Folk Art Prints and Multiples

Printed by Pierre Chave, Vence, published by Bianchi Frères in Nice, France ink on watermarked chiffon de Mandeure paper, hand signed in pencil lower right, "PH Dureux," numbered 4/5...

This artwork titled "Singing in the Bath, Tenakee Springs" 1996 is a color offset lithograph on paper by noted American artist Rie Mounier Munoz, 1921-2015. It is hand signed and numbered 1077/1100 in pencil by the artist. The image size is 13.5 x 10 inches, sheet size is 16 x 12.35 inches. It is in excellent condition, has never been framed. About the artist: Alaska painter Rie Mounier Munoz was the child of Dutch parents who immigrated to California, where she was born and raised. She is known for her colorful scenes of everyday life in Alaska. Rie (from Marie) Munoz (moo nyos), studied art at Washington and Lee University in Virginia. In 1950, she traveled up the Inside Passage by steamship, fell in love with Juneau, and gave herself until the boat left the next day to find a job and a place to live. Since then Juneau has been home to Munoz. She began painting small vignettes of Alaska soon after arriving in Juneau, and also studied art at the University of Alaska-Juneau. Munoz painted in oils in what she describes as a "painstakingly realistic" style, which she found stiff and "somewhat boring." Her breakthrough came a few years later when an artist friend introduced her to a versatile, water-soluble paint called casein. The immediacy of this inexpensive medium prompted an entirely new style. Rie's paintings became colorful and carefree, mirroring her own optimistic attitude toward life. With her newfound technique she set about recording everyday scenes of Alaskans at work and at play. Of the many jobs she has held journalist, teacher, museum curator, artist, mother, Munoz recalls one of her most memorable was as a teacher on King Island in 1951, where she taught 25 Eskimo children. The island was a 13-hour umiak (a walrus skin boat) voyage from Nome, an experience she remembers vividly. After teaching in the Inupiat Eskimo village on the island with her husband during one school year, she felt a special affinity for Alaska's Native peoples and deliberately set about recording their traditional lifestyles that she knew to be changing very fast. For the next twenty years, Rie practiced her art as a "Sunday painter," in and around prospecting with her husband, raising a son, and working as a freelance commercial artist, illustrator, cartoonist, and curator of exhibits for the Alaska State Museum. During her years in Alaska, Munoz has lived in a variety of small Alaskan communities, including prospecting and mining camps. Her paintings reflect an interest in the day-to-day activities of village life such as fishing, berry picking, children at play, as well as her love of folklore and legends. Munoz says that what has appealed to her most were "images you might not think an artist would want to paint," such as people butchering crab, skinning a seal, or doing their laundry in a hand-cranked washing machine. In 1972, with her hand-cut stencil and serigraph prints selling well in four locations in Alaska, she felt confident enough to leave her job at the Alaska State Museum and devote herself full time to her art. Freed from the constraints of an office job, she began to produce close to a hundred paintings a year, in addition to stone lithograph and serigraph prints. From her earliest days as an artist, Rie had firm beliefs about selling her work. First, she insisted the edition size should be kept modest. When she decided in 1973 to reproduce Eskimo Story Teller as an offset lithography print and found the minimum print run to be 500, she destroyed 200 of the prints. She did the same with King Island, her second reproduction. Reluctantly, to meet market demand, she increased the edition size of the reproductions to 500 and then 750. The editions stayed at that level for almost ten years before climbing to 950 and 1250. Her work has been exhibited many solo watercolor exhibits in Alaska, Oregon and Washington State, including the Charles and Emma Frye Art Museum, Alaska State Museum in Juneau, Anchorage Historical and Fine Arts Museum, Tongass Historical Museum in Ketchikan, and Yukon Regional Library in Whitehorse; Yukon Territory, and included in exhibits at the Smithsonian Institute and Russell Senate Office Building in Washington, D.C. Munozs paintings have graced the covers of countless publications, from cookbooks to mail order catalogs, and been published in magazines, newspapers, posters, calendars, and two previous collections of her work: Rie Munoz...

Charles Bragg, American (1931 - 2017) - Erik, Year: circa 1970, Medium: Etching, signed, numbered, and titled in pencil, Edition: 300, Image Size: 8.5 x 9.5 inches, Size: 11.25 x 1...

Judith Bledsoe, American (1938 - 2013) - Aries from the Zodiac of Dreams Series. Year: circa 1970, Medium: Lithograph with Embossing, signed in pencil, Edition: EA, Size: 21 x 14.5 ...

Ira Moskowitz, Polish/American (1912 - 2001) - Dancing Group, Year: circa 1960, Medium: Etching with Aquatint, signed and numbered in pencil, Edition: 3/150, Image Size: 11.75 x 13...

Laurent Marcel Salinas, Egyptian/French (1913 - 2010) - Owl. Year: circa 1970, Medium: Lithograph, signed and numbered in pencil, Edition: 50, Image Size: 10 x 15 inches, Size: 17.5...

Pop art screenprint by American artist Brian McKinney. Signed, numbered, and titled in pencil Edition: 35/40 Image Size: 18 x 23.5 inches Paper ...

This artwork titled "Feeding the Ravens" 1997 is a color offset lithograph on paper by noted American artist Rie Mounier Munoz, 1921-2015. It is hand signed and numbered 29/950 in pencil by the artist. The image size is 9.65 x 8.35 inches, sheet size is 13.85 x 12.25 inches. It is in excellent condition, has never been framed. About the artist: Alaska painter Rie Mounier Munoz was the child of Dutch parents who immigrated to California, where she was born and raised. She is known for her colorful scenes of everyday life in Alaska. Rie (from Marie) Munoz (moo nyos), studied art at Washington and Lee University in Virginia. In 1950, she traveled up the Inside Passage by steamship, fell in love with Juneau, and gave herself until the boat left the next day to find a job and a place to live. Since then Juneau has been home to Munoz. She began painting small vignettes of Alaska soon after arriving in Juneau, and also studied art at the University of Alaska-Juneau. Munoz painted in oils in what she describes as a "painstakingly realistic" style, which she found stiff and "somewhat boring." Her breakthrough came a few years later when an artist friend introduced her to a versatile, water-soluble paint called casein. The immediacy of this inexpensive medium prompted an entirely new style. Rie's paintings became colorful and carefree, mirroring her own optimistic attitude toward life. With her newfound technique she set about recording everyday scenes of Alaskans at work and at play. Of the many jobs she has held journalist, teacher, museum curator, artist, mother, Munoz recalls one of her most memorable was as a teacher on King Island in 1951, where she taught 25 Eskimo children. The island was a 13-hour umiak (a walrus skin boat) voyage from Nome, an experience she remembers vividly. After teaching in the Inupiat Eskimo village on the island with her husband during one school year, she felt a special affinity for Alaska's Native peoples and deliberately set about recording their traditional lifestyles that she knew to be changing very fast. For the next twenty years, Rie practiced her art as a "Sunday painter," in and around prospecting with her husband, raising a son, and working as a freelance commercial artist, illustrator, cartoonist, and curator of exhibits for the Alaska State Museum. During her years in Alaska, Munoz has lived in a variety of small Alaskan communities, including prospecting and mining camps. Her paintings reflect an interest in the day-to-day activities of village life such as fishing, berry picking, children at play, as well as her love of folklore and legends. Munoz says that what has appealed to her most were "images you might not think an artist would want to paint," such as people butchering crab, skinning a seal, or doing their laundry in a hand-cranked washing machine. In 1972, with her hand-cut stencil and serigraph prints selling well in four locations in Alaska, she felt confident enough to leave her job at the Alaska State Museum and devote herself full time to her art. Freed from the constraints of an office job, she began to produce close to a hundred paintings a year, in addition to stone lithograph and serigraph prints. From her earliest days as an artist, Rie had firm beliefs about selling her work. First, she insisted the edition size should be kept modest. When she decided in 1973 to reproduce Eskimo Story Teller as an offset lithography print and found the minimum print run to be 500, she destroyed 200 of the prints. She did the same with King Island, her second reproduction. Reluctantly, to meet market demand, she increased the edition size of the reproductions to 500 and then 750. The editions stayed at that level for almost ten years before climbing to 950 and 1250. Her work has been exhibited many solo watercolor exhibits in Alaska, Oregon and Washington State, including the Charles and Emma Frye Art Museum, Alaska State Museum in Juneau, Anchorage Historical and Fine Arts Museum, Tongass Historical Museum in Ketchikan, and Yukon Regional Library in Whitehorse; Yukon Territory, and included in exhibits at the Smithsonian Institute and Russell Senate Office Building in Washington, D.C. Munozs paintings have graced the covers of countless publications, from cookbooks to mail order catalogs, and been published in magazines, newspapers, posters, calendars, and two previous collections of her work: Rie Munoz...

The Hills of the Gods Tighe O’Donoghue, American (1942–2023) Date: Circa 1985 Aquatint Etching, signed and numbered in pencil Edition of 125 Image Size: 18 x 15 inches Size: 30 in. x...

Etching of Synagogue, Jewish temple. From very rare small edition. Most are signed in Hebrew and /or English. some are marked AP some are numbered. please see photos. Dora Szampanier...

Judith Bledsoe, American (1938 - 2013) - Jungle. Year: circa 1970, Medium: Lithograph, signed and dedicated in pencil, Edition: EA, Image Size: 15 x 20 inches, Size: 20 x 25.5 in. (...

Tighe O'Donoghue's split-composition work features a spherical rendering of a planet in the night sky above a diagram of a keyed instrument, possibly a harpsichord, accompanied by an...

Charles Bragg, American (1931 - 2017) - Camelot (Knight Rider), Medium: Color Etching, signed and numbered in pencil, Edition: 90/300, Image Size: 6 x 8 inches, Frame Size: 12 x 14...

Ted Jeremenko, Yugoslavian/American (1938 - ) - A Sleeping Place. Year: 1986, Medium: Screenprint on Arches, signed and numbered in pencil, Edition: 175, Size: 25 x 30 in. (63.5 x 76...

The Alchemist - A Fable Suite Tighe O’Donoghue, American (1942–2023) Date: Circa 1985 Aquatint Etching, signed and numbered in pencil Edition of 99 Image Size: 11 x 14 inches Size: 2...

This print was created by Peruvian artist Victor Delfin. Delfin found the source of his inspiration in the ancient Paracan culture of Peru, part of the broader Incan civilization. De...

Born in 1940 in Shostka, Ukraine, Konstantin Bokov immigrated to New York City in 1974.Born the son of Viktor Bokov, the well known poet who perished in the Soviet gulag, Konstantin Bokov was an accordion player and sheep-herderbefore he became a self-taught artist and expelled dissident. When he appeared at the Morin-Miller Gallery in 1978 bearing a painting of a Tropicana juice carton, Carmen Morin brought it home. Jack Miller remembers his reaction: "We don't buy art, we sell it!" --- then their personal collection of Bokov's work grew to over a hundred pieces. Many paintings, sketches, collages and recycle assemblages were done, It's been said that Bokov’s canvases and collage recycled pieces offer an image of New York that is both a scathing critique and profession of love. This is especially evident in his pieces "Manhattan Madness (Road Repair)" and his Statue of Liberty series...

This print was created by Peruvian artist Victor Delfin. Delfin found the source of his inspiration in the ancient Paracan culture of Peru, part of the broader Incan civilization. De...

Judith Bledsoe, American (1938 - 2013) - A Charm of Finches. Year: circa 1974, Medium: Lithograph, signed and numbered in pencil, Edition: EA 46/60, Image Size: 13 x 8.5 inches, Siz...

Judith Bledsoe, American (1938 - 2013) - Alligator. Year: circa 1974, Medium: Lithograph, signed in pencil, Edition: EA, Image Size: 5.5 x 8 inches, Size: 10.5 x 15 in. (26.67 x 3...

Paying homage to the Ancient Greek myth of Icarus, this print by Tighe O'Donaghue incorporates planets and a string instrument along with several linear diagrams arranged throughout ...

A fight against the lords. 1982. Paper, linocut, 25x34 cm imprint size 13x26,5 cm total page size 25x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folkl...

Cracow Poland Etching of Polish Synagogue, Jewish temple. From very rare small edition. Most are signed in Hebrew and /or English. some are marked AP some are numbered. please see ph...

Russian epic. 2/10 1966, paper, linocut, 23.5x35 cm The linocut print depicts a scene from Russian folklore and history, capturing the essence of a ...

Tighe O'Donoghue's colorful depiction of an anemone withstanding a rainstorm retains the same mystical and anatomical elements as much of his other work while generating a calm and s...

A Puzzle Tighe O’Donoghue, American (1942–2023) Date: circa 1985 Etching with Aquatint, signed in pencil Edition of 95 Size: 30 in. x 22 in. (76.2 cm x 55.88 cm)

Bornet's true passion dating back to his early years in Belgium, is cats. He has written and illustrated several books, among them: "Cats are Poets", "Cats are Clowns", "How to Raise a Unicat", and, most recently, the ultimate ballet book, "Pas de Cat". He is currently engaged in painting interpretations of famous masterpieces from Leonardo to Chagall, each endowed with an improbable, yet delightful, feline twist. The Cat Fifer (after Manet...

Ted Jeremenko, Yugoslavian/American (1938 - ) - Parsonage Lane. Year: 1986, Medium: Silkscreen on Arches, signed and numbered in pencil, Edition: 175, Size: 25 x 30 in. (63.5 x 76.2 ...

Judith Bledsoe, American (1938 - 2013) - Clown I. Year: circa 1975, Medium: Lithograph, signed and dedicated in pencil, Size: 35 x 24 in. (88.9 x 60.96 cm), Description: Standing wi...

Charles Bragg, American (1931 - 2017) - Marc Chagall, Year: circa 1970, Medium: Etching, signed, numbered, and titled in pencil, Edition: 300, Image Size: 8 x 8.5 inches, Size: 12....

Judith Bledsoe, American (1938 - 2013) - A Muster of Peacocks. Year: circa 1974, Medium: Lithograph, signed and numbered in pencil, Edition: EA 59/60, Image Size: 8.5 x 13 inches, S...

Staghound Tighe O’Donoghue, American (1942–2023) Date: circa 1981 Etching with Aquatint, signed in pencil Size: 27 x 22 in. (68.58 x 55.88 cm)

Tighe O'Donoghue's dimensional rendering of a sloping mountain surrounded by clouds above a series of the phases of the moon retains the same mystic elements as his other work while ...

Charles Bragg, American (1931 - 2017) - And He Saw That it Was Good 2, Year: circa 1970, Medium: Etching, signed, numbered, and titled in pencil, Edition: 300, Image Size: 9 x 12 i...

Cyclone Tighe O’Donoghue, American (1942–2023) Date: Circa 1985 Etching with Aquatint, signed and numbered in pencil Edition of 99 Image Size: 18 in. x 15 in. (45.72 cm x 38.1 cm) Si...

Edward M. Plunkett, American (1922 - 201?) - Vampire Traffic Jam, Year: circa 1980, Medium: Lithograph, signed and numbered in pencil, Edition: AP 30, Image Size: 13 x 21 inches,...

Edward M. Plunkett, American (1922 - 201?) - UFO ca. 1913, Year: 1981, Medium: Lithograph, signed and dedicated in pencil, Image Size: 14.5 x 23.5 inches, Size: 19.5 x 28 in. (49...

Edward M. Plunkett, American (1922 - 201?) - Salon d'Automne, Year: 1980, Medium: Lithograph, signed and dedicated in pencil, Image Size: 10.5 x 13.5 inches, Size: 17.5 x 19 in. ...

Judith Bledsoe, American (1938 - 2013) - A Bird's Day. Year: circa 1980, Medium: Lithograph, signed in pencil, Edition: EA, Image Size: 12 x 15.5 inches, Size: 18.5 x 25.5 in. (46.9...

Untitled - Three Stars Tighe O’Donoghue, American (1942–2023) Date: circa 1981 Etching with Aquatint, signed in pencil Size: 28 x 22 in. (71.12 x 55.88 cm)

Untitled - Planetary Abstract Tighe O’Donoghue, American (1942–2023) Date: circa 1985 Etching with Aquatint, signed in pencil Edition of 99 Size: 27 x 22 in. (68.58 x 55.88 cm)

The Winds - il sirocco Tighe O’Donoghue, American (1942–2023) Date: circa 1979 Etching with Aquatint, signed in pencil Edition of I/XV Size: 30 x 22 in. (76.2 x 55.88 cm)

Judith Bledsoe, American (1938 - 2013) - Bird and Sun. Year: circa 1980, Medium: Lithograph, signed in pencil, Edition: EA, Image Size: 15 x 18 inches, Size: 20 x 25.5 in. (50.8 x...

Claude Tabet, French (1924 - 1979) - Tree Lined Path. Year: circa 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 250, Image Size: 20 x 24.5 inches, Size: 22 in. x ...

Andre Derain, French (1880 - 1954) - Man with Cane, Medium: Woodblock on laid paper, Image Size: 4.25 x 3 inches, Size: 5.25 x 4 in. (13.34 x 10.16 cm), ...

Judith Bledsoe, American (1938 - 2013) - City Cats. Year: circa 1980, Medium: Lithographs on Black Tinted Paper, signed and dedicated in pencil, Edition: EA,...

Silkscreen work by Noche Crist (1909- 2004). Work is from from her "Sitting Bull Goes to Washington" series. Marked in pencil 15/18 lower left. Printed in 1976 by the artist. Catalo...

Set within a thick border, Tighe O'Donoghue's scene of a boat accompanied by two spirits floating near the stars in the sky demonstrates his unique take on Magical Realism. Dialect...

Illuminated with a glowing light, this mythical depiction of a knight on horseback holding a lance by Tighe O'Donoghue features the artist's signature delicate script and mathematica...

Tighe O'Donoghue's geometric abstract composition features minimal detail and indistinguishable subject matter spotted with flecks and scratches of bright pink and blue. Dialects o...

Shah Mat Suite - MacDuff Tighe O’Donoghue, American (1942–2023) Date: 1981 Etching with Aquatint, signed in pencil Edition of V Image Size: 12 x 9 inches Size: 22 x 15 in. (55.88 x 3...

Shah Mat Suite - MacBeth Tighe O’Donoghue, American (1942–2023) Date: 1981 Etching with Aquatint, signed and numbered in pencil Edition of V Image Size: 12 x 9 inches Size: 22 x 15 i...

Repose Tighe O’Donoghue, American (1942–2023) Date: circa 1985 Etching with Aquatint, signed and numbered in pencil Edition of 125 Image Size: 18 x 15 inches Size: 30 in. x 22 in. (7...

Judith Bledsoe, American (1938 - 2013) - An Exultation of Larks. Year: circa 1974, Medium: Lithograph, signed and numbered in pencil, Edition: EA 60/60, Image Size: 13 x 8.5 inches,...

Tighe O'Donoghue's Minimalistic rendering focuses on the mathematical measurements and shapes associated with astronomy. E equals MC Squared from the Celestial Meridian Suite Tighe...

Judith Bledsoe, American (1938 - 2013) - Petite Portrait - Witch. Year: circa 1974, Medium: Lithograph, signed and numbered in pencil, Edition: EA, Image Size: 8 x 6 inches, Size: 1...

Judith Bledsoe, American (1938 - 2013) - Sagittarius from the Zodiac of Dreams Series. Year: circa 1970, Medium: Lithograph with Embossing, signed in pencil, Edition: EA, Size: 21 x...

Judith Bledsoe, American (1938 - 2013) - Red Bird and Crow. Year: circa 1970, Medium: Lithograph, signed and dedicated in pencil, Edition: EA, Image Size: 15 x 21 inches, Size: 22 x...

The Warrior Tighe O’Donoghue, American (1942–2023) Date: circa 1985 Etching with Aquatint, signed in pencil Edition of 40 Size: 30 x 22 in. (76.2 x 55.88 cm)

Claude Tabet, French (1924 - 1979) - Montmarte. Medium: Lithograph, signed and numbered in pencil, Edition: 250, Size: 22 x 30 in. (55.88 x 76.2 cm), Desc...