Building Prints and Multiples

Temple of Vesta is an original etching, hand-colored on paper realized by an Anonymous artist of the XIX century, titled on the lower left, the state o...

Dionisio MORETTI Venice, Santa Chiara Island, 1831 Original etching Finely enhanced by hand with watercolor On vellum 26 x 41 cm (c. 10.2 x 16 inc...

Signed lower center, in pencil, 'Luigi Kasimir' (Austro-Hungarian, 1881-1962), and with title and date, 'Palo Alto, 1931'. at lower right. Paper dimensions: 12.25 x 16 inches. N.B. This is an original etching by Luigi Kasimir and is hand-signed by the artist. The notable etcher and painter, Luigi Kasimir, attended the Vienna Academy of Art where he studied under William Unger, who introduced him to colored etching. Kasimir was influenced by Anders Zorn and Karl von Kalckreuth and he furthered his studies with Sigmund L'Allemand. A pioneer in the technique of hand-colored etching, Kasimir began exhibiting in 1905 and received immediate critical recognition. Starting with a sketch, usually in pastel, Kasimir would transfer the design, by hand, onto as many as six plates, applying the color by hand to each plate. Luigi Kasimir's work is held in private and public collections throughout the world including in the permanent collections of New York's Metropolitan Museum and Smithsonian Museum, among others. Reference: E. Benezit, Dictionnaire des Peintres, Sculpteurs, Dessinateurs, et Graveurs, Jacques Busse...

Ted Jeremenko, Yugoslavian/American (1938 - ) - Town and Lighthouse. Year: circa 1989, Medium: Screenprint on Arches, signed and numbered in pencil, Edition: C ( 100 ), Image Size: 2...

La Veduta interna dell’Atrio del Portico d’Ottavia is a splendid engraving made by the German artist Johann-Christian-Jacob Friedrich (Friedricchstadt, Dresda, 1746 – 1813) after Giovan Battista Piranesi...

Veduta di Tivoli mista d'Antico, e moderno (...) From the collection: “Le antichità de' contorni di Roma ossia le più famose città del Lazio. Tivoli, Albano...

Fontainebleau is an original lithograph artwork realized by an anonymous engraver of the 19th Century. Printed in series of "France Pittoresque" at the top center. Titled in France...

View of Mausoleo of Cecilia Metella is an original etching realized by the italian artist Giovanni Battista Piranesi in 1773. Precoius roman edition. Complete title on the lower ma...

Philippe BENOIST Paris : Saint Paul and Saint Louis Church - 1861 Original two tones stone lithographs Printed name of the artist bottom right On vellum 33.5 x 49 cm (c. 13 x 20 inc...

Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, ...

Royal Palace in Genoa is a lithograph on paper realized in the 19th Century. The artwork is represented in a well-balanced composition with strong strokes. Very good condition.

Ted Jeremenko, Yugoslavian/American (1938 - ) - Church at Sunset. Medium: Screenprint on Arches, signed and numbered in pencil, Edition: 175, Image Size: 20 x 25 inches, Size: 27 in....

Lithograph on vélin d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the volume, Présence de Marquet, 1962. Pu...

Etching on vélin du Lana Papiers Spéciaux pure rag paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Du Cubisme, 1947. Published by Compagnie Français...

The Interior of Geneva is an original Lithpgrapg by Antonio Fontanesi in the 19th Century. The state of preservation of the artwork is excellent. Image Dimensions: 20 x 15 cm The...

This artwork titled "Diex, Carinthia, Austria" c.1950 is a color etching on Wove paper by noted Austrian artist Josef Eidenberger, 1899-1991. It is hand signed in pencil by the artist. Published/printed by Graphics International, Austria. The plate mark (image) size is 13.75 x 10.75 inches, sheet size is 20.5 x 16.15 inches. It is in excellent condition, has never been framed. About the artist. Josef Eidenberger was born in 1899 in the little town of Goisern, Austria,he began his artistic career as a landscape painter. In 1923 he enrolled in the famed Graphic Academy of Art in Vienna and studied under Professor Alfred Cossman. His recognized talent brought him many commissions from city officials and members of the business communities throughout Europe, especially in Austria and Germany. In 1973 after visiting the United States for the first time he created a series of California etchings...

Schönbrunn is an original modern artwork realized in the mid-19th Century. Original B/W Lithograph on Ivory Paper. Inscripted on the lower margin in Capital Letters: Schönbrunn. ...

Celebrations in Piazza Navona is an original Lithograph, realized by an anonymous artist in the Early 20th Century. The status of preservation Good. Th...

Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, July 14, 1937. Notes: From the folio, A La gloire à Paris, 1937. Excerpted from the folio (translated from French), The Glory of Paris. This dedicated album by the Paris municipality was written, illustrated, engraved and printed in the year MCMXXXVII. This album was decorated and printed by J.-G. Daragnes for the City of Paris. This album has been completed to print on Vélins des Manufactures de Canson et Montgolfier et des Papeteries on July 14, 1937, D examples, the first CC of which were reserved for the subscribers of the album. EDMOND CÉRIA (1879-1954) From his childhood, Edmond Ceria showed a predisposition for music, drawing and painting. After studying at the Évian college, he entered the Geneva School of Fine Arts. Disappointed by teaching, he went to Paris in 1904, entered the Académie Julian and attended the Louvre museum where he discovered the work of Paul Cézanne which shocked him. He becomes a disciple of this new vision of the world, where sensitivity and love of nature replace genre and anecdote. According to René Barotte, “its incisive pages are reminiscent of Guardi or Canaletto. His style gradually frees itself from a certain rigor in execution. The touch becomes a sign, almost an ideogram, and the small painting appears written like a love poem. He began his career by exhibiting at the Salon des Indépendants in 1908, then at the Salon des Tuileries and the Salon d'Automne of which he was a member. In 1919, he spent a year in Tuscany which made him aware, like Corot, of the importance of light in painting. During this stay, he copied the great Italian masters including Giotto, Uccello, Masaccio. Back in France, Ceria discovered the light of Provence, painting mainly in Marseille and Sanary. In Paris, he set up in a workshop near the Observatory and frequently went down to the quays to paint the Seine, the bridges, the Concorde, the Tuileries and the Luxembourg. In 1934, he stopped his travels in Provence to discover Brittany where he spent many years. Indifferent to fashions and unfailingly attached to the nature that he stylizes, he pursues a landscape work whose light touches highlight the accidents or reflections. When the climate forced him to paint in the studio, he devoted his talent to still lifes, which testify to his love of life, just as his landscapes reflect his taste for nature. Ceria participated, with his friends Charles Dufresne, Othon Friesz and Henry de Waroquier, in the first exhibition of the Masters of Independent Art at the Petit Palais in 1937. Always alongside Dufresne, to whom he entrusted the artistic education of his son Jacques Despierre, he decorated the small foyer of the Chaillot theater with Le Théâtre...

Kloster Braunau is an original modern artwork realized in the first half of the 19th Century. Original B/W Lithograph on Ivory Paper. Inscripted on the lower margin in Capital Let...

Santa Costanza in Naples is a lithograph on paper realized in the 19th Century. The artwork is represented in a well-balanced composition with strong strokes. Very good condition.

Versailles is an original artwork realized by Pierre Frachon-Forcade in the XX century. Original lithograph on paper. Hand-signed and dedicated in pencil on the lower right corner....

Mausoleum of the Knights is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the government...

Navona Square is an original etching realized in the 1960s by Giuseppe Malandrino. Original hand-colored print. Image Dimensions: 15.5 x 16.5 cm Hand-signed by the artist in penci...

Anatole Krasnyansky, Ukrainian/American (1930 - ) - Red Sunset, Medium: Screenprint, signed and numbered in marker, Edition: 303/350, Size: 14 x 12.75 in. (35.56 x 32.39 cm), Descri...

Porta Antica in Perugia is a lithograph on paper realized in the 19th Century. The artwork is represented in a well-balanced composition with strong strokes. Very good condition.

Decorative Motifs - Arab Styles is a print on ivory-colored paper realized by Andrea Alessio in the early 20th Century. Signed on the plate on the lower. Vintage Chromolithograph. ...

San Francesco di Paola in Naples is a lithograph on paper realized in the 19th Century. The artwork is represented in a well-balanced composition with strong strokes. Very good con...

The 1962 original poster for BEA (British European Airways), titled "Londres: The Tower of London", was created as part of a campaign to promote London as a prime destination for international tourists. The poster specifically highlighted the Tower of London, one of the city’s most iconic landmarks, as a symbol of England’s rich history and cultural significance. During the 1960s, British European Airways played a pivotal role in shaping modern air travel within Europe and beyond. This poster was part of their effort to combine the allure of travel with the timeless appeal of London's historic sites. The Tower of London, with its storied past as a royal palace, prison, and treasury, was an ideal subject to attract history enthusiasts and travelers seeking a quintessentially British experience. The choice of the Tower of London as the focal point of this campaign underscored the growing interest in cultural tourism during the post-war era. As more people gained access to affordable air travel, cities like London sought to position themselves as must-visit destinations, offering a blend of historical charm and cosmopolitan appeal. BEA’s marketing strategy with this poster aligned with their broader mission of connecting travelers to Europe’s most captivating destinations. The Tower of London, a UNESCO World Heritage Site and a symbol of resilience and intrigue, served as a powerful emblem of what London had to offer. Today, this 1962 BEA poster...

Minerva Square is an original etching artwork realized in the 1970s by Giuseppe Malandrino. Hand-signed by the artist in pencil on the lower right corner. Numbered in pencil, on th...

Cities 12 – February in Prague by Susan Brown. Discover limited edition giclée prints by Susan Brown online with Wychwood Art and in our Oxfordshire art gallery. Susan Brown (BAHons HonDArts. MCSD) is an interior architect and a painter, and has been involved in both disciplines for many years. The paintings are held in many collections including, The Royal Bank of Canada, HBOS, Universities of York and Sheffield, and the National Trust. The work has been represented and shown by many galleries throughout the UK, has been represented internationally in New York, Hong Kong and Singapore, the paintings have been included in many open exhibitions including the Royal Academy Summer Exhibition, and the Scottish...

The Pantheon Temple is an etching print on paper in the Late 19th century realized by G. Della Longa. Signed on the plate, titled. Good conditions with slight foxing and a pen mark...

Artist: Richard Haas, American (1936 - ) Title: Cities Services Building Year: 2005 Medium: Etching, signed and numbered in pencil Edition: 20 Image Size: ...

Geneve is an original Lithograph, part of the series of prints dedicated to views of the city of Geneva, engraved by the Italian artist Antonio Fontanesi. The state of preservation of the artwork is excellent; Image Dimensions: 15.3 x 12 cm The signature is engraved on the plate on the lower left. Antonio Fontanesi (Reggio Emilia, 1818 - Turin, 1882) was an Italian painter, engraver, teacher, and soldier. He was one of the most important 19th-century Italian painters, though somewhat unknown. After fighting in the I Independence War...

Chiesa di Paolo Primo Eremita is an original black and white etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower mar...

View of Piazza Navona is an original contemporary artwork realized in 1970 by the Italian artist Giuseppe Malandrino (Modica, 1910 - Rome, 1979). Etching on cardboard. Hand-sign...

Rome is an etching realized by Mihu Vulcanescu (1937 - 1994) in 1979. Black and white etching. Hand-signed on the lower right margin. Dated on plate. Numbered on the lower ma...

Etching on Vélin de Rives paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Shakespeare, Macbeth, Eaux-fortes de Gromaire, 1958. Published by Tériade,...

Mario Grenville made this print for the publishing program of Associated American Artists. It was issued in 1945 making it a calm antidote to the ending of World War II, although it ...

S. Maria della Spina Church, Pisa is an original photograph taken in Pisa, Italy, realized by an Anonymous photographer. Titled on the lower. Very Good conditions.

Garage Impo  is a contemporary artwork realized by the artist Fifo Stricker in 1982. Mixed colored aquatint and etching. 

Uses and Customs - Architecture is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the gov...

Colosseum is an artwork realized by Giuseppe Malandrino in the 1970s. Mixed colored etching. Hand signed and numbered on the lower margin. Edition of 138/199.

Seminario Romano is an original black and white etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions and aged margi...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...

This traditional Limited Edition print by Daniel Pollera captures a small coastal New England home that is reminiscent of the artist's frequent Long Island Bay Houses subjects. The h...

Casino del Giardino Farnese sul monte Gianicolo is an original etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions...

Uses and Customs -Architecture is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the gove...

Chiesa e Spedale di S.Giovanni di Dio is an original etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions except fo...

Uses and Customs - Arches of the Basilica of Constantine is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the unive...

Pieter van der Aa (1659 - 1733), after David Loggan (1634 - 1692) Jesus College, Cambridge Engraving 12 x 16 cm An eighteenth-century view of Jesus College, Cambridge, engraved by P...

The lands of the Asinelli and Garisenda in Bologna is a lithograph on paper realized in the 19th Century. The artwork is represented in a well-balanced composition with strong strok...

Pieter van der Aa (1659-1733), after David Loggan (1634–1692) All Souls College Engraving 12 x 16 cm An eighteenth-century view of Le College de Toutre les Ames (All Souls), engraved by Pieter van der Aa after David Loggan, the noted engraver, draughtsman, and painter. The college was founded by Henry VI...

Uses and Customs - Map of Diocletian's Palace is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " Hist...

Robert Raushenberg The Razorback Bunch (Etching VI), 1982 Intaglio in 2 colors on handmade Twinrocker paper 29 1/2 x 21 3/4 inches Edition of 24 Framed

Uses and Customs - Courtyard of the Great Hospital of Milan is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the un...

Château de la Malmaison. is an Etching realized by Shelton in 1837. Good conditions. The artwork is realized in a well-balanced composition. the artwork and belongs to the suite su...

Pieter van der Aa (1659 - 1733), after David Loggan (1634 - 1692) St John's College, Cambridge Engraving 12 x 16 cm An eighteenth-century view of St John's, Cambridge, engraved by P...

Etching on buff wove J Whatman handmade paper with a partial watermark, 3 1/2 x 1 3/4 inches (89 x 44 mm), full margins. Signed in pencil and inscribed "III" in the lower margin. A p...

Ducal Palace in Genoa is a lithograph on paper realized in the 19th Century. The artwork is represented in a well-balanced composition with strong strokes. Very good condition.