Nature Prints and Multiples

Lake Tarryall, a 1941 lithograph by Adolf Dehn (1895-1968) was made while he was teaching in Colorado. A native of Waterville, Minnesota, Dehn attended the Minneapolis School of Art ...

Silverstoned, 2024 Gicleé print on Hahnemuhle Daguerre Canvas framed in Tasmanian Oak edition of 42 100 x 100 cm comes with hand-signed and numbered COA from the artist. Werner Bron...

Werner Bronkhorst, Volley Road, 2025 Giclée print on Hahnemühle Photorag paper with ready-to-hang heavyweight solid oak frame from FSC-certified sources, made in Germany. From the a...

Werner Bronkhorst, TIEBREAK! (Large), 2025 Giclée print on Hahnemühle Photorag paper with ready-to-hang heavyweight solid oak frame from FSC-certified sources, made in Germany. From...

Russell Chatham lithograph signed and numbered “October” . In goood condition. Some minor frame wear and one scratch on the glass. Measures 54x43

PUBLIC POOL Giclée Print on Hahnemühle_Daguerre Canvas 400g 63 x 81 cm (with frame) Edition of 100 Frame: Solid Pine L-Type - 0.7cm (front) / 4cm (side), white finish Canvas stretche...

David Hockney, A Bigger Splash, 2017 Giclée printed on 330 gsm Somerset Enhanced Radiant White 100% cotton rag paper with torn edges 17 7/10 × 13 4/5 in (45 × 35 cm) A Bigger Splas...

Mesmerizing large scale photograph from artist's Seascape series, a body of works capturing the fleeting surfaces and monochromatic nature of oceanic water and dramatic cloudscapes ...

Werner Bronkhorst Mockney, 2025 Giclée print on heavyweight 395gsm matte Canson Infinity PhotoArt ProCanvas, made with long-lasting Epson archival inks 43 x 33 cm (16.9 x 13 in) ...

Werner Bronkhorst Walk On Water, 2025 Giclée print on heavyweight 395gsm matte Canson Infinity PhotoArt ProCanvas, made with long-lasting Epson archival inks 43 x 33 cm (16.9 x 13 ...

A large scale photograph of lush emerald green nature biotope, a highly detailed observation of the natural beauty of Northern California's coastal redwood forest Redwoods Study II ...

Tony Bennett Title: South of France Lithograph Signed and Marked ATL  5/5 ( Printers Proof ) Paper Size: 31" x 24" inches Image Size : 26" x 20" inches Published By : Atelier E. Ettinger Gallery Anthony Dominick Benedetto, known professionally as Tony Bennett, is an American singer of traditional pop standards, big band, show tunes, and jazz. He is also a painter, having created works under his birth name that are on permanent public display in several institutions. Whether he is performing as Tony Bennett or painting as Anthony Benedetto...

Original 1975 United Airlines Ski West Vintage Travel Poster – Mid-Century Modern Artwork. Archival linen-backed and in Grade A- condition, ready for Framing. The images displayed are of the exact vintage poster you will receive. Experience the golden era of travel with this rare original United Airlines "Ski West" vintage travel poster from 1975. Created during a time when air travel embodied elegance and adventure, this striking piece provides a vibrant glimpse into mid-century advertising and ski culture. Showcasing bold typography and colorful, eye-catching artwork, the “Ski West” poster embodies the thrill of powdery slopes and the promise of unforgettable ski vacations in the American West. Ideal for vintage art collectors, travel enthusiasts, or anyone looking for a chic retro touch in their decor, this piece authentically showcases 1970s graphic design. It blends bold colors with minimalistic yet striking visuals. Whether you collect United Airlines memorabilia...

Gustave Baumann, 'Taos Placita', color woodcut, 1947, edition 125. Baumann 132. Signed, titled, and numbered '20-125' in pencil; with the artist’s Hand-in-Heart chop. A superb, richly-inked impression, with fresh colors, on fibrous oatmeal wove paper; the full sheet with margins (2 to 3 1/8 inches); slight rippling at the left sheet edge, in excellent condition. Matted to museum standards, unframed. Image size 9 5/8 x 11 1/4 inches (244 x 286 mm); sheet size 13 1/4 x 17 inches (337 x 432 mm). Collections: Harwood Museum of Art, New Mexico Museum of Art, Phoenix Art Museum, Scottsdale Art Museum, Wichita Art Museum. ABOUT THE ARTIST Gustave Baumann (1881-1971) was a renowned printmaker and a leading figure of the American color woodcut revival whose exquisite craftsmanship and vibrant imagery captured the essence of the Southwest. "A brilliant printmaker, Baumann brought to the medium a full mastery of the craft of woodworking that he acquired from his father, a German cabinetmaker. This craftsmanship was coupled with a strong artistic training that resulted in the handsome objects we see in the exhibition today. After discovering New Mexico in 1918, Baumann began to explore in his woodblock prints of this period the light. color, and architectural forms of that landscape. His prints of this period are among the most beautiful and poetic images of the American West." —Lewis I. Sharp, Director, Denver Art Museum Baumann, the son of a craftsman, immigrated to the United States from Germany with his family when he was ten, settling in Chicago. From 1897 to 1904, he studied in the evenings at the Art Institute of Chicago, working in a commercial printmaking shop during the day. In 1905, he returned to Germany to attend the Kunstwerbe Schule in Munich, where he decided on a career in printmaking. He returned to Chicago in 1906 and worked for a few years as a graphic designer of labels. Baumann made his first prints in 1909 and exhibited them at the Art Institute of Chicago the following year. In 1910, he moved to the artists’ colony in Nashville, Indiana, where he explored the creative and commercial possibilities of a career as a printmaker. In 1915, he exhibited his color woodcuts at the Panama-Pacific International Exposition in San Francisco, winning the gold medal. Among Baumann’s ongoing commercial activities was his work for the Packard Motor Car Company from 1914 to 1920 where he produced designs, illustrations, and color woodcuts until 1923. In 1919, Baumann’s printmaking work dominated the important exhibition of American color woodcuts at the Detroit Institute of Arts. Twenty-six of his prints were included, far more than the works of any other artist. A set of his blocks, a preparatory drawing, and seven progressive proofs complemented the exhibition. That same year, Baumann worked in New York and, over the summer, in Provincetown, Massachusetts. His airy images of Cape Cod employed soft, pastel colors and occasionally showed the influence of the white-line woodcut technique. Many of his Chicago artist friends had traveled to the southwest, and Baumann became intrigued by their paintings, souvenirs, and stories of an exotic place named Taos, New Mexico. In the summer of 1918, he spent the summer in Taos sketching and painting before visiting Santa Fe. Paul Walter, the director of the Museum of New Mexico, offered him a studio in the museum's basement. Inspired by the rugged beauty of the Southwest—the vibrant colors and dramatic landscapes of the region became a central theme in his work, influencing his artistic style and subject matter for the remainder of his career. Later in the decade, he traveled to the West Coast and made prints of California landscape. Baumann's prints became synonymous with the Southwest, capturing the spirit of its place in America's identity with a unique sense of authenticity and reverence. His iconic images of desert vistas, pueblo villages, and indigenous cultures served as visual tributes to the region's rich cultural heritage, earning him a dedicated following among collectors and curators alike. A true craftsman and artist, Baumann completed every step of the printmaking process himself, cutting each block, mixing the inks, and printing every impression on the handmade paper he selected. His dedication to true craftsmanship and his commitment to preserving the integrity of his artistic vision earned him widespread acclaim and recognition within the art world. About the vibrant colors he produced, Baumann stated, “A knowledge of color needs to be acquired since they don’t all behave the same way when ground or mixed...careful chemistry goes into the making of colors, with meticulous testing for permanence. While complicated formulae evolve new colors, those derived from Earth and metal bases are still the most reliable.” In the 1930s, Baumann became interested in puppet theater. He designed and carved his own marionettes and established a little traveling company. From 1943 to 1945, the artist carved an altarpiece for the Episcopal Church of the Holy Faith in Santa Fe. In 1952, a retrospective exhibition of his prints was mounted at the New Mexico Museum of Fine Arts. Throughout his prolific career, Baumann executed nearly four hundred color woodcuts. Baumann’s woodcuts...

This series of cyanotype triptychs showcases the beauty of nature scenes, including stunning beaches and oceans, as well as the intricate textures of water, forests, and skies. These triptychs are large pieces that feature lush blues, making them an impressive addition to any beautifully designed space. Each triptych is printed by hand and carefully crafted to capture the unique essence of these natural environments, with a focus on the interplay of light and shadows, and the subtle nuances of tone and texture. The beach and ocean scenes depict the dynamic beauty of waves crashing against the shore, with the cyanotype process lending a dreamy, ethereal quality to the images. Similarly, the forest and wood scenes...

Color lithograph after the 1935 oil on canvas by René Magritte, printed signature of Magritte and numbered from the edition of 300. The lithograph features the dry stamps of the Mag...

Pablo PICASSO (1881-1973) Diurnes, Woman By the Sea, 1962 Original collotype and stencil (Jacomet workshop) Unsigned Limited to 1000 copy On paper 40 X 30 cm (c. 15.7 x 11.2 in) R...

ABOUT THIS PIECE: My artistic journey on Burano Island has been a captivating exploration of its vibrant character. While initially drawn to its clotheslines and colourful walls in search of inspiration for my next clothesline animal, I soon discovered that each whimsical house possessed its own unique personality. My work seeks to highlight and amplify these distinctive features, celebrating the island's charm beyond its iconic laundry, embracing the quirks and individuality of every little dwelling. ABOUT THIS ARTIST: Helga Stentzel...

Paper Size: 31.5 x 23.75 inches ( 80.01 x 60.325 cm ) Image Size: 31.5 x 23.75 inches ( 80.01 x 60.325 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling ...

This image is from an exclusive edition published by Stone + Press in 1994 in an edition of 100. This impression is #98. It brings to mind the Robert Frost poem, Stopping by Woods on a Snowy Evening. The woods are lovely, dark and deep, But I have promises to keep, And miles to go before I sleep, And miles to go before I sleep. Mary Teichman...

London: Gebbie & Husson Co., 1879 Héliogravure and engraving on cream wove paper, 10 1/4 x 12 1/4 inches (258 x 310 mm), full margins. In good condition with some very minor margina...

large scale photograph of iconic summer beach scene in Puglia by Italian photographer Massimo Vitali, renowned for his grand scale topographical observations of the rites and rituals of modern leisure Porto Miggiano...

Evenfall, 2024 Archival Inkjet with Screenprint Overlay on Somerset Enhanced Infinity 330 gsm Paper edition of 99 hand-signed and numbered by the artist Stanley Donwood is a British...

Color lithograph after the 1950 oil on canvas by René Magritte, printed signature of Magritte and numbered from the edition of 275. The lithograph features the dry stamps of the Mag...

This is an exclusive handprinted limited edition cyanotype. "Misty Sailboat Journey" is a handmade cyanotype print portraying a daytime sailboat journey...

Color lithograph after the 1940 oil on canvas by René Magritte, printed signature of Magritte and numbered from the edition of 300. The lithograph features the dry stamps of the Mag...

This is an exclusive handprinted limited edition cyanotype. This diptych is titled "Japanese Zen Pond Ripples", and shows ripples of water from a calming pond. Details: + Title: Ja...

Oskar Bergman (Stockholm 1879–1963 Saltsjöbaden) “Skogskanten” (Winter Landscape with Spruce Trees) signed "Oskar Bergman" in pencil drypoint etching image size: 19.5 x 29.5 cm (7 ...

Still Life is a Photolithograph print, reproducing the original watercolor by Giorgio Morandi created in 1932. The signature by the artist is perfectly reproduced on the plate and d...

This reproduction of the Magritte painting is the only authorized and approved copy in its current format. It has been sanctioned by the appropriate authorities managing Magritte’s e...

This artwork titled "La Cote d'Azur" c.1980, is an original colors lithograph on watermarked Arches paper by noted French artist Jean Claude Picot, 1933-2020. It is hand signed and ...

Louis Lozowick, 'Angry Skies (Andante Cantabile)', lithograph, 1935; edition 10, AAA 250; Flint 123. Signed in pencil. Signed in the stone, lower left. A fine, richly-inked impressio...

Damien Hirst Faneel, H13-11, from Where the Land Meets the Sea, 2023 Laminated giclée print on aluminium composite panel Signed, titled, dated and numbered 123/192 on the label on th...

large format photograph of a summer beach scene along Portugal's Atlantic coast by iconic Italian photographer Massimo Vitali, renowned for his grand scale topographical observations of the rites and rituals of modern leisure Carcavelos Pier Paddle (2016) 61.25” x 81.68” / 155.60 cm x 207.46 cm limited edition of 6 + 2AP (signed, titled and dated on certificate of authenticity) original archival photography print with diasec (acrylic glass) face mount in contemporary white lacquered gallery frame Each limited edition original Massimo Vitali photograph is printed in Italy under artist supervision in strictly limited edition (6 + 2AP) , signed/titled/dated upon final inspection and expertly framed at renowned European art framing facility Disclaimer of authenticity: although it is possible to acquire (small size) single page offset prints from the book "A Portfolio of Landscapes and Figures" (published by Steidl) in the secondary market, the artist studio strongly dissuades collectors from purchasing these single page prints outside of the context and authenticity of the complete portfolio. About the artist: Massimo Vitali was born in Como, Italy, in 1944. He studied photography at the London College of Printing, in the 1970s initially working as a photojournalist, but at the beginning of the 80s a growing mistrust in the belief that photography had an absolute capacity to reproduce the subtleties of reality led to a change in his career path. Vitali worked in cinematography for film and television before beginning a fine art practice in 1995. Over the next two decades, he would gain recognition for his highly detailed, epic-scale panoramas — sociopolitical observations of the natural habitat of humankind at leisure. Vitali’s iconic series of beach panoramas, captured from a distance with an elevated large-format camera platform, began in the light of drastic political changes in Italy. Drawing inspiration from Renaissance and Old Flemish masters, in which the central space is fully exploited and the urban or natural landscape becomes the background, Vitali’s photographs grasp the viewer by capturing highly detailed observances of the recreational habitats of modern civilization. Vitali’s work has been collected in six monographs: Beach and Disco, Natural Habitats, Landscapes With Figures, Swimming Pools, Short Stories and Entering A New World. Additionally, his work is represented in the world’s major museums, including the Centro de Arte Reina Sofia in Madrid, the Guggenheim Museum in New York, the Museum of Contemporary Art in Denver, the Fond National Art Contemporaine in Paris, the Centre Pompidou in Paris, the Musée National d’Art Moderne in Paris, the Fondation Cartier in Paris and the Museo Luigi Pecci in Prato. Massimo Vitali lives and works in Lucca (Italy) and in Berlin (Germany). __________________________ SOLO EXHIBITIONS 2021 'PienoVuoto' Forte di Belvedere, Florence 2020 'Human Constellations' Museo Ettore Fico, Turin 2019 Massimo Vitali: Short Stories' Mazzoleni, London 2018 'Coastal Colonies' Spiral, Tokyo 2017 ‘Disturbed Coastal Systems’ Benrubi Gallery (New York, USA) 2016 ‘Landscapes with Figures’ Guido & Schoen Arte Contemponania (Genoa, Italy) 2016 ‘Massimo Vitali’ Crown Gallery (Knokke-Zoute, Belgium) 2016 ‘Massimo Vitali’ Ronchini Gallery (London, UK) 2015 ‘New Prints’ Hilger Next (Vienna, Austria) 2014 ‘Massimo Vitali’ Studio La Citta (Verona, Italy) 2014 ‘Into The White’ Erich Lindenberg Art Foundation (Porza, Switzerland) 2014 ‘Sempre più pallide. Towards Achrome’ Palazzo Tadea (Spilimbergo, Italy) 2013 ‘Between Normalities’ Bonni Benrubi...

Dusk, Hopi Arizona landscape lithograph contemporary by Dan Namingha purple pink hand pulled limited edition lithograph signed and numbered by the a...

I Castelli Romani  is a splendid poster realized by Neal Slavin, in 1983, for the exhibition held in Rondanini Gallery in Rome. Offset print, in very good conditions.

Bernard CATHELIN Trees in Provence Original lithograph, 1988 Handsigned in pencil Inscribed EA (épreuve d'artiste) aside the edition of 100 copies On Arches paper, size 40 x 31 (c. ...

Six-colour lithograph on Rives BFK paper Edition of 35 Signed and numbered on the front Mint This artwork is sold framed Images of edition numbering are for illustrative purposes on...

Contemporary Modern Print on Canvas with Venice city. "Memories about Venice." The print will be shipped in on stretched and ready to hang. Limited Edition collection of 50, in coope...

This is an exclusive handprinted limited edition cyanotype. "Tempestuous Tidal in Blue" is an original cyanotype diptych portraying the tidal behavior during a storm. Details: + T...

Paul Sample The Slope Near the Bridge, 1950 Signed in pencil lower left Lithograph on wove paper Image 8 15/16 x 12 15/16 inches Sheet 11 5/16 x 15 1/16 inches From the edition of 25...

This Winslow Homer woodcut engraving entitled "Making Hay", was published in Harper's Weekly in the July 6, 1872 edition. It depicts a two men hand cutting high grass on a hill. The man in the foreground is looking at a young boy and a girl (presumably his children), who are sitting on the ground with a picnic basket. This beautiful Homer woodcut engraving is presented in a brown wood frame and a light beige fabric mat with a black inner mat. The print is in excellent condition. There are two other Homer woodcut engravings in identical frames and mats that are listed on 1stdibs. See LU117326148332 and LU117326148272. These would make a wonderful display grouping. A discount is available for the purchase of two or all three of these prints. This Winslow Homer engraving...

This long narrow monotype was made by carefully arranging hundreds of individual blades of fresh-cut native Californian wild grass. The species of tall marsh grass is called Gray Rus...

This poster by James McMullan provides a detailed look into the wildlife of a seemingly barren grassland, revealing the hidden diversity of species that thrive within this unique eco...

This coastal seascape limited edition print captures a cropped view of rolling ocean waves. Highly detailed and realistic, it balances the deep blues and sea greens of the ocean with...

1994, color aquatint, 48 x 36 inches, edition of 40 Although best known for his portraits, Katz has depicted landscapes both inside the studio and out of doors since the beginning o...

Medium: Lithograph on vélin d'Arches paper Year: 1972 Paper Size: 20 x 26 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Fauves, VII, Collec...

"Surrounded Island (Biscayne Bay) is a 1983 signed, limited-edition offset lithograph on hand-made cotton paper by world-famous artist Christo, depicting the spectacular work he did ...

Cottage in the Countryside is a splendid print in etching technique colored engraved by Luigi Kasimir (1881-1962). The state of preservation of the artwork is excellent. Sheet Dimension: 25.5 x 19 cm Image Dimensions: 15 x 15 cm This artwork represents a Cottage in the Countryside, with beautiful colors. Illegible original hand-signed, on the lower right. Luigi Kasimir (1881-1962): He was an Austro-Hungarian-born etcher, painter, printmaker and landscape artist. Kasimir was among the first to develop the technique of the coloured etching. Before this, prints were usually hand-coloured with the colour being applied in a casual, haphazard manner. Kasimir would first create a sketch—usually in pastel. He then transferred the design on as many as four to six plates, printing one after the other and applying the colour on the plate—all done by hand. Kasimir is mainly famous for his etchings, but he also produced some oil painting, as well as some pastels. One of his favourite genres was the landscape, or veduta. He demonstrated a predisposition for monuments, street scenes, and tourist landmarks. He depicted places from all over Europe, mainly Italy, Austria, and Germany. He also travelled to the United States to do a series of etchings of famous sights ranging from urban landmarks such as New York City skyscrapers to natural wonders like Yosemite Valley. Luigi Kasimir’s etchings...

Artist: Mark Sabin Title: In transit Year : 1978 Medium: Screenprint on Somerset Paper 35.75'' x 26'' in. Edition: signed in pencil and marked 223/250 Mark Sabin is a fantasy painter, blending elements in a juxtaposition that surprises the audience. Sabin is quoted describing his work as "unconscious dictation." Sabin’s paintings are in various collections including the Museum of American Folk Art in New York City. His works have appeared on magazine covers, record jackets, and brochures. The artist is a graduate of the University of Michigan and Columbia University School of Law. He attended New York University...

Vesuvius, engraving with original hand-colouring, 1815. From Bilderbuch Zum Nutzen und Vergnugen Der Jugend by Friedrich Justin Bertuch (1747-1822), an encyclopaedic collection of I...

Towering monterey pines lean into the blue mist of the valley beyond.These iconic Monterey Pines are in the woods across the bay from San Francisco. A larger framed edition of this ...

This series of cyanotype triptychs showcases the beauty of nature scenes, including stunning beaches and oceans, as well as the intricate textures of w...

From a series of large scale black & white photographs capturing the ancient flora and dramatic arboretum of California's vast Sierra Nevada mountain landscapes, an homage to photogr...

FRANCES H. GEARHART (1869 – 1958) SPRING MORNING – SEAL BEACH c. 1929 Color block print, signed in pencil. Image 8 ½” x 9 3/4”, sheet, 11 3/8 x 11 7/8”. Full margins as issued with...

MONT SAINT-MICHEL is a hand drawn, limited edition lithograph by the American surrealist artist Fanny Brennan, created using traditional hand lithography techniques printed on archiv...

Color lithograph after the 1951 oil on canvas by René Magritte, printed signature of Magritte and numbered from the edition of 300. The lithograph features the dry stamps of the Mag...

Nocturno Rufino Tamayo, Mexican (1899–1991) Date: 1975 Aquatint Etching, signed and numbered in pencil Edition of 36/75 Size: 22 x 30 in. (55.88 x 76.2 cm) Printer: Ediciones Poligra...

ABOUT THIS PIECE: "In August, 2012, I led an Arctic art expedition called Chasing the Light aboard the Wanderbird up the NW coast of Greenland. It was the second expedition to this a...

Large scale highly detailed photograph of European summer beach scene captured in coastal Nice, France, along the Mediterranean Côte d’Azur. Nizza (2006) by Frank Schott 44 x 69 in...