City Prints and Multiples

ABOUT THIS PIECE: I love walking through Central Park and to watch the seals play at the Zoo. I imagined a scene where one of the New York harbor seals is ...

Etching on antique handmade laid paper, 9 5/8 x 4 1/4 inches (246 x 109 mm), full margins. Signed and dated (1928) in pencil, lower margin. Printed by Frederick Reynolds. In very goo...

One of eight prints completed for this set based on Henry James Aspern Papers. Signed and numbered digital print from the editon of 75. Peter Milton is one of the most honored and respected printmakers in the world today. His work is in most major museums, and he continues to produce stunning and masterful prints in his 6th decade of printmaking. Since 2008 he has been a major proponent for digital printmaking. THE ASPERN PAPERS is a classic tale by Henry James of duplicity foiled and love denied. Taking place in Venice, this is one print from a portfolio set of eight prints...

Etching on antique cream laid paper with a partial watermark, 9 5/8 x 4 1/4 inches (246 x 109 mm); full margins. Signed and dated "1928" in pencil, lower margin. Inscribed "Street in Porto Maurizio...

Robert Kipness was an American painter and printmaker who’s work focused on forms and a pronounced moodiness. This print is signed, numbered, dated, and...

Drypoint on cream wove paper, 4 1/2 x 6 7/8 inches (114 x 174 mm), full margins. Signed in pencil, lower right margin. In very good condition with no visible defects; inking is exce...

An atmospheric view of the Charles Bridge and Old Town Bridge Tower. Dresden: Max Sinz, 1928. Etching and aquatint in colors on cream wove paper, 11 1/2 x 9 inches (292 x 227 mm) f...

Both the natural world and architectural grit have a place in Lisa Breslow's work, highlighting the pull of New York City that is created by these opposing forces side-by-side. She ...

Etching with engraving on cream laid paper with a Garden of Holland or Maid of Dort Pro Patria watermark, 11 x 14 1/4 inches (278 x 361 mm), thread margins. Lettered with the title in a cartouche at the top-center sheet, continuing "a Latere Occidentali Prospeus AD MDCCXXXIX," with numbers over the image at right that correspond to a key 1 to 29, and with publication details: "Georgius Vertue Londini delineavit et Sculpsit anno MDCCXXXIX". Multiple expert repairs, notably a Y-shaped, expert paper tape repair on the verso. Handling creases, toning. All issues are consistent with age. An impression of this work may be viewed in the permanent collection of the British Museum, registration No. 1880,1113.3963. A bird's eye view of the college in Broad Street, London, showing the courtyard, adjoining stable yard to the right, and the buildings at the back. This work was included in Frederick Crace...

Medium: original etching. This impression on laid paper was printed in 1920 and published in Paris by Gazette des Beaux-Arts. Plate size: 6 3/8 x 5 3/4 inches (163 x 147 mm). Signed ...

Michel Delacroix Roofs in Paris in the Snow, 1991 Original lithograph Hand signed in pencil lower right Numbered 134/200 lower left Published by Axelle Fine Arts classic paris str...

This is an original exhibition poster from the 2000 Cindy Sherman exhibition at the Hasselblad Center in Germany. Although this version of the poster is unsigned, it remains a highly...

Lithograph on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Les Peintres mes amis, 1965. Published by Éditions d'art Les Heures Cla...

London: J. Taylor, 1820. Etching and aquatint with engraving on cream wove paper with a gilded edge, 11 1/2 x 14 3/4 inches (290 x 374 mm), full margins. Small spots of adhesive residue from a former mount at each edge on the recto. Light ghost impression in the area of the sky. Scattered minor areas of light brown discoloration, with a 3 3/4 inch horizontal edge loss along the lower left sheet edge, outside of the platemark. Colors remain fresh. Plate No. 3 from Wonders: Images of the Ancient World. Likely printed 1828. A view of the Temple of Hercules Victor...

Silkscreen in 10 colors 40 x 54 inches 2-Ply Museum Board Edition of 50 2014 Bob Gruen is one of the most well-known and respected photographers in rock and roll. From John Lennon t...

28 Flats - High rise in Burma – High-rise communal living was once seen as a great step forward for mankind. Cawston’s Tenement series captures the individual within the collective...

An extremely scarce impression from the artist's own collection. Etching on watermarked antique laid J Whatman Japon paper, 14 1/2 x 7 5/8 inches ( 368 x 195 mm), full margins. Signe...

Original etching by well-known Charleston, SC artist Elizabeth O’Neill Verner. Title: “In the Shadow of St. Michael’s - Charleston” Measures: 9 7/8 x 7 3/4 image size. 17 7/8 x 13 7...

Linocut showing the downtown Los Angeles skyline. Yangna was the largest village of indigenous peoples located near downtown Los Angeles when the Spanish arrived. This print pays hom...

This artwork, "La Fete a Honfleur" c.1980 is a original colors serigraph on Wove paper by French artist (Fanch) Francois Ledan, born 1949. it is hand signed an...

Bold woodblock serigraph by Ruth Chaney (American, 1908-1973). Numbered (#17), titled, signed, and dated along the bottom edge. The Smithsonian American Art Museum has an edition of...

Sybil Andrews, 'Rue du Hallage - Rouen', color monotype, c. 1925, edition 3, proof 3. Signed 'Sybil Andrews pinx et imp' annotated 'No 3' and titled in pencil. Printed by the artist....

Etching on thin, bluish-green cream laid paper, 9 1/4 x 4 3/4 inches (233 x 120 mm), full margins. Signed and dated in pencil, lower margin. First and only state. Printed by Frederi...

'Westminster School' Signed and titled by the artist in pencil lower edge. Monogrammed inside the plate lower left corner. Mabel Oliver Rae was an ea...

Ed Ruscha Some Los Angeles Apartments (Unsigned), 1965 True First Edition Artist Book: Stated Limited Edition of only 700 7 × 5 1/2 inches Unframed A rare and elusive 1960s Artist Book. Makes a terrific gift. This is a TRUE 1965 1st Edition of only 700 stated copies. (NOT to be confused with the second edition in 1970 which was published in a much larger edition of 3000 and NOT to be confused with an eponymous 1990 Whitney Museum publication.) A must have for Ruscha Fans. SOME LOS ANGELES APARTMENTS. Los Angeles: Self-Published, 1965. True First Edition Printed Wrappers with Glassine. Original Artist's Book. This marvelous vintage 1965 48 page book features 34 black and white illustrations and is in surprisingly fine condition. "Some Los Angeles Apartments" is Ed Ruscha's third artist book - a wry yet heartfelt photographic survey of the subtle beauty of the post-war Southern California rental property construction boom. A spectacularly bright, most handsome example of the uncommon 1965 first edition (entry B3 in Siri Engberg's "Edward Ruscha: Editions 1959-1999" which is also cited on page 141 of Martin Parr and Gerry Badger's "The Photobook: A History Volume II", pages 198-201 of The Hasselblad Center's "The Open Book", page 105 of "From Fair to Fine 2", and page 226 of "From Fair to Fine 3") limited to seven hundred unnumbered copies. This is an exceptional example of this important little gem that is often confused with the 1990 Whitney Museum exhibition catalogue of virtually the same title. "In the 1960s, Ed Ruscha more or less reinvented the artist’s book. By turning away from the craftsmanship and luxury status that typified the livre d’artiste in favor of the artistic idea or concept, expressed simply through photographs and text, Ruscha opened the genre to the possibilities of mass-production and distribution. Some Los Angeles Apartments, with its straightforward presentation of modern California domestic buildings, celebrated the vernacular architecture of Southern California." The Getty Museum "....It's perhaps fitting that Ed Ruscha - one of the central figures in late 20th century photography - does not consider himself a photographer. "I think photography is dead as a fine art," he told John Coplans...

ECLIPSE was born out of Milton's interest in the photographer Eugene Atget. Work on the image went through many transformations and reversals, until finally settling on Atget's Pari...

Biagio Civale, Italian/American (1936 - ) - Roofs of Bologna (Four Colors), Medium: Screenprint, Signed, numbered, and titled in pencil, Edition: 2/48, Image Size: 9 x 7 inches, e...

Biagio Civale, Italian/American (1936 - ) - Roofs of Bologna (Blue), Year: 1989, Medium: Screenprint, Signed and Numbered in Pencil, Edition: 2/48, Size: 15 x 11 in. (38.1 x 27...

Biagio Civale, Italian/American (1936 - ) - Roofs of Bologna (Red), Medium: Screenprint, Signed and Numbered in Pencil, Edition: 17/52, Size: 24 x 19.5 in. (60.96 x 49.53 cm)

The Castle is an artwork realized by Antonio de Totero (1936) in 1980. Hand-signed and numbered by artist with pencil. Numbered, Edition of V/XXV prints Good condition.

Spiderman: Homecoming Spider-Man: Homecoming is a 2017 American superhero film based on the Marvel Comics character Spider-Man, co-produced by Columbia Pictures and Marvel Studios, and distributed by Sony Pictures Releasing. It is the second Spider-Man film reboot and the 16th film in the Marvel Cinematic Universe (MCU). The film was directed by Jon Watts, from a screenplay by the writing teams of Jonathan Goldstein and John Francis Daley, Watts and Christopher Ford, and Chris McKenna and Erik Sommers. Tom Holland stars as Peter Parker / Spider-Man, alongside Michael Keaton, Jon Favreau, Gwyneth Paltrow, Zendaya, Donald Glover, Jacob Batalon, Laura Harrier, Tony Revolori, Bokeem Woodbine, Tyne Daly, Marisa Tomei, and Robert Downey Jr. In Spider-Man: Homecoming, Peter Parker tries to balance high school life with being Spider-Man while facing the Vulture. Artists: Ferguson, Matt Edition Details Year: 2020 Class: Cinema Status: Official Released: 07/16/20 Run: 300 Technique: Screen Print Size: 24 X 36 Markings: Numbered About Artist: "Matt Ferguson...

Friedensreich Hundertwasser, Austrian (1928 - 2000) - XIV Olympic Winter Games, Year: 1983, Medium: Poster, Edition: 5000, Size: 33.5 x 24.25 in. (85.09 x 61.6 cm)

Etching and aquatint on hand made F.J. Head & Co watermarked cream laid paper, full margins. Signed and dated in pencil, lower right margin. From the edition of 160 (from a total of ...

Village is a modern artwork realized by Maurice de Vlaminck in 1950. Black and white etching. Hand signed and dated on the lower margin. Edition of 100 specimen as reported on th...

Out of My Window. (Vista; My Own; De Ma Fenêtre). 1916. Etching. Fletcher 4, Library of Congress 254. 7 x 5 9/16 (sheet 9 3/8 x 9 1/2). Edition 75. Good condition apart from two re...

'Corpus Christi College' Engraving by John Le Keux after Frederick Mackenzie, 1837. From James Ingram's 'Memorials of Oxford'. 135mm by 175mm (platemark...

Suite of five prints including Gordon House "A Still Life at Millbank", R. B. Kitaj "Chris", John Piper "Eye and Camera, Red Blue and Yellow", Joe Tilson "Delphic Oracle", Gerd Winner...

London: R.H Laurie, 1823 Engraving on buff wove paper, 10 x 15 3/4 inches (252 x 398 mm), full margins. Age and light tone, as well as areas of light yellow discoloration from the e...

Paper Size: 13.5 x 40 inches ( 34.29 x 101.6 cm ) Image Size: 8 x 37.5 inches ( 20.32 x 95.25 cm ) Framed: No Condition: B-: Good Condition, Signs of Handling and Age Supplementa...

This artwork titled " Paris, Le Pantheon" c.1980, is an original colors lithograph on Arches paper by French artist Urbain Huchet, 1930-2014. It is hand signed and numbered 134/250 i...

ABOUT THIS PIECE: This photograph is of a movie set diner and Joshua tree lost in the desert near a place called Lake Los Angeles, California. ABOUT THIS ARTIST: Noel Kerns is a Tex...

Une A Sienne is a black and White etching realized by Leconte de Roujou in the Late 19th Century.  Titled in the lower Image Size: 32x26 Very good impression. Realized by Cadart ...

CPT.OLF Paradox x CPT.OLF 16-19 (II)- The Exhibition (Urban Art, Snapshot, Exploration) Exhibition Poster for "URBAN SPREE Galerie, Berlin" Year: 2019 Size: 33.07 x 23.62 inches (84...

Bernard Buffet, French (1928 - 1999) - The Quai d'Anjou. Medium: Offset Lithograph, Size: 20 x 24 in. (50.8 x 60.96 cm)

Monastero e Chiesa dell'Immacolata is an original black and white etching of the Late 18th century realized by Giuseppe Vasi. The beautiful etching represents a glimpse of Rome. Si...

Venice, St. Mark's square is an original artwork realized in the mid 19th century by Giuseppe Kier. Mixed colored lithograph. Framed. Good conditions except for some stains. A be...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS PIECE: Based in New York, Caitlin McGauley is an artist and illustrator with...

By Giuseppe Vasi after Giovanni Piranesi: Etching and engraving with hand coloring in watercolor on laid paper with an E and R watermark, full margins. Minor...

Adriaan Lubbers, 'Skyline from Jersey Heights', lithograph, 1930, edition 25. Signed, titled, and numbered '4/XXV' in pencil. Dated 'Paris 1930' in pencil. A fine impression, on crea...

Havana, Cuba - A very familiar city scene – people hanging out on balconies. The street is a main source of entertainment and those with a higher perch have a bird’s eye view of life...

Original screen print which would be considered a silkscreen or serigraph of a birds eye view of Herald Square in New York City at lunch time by the contemporary American artist, Jacqueline Fogel. Edition 3/15. Signed in lower right margin by the artist. Executed in 1988. Condition is excellent. Currently unframed. Professionally matted. Overall matted measurements are 14 by 11 inches. Framing options are available. Provenance: A Venice, Florida collector. This park was named for the newspaper that was once published directly to its north. The City of New York acquired the area in 1846 as part of the opening of Bloomingdale Road (now Broadway). By the early 20th century, many printers and publishers had located in the area. The New York Herald, founded by James Gordon Bennett in 1835, was best known for its sensational coverage of scandal and crime, and for its enormous circulation. Herald Square's centerpiece monument to Bennett and his son houses a sculpture and clock that formerly topped the Herald building. The bronze figures include Minerva, the goddess of wisdom and invention, and two bell-ringing blacksmiths. The clock and figures were installed on the monument in 1940, and blacksmiths "Stuff and Guff" or "Gog and Magog" have chimed the hours Born Oct. 13, 1928, in Brooklyn, as a child she showed a great interest in drawing. She attended the Philadelphia School of Art and maintained a career as an artist throughout her life. Impressed by the native American art represented in Kachina dolls, she developed a personal style in her 20s that always incorporated bright colors. Her work ranged from land and cityscape watercolors to small to life-size polychrome sculptures made almost entirely from discarded ornate furniture parts and other found or collected objects. In 2000, she was given the opportunity to create cow sculptures for the New York Cow Parade, and in 2002 she painted sculptures for the Rescue Dog book honoring the working dogs from Sept. 11, 2001. In 2005, her Big Apple sculpture was displayed outside Trump Tower. She swam regularly in Jamaica Bay and maintained an active and vibrant lifestyle throughout her life, attending many parties, art exhibits and concerts. Fogel's multifaceted planes which should recede far into the distance and give the illusion of depth because of their tonality and color intensity appear, instead, to be on the same plane. Because the depth of field is flattened, the color areas become rather decorative. In addition, the planes on the buildings are charmingly tilted and destorted, contributing to the zaniness and gaiety of these paintings. Fogel has a graceful sense of composition and her placement of shapes is always sound. The paintings, while they seem so effortless and unselfconscious, belie an unobtrusive and playful artistic intelligence. Fogel enjoys dealing with visual paradoxes in a natural, unforced and unselfconscious manner. Shop her watercolor art for sale online. SELECTED EXHIBITIONS 2002DOGNY 2000Cowparade, NY 1998Michael Ingbar Gallery, NY 1996-2002Nassau County Museum, Roslyn, NY 1993-2002Guild Hall, East hampton, NY 1991Housatonic Museum of Art, Bridgeport, CT 1990, 1997Elaine Benson Gallery, Bridgehampton, NY 1987, 1988Bergen County Museum, New Jersey 1986-1989The Country Gallery, long Island, NY 1983Zim Lerner Gallery, NY '83, '85, '86Grace Building, NY 1983Queens Museum, NY 1979, 1980Fabian Gallery, NY 1979Sculpture CEnter, NY 1979Cork Gallery, Lincoln Center, NY '79, '82, '83, '87, '90, '93, '94, '96Lever House, NY 1968, 1972, 1979Gold Door Gallery, Bucks County, Pa. 1968Brooklyn Museum, NY 1966Madison Square Garden Art and Antique Show, NY 1962New Jersey Water Color Society, New Jersey 1961Newark Museum, New Jersey ONE PERSON SHOWS 1997, 1999Temple Emanuel Gallery, Great Neck, New York 1996Shelter Rock Gallery, Long Island, New York 1989East End Arts, Long Island, New York 1985The Manhattan Borough President's Gallery, New York 1984The Erato Gallery, St. Maarten, Caribbean, NY 1982, 1985Mari Gallery, Mamaroneck, NY 1981Perin - Sharpe Gallery, New Caanan, CT 1981Hooks-Epstein Gallery, Houston, TX 1974Aberbach Fine Art, NY 1971Kutztown Art College, PA 1965, 1966Krasner Gallery, NY 1963Art Alliance, Philladelphia, PA 1960Carus Gallery, NY 1960San Miguel Allende, Mexico COLLECTIONS...

Uses and Customs - Church of San Giovanni in Pistoja is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe:...

'College Ste Barbe. Facade sur la rue Valette a Paris, par Mr L Heureux, Archte' French architectural chromolithograph. From 'La Brique Ordinaire', by J Lacroux, 1878. A series of ...

Somerset Royal Palace View is an original print realized by Anonymous artist at the end of XVIII century (about 1760). Titled below "Vue du Palais Royal Somerset du côté de la Tamise" with the imprint "a Paris chez Daumont rue St Martin...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS PIECE: French photographer Ludwig Favre recently road tripped to California....

TOPIARY IV by Frank Schott from a series of photographic observances capturing the antics of urban gardening and striking art of topiaries' green minimalism 60 x 48 inches (152 x 1...

BERNARD BUFFET lithograph signed and numbered “New York IX”. In good condition measures 28x21

Hotel Saint-Charles is a beautiful black and white xylograph on paper, realized in 1880 by Auguste Victor Deroy. Original title: Nouvelle-Orléans: Hôtel Saint-Charles Signed on pl...

Taken upon arriving in Las Vegas, photograph from Richard Heeps' 'Dream in Colour' series, this artwork captures a classic American neon Googie sign, with the famous Vegas cityscape ...

This image is stamped as being rom the personal collection of Arms Referenced as Fletcher #386 the image is signed .and inscribed in pencil and is from a small edition of 16. The An...