Bear Prints and Multiples

Lithograph on vélin pur Chiffon Moulin à papier Richard de Bas paper. Inscription: unsigned and unnumbered, as issued. Good condition, with centerfolds, as issued. Notes: from the fo...

This bright and lively work was originally created for a poster showcasing Miró's works at the Galleria del Milione, Milan. Bold colors, lively imagery, and vivid spontaneity are sta...

Lithograph on vélin d’Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Cirque, Lithographies Originales. Published by Les Édition...

Squirrels is a color lithograph realized by an anonymous artist in the late 19th century. Good conditions. This print reproduces four squillers indicated with the alphabet letters...

Apache Hunter, limited edition lithograph by Allan Houser, horseback hunter hand-pulled black and white lithograph printed in Santa Fe, New Mexico unframed edition of 75 Allan Houser (Haozous), Chiricahua Apache (1914-1994) Selected Collections Centre Georges Pompidou, Paris, France * “They’re Coming”, bronze Dahlem Museum, Berlin, Germany Japanese Royal Collection, Tokyo, Japan “The Eagle”, black marble commissioned by President William J. Clinton United States Mission to the United Nations, New York City, NY *"Offering of the Sacred Pipe”, monumental bronze by Allan Houser © 1979 Presented to the United States Mission to the United Nations as a symbol of World Peace honoring the native people of all tribes in these United States of America on February 27, 1985 by the families of Allan and Anna Marie Houser, George and Thelma Green and Glenn and Sandy Green in New York City. National Portrait Gallery, Smithsonian, Washington, DC * Portrait of Geronimo, bronze National Museum of American Art, Smithsonian, Washington, D.C. * “Buffalo Dance Relief”, Indiana limestone National Museum of the American Indian, Smithsonian, Washington, D.C. *Sacred Rain Arrow, (Originally dedicated at the US Senate Committee on Indian Affairs, US Senate Building) “Goat”, “To The Great Spirit” - dedicated in 1994 at the Vice President’s Residence in Washington, D.C.. Ceremony officiated by Hillary Rodham Clinton and Tipper Gore. Oklahoma State Capitol, Oklahoma City, Ok * “As Long As the Waters Flow”, bronze Gilcrease Museum, Tulsa, OK *Sacred Rain Arrow, bronze Fort Sill, Oklahoma *”Chiricahua Apache Family”, bronze Donated and dedicated to Allan Houser’s parents Sam and Blossom Haozous by Allan Houser and Glenn and Sandy Green The Heard Museum, Phoenix, Arizona *Earth Song, marble donated by Glenn and Sandy Green   The Clinton Presidential Library, Arkansas * “May We Have Peace”, bronze The George H.W. Bush Presidential Library, College Station, Texas *"Offering to the Great Spirit", bronze The British Royal Collection, London, England *Princess Anne received "Proud Mother", bronze in Santa Fe Allan Houser’s father Sam Haozous, surrendered at the age of 14 with Geronimo and his band of Warm Springs Chiricahua Apache people in 1886 in Southern Arizona. This was the last active war party in the United States. This group of Apache people was imprisoned for 27 years starting in Fort Marion, Florida and finally living in captivity in Fort Sill, Oklahoma. Allan Houser was born in 1914. His artwork is an ongoing testimony to Native life in America – its beauty, strength and poignancy. Allan Houser is from the culture and portrayed his people in an insightful and authentic way. Because of the era in which he lived, he had a rare understanding of American Indian life. Allan was the first child born after the Chiricahua Apaches were released from 27 years of captivity. Allan grew up speaking the Chiricahua dialect. Allan heard his father’s stories of being on the warpath with Geronimo and almost nightly heard his parents singing traditional Apache music. Allan’s father knew all of Geronimo’s medicine songs. Allan had an early inclination to be artistic. He was exposed to many Apache ceremonial art forms: music, musical instruments, special dress, beadwork, body painting and dynamic dance that are integral aspects of his culture. His neighbors were members of many different tribes who lived in Oklahoma. Allan eagerly gained information about them and their cultures. Allan gathered this information and mentally stored images until he brought them back to life, years later, as a mature artist. Allan Houser was represented by Glenn Green Galleries (formerly known as The Gallery Wall, Inc.) from 1973 until his death in 1994. The gallery served as agents, advocates, and investors during this time. In 1973 the Greens responded enthusiastically to the abstraction and creativity in Houser’s work. They were impressed, not only with his versatility and talent but with the number of mediums he employed. His subject matter was portrayed in styles ranging from realism, stylized form to abstraction. With encouragement from the Greens, Houser at the age of 61, retired from his post as the head of the sculpture department at the Institute of American Indian Arts in Santa Fe, New Mexico in 1975 to begin working full-time creating his art. The next 20-year period was an exciting time for Allan, the gallery, and for the Green family. He created a large body of sculpture in stone, wood and bronze. For many years Glenn Green Galleries co-sponsored many editions of his bronzes and acted as quality control for the bronze sculptures according to Houser’s wishes. As both agents and gallery representatives, the Greens promoted and sold his art in their galleries in Phoenix and Scottsdale, Arizona and in Santa Fe, New Mexico. They had bi-annual exhibits in their galleries to feature Houser’s newest work and sponsored and arranged international museum shows in America, Europe and Asia. They travelled for these events including a trip to Carrara, Italy to the famed quarries of Michelangelo and together co-financed and arranged the purchase of 20 tons of marble. A watershed event for Allan Houser’s career occurred in the early 1980’s when Glenn Green Galleries arranged with the US Information Agency a touring exhibit of his sculpture through Europe. This series of exhibits drew record attendance for these museums and exposed Houser’s work to an enthusiastic art audience. This resulted in changing the perception of contemporary Native art in the United States where Houser and Glenn Green Galleries initially faced resistance from institutions who wanted to categorize him in a regional way. The credits from the European exhibits helped open doors and minds of the mainstream art community in the United States and beyond. Senator Daniel Inouye of Hawaii was a supporter of Allan Houser’s artwork. We worked with Senator Inouye on many occasions hosting events at our gallery and in Washington D.C in support of the formation of the Smithsonian’s National Museum of the American Indian in Washington, D.C. and other causes supporting Native Americans. Allan Houser is shown below presenting his sculpture “Swift Messenger” to Senator Inouye in Washington, D.C.. This sculpture was eventually given to the National Museum of the American Indian, Smithsonian’s permanent collection. It is now currently on loan and on display in the Oval Office. President Biden’s selection of artwork continues our gallery’s and Allan’s connection to the White House from our time working with Allan Houser from 1974 until his passing in 1994. “It was important for President Biden to walk into an Oval that looked like America and started to show the landscape of who he is going to be as president,” Ashley Williams...

A Hunting Scene is a color lithograph realized by an anonymous artist in the late 19th century. Good conditions, except for usual signs of aging. The artwork shows a hunting scene involving three animals indicated with the alphabet letters...

Love Sick is a lithograph on paper, 4.5 x 9 inches image size, and initialed 'BD' lower right. From the edition of 395, numbered 111/275 (there were also 100 Roman and 20 AP). Frame...

Lithograph on vélin papier pur chiffon paper. Paper Size: 10 x 7.375 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Les chants de Maldoror, illustrat...

This Blue Dog work consists of a rich dark blue background with a bright moon. There are 3 dogs in the foreground: One red, one black & white and one blue. All the dogs have soulfu...

"Two Rams Facing Each Other" is an original etching by Karel DuJardin. The artist signed the plate. DuJardin completed many delicate etchings of rams. ...

Paper Size: 22.25 x 17.5 inches ( 56.515 x 44.45 cm ) Image Size: 20.25 x 15.5 inches ( 51.435 x 39.37 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additio...

This Blue Dog work consists of a blue and green background. There is a moon, trees, a slight bit of mountains, grass and blue water resembling a river. On the river is a white steamboat with a brown paddle board...

Lithograph on vélin papier pur chiffon paper. Paper Size: 10 x 7.375 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Les chants de Maldoror, illustrat...

This Blue Dog work consists of a white background with 3 dogs, a large black tree in the background and a green alligator in the foreground. All the dogs have soulful yellow eyes. This pop art animal original silkscreen print on paper is guaranteed authentic and is hand signed by the artist. Artist: George Rodrigue Title: Blue Dog “Later Gator...

Tom Everhart "Pop Star" 2006 Original Limited Edition Lithograph on Rives BFK paper Edition Size: 500, plus proofs. Paper Size: 18 x 26.5 inches. Framed Size...

Unstretched giclee on canvas. Hand signed and numbered by the artist. Edition of 35. Image size when stretched is approx 14 x 14 inches. Unstretched canvas size is 19 x 19 inches. ...

'Seamen Killing a Polar Bear' Colour aquatint by Mathew Dubourg (1786-1838) and Samuel Howitt (1756/7-1822) after Samuel Howitt (1756/7-1822). From Samuel Howitt's 'Foreign Field S...

Call of the Wild is a lithograph on paper, 9 x 9" image size. From the edition of 395, numbered 103/275 (there were also 100 Roman and 20 AP). Robert Deyber’s lithographs were create...

Frame: 22 x 29 in. Signed, titled, and editioned in pencil

This Blue Dog work consists of a blue background. This picture is multi-dimensional with butterflies, blue dogs, a gondola, Earth, and an Egyptian. The dogs all have soulful yellow ...

This Blue Dog work consists of a blue dog sitting in a black background that is covered in silver blue dog heads. The dog has soulful yellow eyes. This pop art animal original silk...

This artwork titled "Yelding the Right of Way" c.1975 is a color offset lithograph by renown western artist Arnold Friberg, 1913-2010. It is hand signed...

Cold Call (Arctic) is a lithograph on paper, 9 x 9 inches image size. From the edition of 395, numbered 138/275 (there were also 100 Roman and 20 AP), framed in a contemporary, silve...

Paysage du Berri is an original black and white etching on paper, realized by Charles-François Daubigny. At the bottom left margin the printed inscription: "DAUBIGNY" pinx; bottom c...

This Blue Dog work consists of a single blue bear with a red nose on a multi-shades of purple background fading from dark purple on top to white on the bottom. The bear has soulful y...

Lithograph and stencil on vélin paper. Paper Size: 15 x 12.2 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Douze aquarelles de Auguste Ro...

Original American Lobby Card of Walt Disney’s Movie „Winnie the Pooh“, USA 1977. The many adventures of Winnie the Pooh. Winnie Pooh in the middle (sun) an...

Pablo Picasso Peintre et Femme Cuillant des Fleurs (Painter and Woman Picking Flowers), 1970 showcases a beautifully crisp work of art that Picasso imaginatively creates. Simple and ...

The Bath of bears is an original colored lithograph on paper realized by an Anonymous artist of the 19th Century. With illustration and description on the rear, the bath of monkeys...

Lithograph on paper. Hand signed, titled and numbered by the artist. Edition of 350. Artwork is in excellent condition. Certificate of Authenticity is included. All reasonable o...

This Blue Dog work consists of a black background with a blue bear with soulful yellow eyes adorned with yellow flowers and a yellow background with a blue dog with soulful yellow ey...

'Equestrian Torso from the Mausoleum' Photogravure from a collection of photogravures depicting Greek and Roman marbles and bronzes in the British museum. Plate number above top rig...

Letterpress printing on spécialement fabriqué Curtis Rag vélin paper. Paper Size: 12.5 x 9.1875 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, A Best...

Printer’s ink from rubber stamp on vélin d’Arches Satine paper. Paper Size: 8 x 8 inches. Inscription: Unsigned, as issued. Notes: From the folio, Rubber Stamp Portfolio, 1977. Publi...

Lithograph on vélin papier pur chiffon paper. Paper Size: 10 x 7.375 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Les chants de Maldoror, illustrat...

Rinding in Love by Mackenzie Thorpe Framed Serigraph on Paper. Edition XXXIV/C Framed Dimensions: 29.125 x 41.875 inches Handling time may exceed 10 bu...

Panthère noire is a wonderful etching and aquatint on cream-colored laid paper, realized in 1901 by Evert Van Muyden (1853-1922). Signed and dated on plate, this beautiful plate was...

1750Immerse yourself in the captivating world of Pablo Picasso with this exceptional lithographic poster. Created by Imprimerie Mourlot for the Picasso exhibition 'Tauromachies' at L...

Medium: lithograph (after the watercolor). From the scarce "Trace sur l'eau" portfolio, beautifully printed in 1963 by the Maeght atelier on thin Marais onion skin paper...

Un Marèchal Ferrant is a black and white etching realized by Jules Hereau (1839-1879) in 1870s. Titled in the lower. Image size: 19.5cmx15cm. Good condition. Signed and dated in ...

Johan Wilhelm Palmstruch (1770-1811) Sweden Title: A Bear hand-coloured print early 1800s print dimensions approx 4.33 x 7.08 inches (11 x 18 cm) frame 11.81 x 15.74 inches (30 ...

Medium: Lithograph on vélin du Canson & Montgolfier Vidalon-Les-Annonay paper Year: 1948 Paper Size: 12.5 x 9.75 inches Inscription: Unsigned and unnumbered, as issued Notes: From th...

This is a fine aquatint etching by British artist Percival Gaskell. The title is: The Lonely Tower, Roman Campagna, it was created and printed in 1924 in an edition of 150. The ima...

This is a Leroy Neiman signed and numbered print. In good condition however there’s some sun damage to the print. Still a really neat piece and wil...

Woodcut in colors on vélin de Rives BFK paper, mounted on vélin d’Arches support, as issued. Paper size: 13 x 10.375 inches. Inscription: Signed in the block, and unnumbered, as issu...

Erotic Scene is a beautiful lithograph on ivory-colored paper, realized in the 1920s by Albert Marquet (Bordeaux, 1875 - Paris,1947). Monogrammed on the plate on the lower margin. ...

This artwork titled "When Predators Meet" 1988 is an offset lithograph by renown Western artist Gary Carter, born 1938. It is hand signed and numbered 817/...

Paper Size: 38.5 x 26.25 inches ( 97.79 x 66.675 cm ) Image Size: 38.5 x 26.25 inches ( 97.79 x 66.675 cm ) Framed: No Condition: C: Several Signs of use and handling, some visible m...

Medium: Lithograph on vélin paper Year: 1952 Paper Size: 9.25 x 12.125 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the album, The Circus by Toulouse...

Medium: Lithograph on vélin paper Year: 1952 Paper Size: 12.125 x 9.25 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the album, The Circus by Toulouse...

Early 19th century cattle engraving from Rees' Cyclopaedia. Sydenham Teast Edwards (1768-1819), was a natural history illustrator. He produced watercolours for engraving for Curtis's Botanical Magazine, New Botanic...

Monkey  is an Etching, realized by Sergio Barletta in 1970s. Hand-signed on the lower right. Numbered, Edition,40/50. In very good conditions. This wonderful lithograph represents a beautiful monkey, very rappresentative. The inscription " Caro fratello, il fatto sta in questo. io ho 1500 cm cubici di cervello, e tu solo 500; per questo noi ci estingueremo presto, (tu sopravviverai io no), e le formiche erediteranno la terra. Con i ragni, i lombrichi e le amebe palustri." Sergio Barletta (1934) is an Italian cartoonist and illustrator, who has also published some humorous and political satire books. From the age of 22 is active in Rome, where he worked as an illustrator and art director in some monthly magazines like “Costume”, Diners Club house organ, BP Review, IBM, and others. In 1965 started the joint-working with Marino Gallery in Rome, and in 1966 in Milan with Humour Graphic’s group, at Levi Gallery and others in the following years. In these years graphic work and illustration are mixed with painting and photography, also with satirical drawings for Rinascita, weekly of the Italian communist party; Azione Sociale, weekly of ACLI Catholic Workers Association; movie posters, advertising for Gucci, some writings for Popular Photography Italiana, lay-outs, writings and illustrations for Avinews, bimonthly for tour operators and so on. During the eighties he starts a long co-operation with satirical weekly “Il Sale”, complemented by a book with Ottaviano edizioni in Milan and others publications in Turin and Rome, all of satirical drawings. In this period he collaborates with Linus, the most important Italian comics monthly, and Harakiri, a humour weekly published in France. Personal and group exhibitions of paintings, collages, drawings, photographs Galleria Marino  – Roma, 1965 Galleria Levi – Milano, 1966   Galleria Petronio – Bologna, 1967 Galleria d’arte moderna Villa Reale – Milano, 1967 Palazzo Costanzi – Trieste, 1967 Galleria del Naviglio – Milano, 1967 Galleria Marino – Roma, 1967 Galleria Libreria Renzo Cortina – Milano, 1968 Galleria Libreria Renzo Cortina – Milano, 1969 Society Art’s Club – Messina, 1970 Galleria Marino – Roma, 1970 Galleria Libreria Renzo Cortina – Milano, 1972 Galleria Marino – Roma, 1972 Galleria Il Diaframma – Milano, 1973 Galleria Libreria Renzo Cortina – Milano, 1974 Galleria Il Ventaglio – Firenze, 1975 Galleria Marino – Roma, 1975 Palazzo Gonfalonieri – Milano, 1976 Bedford House...

This is an original 19th century John James Audubon hand-colored lithograph entitled "Hare Indian Dog", No. 27, Plate CXXXII, 132, from Audubon's "Quadruped...

An original John James Audubon hand colored lithograph entitled "Canada Pouched Rat", No. 9, Plate XLIV from John James Audubon's Quadrupeds of North America, published in Philadelph...

Linda Plotkin, American (1938 - ) - Clouds IV, Year: circa 1965, Medium: Lithograph, signed, titled and numbered in pencil, Edition: 6/30, Image Size: 6.75 x 8.75 inches, Size: ...

ABOUT THIS PIECE: 23.5x19.6, edition of 15 — FACEMOUNTED TO PLEXI This piece is available face mounted to plexi glass giving a modern, durable, and sleek finish. Every print is fully...

Introducing "There is No Planet B" by Marcin Owczarek, a thought-provoking and manipulated photographic work by the Belgian-based artist. This piece is created on Fine Art Hahnemühle...

“Dundreary,”a Blue Tan Terrier 1887 Etching