Car Prints and Multiples

Medium: original etching. This impression on cream wove paper was printed in 1897 and published in Paris by Gazette des Beaux Arts. Plate size: 5 x 9 inches (125 x 227 mm). Signed in...

Nice poster of Alexis Kow for the 24h of Le Mans. Alexis Kow said Kow is a French designer, poster artist, illustrator and model maker, born September 17, 1901 in Moscow. As early as...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want. Hugh Casson (1910 - 1999) Lincoln College, Oxford Lithograph 30 x 24 cm Casson's view of Lincoln Library from a bustling Turl Street. Sir Hugh Casson was educated at Eastbourne College; St John’s College, Cambridge; and the Bartlett School of Architecture...

Reut Harel is a Pop Art artist who works in Tel Aviv and creates colorful, optimistic, vibrant art that combines detailed elements and emotions. Her works a...

Nice original poster for the 1982 24 Hours of Le Mans. The 1982 24 Hours of Le Mans is the 50th edition of the race and takes place on June 19 and 20, 1982 on the circuit of Sarthe. ...

Rare#163/264 edition direct from Zedsy. 21 x 26 Inches (53 x 66 cm) Screen print on 100% cotton 330gsm archival fine art paper. Print edition of Zedsy's 'Needle in a Haystack' Mon...

Nice poster for the 1966 Paris Grand Prix at the Autodrome de Linas Montlhery Automobile - Sport - Agaci St Martin Paris

Signed lower right, 'Margie Dickson' (American, 20th century) and dated 1990; additionally inscribed lower center 'hand colored screen print' with number and limitation, '5/20' and titled lower left...

The Simca 1000 is a small car of the French manufacturer Simca. Launched a few days before August 15, 1961, it confirms the brand of Poissy in its rank of se...

Manuel Rodriguez Jr., Filipino (1942 - ) - Angry Mountain. Medium: Monoprint and mixed media on BFK Rives, signed and titled in pencil, Edition: 1/1, Image Size: 35.25 x 24 inches, ...

Mid Century Modern Palm Springs Architecture. White BMW Camino CSL vintage Car photographed in Palm Desert. Archival Inkjet Print on Cotton Paper. Mid Century Modern Architecture ...

Medium: original etching. This impression on wove paper was printed in 1908 and published in Paris for the Revue de l'art ancien et moderne. Plate size: 5 3/4 x 8 1/2 inches (143 x 2...

Black & White Photograp Desert Printed to Order Unframed Also available in 20"x30" Edition of 10 $725 The area that would become Gold Point, one of Nevada’s best ghost towns, was first settled by ranchers and a few miners around 1880. A small camp was formed a few hundred yards west of the present-day townsite at an outcropping of limestone and was called Lime Point. When new discoveries of both gold and silver established the major mining towns of Tonopah and Goldfield, Nevada in the early 1900s, a flood of prospectors returned to the old Lime Point mining camp to try their luck. In 1902 silver was discovered in the area and within no time, the old camp...

Americana is the subject of most of Michigan native Charlie Winkler's photography. He was adept at photoshop and would add any particular car the buyer wished! (This may be the Stan...

New York - Taken from the north west angle of Fort Columbus Governor's Island, 1846 Engraved by Henry Papprill after a sketch by F. Catherwood, published by Henry J. Megarey Hand-colored engraving on paper Image 16 x 26 1/2 inches Henry A. Papprill (1816–1903) was a British engraver. Noted as an aquatint engraver from 1840. His plates were published from 1840 till 1883 mainly by Ackermann of the Strand. Papprill was born in Holborn, London. Lived for much of his life at Wharton Street, Lloyd Square, London. Papprill is thought to have been based in New York City for brief period in the mid-1840s. His work in the USA appears to classify him as an American engraver but he was based and gained his reputation and bulk of his work in England. He produced a series of works for Ackermann & Co from 1840 beginning with four plates called "The Jolly Squire", with verses, after James Pollard. In the following years Papprill engraved a number of military plates for Ackermann as well a series of engravings of New York (1846-9) for H.I.Megarey (published in New York). The most notable of these are: "The North West Angle of Fort Columbus, Governor's Island" (the Catherwood-Papprill view) and New York from the Steeple of St. Paul's Church, Looking East, South & West." (The Hill-Papprill view) listed in the American Historical Prints - Early Views of American Cities, etc: I.N.Phelps Stokes & Daniel C. Haskell. New York Public Library 1932. Papprill also produced for Ackermann a series of sporting prints after G. H. Laporte between 1860 and 1865. These were entitled: Racing, Hunting and Coursing. He also produced a series of shipping prints...

Henry Winzenreid (American, 1892-1981) Untitled (Steamboats and Factories), 20th century Lithograph Sight size: 10 x 14 in. Framed: 17 1/8 x 21 1/4 in. Signed lower right: AP/60 Wi...

Silkscreen Print – A printing technique whereby the artist paints glue or stencils their work onto a mesh stretched over a wooden frame. Colour is then pushed through the mesh (whic...

Currier & Ives Newport Beach Hand-colored lithograph Sheet 10 x 13 1/4 inches After undertaking apprenticeships in Boston and Philadelphia, Currier set up a print publishing compan...

Mezzotint after J.M.W. Turner, Signed in pencil. Ref: Hardie 58. This seascape is one of Frank Short’s finest mezzotint works after J.M.W. Turner. T...

"D (It's A Riot)", 2018, is a limited-edition silkscreen print, double-sided by Andrew Cornell Robinson. This print is an edition of 40. Each print is signed, stamped and numbered. The prints measure 17x17". Note the double-sided printing – surfaces of text, surfaces of image. See the full installation (photo above) as a striking performance in itself with myriad possibilities for color, pattern, language, culture, politics, identity. It's a dynamic body of work that delights in the craft of making and the experience of revealing a tapestry of image and language. Initially inspired by a visit to the Talking...

David Burdeny Forum, Rome, Italy, 2016 Archival Pigment Print Signature Label Price for Print only. Ask us for framing options.

Artist: Ron Kleemann, American (1937 - ) Title: Tom Sneva Year: 1979 Medium: Serigraph, signed and numbered in pencil Edition: 195 Image Size: 17.25 x 24 inches Paper Size: 23.5 x...

New York in 1835 from the bay near Bellows Island Raoul Varin ( 1856 - 1943 ) Hand-colored aquatint 1931 paper size 24.50 x 35 image size 17 x 22.75 cond...

Ari Gradus, Israeli (1943 - ) - Main Street USA, Year: 1980, Medium: Lithograph, Signed and Numbered in Pencil, Edition: AP, Image Size: 18.5 x 26 inches, Size: 22 in. x 30 in. ...

Laura Jordan art works are available to buy online or in our contemporary art gallery in Oxfordshire. We offer Laura Jordan original artworks and limited ed...

Roth, Ernest (American, 1879-1964). FROM PIER 4 - EAST RIVER. Etching, not dated. Edition size not stated. Signed in Pencil, and titled in pencil at the lower edge, and Signed, dated...

To see our other original vintage posters, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the poste...

Browne, George Elmer (American, 1871-1946). THE TRAWLERS. Drypoint, not dated. Edition size not stated. Titled and signed in pencil. In excellent condition.

Artists: Roamcouch Year: 2020 Class: Art Print Released: 12/11/20 Run: 125 Technique: Screen Print Size: 24 X 24 Markings: Signed & Numbered 19 color screen print About: R...

'View of Greenwich from Deptford Yard, Thames, London' Aquatint by JC Stadler after J Farmington. Published c1795 for Boydell's 'History of the River Thames'. Joseph Constantine St...

ABOUT THIS PIECE: French photographer Ludwig Favre recently road tripped to California. His pictures of California's iconic architecture and beaches carry the same romantic feel of a...

Poster. Measures 10 x 16 inches and is Unframed. Good Condition.

Artist: Mel Ramos Title: Tyra Tyre Year: 2004 Medium: Lithograph, signed and numbered in pencil Edition: 154/199 Image: 22.5 x 17.5 inches Paper Size: 29.5 x 23 inches

Liquor Store Reflection by C.J. (Ching-Jang) Yao, Taiwanese (1941–2001) Date: 1981 Screenprint, Signed and numbered in pencil Edition of 250 Size: 22 in. x 30 in. (55.88 cm x 76.2 cm)

Artist: Treadway Russell Nash (English, 1724-1811) Title: "The South View of the City of Worcester, from Digley Fields" and "Hewell, the Seat of the Right Honorable the Earl of Plymouth" Portfolio: Collections for the History of Worcestershire Year: 1781-1782 (First edition) Medium: Set of Two Original Engravings on watermarked laid paper Limited edition: Unknown Printer: John Nichols, London, UK Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK Reference: Upcott III, page 1330 Sheet size (each): approx. 10.25" x 16.63" Image size (each): approx. 7" x 12" Condition: "The South View of the City of Worcester, from Digley Fields" has some minor foxmarks in margins. "Hewell, the Seat of the Right Honorable the Earl of Plymouth" has toning and uneven discoloration to its sheet. Have been professionally stored away for decades. They are both otherwise strong impressions, the first in excellent condition, and the second in good condition Notes: Provenance: private collection - Aspen, CO. "The South View of the City of Worcester, from Digley Fields" was engraved by English artist Thomas Sanders (Active: Mid-Late 18th Century) after a drawing by himself. "Hewell, the Seat of the Right Honorable the Earl of Plymouth" was engraved by English artist Michael Angelo Rooker (1743-1801) after a watercolor painting by English artist Paul Sandby (1731-1809). Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from one copper plate in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in (1799). And both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". "The South View of the City of Worcester, from Digley Fields" has an unidentified watermark in the center of its sheet resembling "XV". Biography: Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London. Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names. He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour. On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...

The art book is 30x30cm，contains most of the works and some sketches from November 2020 to early November 2021. The total number of pages is 200, and the books are hardcover. 157g ar...

Artist: Robert D.H. Bidner, American (1930 - 1983) Title: Kittee Year: circa 1978 Medium: Chromograph, signed in ink l.r. Size: 21 x 31 in. (53.34 x 78.74 cm)

Holiday in Old Town 11/30, paper, etching, soft varnish, 15x19.5 cm JEKATERINA GRYAZEVA Born in Latvia, Riga 1968 Education 1979 - 1986 J.Rozentals Secondary Art Scho...

Artist: Robert D.H. Bidner Title: East is Neat Year: circa 1978 Medium: Chromograph, signed in ink l.r. Size: 21 x 31 in. (53.34 x 78.74 cm)

Destination love in Las Vegas. – Cawston’s eye for colour, structure and the beauty of the mundane finds a world-in-waiting as he journeys across the American West. “The greatest par...

Destination love in Las Vegas. – Cawston’s eye for colour, structure and the beauty of the mundane finds a world-in-waiting as he journeys across the American West. “The greatest par...

The detritus of a technological society – Cawston’s Concrete Jungle is not a vision of the ultramodern, of orderly skyscrapers with comfortable interiors. It is rather of a Blade Ru...

Reliant Robin in blue – Cawston’s Concrete Jungle is not a vision of the ultramodern, of orderly skyscrapers with comfortable interiors. It is rather of a Blade Runneresque postmode...

Juggernaut on the highway crossing the American West… – Cawston’s eye for colour, structure and the beauty of the mundane finds a world-in-waiting as he journeys across the American ...

Juggernaut on the highway crossing the American West… – Cawston’s eye for colour, structure and the beauty of the mundane finds a world-in-waiting as he journeys across the American ...

Juggernaut on the highway crossing the American West… – Cawston’s eye for colour, structure and the beauty of the mundane finds a world-in-waiting as he journeys across the American ...

The detritus of a technological society – Cawston’s Concrete Jungle is not a vision of the ultramodern, of orderly skyscrapers with comfortable interiors. It is rather of a Blade Ru...

Reliant Robin in blue – Cawston’s Concrete Jungle is not a vision of the ultramodern, of orderly skyscrapers with comfortable interiors. It is rather of a Blade Runneresque postmode...

Artist: Larry Stark, American (1940 - ) Title: Vancouver Bridge Year: circa 1971 Medium: Photosilkscreen on Canvas Size: 66 in. x 46 in. (167.64 cm x 116.8...

Streams of light illuminate a dilapidated Cuban car in a dilapidated building in Havana – The Spaces in Between series developed out of visits to Naples in I...

Tower Block, Car Park and Civic Building diptych Overall size cm : H291 x W201 Tower Block – Manaus, Eliza Southwood Limited Edition Silkscreen Print of 20 S...

Artist: Ching Jang (C.J.) Yao, Taiwanese (1941 - 2001) Title: Coca-Cola Year: 1981 Medium: Silkscreen, signed and numbered in pencil Edition: 250 Paper Size: 22 x 23 in. (55.88 x 58....

Artist: Dennis Oppenheim, American (1938 - 2011) Title: Study for Uppercut Year: 1998 Medium: Lithograph, signed and numbered in pencil Edition: 89/150 Paper...

Photograph collage of Jenny Helzer and Barbara Kruger sitting in an Oshkosh car. The work is signed and titled by the artist Scott Griesbach who was known for photo collage works. It...

Streams of light illuminate a dilapidated Cuban car in a dilapidated building in Havana – The Spaces in Between series developed out of visits to Naples in I...

Peche a la Sardine is a black and White etching realized by Pierre-Émile Berthélemy in the 1860s.  Titled in the lower. Image size: 12 x 18, 12 x 18. Very good impression with wid...

A unique monotype by noted Canadian artist and actor Stephen Lack. The image measures 17 x 34 inches on a 25.5 x 40.5 inch sheet. The artwork is signed, dated, titled and numbered ...

Shan Fannin's (US based) "1951 Chevrolet Truck" is a limited edition giclée print that depicts a front view of a red 1951 Chevy Truck with shiny new chrome and a blue sky in the back...

The 1928 original poster for Citroën la familiale 10CV stands as a remarkable testament to the ingenuity and success of Citroën during the interwar period. This iconic piece of adver...

The original poster for La Nouvelle Sunbeam '90' showcases a compelling mid-century advertisement for the British automaker's stylish and innovative model. Celebrating the Sunbeam '9...