 - 1992)
Title: Hagada of Passover Portfolio
Year: 1978
Medium: Portfolio of 12 Lithographs (plus 2 more), each signed in pencil
Edition: 350...
Category
1970s Folk Art Prints and Multiples
Materials
Lithograph
1945 Mexican Modernist Silkscreen Serigraph Print Regional Folk Art Dress Mexico
Located in Surfside, FL
This listing is for the one Silkscreen serigraph piece listed here.
Mexico City, 1945. First edition. plate signed, limited edition of 1000, these serigraph plates depict various types of traditional and folk art indigenous clothing and costume styles from around Mexico. The illustrations depict the cultures of many different states in Mexico, including Oaxaca, Chiapas, Jalisco and Veracruz.
Carlos Mérida (December 2, 1891 – December 21, 1985) was a Guatemalan artist who was one of the first to fuse European modern painting to Latin American themes, especially those related to Guatemala and Mexico. He was part of the Mexican muralism movement in subject matter but less so in style, favoring a non-figurative and later geometric style rather than a figurative, narrative style. Mérida is best known for canvas and mural work, the latter including elements such as glass and ceramic mosaic on major constructions in the 1950s and 1960s. One of his major works, on the Benito Juarez housing complex, was completely destroyed with the 1985 Mexico City earthquake, but a monument to it exists at another complex in the south of the city.
Carlos Mérida was born Carlos Santiago Ortega in Guatemala City to Serapio Santiago Mérida and Guadalupe Ortega Barnoya. He later changed his name what is known by as he thought it was more sonorous. His brothers and children also took the Mérida name later on. He was of mixed Spanish/Maya-Quiché heritage which he promoted during his life.
As a young child, Mérida had both music and art lessons, and his first passion was music, which led to piano lessons. He studied at a trade school called the Instituto de Artes y Oficios, then the Instituto de Ciencias y Letras. Here he began to have a reputation for the avant garde.
Merída’s first trip to the United States was in 1917, where he met writer Juan José Tablada. Mérida made several trips to Europe over his lifetime to both study art and work as an artist and diplomat. His early trips in the 1920s and 1930s put him in touch with both avant garde movements in Europe as well as noted Latin American artists, especially those from Mexico. His last trip was in 1950s.
In 1963, he donated canvases, graphic pieces and mural sketches to the Universidad Nacional Autónoma de Mexico. Merida was one of a number of artists such as Diego Rivera and Gerardo Murillo who became committed to promoting the handcrafts and folk art of Mexico and Central America, with a particular interest in those of Guatemala, often featuring Mayan textiles or elements in their decoration in his artwork. He died in Mexico City at the age of 94 on December 21, 1985.
As there was little opportunity for artists in Guatemala, in 1910, Mérida traveled to Paris with a friend named Carlos Valenti on a German cargo ship. From then until 1914, he lived and worked in Paris and traveled much of Europe. This put him in touch with European avant garde artists such as Van Dagen, Amedeo Modigliani, Pablo Picasso and Piet Mondrian as well as Latin American artists studying in Europe such as Diego Rivera, Jorge Enciso, Ángel Zárraga and Dr. Atl. He exhibited his work in venues such as the Independent Salon and the Giroux Gallery in Paris.
Mérida has forty five exhibitions in the United States and eighteen in Mexico from 1928 to 1948. These included an exhibition with Rufino Tamayo at the Art Center of New York (1930), the John Becker and Valentine galleries in New York (1930), the Club de Escritores de México and the Galería Posada in Mexico City (1931), the Stendhal Gallery and the Stanley Rose...
Category
1940s Folk Art Prints and Multiples
Materials
Screen
1945 Mexican Modernist Silkscreen Serigraph Print Regional Dress Carlos Merida
Located in Surfside, FL
This listing is for the one Silkscreen serigraph piece listed here.
Mexico City, 1945. First edition. plate signed, limited edition of 1000, these serigraph plates depict various types of traditional and folk art indigenous clothing and costume styles from around Mexico. The illustrations depict the cultures of many different states in Mexico, including Oaxaca, Chiapas, Jalisco and Veracruz.
Carlos Mérida (December 2, 1891 – December 21, 1985) was a Guatemalan artist who was one of the first to fuse European modern painting to Latin American themes, especially those related to Guatemala and Mexico. He was part of the Mexican muralism movement in subject matter but less so in style, favoring a non-figurative and later geometric style rather than a figurative, narrative style. Mérida is best known for canvas and mural work, the latter including elements such as glass and ceramic mosaic on major constructions in the 1950s and 1960s. One of his major works, on the Benito Juarez housing complex, was completely destroyed with the 1985 Mexico City earthquake, but a monument to it exists at another complex in the south of the city.
Carlos Mérida was born Carlos Santiago Ortega in Guatemala City to Serapio Santiago Mérida and Guadalupe Ortega Barnoya. He later changed his name what is known by as he thought it was more sonorous. His brothers and children also took the Mérida name later on. He was of mixed Spanish/Maya-Quiché heritage which he promoted during his life.
As a young child, Mérida had both music and art lessons, and his first passion was music, which led to piano lessons. He studied at a trade school called the Instituto de Artes y Oficios, then the Instituto de Ciencias y Letras. Here he began to have a reputation for the avant garde.
Merída’s first trip to the United States was in 1917, where he met writer Juan José Tablada. Mérida made several trips to Europe over his lifetime to both study art and work as an artist and diplomat. His early trips in the 1920s and 1930s put him in touch with both avant garde movements in Europe as well as noted Latin American artists, especially those from Mexico. His last trip was in 1950s.
In 1963, he donated canvases, graphic pieces and mural sketches to the Universidad Nacional Autónoma de Mexico. Merida was one of a number of artists such as Diego Rivera and Gerardo Murillo who became committed to promoting the handcrafts and folk art of Mexico and Central America, with a particular interest in those of Guatemala, often featuring Mayan textiles or elements in their decoration in his artwork. He died in Mexico City at the age of 94 on December 21, 1985.
As there was little opportunity for artists in Guatemala, in 1910, Mérida traveled to Paris with a friend named Carlos Valenti on a German cargo ship. From then until 1914, he lived and worked in Paris and traveled much of Europe. This put him in touch with European avant garde artists such as Van Dagen, Amedeo Modigliani, Pablo Picasso and Piet Mondrian as well as Latin American artists studying in Europe such as Diego Rivera, Jorge Enciso, Ángel Zárraga and Dr. Atl. He exhibited his work in venues such as the Independent Salon and the Giroux Gallery in Paris.
Mérida has forty five exhibitions in the United States and eighteen in Mexico from 1928 to 1948. These included an exhibition with Rufino Tamayo at the Art Center of New York (1930), the John Becker and Valentine galleries in New York (1930), the Club de Escritores de México and the Galería Posada in Mexico City (1931), the Stendhal Gallery and the Stanley Rose...
Category
1940s Folk Art Prints and Multiples
Materials
Screen
Hills 12
Located in Deddington, GB
Hills 12 by Susan Brown [2021]
limited_edition
Giclee print on paper
Edition number 250
Image size: H:40 cm x W:40 cm
Complete Size of Unframed Work: H:50 cm x W:50 cm x D:0.1cm
...
Category
21st Century and Contemporary Folk Art Prints and Multiples
Materials
Giclée
Etching of destroyed synagogue - Husyatin, Ukraine
Located in Surfside, FL
Cracow Poland Etching of Polish Synagogue, Jewish temple. From very rare small edition. Most are signed in Hebrew and /or English. some are marked AP some are numbered. please see ph...
Category
20th Century Folk Art Prints and Multiples
Materials
Etching
Etching of destroyed synagogue - Essen, Germany
Located in Surfside, FL
Cracow Poland Etching of Polish Synagogue, Jewish temple. From very rare small edition. Most are signed in Hebrew and /or English. some are marked AP some are numbered. please see ph...
Category
20th Century Folk Art Prints and Multiples
Materials
Etching
Etching of destroyed synagogue - Przedborz, Poland
Located in Surfside, FL
Cracow Poland Etching of Polish Synagogue, Jewish temple. From very rare small edition. Most are signed in Hebrew and /or English. some are marked AP some are numbered. please see ph...
Category
20th Century Folk Art Prints and Multiples
Materials
Etching
Under the Sun, Silkscreen by Muhammad Ali
By Muhammad Ali
Located in Long Island City, NY
Artist: Muhammad Ali, American (1942 - )
Title: Under the Sun
Year: 1979
Medium: Serigraph, signed and numbered in pencil
Edition: 500
Size: 22 x 30 in. (55.88 x 76.2 cm)
Frame: 36 ...
Category
1970s Folk Art Prints and Multiples
Materials
Screen
Folk Art Limited Edition Print 1/20 Morocco African Desert Life Camels Palms
Located in Norfolk, GB
This vibrant Folk Art Limited Edition Print made from a painting on board is by the fabulous British Canadian artist Nancy Patterson. It comes from her...
Category
Early 2000s Folk Art Prints and Multiples
Materials
Lithograph
The Tiger, Etching by Vick Vibha
Located in Long Island City, NY
The Tiger by Vick Vibha, American XXth
Date: 1978
Color Etching on Arches, signed and numbered in pencil
Edition of 150, AP 25
Image Size: 16.5 x 22 inches
...
Category
1970s Folk Art Prints and Multiples
Materials
Etching
Village en Hiver
Located in San Francisco, CA
This artwork "Village en Hiver" c.1980 is an original color lithograph by French artist Madeleine (Mady) De La Giraudiere, 1922-2018. It is hand signed a...
Category
Late 20th Century Folk Art Prints and Multiples
Materials
Lithograph
Israeli Naive Folk Art Birdhouse Silkscreen Lithograph David Sharir Birds
By David Sharir
Located in Surfside, FL
David Sharir was born in 1938 in Tel Aviv, Israel and currently resides there.
David Sharir, the son of Russian immigrants, was born in Israel. Beginning his study of art in Tel Aviv and continuing in Florence and Rome, where he studied architecture and theater design. The brightly colored costumes and intricate stage designs he created for these productions have profoundly influenced his art. When Sharir moved to Old Jaffa in 1966, his hallmark style was truly developed. Studio, family, and spiritual devotion all serve as inspiration for the imagery in his work. His evolving style combines personal experience, Biblical symbolism, and fantasy.
Israel has had a Vibrant Folk Art, Naive art scene for a long time now artists like Yisrael Paldi, Nahum Guttman, Reuven Rubin and even Yefim Ladyzhensky had naive periods. The most well know if the strict naive artists are Shalom of Safed, Irene Awret Gabriel Cohen, Natan Heber, Michael Falk Kopel Gurwin. Sharir depicted biblical subjects with a touch of humour and designed sets and costumes for the theatre and opera.
Graphic Art in Israel Today Tel Aviv Museum, Tel Aviv 1973
Israel 1948-1958: Watercolors, Drawings, Graphics
The Bezalel National Museum, Jerusalem 1958
Jean David, Yosl Bergner, Menachem Shemi, Zvi Mairovich, Ruth Schloss, Nahum Gutman...
Category
20th Century Folk Art Prints and Multiples
Materials
Screen
Steam Bath, Aniak
Located in San Francisco, CA
This artwork titled "Steam Bath, Aniak" 1995 is a color offset lithograph on paper by noted American artist Rie Mounier Munoz, 1921-2015. It is hand signed and numbered 38/950 in pencil by the artist. The image size is 6.75 x 10 inches, sheet size is 10.5 x 14 inches. It is in excellent condition..
About the artist:
Alaska painter Rie Mounier Munoz was the child of Dutch parents who immigrated to California, where she was born and raised. She is known for her colorful scenes of everyday life in Alaska.
Rie (from Marie) Munoz (moo nyos), studied art at Washington and Lee University in Virginia. In 1950, she traveled up the Inside Passage by steamship, fell in love with Juneau, and gave herself until the boat left the next day to find a job and a place to live. Since then Juneau has been home to Munoz. She began painting small vignettes of Alaska soon after arriving in Juneau, and also studied art at the University of Alaska-Juneau.
Munoz painted in oils in what she describes as a "painstakingly realistic" style, which she found stiff and "somewhat boring." Her breakthrough came a few years later when an artist friend introduced her to a versatile, water-soluble paint called casein. The immediacy of this inexpensive medium prompted an entirely new style. Rie's paintings became colorful and carefree, mirroring her own optimistic attitude toward life. With her newfound technique she set about recording everyday scenes of Alaskans at work and at play.
Of the many jobs she has held journalist, teacher, museum curator, artist, mother, Munoz recalls one of her most memorable was as a teacher on King Island in 1951, where she taught 25 Eskimo children. The island was a 13-hour umiak (a walrus skin boat) voyage from Nome, an experience she remembers vividly. After teaching in the Inupiat Eskimo village on the island with her husband during one school year, she felt a special affinity for Alaska's Native peoples and deliberately set about recording their traditional lifestyles that she knew to be changing very fast.
For the next twenty years, Rie practiced her art as a "Sunday painter," in and around prospecting with her husband, raising a son, and working as a freelance commercial artist, illustrator, cartoonist, and curator of exhibits for the Alaska State Museum. During her years in Alaska, Munoz has lived in a variety of small Alaskan communities, including prospecting and mining camps.
Her paintings reflect an interest in the day-to-day activities of village life such as fishing, berry picking, children at play, as well as her love of folklore and legends. Munoz says that what has appealed to her most were "images you might not think an artist would want to paint," such as people butchering crab, skinning a seal, or doing their laundry in a hand-cranked washing machine.
In 1972, with her hand-cut stencil and serigraph prints selling well in four locations in Alaska, she felt confident enough to leave her job at the Alaska State Museum and devote herself full time to her art. Freed from the constraints of an office job, she began to produce close to a hundred paintings a year, in addition to stone lithograph and serigraph prints.
From her earliest days as an artist, Rie had firm beliefs about selling her work. First, she insisted the edition size should be kept modest. When she decided in 1973 to reproduce Eskimo Story Teller as an offset lithography print and found the minimum print run to be 500, she destroyed 200 of the prints. She did the same with King Island, her second reproduction. Reluctantly, to meet market demand, she increased the edition size of the reproductions to 500 and then 750. The editions stayed at that level for almost ten years before climbing to 950 and 1250.
Her work has been exhibited many solo watercolor exhibits in Alaska, Oregon and Washington State, including the Charles and Emma Frye Art Museum, Alaska State Museum in Juneau, Anchorage Historical and Fine Arts Museum, Tongass Historical Museum in Ketchikan, and Yukon Regional Library in Whitehorse; Yukon Territory, and included in exhibits at the Smithsonian Institute and Russell Senate Office Building in Washington, D.C.
Munozs paintings have graced the covers of countless publications, from cookbooks to mail order catalogs, and been published in magazines, newspapers, posters, calendars, and two previous collections of her work: Rie Munoz...
Category
Late 20th Century Folk Art Prints and Multiples
Materials
Lithograph
Year of the Ram
Located in Washington, DC
Silkscreen work by Noche Crist (1909- 2004). Marked in pencil 3/15 lower left. Printed by the artist in the 1970s. Image is from her Year of the Ram series...
Category
1970s Folk Art Prints and Multiples
Materials
Paper
Frontline and Homefront diptych
By Harry Bunce
Located in Deddington, GB
Harry Bunce
Love Wars Series, Frontline
Limited Edition Hand Pulled Silkscreen
Image Size: H 63cm x W 49cm x D 0.1cm
Mounted Size: H 73cm x W 59cm x 0.5cm
So...
Category
21st Century and Contemporary Folk Art Prints and Multiples
Materials
Paper, Screen
Etching of destroyed synagogue - Volpa, Belarus
Located in Surfside, FL
Cracow Poland Etching of Polish Synagogue, Jewish temple. From very rare small edition. Most are signed in Hebrew and /or English. some are marked AP some are numbered. please see ph...
Category
20th Century Folk Art Prints and Multiples
Materials
Etching
Jared Bernstien, "Trust" museum quality print on canvas
Located in Jerusalem, IL
Jared Bernstein “Trust”
museum quality art print on canvas
available in additional sizes upon request
ed. 36
“Art is something that stimulates an individual's thoughts, emotions, be...
Category
2010s Folk Art Prints and Multiples
Materials
Canvas, Giclée
Mixed Media Collage Feminist Lithograph Folk Art Quilt Pattern & Decoration Art
Located in Surfside, FL
Bow Tie
Hand signed and numbered, ,limited edition lithograph collage assemblage.
Barbara Kohl-Spiro is a Milwaukee, Wisconsin-based artist whose work has spanned over five decades and has been exhibited internationally. She works in collage, mixed media, watercolor painting and Jewish culture has a strong influence on Spiro’s work and is close to her heart.
Spiro is particularly interested in art made by common people of various cultures where the art is a reflection of their belief system. Spiro has exhibited in solo and group exhibitions, including at the Golda Meir Library, University of Wisconsin-Milwaukee; Portals Gallery, Chicago, Illinois; Kohler Art Museum, Sheboygan, Wisconsin; Michael Lord Gallery, Milwaukee, Wisconsin; and Albright-Knox Museum, Buffalo, New York. Barbara Kohl work was included in the Mishkenot Sha’ananim at the Israel Museum, Jerusalem, Israel (2003), 1994; Wisconsin Artists: A Celebration of Jewish Presence
2005 Strength-Four Strong Wisconsin Woman. Kohl-Spiro says that: "For me, my life has been dedicated to family, tradition, and adding to the big pot...
Category
20th Century Folk Art Prints and Multiples
Materials
Fabric, Lithograph
Large 1960s French Art Brut Lithograph Bold Black & White Op Art Philippe Dereux
Located in Surfside, FL
printed by Pierre Chave, Vence, published by Bianchi Frères in Nice, France
ink on watermarked chiffon de Mandeure paper, hand signed in pencil lower right, "PH Dureux," numbered 4/5...
Category
1960s Folk Art Prints and Multiples
Materials
Archival Paper, Lithograph
Etching of destroyed synagogue - Grodno, Belarus
Located in Surfside, FL
Cracow Poland Etching of Polish Synagogue, Jewish temple. From very rare small edition. Most are signed in Hebrew and /or English. some are marked AP some are numbered. please see ph...
Category
20th Century Folk Art Prints and Multiples
Materials
Etching
Etching of destroyed synagogue - Lwow, Poland
Located in Surfside, FL
Cracow Poland Etching of Polish Synagogue, Jewish temple. From very rare small edition. Most are signed in Hebrew and /or English. some are marked AP some are numbered. please see ph...
Category
20th Century Folk Art Prints and Multiples
Materials
Etching
Jared Bernstien, "Enlightenment" museum quality print on canvas
Located in Jerusalem, IL
Jared Bernstein “Trust”
museum quality art print on canvas
available in additional sizes upon request
ed. 36
“Art is something that stimulates an individual's thoughts, emotions, be...
Category
2010s Folk Art Prints and Multiples
Materials
Giclée, Canvas
Going to Work, New York Screenprint by Ralph Fasanella
Located in Long Island City, NY
Rendered in hues of blue, teal, and brown, this Ralph Fasanella print is a bustling depiction of New York City including views of identifiable landmarks from various boroughs and loc...
Category
1980s Folk Art Prints and Multiples
Materials
Screen
Large 1960s French Art Brut Lithograph Bold Black & White Op Art Philippe Dereux
Located in Surfside, FL
printed by Pierre Chave, Vence, published by Bianchi Frères in Nice, France
ink on watermarked chiffon de Mandeure paper, hand signed in pencil lower right, "PH Dureux," numbered 4/5...
Category
1960s Folk Art Prints and Multiples
Materials
Archival Paper, Lithograph
Castle, Aquatint Etching by Keiko Minami
By Keiko Minami
Located in Long Island City, NY
Artist: Keiko Minami, Japanese (1911 - 2004)
Title: Castle
Year: circa 1985
Medium: Aquatint Etching, Signed and numbered in pencil
Edition: 120
Image Size: 12 x 11 inches
Size: 22 ...
Category
1980s Folk Art Prints and Multiples
Materials
Aquatint, Etching
Large 1960s French Art Brut Lithograph Bold Black & White Op Art Philippe Dereux
Located in Surfside, FL
Printed by Pierre Chave, Vence, published by Bianchi Frères in Nice, France
ink on watermarked chiffon de Mandeure paper, hand signed in pencil lower right, "PH Dureux," numbered 4/50 lower left, titled in pencil center.
This might be a silkscreen or lithograph technique.
Philippe Dereux was a French artist, born in Lyon in 1918, he was a teacher by profession. Widely known and appreciated for his abstract and decorative collages based on fruit and vegetable peelings. His work was featured in exhibitions at the Collection de l'Art Brut and the Halle Saint Pierre.
He was a collaborator of Jean Dubuffet in Vence in the mid-1950s, later going out on his own around 1960. Dereux's works are covered with plant elements (fruits or vegetable peels, flora and fauna). Abstract and decorative works in which he incorporated peelings of fruits, eggplants or potatoes glued with vinyl glue on cardboard and colored with gouache. He also made butterfly wing collage and assemblage works. His work, while boldly unique, bears many influences Art Brut, Outsider art, Enrico Baj, Aboriginal art, Tribal art, These works bear the influence of the black & white Op Zebra Art of Victor Vasarely and Yaacov Agam
(He was collected and showed with Alphonse Chave. An art lover, dealer and collector. On November 15, 1947 in Vence, under the name Les Mages, he opened a contemporary art gallery which would also become a high place of art brut, Naive and unique art. The gallery took its final name - Galerie Alphonse Chave - in 1960. He exhibited Dado, Philippe Dereux, Jean Dubuffet, Max Ernst, Henri michaux, Louis Pons, Man ray, Dorothea Tanning, Zao Wou-ki as well as other creators.)
Many public exhibitions were dedicated to him during his lifetime in Vence , Lyon , Grenoble and Paris :
1964: Fifty years of collages , Musée de Saint-Étienne, Musée des arts décoratifs de Paris.
1968: Living art, Fondation Maeght .
1984: Musée des arts décoratifs de Paris.
1985: Flaine Art Center.
1997: Neuve Invention Musée de l'art brut de Lausanne.
1999: Villefranche sur Saône cultural center and events in London and New York.
2003: Halle Saint-Pierre, Paris.
Exhibitions at the Galerie Alphonse Chave in Vence:
1965: The peeling work
1968: Pure peelings, trimmed peels , paintings, lithographs.
1972: High Tension
1981-1983: XX years of peelings
1989: Theaters of peeling .
1994: The little treatise on peelings
1999: One life
2007: Retrospective of works from 1960 to 2000
2009: Exhibition Dereux / Dubuffet, Museum of Fine Arts of Lyon
2012: Philippe Dereux (1918-2001). Memories of peelings, Chave gallery, Vence. The retrospective is made up of Dereux's personal collection, many of which have never been shown. There are more than one hundred and forty works exhibited.
2014: Le Mur, works by Philippe Dereux exhibited, with the 1200 works from the Antoine de Galbert collection at La Maison rouge...
Category
1960s Folk Art Prints and Multiples
Materials
Archival Paper, Lithograph
Large 1960s French Art Brut Lithograph Bold Black & White Op Art Philippe Dereux
Located in Surfside, FL
Printed by Pierre Chave, Vence, published by Bianchi Frères in Nice, France
ink on watermarked chiffon de Mandeure paper, hand signed in pencil lower right, "PH Dureux," numbered 4/5...
Category
1960s Folk Art Prints and Multiples
Materials
Archival Paper, Lithograph
Etching of destroyed synagogue - Bialistok, Poland
Located in Surfside, FL
Cracow Poland Etching of Polish Synagogue, Jewish temple. From very rare small edition. Most are signed in Hebrew and /or English. some are marked AP some are numbered. please see ph...
Category
20th Century Folk Art Prints and Multiples
Materials
Etching
Indian Summer in Nantuckett
Located in San Francisco, CA
This artwork titled "Indian Summer in Nantuckett" is an original offset lithograph on wove paper by American artist Jane Wooster Scott, born 1933. It is hand signed and numbered 681/750 in pencil by the artist. The image size is 27 x 20 inches, framed size is 39 x 32.25 inches. It is beautifully framed in a custom wood frame. It is in excellent condition.
About the artist.
Jane Wooster Scott grew up in the Philadelphia area and moved West following her dream to be a movie star. She quickly learned that goal was not for her, but became the host of a talk show where she interviewed movie stars.
She photographs what she sees to recapture them later on canvas. However, few of her paintings are real, existing scenes. They are compositions drawn from her personal imagination. She has been exhibiting her work in Los Angeles and New York and most of her shows have completely sold out on opening night.
In the "Guinness Book of Records" as one of the most reproduced artists in America, Jane Wooster Scott began copying work by folk artists such as Grandma Moses and gradually evolved into her own style. A turning point for her career was a joint showing at the Ankrum Gallery in Los Angeles with her comedian friend, Jonathan Winters. It was mostly a business crowd, and she sold 40 paintings in an hour.
Her works hang in museums, in public buildings and private homes in Europe, Asia and South America as well as in the United States. She has become legendary for her exceptional scenes of America s celebrations and holidays,
Among her collectors are Aaron Spelling, Sylvester Stallone, Charles Bronson, Kenny Rogers, Farah...
Category
Late 20th Century Folk Art Prints and Multiples
Materials
Offset
Etching of destroyed synagogue - Slonim, Belarus
Located in Surfside, FL
Cracow Poland Etching of Polish Synagogue, Jewish temple. From very rare small edition. Most are signed in Hebrew and /or English. some are marked AP some are numbered. please see ph...
Category
20th Century Folk Art Prints and Multiples
Materials
Etching
"Sitting Bull Goes To Washington"
Located in Washington, DC
Silkscreen work by Noche Crist (1909- 2004). Work is from from her "Sitting Bull Goes to Washington" series. Marked in pencil 15/18 lower left. Printed in 1976 by the artist. Catalo...
Category
1970s Folk Art Prints and Multiples
Materials
Paper
Etching of destroyed synagogue - Lodz, Poland
Located in Surfside, FL
Cracow Poland Etching of Polish Synagogue, Jewish temple. From very rare small edition. Most are signed in Hebrew and /or English. some are marked AP some are numbered. please see ph...
Category
20th Century Folk Art Prints and Multiples
Materials
Etching
Etching of destroyed synagogue - Ludmir, Poland
Located in Surfside, FL
Cracow Poland Etching of Polish Synagogue, Jewish temple. From very rare small edition. Most are signed in Hebrew and /or English. some are marked AP some are numbered. please see ph...
Category
20th Century Folk Art Prints and Multiples
Materials
Etching
Etching of destroyed synagogue - Sanok, Poland
Located in Surfside, FL
Cracow Poland Etching of Polish Synagogue, Jewish temple. From very rare small edition. Most are signed in Hebrew and /or English. some are marked AP some are numbered. please see ph...
Category
20th Century Folk Art Prints and Multiples
Materials
Etching
Etching of destroyed synagogue - Drohobisz, Ukraine
Located in Surfside, FL
Cracow Poland Etching of Polish Synagogue, Jewish temple. From very rare small edition. Most are signed in Hebrew and /or English. some are marked AP some are numbered. please see ph...
Category
20th Century Folk Art Prints and Multiples
Materials
Etching
"Carousel"
Located in Washington, DC
Silkscreen work by Noche Crist (1909- 2004). Marked in pencil 28/30 lower left. Printed in 1973 by the artist. Image is from her "Carrousel" series. Catalogue of a postumous retrospe...
Category
1970s Folk Art Prints and Multiples
Materials
Paper, Ink
Cat with a Bow, Serigraph by Igor Galanin
By Igor Galanin
Located in Long Island City, NY
Artist: Igor Galanin, Russian/American (1937 - )
Title: Cat with a Bow
Year: circa 1985
Medium: Serigraph, signed and numbered in pencil
Edition: 100
Size: 40.5 x 32.5 in. (102.87 ...
Category
1980s Folk Art Prints and Multiples
Materials
Screen
Haggadah of Passover, Suite of 13 Lithographs by Shlomo Katz 1978
By Shlomo Katz
Located in Long Island City, NY
Artist: Shlomo Katz, Polish/Israeli (1937 - 1992)
Date: 1978
Set of 13 Lithographs, signed in pencil
Edition size: 350
Image Size: 23 x 18 inches
Size: 29 x 21 in. (73.66 x 53.34 cm)
Category
1970s Folk Art Prints and Multiples
Materials
Lithograph
Naive Lithograph Paris Train Station Wedding Party, Honeymoon Scene Folk Art
Located in Surfside, FL
Hand signed, limited edition on BFK Rives French art paper. I believe the title is Honeymoon.
Jan Balet (20 July 1913 in Bremen – 31 January 2009 in Estavayer le Lac, Switzerland), was a German/US-American painter, graphic artist and illustrator. Affected by the folk art style of naive art he worked particularly as a graphic artist and as an Illustrator of children's books. His works exhibit a dry wit and refreshingly candid, whimsical, satirical view of life.
His uncle was the famous painter and illustrator Benno Eggert. Many well-known personalities of the time were friends of his grandfather, i.e. the painters Hans Purrmann, Karl Caspar, Maria Caspar-Filser (cousin of his mother), the writer Martin Andersen Nexo, the Swabian poet Wilhelm Schussen as well as the poet and writer Oskar Wöhrle.
In 1929, at the age of 17, he moved to Berlin at the invitation of his father and studied Drawing at the college of Arts and Crafts (Kunstgewerbeschule Ost am Schlesischen Bahnhof). A year later, he went to live with his mother and his grandmother, in Munich. Balet transferred his studies to the Munich College of Arts but was dismissed in 1932. He went on to study with Professor Ege, at a private school for commercial art. During this time he also worked at an institute for lithography and for the art gallery Wallach. Balet rented his first small studio at the age of nineteen, where he manufactured and sold hand colored Bavarian woodcuts. 1934 he passed the entrance examination to the Akademie der Bildenden Künste München and undertook further studies with Olaf Gulbransson. His work is of a popular style similar to Michel Delacroix, Charles Fazzino and James Rizzi. In early 1938 Balet was recruited by the German military and because his ancestor's passport was not complete, he was forbidden to associate further with the Akademie der Bildenden Künste München. Later that year Balet emigrated to the USA, settled in New York and painted rustic furniture for a living. One winter he jobbed as a skiing teacher in Vermont and occasionally jobbed as an advertising commercial artist. Among other projects, he painted the cafeteria of the largest of New York's department stores R.H. Macy. From time to time Balet's designs appeared in the fashion magazine Mademoiselle and in 1943 he became Art Director at the magazine. Balet became so successful as a commercial artist that he was able to give up paid employment and start his own business. He worked for the radio station CBS, magazines such as Vogue, House and Garden, House Beautiful, The Saturday Evening Post, Glamour, Good Housekeeping, This week. After the war ended in 1945 he acquired U.S. citizenship. Balet commuted between his studio in New York and an old, boat house in the dunes of Montauk, Long Island, which he had converted to a studio where he painted and drew. His first children's book Amos and the Moon was published in 1948. Despite what was regarded in the USA as fashionable art Abstract, Op-art and Pop Art, Balet continued to paint in his own naif style.
Art work (Children books and sketchbooks)
1948 Amos and the moon, Henry Z. Walck Verlag New York
1949 Ned, Ed and the lion
1951 What makes an orchestra
1959 The five Rollatinis, J. B. Lippincott Co. Verlag New York
1965 Joanjo, Pharos Verlag Basel
1966 Das Geschenk Eine portugiesische Weihnachtsgeschichte, Betz-Verlag München
1967 Der König und der Besenbinder, Betz-Verlag München
1969 Der Zaun, Otto Maier Verlag München
1969 Ladismaus, Betz-Verlag München
1979 Ein Skizzenbuch, Windecker Winkelpresse
1980 Katzen-Skizzen, Windecker Winkelpresse
1981 Skizzen-Paare, Windecker Winkelpresse
1981 Die Leihkatze oder Wie man Katzen lieben lernt, Windecker Winkelpresse (Author: Otto Schönberger)
1982 Paris-Skizzen, Windecker Winkelpresse
1984 Hellas-Skizzen, Windecker Winkelpresse
1993 Wasser-Skizzen, Edition Toni Pongratz
1994 Die Zeppeline des Jan Balet, Zeppelin-Museum Friedrichshafen (Taschenbuch)
2008 Angekommen: Gedichte (Author: Hans Skupy)
Publicationen, which Jan Balet illustrated
1945 Alarcon, P.A.: Tales from the Spanish, Allentown
1948 Hanle-Zack, D.: The golden ladle, Chicago-New York
1952 Wing, H.: Rosalinda, Chicago
1953 Wing, H.: The lazy lion...
Category
20th Century Folk Art Prints and Multiples
Materials
Lithograph
Folk Art prints and multiples for sale on 1stDibs.
Find a wide variety of authentic Folk Art prints and multiples available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add prints and multiples created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, purple, orange, green and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Dora Szampanier, Valton Tyler, Gustavo Montoya, and Ralph Fasanella. Frequently made by artists working with Paper, and Linocut and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Folk Art prints and multiples, so small editions measuring 5.63 inches across are also available. Prices for prints and multiples made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $100 and tops out at $13,000, while the average work sells for $460.
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