Bonnet Prints and Multiples

“Testa quasi colossale di Marco Aurelio” (Almost colossal head of Marco Aurelio) is a beautiful black and white burin on paper, realized by the Italian artist Pietro Fontana (Bassano Romano,1762 – Rome, 1837), after Teodoro Matteini (Pistoia, 1754 - Venice, 1831), as the inscriptions on plates on lower margins report “Teodoro Matteini delineò./ Pietro Fontana incise a bollino Roma”. This original print is numbered on plate in Roman numerals on higher margin: “Tom II. /Tav. XXV" and is a plate from the series "Illustrazioni de'Monumenti scelti Borghesiani già esistenti nella Villa sul Pincio (..)date ora per la prima volta in luce dal cav. Gio. Gherardo De Rossi e da Stefano Piale sotto la guida di Vincenzo Feoli", by Ennio Quirino Visconti, published by Stamperia de Romanis in Rome, 1821. This old master’s original prints shows a precious piece of the Borghese's collection, the marble bust of the Roman philosopher and writer and one of the "good Roman Emperor" (according to Edward Gibbon) Marco Aurelio, represented in neoclassical style and with the traditional iconography with a thick hair and a long beard. In excellent conditions with a usual yellowing of the paper on the lower margin and some light signs of the time with an imperceptible weaving of the paper on the lower right corner, this wonderful burin preserved his fresh impression. Illustrazioni de' Monumenti scelti Borghesiani This collection in two volumes is a beautifully detailed catalog of classical sculptures collected by Prince Borghese (1730-1800) in his Villa on the Pincio. Ennio Quirino Visconti (1751 - 1818) wrote the texts that accompany the large branches depicting. To these writings, which were available by the son of the illustrious archaeologist, the publishers added only a few illustrations relating to some minor monument of which copper had already been engraved. The engraved title-plate are signed by draughtsmen like Agostino Tofanelli, Stefano Tofanelli, Bernardino Nocchi, Domenico de Angelis or Teodoro Matteini, and by engravers Pietro Fontana Veneto, P. Vitali, Pietro Bettelini, Giovanni Folo Veneto, Giovanni Brunetti da Ravenna, Giovanni Ottaviani, Francesco Cecchini, Gio. Batta. Leonetti, Girolamo Carattoni, Domenico Cunego, Luigi Cunego, Alessandro Mochetti, Luigi Pizzi, Angelo Campanella or Giacomo Bossi. The Volume I shows ancient full-length statues, of the Borghese warrior by Agasias (two plates), Greek gods and heroes and Roman famous historical figures; the last two plates represents antique Egyptian deities. There are plates representing ancient bas-reliefs, sarcophagi, of mythological subjects, the Borghese Vase, portrait busts, a vase on an altar, two statues of Amor; and two modern statues, by Bernini (the Apollo and Daphne, and the David). «Très bel ouvrage» writes Brunet, «Grand ouvrage, le seul qui mérite, parmi ceux sur la villa Borgese, de figurer dans le chapitre aux Galeries et Collections» Vinet said, looking at this plate. Pietro Fontana (Bassano Romano,1762 – Rome, 1837) The Italian artist and engraver, Pietro Fontana was active in Rome and specialized in subjects dealing with the Vatican and the Papacy. He started his career as a student of Raffaello Morghen...

Edition of 100 prints, not signed. One of the most celebrated graphic works of Renoir, showing his son, the future Director Jean Renoir. Belogs to the suite “L’Album d’estampes orig...

CLIFF-HANGER is a hand drawn limited edition lithograph by the American surrealist artist Fanny Brennan, created using traditional hand lithography techniques printed on archival Arc...

Lola De Valence Etching, 1862 Signed in the plate lower left: “Ed Manet” Printed on chine collee paper, without watermark From the first edition, published by Cadart and Luquet, Paris, before the removal of the inscription “ Ed. Manet sculpt” From the 1863 edition, before the 1874 Portfolio, 1890 Portolio. 1894 Dumont edition and the Strolin edition of 100 in 1905 Pencil inscription with title below the plate in the lower margin Conditiono: Excellent Image size: 10 7/8 x 6 7/8 inches Plate size: 18 3/4 x 13 inches Reference: Harris-Manet 33 iii/III Guerin-Manet 23 vi/VIII The painting that this etching is inspired by is in the collection of the Musee d'Orsay, Paris. "Lola de Valence is a painting by the painter Édouard Manet in 1862 . The canvas represents a dancer dressed intraditional Spanish clothes...

With flat planes of rich color, Alex Katz’s landscapes and portraits evoke the smooth aesthetics of advertising billboards and film. The prolific artist is especially well known for ...

An intimate portrait of his second son, Jean Renoir (1894 – 1979), evokes a childlike sentiment and love that Renoir had for his children. Most likely no more than age 3, Jean is shown here with a cookie, beneath a frilly bonnet characteristic of late 19th century French society. His pink, rosy cheeks are defined with rich, glowing hues that contrast from the pale yellow and grey background in which he rests. Jean was also featured in a family portrait of the Renoirs, titled La Famille de l’Artiste (1896). Created in 1899, this Color Lithograph on Cream Laid Paper is from the edition of 100, from the unpublishedL’Album d’estampes originales de la Galerie Vollard; printed by Auguste Clot, Paris. Catalogue Raisonné: It is fully documented and referenced in the below catalogue raisonnés and texts (copies will be enclosed as added documentation with the invoices that will accompany the final sale of the work): 1. Delteil, Loys. Pierre-Auguste Renoir, l’œuvre grave...

Composition is an original etching made by Giuseppe Guerreschi in 1974. Hand-signed with pencil on lower right by the artist. Numbered 63 of 99 p...

Maximilienne Guyon Woman with a Lace Headdress, 1898 Original lithograph (Champenois workshop) Printed signature in the plate On vellum, 40 x 31 cm (c. 16 x 12 in) INFORMATION: Lit...

Costume Parisien -Journal des Dames et des Modes  is a print realized by Louis-Philibert Debucourt in 1824. Etching on paper. The print is part of the fashion magazine Journal des ...

Paper Size: 29 x 22 inches ( 73.66 x 55.88 cm ) Image Size: 22.25 x 17.25 inches ( 56.515 x 43.815 cm ) Framed: No Condition: A: Mint. Additional Details: Screen-print on Rives Arc...

'Hot Licks' by Prefab 77, 2015 6 Colour Screenprint on 330gsm Black Plike. size: 70 x 100 cm (WxH) Limited Edition of 50 (#5/50). Stamped, Numbered and Hand-Signed by the Artiist Cer...

Medium: Lithograph on grand vélin Renage filigrané à la marque de l'éditeur paper. Year: 1951 Paper Size: 12.5 x 9.5 inches; image size: 11.02 x 8.66 inches Inscription: Signed in th...

Medium: original etching and aquatint in bistre. This impression on watermarked laid paper was printed in 1905 and published in Paris for the Revue de l'art ancien et moderne. Plate ...

Margherita - Gennaio Delle Signore Italiane is an original lithograph realized by an unknown artist in 1881. Good conditions.

Ottana 74 is an original etching realized by Giuseppe Guerreschi in 1974. Hand-signed in pencil on the lower right by the artist. Edition 71/99....

Margherita is an original hand-colored lithograph on paper realized in 1881 by an anonymous artist of the 19th Century. Titled at the bottom and dated on plate. The state of preser...

Judith Bledsoe, American (1938 - 2013) - Petite Portrait - Big Red Hat. Year: circa 1974, Medium: Lithograph, signed and dedicated to Laurent Marcel Salinas in pencil, Edition: EA, ...

Woman is an original zincography on paper realized by F. Reifs after G. Stadelmann , in 1905. This Specially Zincography representing a woman's Portrait. The title of the work "Carm...

Signed and numbered from the edition of 20. This is the second in a series of 4 prints. David Avery continues to explore the expressive and technical possibilities inherent in black and white line...

Mine Rowena Fruth American (1896–1983) Date: 1942 Chlorobromide Gelatin Silver Print Size: 20 in. x 16 in. (50.8 cm x 40.64 cm)

Artist: William Nelson Copley Title: Baby Bonnet Year: 1978 Medium: Serigraph on Somerset, signed and numbered in pencil Edition: 200, AP 30 Paper Size: 33 x 26 inches

Artist: Jose Luis Cuevas, Mexican (1934 - 2017) Title: La Mascara from the Homage to Quevedo Portfolio Year: 1969 Medium: Intaglio with Lithographed Mylar Collage, signed and number...

Image 12.5 x 19 in. / 32 x 48 cm Paper 28 x 38 in. / 72 x 98 cm Lithograph on smooth, handmade white paper, with pale yellow watercolor border. Edition 30: this impression 22/30...

Michael Knigin, American (1942 - 2011) - Baby in Pink, Year: circa 2002, Medium: Chromogenic Print on Canvas, Size: 18 x 23.5 in. (45.72 x 59.69 cm), Frame Size: 20.25 x 25.75 inches

L'Hiver is an original modern artwork realized in the the Second half of 19th Century. Original colored Lithograph on paper. Sheet dimensions: 44 x 30 cm. Titled on the lower ma...

L'Hiver is an original modern artwork realized in the the Second half of the 19th Century. Original colored Lithograph on paper. Sheet dimensions: 44 x 30 cm. Titled on the lowe...

16 x 12 inches - Edition 4 of 7 with 2 APs framing is an additional $265. Photography and acting are kindred spirits in the new series by e2 (Elizabeth Kleinveld and Epaul Julien)....

36 x 27 inches - Edition 2 of 3 with 2 APs framing is an additional $525. Photography and acting are kindred spirits in the new series by e2 (Elizabeth Kleinveld and Epaul Julien)....

Cliff Hanger is a lithograph on paper with an image size of 2 x 1.75 inches, initialed 'FMB' lower right and annotated lower left, framed in a contemporary silver and dark gray frame...

Hand signed, dated and numbered screenprint on Somerset paper. Image size 29.5 x 23.25 inches. Sheet size 33 x 26 inches. From the edition of 200. Certificate of Authenticity Includ...

Signed, l.r. Edition of 50 Contact gallery for price. This work is offered by ClampArt in New York City.