Decor Prints and Multiples

Unframed. Two 40h x 26w inch monotypes. Signed on the back by the artist. Images of the prints framed are just to give a sense of how much wall they would cover once framed with a...

Picasso and his Hands Made of Bread," was originally taken by photographer Robert Doisneau in 1952. In the image, Pablo Picasso is seen sitting at a table, holding pieces of bread sc...

This Air France planisphere tracks not just the airline's flight paths across the world, but the universe. The horoscope and its associated constellations are superimposed atop Boucher's highly sought after global map. It speaks to the uncharted territories Air France was often first to travel to. This image is exceptionally rare. Air France was formed in 1933 through a merger of several smaller international companies. These smaller airlines had already built extensive networks across the world, and when combined under the Air France umbrella they created an exciting accessibility to fliers. Air France remains one of the most highly regarded international airlines, servicing 78 countries around the world. It served as France's primary national flag carrier for seven decades prior to its 2003 merger with KLM...

Artist: 広重 Hiroshige (1797-1858) Series: Famous Places in the Eastern Capital (Tôto meisho) (東都名所) Title: View of Kasumigaseki (Kasumigaseki no zu) 霞がせきの図 Size: O-ban 大判 24.2 x 36...

Date: 1969 Screenprint, signed, titled, numbered and dated in pencil Edition of 8/100 Image Size: 17 x 17 inches Size: 20 x 20 in. (50.8 x 50.8 cm)

Fresco from "Antiquities of Herculaneum" is an etching on paper realized by Vincenzo Campana in the 18th Century. Signed on the plate. Good conditions. The etching belongs to the ...

Medium: screenprint (after the drawing). Printed in 1963 on a special semi-transparent paper in an edition of 450 for "Naissances" and published by Galerie Der Spiegel. Size: 11 3/4 ...

This vivid original 1969 concert poster was designed by Lee Conklin, one of the iconic artists of the psychedelic poster movement, for a legendary series of shows at the Fillmore West in San Francisco. Featuring Santana, The Youngbloods, and Allmen Joy, with light shows by Little Princess 109, the concerts ran May 15–18, 1969. Conklin’s surrealist vision explodes in a cascade of melting forms, vibrant color, and sun-drenched dreamscapes, encapsulating the acid rock aesthetic and the energy of the late-60s Bay Area music scene. His use of morphing hands and searing color waves evoke a hallucinatory trance that pairs perfectly with Santana’s Latin-infused psychedelia and The Youngbloods’ mellow groove. Commissioned by Bill Graham Presents, this is BG #124 in the Fillmore poster...

William Steen Untitled, from the Art Against AIDS Portfolio, 1988 Lithograph on paper with deckled edges Hand signed, numbered 38/50 and dated on lower front with printer's and publisher's blindstamp. 20 1/5 × 15 inches Unframed Hand signed, numbered and dated on lower front with printer's and publisher's blindstamp. This powerful limited edition lithograph by William Steen was published in 1988 as part of the Art Against Aids portfolio, numbered 38/50. Superb provenance as it is was acquired from the original Art Against AIDS Portfolio published in Houston, Texas. This will be the first time the work will be removed from the portfolio. The late 1980s was the height of the AIDS epidemic, and this was one of many efforts by the creative community to raise funds to assist in fighting this deadly scourge that disproportionately affected the artistic community. William Steen 1949-2008 William Steen, artist, collector, curator, and mystic, died of pancreatic cancer on December 20 in New York, where he has lived since 2001. Long time framer at the Menil Collection, the soft-spoken Steen is remembered in Houston where he had his first exhibition of paintings in 1978 at the Roberto Molina Gallery. In 1984 Steen made his first of several trips to India, photographing thousands of Tibetan Buddhist ritual paintings. A champion of outsider art, in 2000 he tangled with the Houston Police over the grafitti mural he comissioned for the walls of the reclaimed Sterling Cleaners...

SEBASTIAN MUNSTER (1488-1552) FLORENCZ - -- FIGUR UND GELEGENHEIT DER EDLEN UND HOCH BERHÜMPTEN STATT FLORENTZ. . c 1550 (Fauser, #3925.) Woodcut f...

Medium: Lithograph on vélin paper. Year: 1952 Paper Size: 12.25 x 9.5 inches; image size: 9.05 x 6.69 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From th...

Beautiful early 20th Century color linocut of abstracted man with leaves titled "Homme au Feuillage" (Man with Foliage) by French artist Jean Lucat (French, 1892 - 1966), circa 1950....

Max Weber, Untitled 'Feast of Passover', woodcut, 1920, edition proofs—this impression from the edition of 25 printed in 1956, Rubenstein 30. Signed in pencil...

Paper Size: 15 x 11 inches ( 38.1 x 27.94 cm ) Image Size: 15 x 11 inches ( 38.1 x 27.94 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Details: C...

This piece titled "Watch for the Next Bloom" is an original print by Jun Lee and is made by reduction woodcut. This piece measures 35"h x 26"w framed...

Belle lithographie de Jean Lurçat. Créateur infatigable, Lurçat est un artiste aux multiples facettes : peintre, poète, illustrateur, il se passionne pour les techniques de la céramique et de la tapisserie dont il est le plus illustre représentant du XXe siècle. ​ Engagé dans son époque, et passionnément curieux du monde, Jean Lurçat est né dans les Vosges à Bruyères, où Lucien, receveur des postes, et Charlotte engendrent une descendance de créateurs : Jean le peintre et André l’architecte. Jean Lurçat se forme dans l’atelier de Victor Prouvé, chef de file de l’École de Nancy, puis vient s’immerger dans l’effervescence artistique et intellectuelle de Paris, il a alors vingt ans. Il complète sa formation en marge des circuits officiels, fonde avec des amis la revue Les feuilles de mai, et décide alors d’entamer une carrière de peintre fresquiste, mais le projet tourne court à cause de la guerre. Jean Lurçat, engagé volontaire, subit le sort terrible des fantassins ballottés dans la tourmente : cela le marquera à vie. Un Lurçat, impatient et ne tenant pas en place, s’exprime durant la décennie des années vingt. Il se fait connaître par sa peinture, en France et aux Etats-Unis. Peintre de renommée internationale, il figura parmi les artistes les plus significatifs de son temps, tout en restant en marge des courants esthétiques contemporains. Il collabore avec Pierre Chareau, architecte-décorateur connu par l’intermédiaire de ses amis Jean et Annie Dalsace, les commanditaires de l’iconique maison de verre rue Saint-Guillaume. Il produit aussi de grands canevas brodés par son épouse et donne des projets de tapis. La collectionneuse Marie Cuttoli fait tisser à Aubusson des tapisseries d’après des œuvres de Lurçat et des autres artistes de sa collection, et cette expérience ouvre la voie de la renaissance de la tapisserie par son ambition esthétique. Parallèlement, aux Manufactures nationales, un salon des Illusions d’Icare est tissé ; destiné à l’ambassade de France en URSS, il ne sera jamais mis en place à cause de la guerre. ​ Lurçat, à cette époque, abandonne la peinture de chevalet. L’étape décisive est franchie lorsqu’il s’approprie la technique de la tapisserie de lisse et s’implique dans la technique du langage de la laine. L’Apocalypse d’Angers qu’il découvre en 1938 confirme son intuition. Il perçoit le potentiel immense et l’originalité de cet art. Grosseur du point, gamme limitée et carton chiffré, il n’aura de cesse de prôner les avantages d’une méthode qui revient aux fondamentaux de la technique du Moyen âge, période qu’il estime celle des plus grands chefs...

Victor Vasarely (1906-1997) - Balaton Silkscreen / Serigraph from 1989. Edition of 250. Dimensions of work: 47 x 37.5 cm Reference: Catalogue Raisonné Vol I par Pedro Benavides n...

Andre Derain, French (1880 - 1954) - Zodiac, Medium: Woodblock on Arches, stamp signed, Image Size: 8.75 x 7.5 inches, Size: 17.5 x 13 in. (44.45 x 33.02 cm), Description: From the...

Artist proof, printed on contemporary filigree paper, large margins, representing an antique marble vase , whose details are described in the ending note . The piece is dedicated to ...

Henri Matisse (after) Polynesia : Doves in the Sky Screen print Printed signature in the plate On vellum 13.5 x 21 cm (c. 5.5 x 8.5 inch) Information : Official Greeting of the French President...

The circa 1890 original poster titled "José Tinchant y Gonzales & Cie La Flor de Don José Anvers" is a vibrant and detailed example of late 19th-century commercial art. Created to ad...

Martini Corner, is an interior photograph by Richard Heeps, captured in Arizona as part of his Dream in Color series. The artwork has rich orange colours and an elegant mid-century f...

Ghizlan El Glaoui Coronation Stamp, 2024 Oil on canvas, framed Signed by the artist, on verso Framed: 94 x 62 cm Ghizlan El Glaoui is a Moroccan-born artist based in London, known f...

Subject : Ancient Greek vase-painting depicting (left) Europa garlanding the bull, Eros flying between Zeus and Aphrodite, (right) Dionysus, Eros, satyr and maenades, from an Apulian...

Jean Marais (1913 - 1998) Astrology & Zodiac : Aries "Impulses of the Heart" Original lithograph and photolithograph Signed with the stamp of the artist (Also bears printed signatu...

Vintage poster realized by Galleria Rondanini in 1978. Offset print. Excellent condition.

Chromolithograph, 1868. From Owen Jones' 'Grammar of Ornament', 1868. Welshman Owen Jones first published his monument to design, the Grammar of O...

Titled Evolution, this screen print by Richard Anuszkiewicz exemplifies the artist's signature style, featuring three colorful superimposed squares. At the center of each square, Anu...

Contemporary figurative mezzotint print by Polish artist Krystyna Jaszke. Artwork is monochromatic, it comes from limited edition of 20. Print depicts portrait of a woman, a fantasti...

Contemporary figurative mezzotint print by Polish artist Krystyna Jaszke. Artwork is monochromatic, it comes from limited edition of 20. Print depicts portrait of a woman, a fantasti...

This piece titled "Weed Wreath (edition 5/6)" is an original artwork made from hand colored cut-plate intaglio on Somerset by Katie VanVliet. This piece is the fifth in an edition of...

Keith Haring lithograph 1982: Double-sided lithographic insert from the seminal, spiral bound 1982 Keith Haring Tony Shafrazi gallery exhibition catalog published on the occasion of Haring’s first gallery-based solo exhibition. From a limited edition of 2000. Offset lithograph; 9 x 9 inches. Condition: very good overall vintage condition with only some minor signs of aging. Published by Tony Shafrazi gallery New York, 1982. Unsigned from an edition of 2000. Well suited for matting and framing. Keith Haring (American, 1958–1990), a Neo-Pop and Graffiti artist, had a short but prolific career centered on a vision to unite “high art,” urban aesthetics, and public spaces using humorous, irreverent, and poignant works. Born in Pennsylvania, Haring attended the Ivy School of Art in Pittsburgh for two years, planning to become a commercial artist. He found this path unsatisfying, and instead chose to study at the School of Visual Arts in New York, where he met fellow artists Jean Michel Basquiat and Kenny Scharf. Haring immersed himself in the culture of the city’s streets and clubs, and, in 1980, began covering the blank billboards on subway station walls with his Subway drawings in chalk. Haring’s bold public art attracted the attention of several galleries, and, by the early 1980s, he was painting Neo-Pop works and large murals full time. In an effort to make his art widely accessible, Haring opened the Pop Shop in 1986 in downtown New York, selling commercial items adorned with his signature, cartoonish imagery. Haring combined graffiti, hip-hop, and urban aesthetics, frequently depicting animals, figures, commercial icons, sexual imagery, and childlike motifs in pieces that were both playful and concerned with social issues. His work became increasingly confrontational following his 1987 diagnosis of AIDS. Haring resolved to work harder than ever in his remaining years, creating pieces with a fervent speed and devoting his art to social action in addition to his personal expression. In 1989, he established the Keith Haring Foundation, whose goal is to promote art programs and public spaces for children, and to raise awareness about AIDS Related Categories Keith Haring Dolphins. Keith Haring prints. Vintage Keith Haring. Keith Haring Tony Shafrazi New York. Street Art. Keith haring animals...

Medium: pochoir (after the watercolor and collage). Printed in 1957 at the atelier of Daniel Jacomet and published in Paris by the Galerie Berggruen for a rare catalogue. Image size:...

Medium: screenprint (after the drawing). Printed in 1963 on a special semi-transparent paper in an edition of 450 for "Naissances" and published by Galerie Der Spiegel. Size: 11 3/4 ...

Friends Yannis Amoryanos Greek Date: 1980 Screenprint, signed and numbered in pencil Edition of 300, AP 45 Size: 25.5 in. x 22 in. (64.77 cm x 55.88 cm)

Paper Size: 15 x 22 inches ( 38.1 x 55.88 cm ) Image Size: 15 x 22 inches ( 38.1 x 55.88 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Details: C...

'Representation of Norman Pavers in the Possession of H Rooke Esq. FAS' Aquatint with original hand-colouring, 1802, by William Fowler (artist, engraver and publisher) (1761–1832). ...

Medium: screenprint (after the drawing). Printed in 1963 on a special semi-transparent paper in an edition of 450 for "Naissances" and published by Galerie Der Spiegel. Size: 11 3/4 ...

Medium: screenprint (after the drawing). Printed in 1963 on a special semi-transparent paper in an edition of 450 for "Naissances" and published by Galerie Der Spiegel. Size: 11 3/4 ...

In 2004, to commemorate the Centennial of the New York City Subway System, the Metropolitan Transportation Authority (MTA) commissioned artist Kathy Jakobsen to create a celebratory ...

Lithograph and stencil on vélin Hollande van Gelder paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Fernand Léger, 1928. Published and printed by Éd...

Penelope Ellis (1935-2016) Wallowing in the Mud Woodblock print 15 x 11 cm Provenance: From the artist's estate sale. ​Penelope Mary Ellis (1935–2016) was a British artist celebra...

"Many of the most common flowers sold in flower shops around the world are grown in equatorial countries. Unfortunately, many of these countries have loose to no regulations on the synthetic pesticides and fertilizers used to grow the flowers. These pesticides and fertilizers find their way into waterways, and rivers and eventually make their way into our oceans, causing environmental havoc along the way. Fertilizer runoff can trigger sudden explosions of marine algae capable of disrupting ocean ecosystems and even producing "dead zones" in the sea. Pesticides can affect coral reproduction, growth, and other physiological processes. Herbicides, in particular, can affect the symbiotic algae (plants). This can damage their partnership with coral and result in bleaching. This image contemplates the connection between the flowers we buy, and the effect commercial flowers have on the majestic and fragile reef systems around the world. In keeping with one of PangeaSeed Foundation’s mottos, “As Above, So Below”, this image imagines Clownfish, an iconic reef dweller living within the flowers we consume. Their home is being threatened and altered by pesticide runoff, pictured here as a band of bleached out flowers. You can make a difference by the choices you make on a daily basis. This Valentine’s Day, consider buying local organically grown flowers. Consider picking your own wildflowers. Consider giving flower paintings and drawings…. ( i Might know a guy). Consider doing this every time you think about gifting flowers or decorating your home. The consumption choices we make have direct effects on our planet. Next time you buy flowers, think about our Mother Nature." - Jet Martinez

Medium: screenprint in black on a transparent plastic sheet (after the drawing). Printed in Switzerland in 1970 on a flexible, clear mylar sheet. Size: 10 1/2 x 10 1/2 inches (267 x ...

Artists: Raffaello Sanzio d’Urbino.(1483 – 1520) Gateano Savorelli, artist. (unk.- 1791) Ludovico Teseo, draughtsman. (1731-1782) Pietro Camporesi, architect (1726 - 1781) Giovanni Ottoviani (1735-1808) & Giovanni Volpato (1735 – 1803), engravers Title: Delle Logge di Rafaele nel Vaticano, Plate X (10) Year: 1772-1777 Medium: Hand-colored copperplate engraving Sight size: 42 x 16 inches. Framed size: 55.5 x 28.5 inches Condition: Very good Frame: Frame in very good condition A tall and incredibly detailed printed panel, “Delle Logge di Rafaele nel Vaticano” (“Raphael Loggia...

Artist's biography is an Artwork realized by Mino Maccari  (1924-1989) in the Mid-20th Century. Colored woodcut on paper. Hand-signed on the lower, numbered 4/89 specimens and title...

William Ross Abrams, 'The Green Sugarbowl', color woodcut, 1949, edition 24. Signed, titled, dated, and annotated 'Artist’s proof' in pencil. A fin...

Location: Troyes, France Series: Spaces In Between

Collotype from frottage on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Max Ernst, Histoire Naturelle, 1972. Published and printed by Verla...

The first edition poster created by Jasper Johns for the exhibition at Leo Castelli's gallery, held from April 19 to May 17, 1969, is a notable piece of art history. This offset lith...

Hino creates a still life of a lotus from an edition of 65. A prominent figure in Buddhist and Egyptian culture, and native flower for both India and Vietnam, the lotus holds enormous symbolic weight. It spans various thousand-year-old Eastern cultures and yet, is still considered one of the most sacred flowers today. So what is it about this mysterious blossom that people find so enrapturing? Its colorful bloom is an obvious suspect, but the lotus also has a life cycle unlike any other. With its roots based in mud, it submerges every night into murky river water, and—undeterred by its dirty environment—it miraculously re-blooms the next morning without residue on its petals. Although cultures have their own interpretations of this daily process, there is a general consensus among ancient texts...

Bengt Bockman Main Street 96-98 Year: 1974 Color Lithograph Size: 25.5 x 33.5 in. Edition: 175 Signed and numbered in pencil by the artist *image comple...

Morris Cox (1903-1998) Crash! An Experiment in Blockmaking and Printing, AP 2 of 8 colour prints in varied techniques, Gogmagog Press 1963 Image: 16.5 x 23.0 cm Frame: 32.0 x 38.0 c...

Lithograph on vélin d'Arches à la forme savoir paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Dans l'Atelier de Picasso, 1957. Published by Fernan...

Medium: original lithograph. Printed in 1974 for the art revue Derriere le Miroir (issue number 209) and published in Paris by Maeght. Size: 15 x 22 inches (378 x 555 mm). There is a...

This is one of the most desirable posters ever created by Lucien Boucher, for Air France. In it we see the various destinations that Air France flew to in the 1950s. Boucher uses the...

A Surrealist etching by Mexican artist Rufino Tamayo of a simple yellow figure against a pink background, staring at the viewer with piercing white eyes. This piece is 21 of 99 numb...

Medium: lithograph (after the gouache). Printed in 1962 at the Mourlot atelier for "Jerusalem Windows". This piece was executed by Chagall in preparation for his famous stained-glass...