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"Art Deco Polo Player" c1930s Framed Copper Plate

Sz: 6 3/8"H x 8 1/4"W

Colour c1958 'Polo' engraving by Louis Claude pencil signed (LR) Print Sz: 18 1/2"H x 23 1/4"W Frame Sz: 28"H x 32"W w/ French matte

El Anatsui uses typically discarded resources such as liquor bottle caps, cassava graters and newspaper printing plates, to create both floor-based sculptures and shimmering wall pie...

Aquatint copperplate printing on BFK Rives paper 250 g. Edition 14/16. This artwork is sold as a triptych. Each image size is 26 x 26 cm/10.2 x 10.2 inches, full paper is 65 x 50 cm/25,5 x 19,6 inches Pierre Muckensturm added printmaking to his oeuvre since 2010. The engraving and printing process allows him to further explore notions of time and perspective. Muckensturm is inspired by the concepts of calmness, constancy and temporality. His work visually expresses a sense of harmony with time. In his prints, he begins with gestural marks, examining them in detail, transforming them gradually, exploring how they communicate differently as he alters their size, shape, depth, magnitude and orientation over time. Pierre Muckensturm is a French abstract painter and print maker. His visual language is one of harmony, calm and timelessness built around softly textured surfaces and a muted, black and white palette. Born in Strasbourg, France, he currently lives and works in Colmar. In his prints, he begins with gestural marks, examining them in detail, transforming them gradually, exploring how they communicate differently as he alters their size, shape, depth, magnitude, and orientation over time. In 2004, Muckensturm began working with oil on large-scale canvases. He isolates gestural elements, enlarging them on the picture plane to explore their presence in relation to the surrounding emptiness. He develops the paintings methodically, exploring the process of transformation the canvas undergoes in the painting process. Working the surface into a texture that belies its age, Muckensturm achieves a balance of intensity and tranquility. INSPIRATION Muckensturm is inspired by the concepts of calmness, constancy, and temporality. His work visually expresses a sense of harmony with time. Initially a figurative painter, he discovered abstraction in 2004 on a visit to Notre Dame du Haut, a Modernist chapel in Ronchamp, France, designed by Charles-Edouard Jeanneret-Gris, otherwise known as Le Corbusier. The simplicity of its forms brought Muckensturm a feeling of tranquility. He began seeking ways to directly express how felt that day. His search brought him into contact with the work of Julius Bissier, whose simple, organic, gestural brushstrokes, evocative of Taoist painting...