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Art Subject: Sink
"Say a Prayer -La Garconne Series, " a Color Pochoir
Located in Milwaukee, WI
This color pochoir by Kees Van Dongen is titled which was done in 1925 on arches paper No. 738/750. Archivally framed with 23k gold; 23k gold fillet, silk mat, and museum glass. 9...
Category

1920s Art Deco Figurative Prints

Materials

Other Medium

Oil Lamp With Heads of Animals - Etching by Filippo de Grado - 18th Century
Located in Roma, IT
Oil Lamp With Heads of Animals from "Antiquities of Herculaneum" is an etching on paper realized by Filippo De Grado in the 18th Century. Signed on the plate. Good conditions. The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le Antichità di Ercolano Esposte”), an eight-volume volume of engravings of the finds from the excavation of the ruins of Herculaneum in the Kingdom of Naples (now Campania, Italy). It was published between 1757 and 1792 by the Regia Stamperia, and copies were delivered to selected recipients across Europe. Despite the title, the Antiquity of Herculaneum shows objects from all the excavations undertaken by the Bourbons in the Gulf of Naples. These include Pompeii, Stabia and two sites of Herculaneum: Resina and Portici. The Bourbon King Carlo appointed fifteen scholars creating a new “Herculaneum Academy” to study the artifacts and publish the results of the archaeological excavations of the sites. The engravings are of high quality and the accompanying text shows a large scholarship. They were realized by 25 prominent artists involved by the King to prepare drawings and engravings on the finds, among which we can find Giovanni Elia Morghen, Carlo Nolli, Luigi Vanvitelli, and Giovanni Battista Casanova. The “Antiquities” was designed more to amaze readers with the quality of the objects in the collection of the King of Naples than to be used in research., following and increasing the interest of 18th-century society for the classical culture and Art in particular. Through the exaltation of the classical concept of proportions and harmony, the book was of inspiration to the neoclassical movement in Europe, giving artists and decorators access to a huge shop of Hellenistic motifs.Oil Lamp With Animals...
Category

18th Century Old Masters Still-life Prints

Materials

Etching

Still Life - Etching by Carlo Oraty - 18th Century
Located in Roma, IT
Still Life from "Antiquities of Herculaneum" is an etching on paper realized by Carlo Oraty in the 18th Century. Signed on the plate. Good conditions. The etching belongs to the p...
Category

Late 18th Century Old Masters Still-life Prints

Materials

Etching

"Teeny" lithograph by Henri Matissse
Located in Hinsdale, IL
HENRI MATISSE (1869 – 1954) Teeny Duthuit-Garnaud 723 Linocut, c. 1938 From an edition of 1500 Image Size: 12.2” x 9.5” Published in The Homage to Henri Matisse Published by Galerie d’Art Contemporain de Paris Matisse's striking linocut shows Alexina "Teeny" Duchamp, the second wife of artist and pioneer of the ready-made, Marcel Duchamp. She was married to Pierre Matisse, Henri Matisse's eldest son, first and they had three children, Jacqueline, Paul and Peter. They separated in 1949 but Matisse was incredibly fond of his daughter-in-law until his death in 1954. Henri Matisse (French, 1869-1954) is primarily known as the founder of the Fauvist movement, a result of Impressionism, whose works fundamentally altered the course of Modern Art in the late 20th Century. Innovative in his original treatment of the human figure and an expressive use of color, Matisse forged his own pictorial language. Matisse's career can be divided into several stylistic periods, but he remained focused on discovering “the essential character of things” through his art. Matisse considered his drawing to be a very intimate means of expression. The method of artistic execution — whether it was charcoal, pencil, crayon, etcher’s burin, lithographic tusche or paper cut — varied according to the subject and personal circumstance. His favorite subjects were evocative or erotic — the female form, the nude figure or a beautiful head of a favorite model. Matisse’s etchings...
Category

1930s Fauvist Portrait Prints

Materials

Lithograph, Linocut

Ancient Roman Fresco Herculaneum - Etching by Nicola Vanni - 18th Century
Located in Roma, IT
Ancient Roman Tripods from the series "Antiquities of Herculaneum", is an etching on paper realized by Nicola Vanni in the 18th Century. Signed on the pl...
Category

Late 18th Century Old Masters Figurative Prints

Materials

Etching

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1950s Art Deco Figurative Prints

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Emilio Grau Sala - Original Handsigned Lithograph - Ecole de Paris
Located in Collonge Bellerive, Geneve, CH
Emilio Grau Sala Original Handsigned Lithograph Dimensions: 76 x 54 cm Edition: HC XXI/XXX HandSigned and Numbered Ecole de Paris au seuil de la mutation des Arts Sentiers Editions ...
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1960s Post-Impressionist Portrait Prints

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Bernard Buffet - Homage to Dufy - Lithograph
Located in Collonge Bellerive, Geneve, CH
(after) Bernard Buffet Lithograph after a watercolor, published in the book "Lettre à mon peintre Raoul Dufy." Paris, Librairie Académique Perrin, 1965. Printed signature Dimension...
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Salvador Dali - The Woman of the Shoe - Original Stamp-Signed Etching
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1960s Surrealist Figurative Prints

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Splendor, Three Women With Flowers
By Otto De Souza Aguiar
Located in San Francisco, CA
This artwork is a giclee print with hand embelishment on canvas, by Brazilian artist Otto De Souza Aguiar 1936-2006. It is hand signed and numbered E.A 25/45 in gold pigment. The ca...
Category

Late 20th Century Art Deco Figurative Prints

Materials

Giclée

Tête, Verve: Revue Artistique et Littéraire
Located in Auburn Hills, MI
Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, Verve: Revue Art...
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1930s Fauvist Figurative Prints

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"Vera" Original Etching and Drypoint Signed Troy Kinney
By Troy Kinney
Located in New York, NY
This beautiful and sophisticated etching and drypoint was realized by the esteemed American artist Troy Kinney in the United States circa 1920. The work features a lone female figure (presumable Vera) with an ombre gradient background standing on a rectilinear black and white floor. She hold the rumpled bunched fabric of a dress (the folded fabric harkening back to Renaissance portraits) as she looks off into the distance. With its sophisticated composition, and masterful handling of the medium, this piece would be a winning addition to any interior regardless of the style of interior. Given the artist's importance and placement within esteemed collections (private and institutional), this piece represents a winning acquisition for collectors of first rate modern art as well as exquisite objects. It comes presented in a custom gilded gallery frame and is in excellent vintage condition. Troy Sylvanus Kinney (December 1, 1871 – January 29, 1938) was an American artist, best known for his compelling works portraying dance performers, fanciful subjects, and classically styled nudes. He worked with dancers, including Ruth St. Denis and Anna Pavlova...
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1920s Art Deco Figurative Prints

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"Casual Dinning" From the suite "Memories Retrospective"
Located in San Francisco, CA
This artwork titled "Casual Dinning" from the suite "Memories Retrospective" c.1990 is an original color serigraph on paper by Israeli artist Itzchac Tarkay 1935-2012. It is hand si...
Category

Late 20th Century Art Deco Figurative Prints

Materials

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Church of St. Costanza, Rome: An 18th Century Piranesi Architectural Etching
Located in Alamo, CA
This is a framed 18th century Giovanni Battista Piranesi etching entitled: "Veduta interna del Sepocro di Santa Costanza, fabbricat...
Category

1770s Old Masters Interior Prints

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Etching

Basilica of San Lorenzo in Rome: A Framed 18th Century Etching by Piranesi
Located in Alamo, CA
This large framed 18th century etching by Giovanni Battista Piranesi entitled "Veduta della Basilica di S. Lorenzo fuor della mura" (Basilica of San Lorenzo Outside the Walls), published in Rome in 1750 in Piranesi's Vedute di Roma (Views of Rome), This etching depicts the Basilica of San Lorenzo Outside the Walls, which is a Roman Catholic papal basilica and parish church, located in Rome, Italy. The Basilica is one of the Seven Pilgrim Churches of Rome and one of the five "papal basilicas". It was built as a shrine to the martyred Roman deacon St. Lawrence. This Piranesi etching is held by many museums and institutions, including: The Metropolitan Museum, The British Museum, The National Gallery of Art, The Yale University Art Gallery, and The Harvard Museum of Art. This magnificent etching is presented in a brown-colored wood frame and a tan French...
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1750s Old Masters Landscape Prints

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Henri Matisse Teeny
Located in Washington, DC
Artist: Henri Matisse Title: Teeny Portfolio: Other Portfolios Medium: Linocut Date: 1938 Edition: Unnumbered Frame Size: 19" x 16 1/4" Sheet Size: 12 1/4” x 9 1/2” Image Size: 11 7/...
Category

1930s Fauvist Portrait Prints

Materials

Linocut

Zen Minimalist Flowers Etching American Modernist Ed Baynard Pop Art Print
Located in Surfside, FL
ED BAYNARD (American, 1940-2016) Flowers, Flowers in a Vase, Etching. 1979/1980, Hand signed, dated l.r., Hand numbered from small edition 12/24, Dimensions: 23 by 19 in. Framed 25 by 21 in Born in Washington, D.C. in 1940. Raised in Washington, D.C. and newly graduated from high school, he flew to Europe living off and on in Paris and London. During this time, he designed costumes for Jimi Hendrix, worked as a graphic designer for the Beatles as well as Elizabeth Taylor and Richard Burton. Returning to New York, he dedicated his life to art after a surprise success with his first show in 1971 at the Willard Gallery in NYC. Ed's images are Zen-like in their simplicity and grace rendered in a flat, graphic style that recalls Japanese Ukiyo-e prints. His watercolors are luminous, like the rest of his representations regardless of the medium. The Japanese inspired ukiyo-e style woodblock prints and lithograph works he created at Tyler Graphics in 1980 contain a 20th century "floating world" sensibility. Ed's wish was to bring harmony, color, and a meditative stillness to this chaotic planet. He did so in a gentle and powerful way, always as an expression of his deep gratitude for the love and beauty, friendship, and concerns he held dearest. His first solo exhibition was in 1971 at New York's legendary Willard Gallery on the recommendation of Agnes Martin. Baynard went on to have exhibitions at galleries including Betty Parsons Gallery, New York (1973); Marian Goodman Gallery, New York (1977); John Berggruen Gallery, San Francisco (1980); and Barbara Gladstone Gallery, New York (1980/81).. Baynard manages to retain a simplicity of form inspired by a love of Japanese Woodblock prints. His new works reflect the same poetry of his earlier paintings, retaining his stylized compositions with their Zen like minimalism and Oriental calm, along with a new sense of rhythm and movement. Baynard uses familiar themes such as flowers, plants, pots, and vases, incorporating them into his delicate watercolor still lifes, thus creating stunning visual feasts. He was included in the 1972 Landscape exhibition at MoMA NY alone with other luminaries James Boynton...
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Previously Available Items
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Category

2010s Contemporary Figurative Prints

Materials

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