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Nature Prints and Multiples

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Art Subject: Nature
"Stockhorn Mountain Range at Thuner Lake" Copper Plate Heliogravure
Located in Chicago, IL
2018 marks the centenary anniversary of Ferdinand Hodler’s death. In that 100 years time, the art world’s esteem of this important artist has proved fickle. It has shifted from extol...
Category

1910s Symbolist Figurative Prints

Materials

Paper

"Three Mountaintops Emerging From Fog" Copper Plate Heliogravure
Located in Chicago, IL
2018 marks the centenary anniversary of Ferdinand Hodler’s death. In that 100 years time, the art world’s esteem of this important artist has proved fickle. It has shifted from extolling his artistic merits during his lifetime to showing something of a feigned disdain- more reflective of the world political order than a true change of heart for Hodler’s work. After years of Hodler being all but a footnote in the annals of art history and generally ignored, finally, the pendulum has righted itself once again. Recent retrospective exhibitions in Europe and the United States have indicated not only a joyful rediscovery of Hodler’s art but a firm conviction that his work and world view hold particular relevance today. DAS WERK FERDINAND HODLERS is not only a collection of printed work reflecting the best of all of his painted work created up to 1914 just before the outbreak of World War I, the portfolio itself is an encapsulation of Hodler’s ethos, Parallelisme. Hodler developed his philosophy of Parallelisme as a unifying approach to art which strips away detail in search of harmony. By means of abstraction, symmetry and repetition, Hodler sought ways to depict Nature’s essence and her fundamental, universal order. He believed these universal laws governing the natural, observable world extend to the spiritual realm. Symbolist in nature with Romantic undertones, his works are equally portraits of these universal concepts and feelings governing all life as they are a visual portrait in the formal sense. Whether his subject is a solitary tree, a moment in battle, mortal fear, despair, the awe inspired by a vast mountain range, a tender moment or even the collective conviction in a belief, Hodler unveils this guiding principle of Parallelisme. Several aspects of Hodler’s portfolio reinforce his tenets of Parallelisme. The Table of Contents clearly preferences a harmonious design over detail. The two columns, consisting of twenty lines each, list the images by order of appearance using their German titles. The abbreviated titles are somewhat cryptic in that they obscure the identities of the sitters. Like the image Hodler presents, they are distillations of the sitter without any extraneous details. This shortening was also done in an effort to maintain a harmonious symmetry of the Table of Contents, themselves, and keep titles to a one-line limit. The twenty-fourth title: “Bildnis des Schweizerischen Gesandten C.” was so long, even with abbreviation, that it required two lines; so, for the sake of maintaining symmetry, the fortieth title: “Bauernmadchen” was omitted from the list. This explains why the images are not numbered. Hodler’s reasoning is not purely esoteric. Symmetry and pattern reach beyond mere formal design principles. Finding sameness and imposing it over disorder goes to the root of Hodler’s identity and his art. A Swiss native, Hodler was bi-lingual and spoke German and French. Each printed image, even number forty, have titles in both of Hodler’s languages. Certainly, there was a market for Hodler’s work among francophones and this inclusion may have been a polite gesture to that end; however, this is the only place in the portfolio which includes French. With German titles at the lower left of each image, Hodler’s name at bottom center and corresponding French titles at the lower right of each image, there is a harmony and symmetry woven into all aspects of the portfolio. This holds true for the page design, as it applies to each printed image and as it describes the Swiss artist himself. Seen in this light, Hodler’s portfolio of printed work is the epitome of Hodler’s Parallelisme. DAS WERK FERDINAND HODLERS is also one of the most significant documents to best tell the story of how Hodler, from Switzerland, became caught between political cross-hairs and how the changing tides of nations directly impacted the artist during his lifetime as well as the accessibility of his art for generations to come. The Munich-based publisher of the portfolio, R. Piper & Co., Verlag, plays a crucial role in this story. Publishing on a wide range of subjects from philosophy and world religion to music, literature and the visual arts; the publisher’s breadth of inquiry within any one genre was equal in scope. Their marketing strategy to publish multiple works on Hodler offers great insight as to what a hot commodity Hodler was at that time. R.Piper & Co.’s Almanach, which they published in 1914 in commemoration of their first ten years in business, clearly illustrates the rapid succession- strategically calculated for achieving the deepest and broadest impact - in which they released three works on Hodler to hit the market by the close of 1914. DAS WERK FERDINAND HODLERS was their premier publication. It preceded C.A. Loosli’s Die Zeichnungen Ferdinand Hodlers, a print portfolio after 50 drawings by Hodler which was released in Autumn of 1914 at the mid-level price-point of 75-150 Marks; and a third less expensive collection of prints after original works by Hodler, which had not been included in either of the first two portfolios, was released at the end of that year entitled Ferdinand Hodler by Dr. Ewald Bender. The title and timing of DAS WERK FERDINAND HODLERS' debut leaves little doubt as to the connection it has with another avant-garde portfolio of art prints, Das Werk Gustav Klimts, released in 5 installments from 1908 -1914 by Galerie Miethke in Vienna. Hodler, himself, was involved in Klimt’s ground-breaking project. As the owner of Klimt’s 1901 painting, “Judith with the Head of Holifernes” which appears as the ninth collotype print in the second installment of Das Werk Gustav Klimts, Hodler was obliged to grant access of the painting to the art printers in Vienna for them to create the collotype sometime before 1908. Hodler had been previously invited in 1904 to take part in what would be the last exhibition of the Vienna Secession before Klimt and others associated with Galerie Miethke broke away. In an interview that same year, Hodler indicated that he respected and was impressed by Klimt. Hodler’s esteem for Klimt went beyond the art itself; he emulated Klimt’s method aimed at increasing his market reach and appeal to a wider audience by creating a print portfolio of his painted work. By 1914, Hodler and his publisher had the benefit of hindsight to learn from Klimt’s Das Werk publication. Responding to the sluggish sales of Klimt’s expensive endeavor, Hodler’s publisher devised the same diversified 1-2-3 strategy for selling Hodler’s Das Werk portfolio as they did with regards to all three works on Hodler they published that year. For their premium tier of DAS WERKS FERDINAND HODLERS, R. Piper & Co. issued an exclusive Museum quality edition of 15 examples on which Hodler signed each page. At a cost of 600 Marks, this was generally on par with Klimt’s asking price of 600 Kronen for his Das Werk portfolio. A middle-tiered Preferred edition of 30, costing somewhat less and with Hodler’s signature only on the Title Page, was also available. The General edition, targeting the largest audience with its much more affordable price of 150 Marks, is distinguishable by its smaller size. Rather than use the subscription format Miethke had chosen for Klimt’s portfolios which proved to have had its challenges, R. Piper & Co. employed a different strategy. In addition to instantly gratifying the buyer with all 40 of the prints comprising DAS WERK FERDINAND HODLERS and the choice among three price points, they advertised in German journals a fourth possibility of ordering single prints from them directly. These printed images are easily discernible from the three complete folio editions. The paper size of the single purchased images is of the larger format like the Museum and Preferred editions, measuring 65 h x 50 w cm; however, the paper itself is the same copper print paper used in the General edition and then mounted on poster board. The publishing house positioned itself to be a direct retailer of Hodler’s art. They astutely recognized the potential for profitability and the importance, therefore, of having proprietary control over his graphic works. R. Piper & Co. owned the exclusive printing rights to Hodler’s best work found in their three publications dating from 1914. That same year, a competing publication out of Weimar entitled Ferdinand Hodler: Ein Deutungsversuch von Hans...
Category

1910s Symbolist Figurative Prints

Materials

Paper

Marfa, Texas, Digital on Paper
Located in Yardley, PA
Sunrise in Marfa, Texas :: Digital :: Americana :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: Signed: Yes :: Signature...
Category

2010s Other Art Style Prints and Multiples

Materials

Digital

L’Hiver a Paris ou La Neige a Paris
Located in New York, NY
Felix Buhot (1847-1898), L’Hiver a Paris ou La Neige a Paris, 1879, etching, aquatint, drypoint, roulette. [signed and dated in the plate Felix Buhot Par...
Category

1870s Realist Landscape Prints

Materials

Drypoint, Etching, Aquatint

French Vintage Exhibition Poster for Yves Brayer (1971)
Located in London, GB
French Vintage Exhibition Poster for Yves Brayer (1971). Newly framed, the poster announces Brayer's exhibition of his watercolours of La Brière. La Brière is an atmospheric marshlan...
Category

1970s Modern Landscape Prints

Materials

Lithograph

Greg Van Alstyne 'Mutant Materials in Contemporary Design' 1995 Vintage
Located in Brooklyn, NY
Poster created for an exhibit at the Museum of Modern Art, New York in 1995. Greg Van Alstyne is a Canadian designer, researcher, and educator whose work bridges design, media, and f...
Category

1990s Contemporary Prints and Multiples

Materials

Offset

Stardust
Located in Greenwich, CT
Stardust is a lithograph on paper with an image size of 2.5 x 3.25 inches, initialed 'FMB' lower right and annotated lower left, framed in a contemporary silver and dark gray frame. ...
Category

20th Century Surrealist Prints and Multiples

Materials

Paper, Lithograph

Satisfied
Located in Brooklyn, NY
This white wolf pic in particular shows the intrigue the wolf has for the man behind the camera. It does not shy away from the human but welcomes it with curiosity. They are not used...
Category

2010s Contemporary Black and White Photography

Materials

Photographic Paper, Plexiglass

Mooseamour 17/80 - figurative, landscape, contemporary, lithograph print
Located in Bloomfield, ON
The majestic Moose is just one of many iconic Canadian images to which contemporary artist Charles Pachter has devoted many pieces to. Rendered in a neutral palette this framed litho...
Category

1970s Contemporary Figurative Prints

Materials

Lithograph

LEIF ERICSSON DAY
Located in Portland, ME
Mielatz, Charles. BATTERY PARK. Etching, 1889. Edition size not known. Signed and dated in the plate. 7 X 9 7/8 inches. In excellent condition. Mielatz, taught etching at the Nati...
Category

1890s Landscape Prints

Materials

Etching

Maldives 11 Limited Edition Print
Located in New York, NY
ABOUT THIS PIECE: Continuing the story of polar melt, which is the main cause of rising seas, I followed the meltwater from the Arctic to the equator. I spent September 2013 in the M...
Category

2010s Landscape Prints

Materials

Photographic Paper

Monotype: 'Eat the Stars'
Located in New York, NY
"Sometimes, as an antidote to fear of death, I eat the stars....". Inspired by 'Antidote to Death', a poem by Rebecca Elson Angelica’s multi-layered works are informed by her ongoin...
Category

2010s Contemporary Landscape Prints

Materials

Paper, Monoprint

19th century landscape etching tree field black and white figure pastoral scene
By D. Landers, after Charles Harold Davis
Located in Milwaukee, WI
"Homeward Bound" is an original etching by D. Landers after a painting by Charles Harold Davis. The artist signed the piece lower right. It depicts a woman in a field. 13 1/4" x 20...
Category

1880s American Realist Landscape Prints

Materials

Etching

Autumn Landscape - Lithograph by Carlo Cordua - 1980s
Located in Roma, IT
Lithograph realized in 1980s. Hand signed in pencil. Hand retouched. Not numbered.
Category

1980s Contemporary Figurative Prints

Materials

Lithograph

Wildflowers - Screen Print by L. Rossi Garzione - Late 20th century
Located in Roma, IT
Hand signed and numbered. Edition of 150 prints. Excellent condition.
Category

Late 20th Century Contemporary Figurative Prints

Materials

Screen

Indian Contemporary Art by Sumit Mehndiratta - Maldivian Full Moon
Located in Paris, IDF
Archival pigment ink print on canvas Edition of 12 Sumit Mehndiratta is an Indian artist born in 1986 who lives & works in New Delhi, India. He has pursued Master of Science in Int...
Category

2010s Abstract Landscape Prints

Materials

Archival Pigment, Canvas

Autumn Light, by Stephen McMillan
Located in Palm Springs, CA
Signed, titled and numbered by the artist. Medium: etching and aquatint Image size: 12 x 9 inches Year: 2019 Fall colors along Ashland Creek in Lithia Park. Born in Berkeley, Ca...
Category

Early 2000s Contemporary Landscape Prints

Materials

Etching, Aquatint

Fish and Sky - American Pop Art
Located in London, GB
This work is hand signed in pencil "R. Lichtenstein" at the lower right margin on the mount board. It is also signed, verso. It is also hand numbered in pencil from the edition of 20...
Category

1960s Pop Art Animal Prints

Materials

Lithograph, Screen

Thirteen Years out of a Death Row Sentence (River) 20 x 30 Inch, 2009-2016
Located in Orange, CA
Thirteen Years out of a Death Row Sentence (River) 20 x 30 Inch, 2009-2016 Additional information: Medium: Archival Pigment Print Condition: Excellent Edition of 5 Dimensions: 20 x...
Category

21st Century and Contemporary Landscape Prints

Materials

Archival Pigment

Francis Sydney Unwin (1885-1925) - Etching, Monte Della Disgrazia
Located in Corsham, GB
A striking etching by Francis Sydney Unwin depicting Monte Disgrazia in the Italian Alps. Titled within the plate to the upper left, and signed within the plate to the lower right. W...
Category

Early 20th Century Landscape Prints

Materials

Etching

Belgian Contemporary Art by Hugo Pondz - La Couleur des Mers du Sud
Located in Paris, IDF
C-Print on Argentic paper Others sizes are available upon simple request Shipping of the artwork will be done in a tube or flat in a crate with or without American box frame. Additio...
Category

2010s American Realist Landscape Prints

Materials

Paper, C Print

French Landscape on River, Modern Screenprint by Biagio Civale
Located in Long Island City, NY
Biagio Civale, Italian/American (1936 - ) - French Landscape on River, Medium: Screenprint, Signed and Numbered in Pencil, Edition: 47/63, Size: 19.5 x 27.5 in. (49.53 x 69.85 cm)
Category

1980s Modern Landscape Prints

Materials

Screen

Countryside - Lithograph by Lucio Rofrano - 1990s
Located in Roma, IT
Lithograph realized by Lucio Rofrano in 1990s. Edition of 150, numbered and hand signed. Excellent condition.
Category

1990s Contemporary Figurative Prints

Materials

Lithograph

Rustic Beauford S.C.
Located in Fairlawn, OH
Rustic Beauford S.C. Etching and drypoint on Vidalon paper, c. 1930's Created during the artist's two visits to South Carolina. Signed by the artist in pencil lower right Titled in p...
Category

1930s American Impressionist Landscape Prints

Materials

Etching

Back in 10 - large format photograph of conceptual message sign in landscape
Located in San Francisco, CA
large scale photograph from a series of conceptual motivational messages on classic Americana billboard signs in landscape of the American West BACK IN 10 by Frank Schott 58 x 77.3...
Category

21st Century and Contemporary Conceptual Color Photography

Materials

Archival Ink, Archival Paper, Photographic Paper, Giclée, Archival Pigment

Four Years out of a Life Sentence (Desert) 40 x 60 Inch, 2009-2016
Located in Orange, CA
Four Years out of a Life Sentence (Desert) 40 x 60 Inch, 2009-2016 Additional information: Medium: Archival Pigment Print Condition: Excellent Edition of 5 Dimensions: 40 x 60 in ...
Category

21st Century and Contemporary Landscape Prints

Materials

Archival Pigment

Chemin De Fer Rhetique
Located in New York, NY
Chemin De Fer Rhetique, Grisons, Suisse. Chateau De Tarasp. 1913. Color lithograph Cardinaux created an extensive work of different media, he illu...
Category

1910s Art Deco Landscape Prints

Materials

Lithograph

Hedy Sleeping - American Pop Art Nude Reclining Figure
Located in London, GB
This laser-cut steel drawing multiple is incised with the artist signature “Wesselmann”, verso. It is also numbered out of an edition of six. This is one of six artists proofs aside ...
Category

1960s Pop Art Nude Prints

Materials

Steel

"Mapping the Walk - May to August" Photographic Flower Study in Blue and White
Located in Wellesley, MA
"Mapping the Walk - May to August" by Judith Allen-Efstathiou is an exquisite cyanotype photographic print on mulberry paper in deep blue and white of wildflowers abstracted. Highl...
Category

2010s Realist Landscape Photography

Materials

Mulberry Paper, Photographic Paper

Landscape in Sicily - Lithograph by Renzo Meschis - 1989
Located in Roma, IT
Lithograph realized by Meschis in 1989. Hand signed and numbered. Edition of 150.
Category

1980s Contemporary Figurative Prints

Materials

Lithograph

Domino Books
Located in Greenwich, CT
Domino Books is a lithograph on paper with an image size of 2 x 4 inches, initialed 'FMB' lower right and annotated lower left, framed in a contemporary silver and dark gray frame. N...
Category

20th Century Surrealist Prints and Multiples

Materials

Paper, Lithograph

Blood Brothers
Located in New York City, NY
Available sizes: 32x47in ed.20 40x60in ed.15 47x71in ed.10 Archival Pigment Print Unframed Ask us for framing options. Björn Persson is an internationally renowned artist based i...
Category

2010s Contemporary Black and White Photography

Materials

Black and White, Inkjet, Archival Pigment

Carefree Highway by Anne Coe, 1981
Located in Los Angeles, CA
Carefree Highway Anne Coe Serigraph 96/100 1981 Hand signed, date, and numbered by Coe in pencil. 29.5 inches H. x 39.5 inches W. Carefree Highway is a classic and wonderful example of Anne Coe's early work. Coe’s early paintings were humorous and comic-book styled. Over the years, her paintings evolved from lighthearted whimsy (such as radioactive, mutant Gila monsters...
Category

Late 20th Century Other Art Style Landscape Prints

Materials

Screen

Coriolis Effect, limited edition etching, black and white art, nature art
Located in Deddington, GB
Coriolis Effect is a limited edition etching by Sarah Duncan. Duncan is influenced by forms and light invisible to the naked eye, she seeks beauty in the realms of science, astronomy...
Category

21st Century and Contemporary Naturalistic Landscape Prints

Materials

Paper, Etching

Hokusai's Dog - Red Fuji, original, contemporary, landscape, print, silkscreen
Located in Deddington, GB
HOKUSAI'S DOG - RED FIJI, 2025 Woodcut Image Size H 50 x 66cm Framed Size H 73 x 88cm Edition of 100 Woodcut print on Paper Edition of 100 50 H x 66 W cm (19.69 x 25.98 in) Sold unf...
Category

2010s Contemporary Animal Prints

Materials

Paper

Island Light, by Stephen McMillan
Located in Palm Springs, CA
Medium: etching and aquatint Edition of 120 Year: 2023 Image Size: 4 x 5 inches Signed, titled and numbered by the artist. The view west from Cypress Island off the coast of Washin...
Category

2010s Contemporary Landscape Prints

Materials

Etching, Aquatint

Cities 12 – February in Prague
Located in Deddington, GB
Cities 12 – February in Prague by Susan Brown. Limited edition giclée print – The print edition is 150 The image size of the print is 40cm X 40cm, the overall size is 50cm x 50cm Ea...
Category

21st Century and Contemporary Contemporary Landscape Prints

Materials

Paper, Giclée

The Chosen
Located in New York City, NY
Available sizes: 32x47 inches (80 x 120 cm) - Edition of 20 Archival Pigment Print Unframed Ask us for framing options. Björn Persson is an internationally renowned artist based i...
Category

2010s Contemporary Black and White Photography

Materials

Black and White, Inkjet, Archival Pigment

Winter Fun — Mid-century Modernism, Central Park, New York City
Located in Myrtle Beach, SC
Louis Lozowick, 'Winter Fun', lithograph, 1940, edition 20, 250 (1941). Flint 188. Signed in pencil, with the artist’s monogram in the stone, lower left. A...
Category

1940s American Modern Figurative Prints

Materials

Lithograph

Antarctica #30, Iceberg, Limited Edition Photograph, Blue, Travel, unframed
Located in Riverdale, NY
Antarctica #30 is a limited edition photograph which is part of the Antarctica/Patagonia Series by John Conn taken in 2010. The image is 20x30 and it is printed on 24x36 archival pa...
Category

2010s Realist Landscape Photography

Materials

Photographic Paper

Original Close Encounters of the Third Time, 1974, linen-backed movie poster
Located in Spokane, WA
Original Close Encounters of the Third Kind ORIGINAL 1977 Movie Poster 27x41”, Linen-Backed - Investment Grade Sci-Fi Cinema History Vintage Poster. Own a piece of cinematic history...
Category

1970s American Modern Landscape Prints

Materials

Offset

Royal Meeting
Located in New York City, NY
Available sizes: 32x47in ed.20 40x60in ed.15 47x71in ed.10 Archival Pigment Print Unframed Ask us for framing options. Björn Persson is an internationally renowned artist based i...
Category

2010s Contemporary Black and White Photography

Materials

Black and White, Inkjet, Archival Pigment

BUCK RUN BRIDGE Signed Lithograph Historic Covered Bridge Winter Landscape, Cows
Located in Union City, NJ
BUCK RUN BRIDGE is an original, hand drawn, limited edition lithograph(not a photo reproduction or digital print) by Peter Sculthorpe(b.1948 Ontario, Canada) printed in 1990 at JK Fine Art Editions Co. NYC, using hand lithography techniques on archival Arches paper, 100% acid free. Buck Run Bridge depicts a finely detailed drawing of a historic covered bridge in Chester County, Pennsylvania. BUCK RUN BRIDGE is an elongated horizontal composition, image measures 11.5 in. H x 36.75 in. W; a very appealing scenic Pennsylvania winter landscape with subtle details exhibiting fine line drawing and watercolor-like washes blending to form a wintry blue sky. The landscape captivating the viewer's eye with its delicate branches on bare trees, stone walls, split rail...
Category

1990s Realist Landscape Prints

Materials

Lithograph

Rippling Water by Robert Longo, Contemporary, 21st Century, Limited Edition
Located in Zug, CH
Robert Longo Rippling Water 2016 Archival pigment print 71.1 × 55.8 cm (28 × 22 in) Signed and numbered Edition of 30 In excellent condition PLEASE NOTE: Edition numbers could vary ...
Category

2010s Contemporary Portrait Prints

Materials

Archival Pigment

Inner Love
Located in Miami, FL
Tomas Sanchez Inner Love, 2024 Print Ed. 510 of 630 23 x 18 in Includes a certificate of authenticity signed by the artist
Category

21st Century and Contemporary Contemporary Landscape Prints

Materials

Lithograph

H.O. Miethke Das Werk folio "Schloss Kammer on Lake Attarsee II" collotype print
Located in Chicago, IL
DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under each of the 50 prints is a gold signet intaglio printed on the cream paper each of which Klimt designed for the publication as unique and relating to its corresponding image; H.O. Miethke, Editor-Publisher; k.k. Hof-und Staatsdruckerei, Printer; printed in a limited edition of 300 numbered plus several presentation copies; Vienna, 1908-1914. The idea of collaboration in the arts is anything but new; however it has so often been viewed and assessed as somehow devaluing the intrinsic worth of art. It’s as if it was a dirty secret to be hidden away. More so even than the eroticism explored by Klimt, which divided public opinion, the artistic avant-garde began to boldly flaunt artistic collaboration beginning in the 19th century- which gained steam in the first part of the 20th century- to become a driving vehicle of contemporary artistic creation. Viewed in this context, the folios of collotype prints published by H.O. Miethke in Vienna between 1908-1914 known as Das Werk Gustav Klimts, are important art documents worthy of as much consideration for their bold stand they take on established ways of thinking about artistic collaboration as they are for their breathtakingly striking images. 1908 is indeed a watershed moment in the history of art. To coincide with the 60th anniversary of the reign of Emperor Franz Joseph I, Kunstschau opened in Vienna in May of that year. It was there that Klimt delivered the inaugural speech. Speaking about the avant-garde group’s unifying philosophy of Gesamtkunstwerk, or the synthesis of the arts, Klimt shared his belief that the ideal means to bring artists and an audience together was via “work on major art projects.” It was at Kunstschau 1908 that Klimt first exhibited his most iconic painting, The Kiss, as well as The Sunflower, Water Snakes I and II and Danae. It was at Kunstschau 1908 that Das Werk Gustav Klimts was first available for purchase. Thanks to Galerie Miethke’s organization, Kunstschau 1908 was possible. Miethke’s pioneering art house had become Klimt’s exclusive art dealer and main promoter of his modernist vision. Paul Bacher and Carl Moll, a founding member with Klimt of the Vienna Secession, who all broke away during the rift in 1905, took stewardship of the gallery following the fallout with the Secession. Das Werk Gustav Klimts is a prime example of Miethke’s masterful and revolutionary approach to marketing art. Miethke’s innovative marketing strategy played to a penchant for exclusivity. The art gallery and publishing house utilized the press and art critics- such as Austria’s preeminent Art Historian, Hugo Haberfield, who became Director of the gallery in 1912- as a means of gaining publicity as well as maintaining effective public relations. Miethke used the grand exposition format to extend the art gallery’s market reach, cultivating their product’s prestige by stroking the egos of current art patrons while simultaneously creating accessibility for newcomers and others avid collectors to share a relative proximity to other wealthy and respected members of the art collecting community. Essentially, their approach paved the way for what is still the predominant means of marketing. Between 1908 and 1914, H.O. Miethke published a total of 5 installments of print folios of Klimt’s painted work, each comprising 10 prints. The series was limited in availability to 300 and purchase was arranged through subscription. Each issue was presented unbound in a gold embossed black paper folder. Included in the folio was a Title Page, a Justification page and a Table of Contents page itemizing each of the 10 printed works with details about their corresponding painted works as well as information about each work’s current owner. These folios were not comprehensive of Klimt’s work; but rather, they feature what he believed were his most important paintings from 1898-1913. Only 2 collotypes in each folio were multicolored. To punctuate the fact that Klimt, himself, was very much an active player in creating these printed works, he created square-shaped signets, unique to each collotype which were intaglio printed in gold ink at the bottom of the cream wove papers to which the chine collie papers were affixed.These signets relate thematically to their corresponding printed images and designate each of those images by their placement in the folio’s Table...
Category

Early 1900s Vienna Secession Landscape Prints

Materials

Paper

Andrew Wyeth, Quaker Ladies, from The Four Seasons (after)
Located in Southampton, NY
This exquisite lithograph after Andrew Wyeth (1917–2009), titled Quaker Ladies, originates from the distinguished 1962 folio The Four Seasons: Paintings and Drawings by Andrew Wyeth....
Category

1960s American Realist Landscape Prints

Materials

Lithograph

Liberte Egalite, limited edition, Surreal, Established Polish artist
Located in Warsaw, PL
Size of sheet is ca. 29.5 x 21 cm (A4) Contemporary figurative giclee print by Polish artist Rafal Olbinski. Print is signed, numbered and has a stamp of an artist's atelier. It com...
Category

2010s Surrealist Figurative Prints

Materials

Paper, Color

"Vaine Pature" etching
Located in Henderson, NV
Medium: etching (etched by Theophile Narcisse Chauvel after the Jacomin painting). This impression on laid paper was printed by Francois Lienard in 1875 and published in Paris for L'...
Category

1870s Prints and Multiples

Materials

Etching

Dwight Baird 'The Mill in Winter' 1988- Signed
Located in Brooklyn, NY
This charming scene from the artist’s earlier period captures a tranquil view of Huntingdon, Quebec, where the Old Huntingdon Mill rests peacefully along the Châteauguay River as wat...
Category

1980s Contemporary Prints and Multiples

Materials

Offset

Untitled
Located in Washington , DC, DC
Set of 5 skateboard decks Publisher: Estate of Jean Michel Basquiat in collaboration with Artestar Please see our other listings
Category

21st Century and Contemporary Contemporary Prints and Multiples

Materials

Wood, Screen

Pinto
Located in London, GB
Etching in colours, 2000-2001, on Hahnemühle etching paper, signed and numbered from the edition of 46 (there were also 6 artist’s proofs), published by Paragon Press, London, sheet:...
Category

Early 2000s Photorealist Landscape Prints

Materials

Etching

Redwoods (6 glass panels) - large format abstract nature forest panorama
Located in San Francisco, CA
a large scale photograph of lush emerald green nature oasis, a highly detailed observation of the soothing natural beauty of the California redwood forest Redwoods (hexaptych) by Erik Pawassar 48 x 132 inches (122 x 335cm) six panels of 48 x 22 inches / each "frameless" acrylic glass face mount edition of 7 signed archival quality fine art pigment print limited art edition published by Edition EKTAlux artist signed + numbered certificate of authenticity __ "Modern Gallery Frameless", a contemporary alternative to classic framing: photo print is mounted onto aluminum composite for archival support and stability, then sealed behind a protective layer of high quality acrylic glass with polished edges all around. A recessed aluminum back frame adds additional stability, allows instant hanging and provides a floating artwork appearance. _______________________ Erik Pawassar's work focuses on the beauty of the disregarded or mundane object. The subjects for his striking and captivating visuals are typically set in the most ordinary environments, drawing the viewer into a charged but serene experience based on composition, palette and formal lines. Saturated in color, the nominal subjects gather a haunting and mesmerizing quality, creating a poignant pretext for the making of a formal color photograph. Decisively capturing the traces left by humanity, Pawassar's images are filled with a sense of universal nostalgia and pay homage to the passage of time and the extinguished moment, referencing documentary and street photographers like Henri Cartier-Bresson, Sebastian Salgado...
Category

21st Century and Contemporary Contemporary Color Photography

Materials

Photographic Paper, Archival Pigment, Plexiglass, Archival Ink, Giclée

MORNING IN YOSEMITE
Located in Santa Monica, CA
HAROLD L. DOOLITTLE (1883 - 1974) MORNING IN YOSEMITE c 1938 Aquatint, signed and titled in pencil by the artist. Plate size 13 3/8 x 9 3/4". Sheet 16 x 11 1/8" with deckle edges. Doolittle was a renaissance man. His day job was as an engineer for the Edison Electric Co. But he produced an outstanding body of prints for 5 decades as well as photographs. His very rare arts and crafts furniture is highly sought after. He was a long time member and officer in the California Print...
Category

1930s American Realist Landscape Prints

Materials

Aquatint

Face, limited edition, Surreal, Established Polish artist
Located in Warsaw, PL
Size of sheet is ca. 29.5 x 21 cm (A4) Contemporary figurative giclee print by Polish artist Rafal Olbinski. Print is signed, numbered and has a stamp of an artist's atelier. It com...
Category

2010s Surrealist Figurative Prints

Materials

Paper, Color

MT. SHASTA
Located in Aventura, FL
Serigraph on paper. Hand signed and numbered by the artist. Sheet size: 17.5 x 29.25 inches. Image size: 11.75 x 23.75 inches. Edition of 250. Artwork is in excellent condition. ...
Category

1980s Contemporary Figurative Prints

Materials

Paper, Screen

MT. SHASTA
$125 Sale Price
75% Off
Floral Triptych of Large Floral Bouquet, Botanical Cyanotype in Classic Blue
Located in Barcelona, ES
This series of cyanotype triptychs showcases the beauty of nature scenes, including stunning beaches and oceans, as well as the intricate textures of water, forests, and skies. These...
Category

2010s American Realist Landscape Paintings

Materials

Watercolor, Lithograph, Rag Paper

Cala Conta Black Dog - large scale Mediterranean beach scene (artist framed)
Located in San Francisco, CA
large format photograph by Italian photographer Massimo Vitali, renowned for his grand scale topographical observations of the rites and rituals of modern leisure Cala Conta...
Category

21st Century and Contemporary Contemporary Color Photography

Materials

Plexiglass, Photographic Film, Photographic Paper, Wood, Archival Paper

Original Woodcut - Sheep Ranch
By Ina Annette
Located in Phoenix, AZ
Excellent Woodcut print by Oklahoma/New Mexico artist Ina Annette (1901-1990). The image measures 10 ½ x 13 ½ inches. The work rests in a 17 1/4 x 20 1/4 inch museum mat. The print i...
Category

Mid-20th Century Landscape Prints

Materials

Paper, Woodcut

Wildflowers - Screen Print by L. Rossi Garzione - Late 20th century
Located in Roma, IT
Hand signed and numbered. Edition of 150 prints. Excellent condition.
Category

Late 20th Century Contemporary Figurative Prints

Materials

Screen

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