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SupremeSupreme Nose Bleed Rita Ackermann Supreme skateboard deck, 20192019
2019
About the Item
Rita Ackermann Supreme skateboard deck, 2019 (Supreme Nose Bleed):
A stand out Supreme Rita Ackermann skateboard deck featuring Ackermann's work "Nose Bleed" and a classic Supreme World Famous logo on the reverse. Deck features strong vibrant colors; housed in original shrink wrap, excellent condition. Makes for unique wall art that hangs with ease.
Medium: Silkscreen on Maple Wood. Year: 2019.
Dimensions: 31.5 x 8 x 0.5 inches.
Printed World Famous logo & Supreme logo on reverse.
New in original packaging, excellent overall condition.
Provenance: Acquired directly from Supreme New York.
From a sold out limited edition of unknown.
More info:
Rita Ackermann first achieved recognition for her depictions of almond-eyed girls idling in states of undress, a Gauguin-like take on New York's 1990s downtown culture. Ackermann's paintings, drawings, and collages combine Neo-Expressionism with figure drawing, deploying ballpoint ink and spray paint atop oil and acrylic to yield congested, luridly colored surfaces. Ackermann's 2008 series "Don't Give Me Salad (Nurses)" references Richard Prince's well-known paintings, but with her own pulp novel take on females straddling fragility and violence.
Related Categories
Supreme. 1980s Pop Art. Street Art. Skate Art. Pop art. Rita Ackermann.
- Creator:Supreme (American)
- Creation Year:2019
- Dimensions:Height: 31.5 in (80.01 cm)Width: 8 in (20.32 cm)Depth: 1 in (2.54 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:NEW YORK, NY
- Reference Number:1stDibs: LU354312488012
Supreme
Supreme’s ascent from neighborhood cult favorite to auction star is a master class in brand marketing, based on creating hard-to-build desire. Launched in New York City in 1994, the iconic streetwear brand with a subversive attitude has attracted a following that ranges from downtown skaters to fashion's elite.
After a short-lived stint as a salesman for downtown Manhattan store Parachute and running a Stüssy branch as well as his own retail outlet, Union, British ex-pat James Jebbia opened Supreme, “the cool, cool shop … no big brands or anything.” The founder and director sold skateboards and sneakers, beanies, tees and hoodies while movies like Mean Streets and loud hip-hop played in the background, attracting a young downtown crowd of skateboarders, artists and entrepreneurs who found the store’s counterculture ethos appealing.
With success came brand collaborations big and small — all tightly controlled by Jebbia, who is renowned for unfailing business instincts — ensuring waiting lists and lines at new product launches. A 2012 partnership with Comme des Garçons brought Supreme avant-garde fashion followers with deeper pockets.
“I don’t think enough people take risks, and when you do, people respond — in music, in art, in fashion,” Jebbia told Vogue. He seemed to be taking a risk working with big brands. But although some fans accused him of selling out with Supreme’s Fall/Winter 2017 collaboration with Louis Vuitton, most did not, including the winning bidder for the Malle trunk at Christie’s.
A curated “Artist Series” of Supreme skate decks was inaugurated in 2001 when the then-not-so-famous street artist KAWS, aka Brian Donnelly, designed his Chum boards, a pair of which, signed, went for $32,000, four times their estimate, at the “Handbags X Hype” sale. The series now includes creations by Cindy Sherman, Nan Goldin, Damien Hirst, the Chapman Brothers and George Condo.
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