Sculptures

Salvador Dalí 1904-1989 Spanish Vénus de Milo aux tiroirs (Venus de Milo with drawers) Signed "Salvador Dalí EA III/IV" (on base) Bronze One of th...

"Lady Guidivar" is a rare, original etching from 1969 by Salvador Dalí. It depicts lady Guidivar riding nude on a horse. Originally signed lower left ...

ARTIST: Salvador Dali TITLE: Don Quixote Gold Bas relief MEDIUM: Bas Relief SIGNED: Signed in the plate EDITION NUMBER: I 71/160 MEASUREMENTS: 18.5" x 27" YEAR: 1979 FRAMED: ...

ARTIST: Salvador Dali TITLE: Lincoln in Dalivision Gold Bas relief MEDIUM: Bas Relief SIGNED: Signed in the plate EDITION NUMBER: M 68/125 MEASUREMENTS: 18.5" x 27" YEAR: 1979...

ARTIST: Salvador Dali TITLE: Alma del Quijote - also know as The Soul of Don Quixote MEDIUM: Bronze sculpture on a marble base SIGNED: Engraved signature in the sculpture EDITIO...

Salvador Dali (1904-1989) and Daum Molt Clock : Dance of Time Original pate de verre sculpture Edited and handcrafted by the Daum crystal glassworks Signed in the glass approx. 10....

Salvador Dalí­ Homage to Newton Size: 35 x 16 x 11 cm Edition 197/350 patina brown Date conceived: 1980 First cast: 1980 Date cast: 2010 Material: br...

Salvador Dali Femme En FLamme Woman Aflame Artist signed in the mold, edition 141/350 Edition of 350 + 35AP stamped 'Venturi Arte' and Camblest 1981 Edi...

Artist: Salvador Dali (1904-1989) Title: Piano surréaliste Year: 1984 Medium: Bronze Edition: 34/350, plus proofs Size: 26.3 x 15.7 x 12 inches Condition: Excellent Inscription: Inci...

ARTIST: Salvador Dali TITLE: Daum Montre Molle Sculpture Designed by Salvador Dali for Daum MEDIUM: pate de verde glass and bronze sculpture. Pate de ve...

Salvador Dali Fecundity - Bas Relief Silver Sculpture, 1977 Dimensions: 24 x 18 cm Framed: 38 x 33 cm Signed on the bas relief and printed signature on the certificate on the back. ...

Salvador Dali (1904-1989) "Snail" 1979, Rosenthal plate in glass with polychrome painting, diameter 14.25 in (36.5 cm) Nr. 1886/3000, with certificate. Provenance: Daniel Meyer, Germ...

Set of 32 polished and patinated-bronze chess pieces, 1966-70. Height varies from 38 mm; 1 1/2 inches to 85mm; 3 3/8 inches. Each piece signed on t...

Songs of Renewal, sculpture, by Allan Houser, Apache, bronze, abstract, drummer limited edition of 40 bronze sculpture lifetime casting Allan Houser Haozous Warm Springs Chiricahua Apache 1914-1994 National Medal of Arts awardee Allan Houser (Haozous), Chiricahua Apache (1914-1994) Selected Collections Centre Georges Pompidou, Paris, France * “They’re Coming”, bronze Dahlem Museum, Berlin, Germany Japanese Royal Collection, Tokyo, Japan “The Eagle”, black marble commissioned by President William J. Clinton United States Mission to the United Nations, New York City, NY *"Offering of the Sacred Pipe”, monumental bronze by Allan Houser © 1979 Presented to the United States Mission to the United Nations as a symbol of World Peace honoring the native people of all tribes in these United States of America on February 27, 1985 by the families of Allan and Anna Marie Houser, George and Thelma Green and Glenn and Sandy Green in New York City. National Portrait Gallery, Smithsonian, Washington, DC * Portrait of Geronimo, bronze National Museum of American Art, Smithsonian, Washington, D.C. * “Buffalo Dance Relief”, Indiana limestone National Museum of the American Indian, Smithsonian, Washington, D.C. *Sacred Rain Arrow...

Salvador Dalí "Triomphale" Original pâte de verre Salvador Dalí plate Daum Editeur, Nancy, France Inscribed Dalí on lower right, and numbered 1199...

Salvador Dali (1904-1989) – The Two Nikes, Lilith, The Double Victory of Samothrace, Homage to Raymond Roussel Literature: Descharnes, Robert, Salvador Dalí, and Nicolas Descharnes. "Dalí, the hard and the soft: spells for the magic of form : sculptures & objects." (Azay-le-Rideau: Eccart, 2004), p, 114 (entry 270). Rare original bronze from edition of 6. This is exceedingly rare as most of his editions run into the hundreds. this is a true authentic Dali original sculpture. This was recently authenticated and comes accompanied by a Report of Authenticity from Frank Hunter, the Director of the Salvador Dalí Archives. Löpsinger 270 Executed in 1966, this bronze statue is incised with the artist’s signature and numbered ‘5/6’ on base. Published by Berrocal Foundry, the work measures 7 3/8 inches in height. Salvador Dalí (Spanish, 1904-1989) A leading proponent of Surrealism, Salvador Dalí is perhaps as well-known for his flamboyant personality as his superb technical skill. Dalí became acquainted with André Breton, a key figure of the Surrealist movement, in 1929. “The Persistence of Memory” is often cited as the most important work of this style. The Museum of Modern Art, New York, held a retrospective of the artist’s work in 1941. The next year, he began a more classical series of paintings, incorporating history, science and religion. In addition to painting, Dalí also made prints, photographs, films, jewelry and sculpture. His works can be found in collections worldwide, including the National Gallery, Washington, DC and the Salvador Dalí Museum. In 1928 Dali went to Paris where he met the Spanish painters Pablo Picasso and Joan Miro. He established himself as the principal figure of a group of surrealist artists grouped around Andre Breton, who was something like the theoretical "schoolmaster" of surrealism. Years later Breton turned away from Dali accusing him of support of fascism, excessive self-presentation and financial greediness. By 1929 Dali had found his personal style that should make him famous - the world of the unconscious that is recalled during our dreams. The surrealist theory is based on the theories of the psychologist Dr. Sigmund Freud. Recurring images of burning giraffes and melting watches...

Masque de Napoléon sur un Rhinocéros, Sculpture, Dali, Gold, Animals, Bronze Masque mortuaire de Napoléon sur un rhinoceros Ed. 7/8 pcs Bronze with golden patina 32.5 x 30 x 18.5 cm Signed, numbered and foundry's stamp : 7/8 , Valsuani Dalì, Sculpture & Objets, Le dur et le mou, by Robert and Nicolas Descharnes, Eccart, 2004, similar cast illustrated under no.359-361, p.140. Fascinated since his childhood by Vermeer’s painting...

Kitty, sculpture, by Allan Houser, bronze, cat, gold, Nambe, Santa Fe, edition lifetime casting Allan Houser (Haozous), Chiricahua Apache 1914-1994 recipient of the National Medal of...

Small Owl, silver Nambe, Allan Houser owl sculpture, small, contemporary, open edition Allan Houser (Haozous), Chiricahua Apache 1914-1994 recipient ...

Salvador Dali (1904-1989) and Daum Rhinoceros (Chippendale Rhinocerotype) Original two-tone yellow and opalescent brown pate de verre Edited and handcrafted by the Daum crystal glas...

Large Owl sculpture by Allan Houser, Apache, Silver, small, sculpture, Nambe Allan Houser (Haozous), Chiricahua Apache 1914-1994 recipient of the National Medal of Arts in 1992. Allan Houser's father Sam, was part of the small band of Apaches who traveled with Geronimo and surrendered in southern Arizona in 1886. Allan's parents were imprisoned with that group in Ft. Sill, Oklahoma. He was the first child to be born in freedom to those Apaches and a fluent speaker of the Chiricahua language. Allan Houser is an important artist in that he is of the culture he depicts in his artwork. Allan's parents would tell stories and sing songs recalling the experiences on the war path. This bronze edition is a life-time casting. Our gallery represented Allan Houser from 1974 until his passing in 1994 and were investors and provided quality control in the foundry process. Allan Houser's work is many international collections including the Georges Pomidou Centre, The Smithsonian National Portrait Gallery, The Dahlem Museum among others. Allan’s first bronze sculptures were started in the late 1960’s and were cast at Nambe Foundry. At the time the foundry was producing both Nambeware and was doing some sculptural foundry work. There was a fire at Nambe and they lost many of the molds for sculpture as well as their records. We acquired these works directly from Allan Houser. Allan Houser (Haozous), Chiricahua Apache (1914-1994) Selected Collections Centre Georges Pompidou, Paris, France * “They’re Coming”, bronze Dahlem Museum, Berlin, Germany Japanese Royal Collection, Tokyo, Japan “The Eagle”, black marble commissioned by President William J. Clinton United States Mission to the United Nations, New York City, NY *"Offering of the Sacred Pipe”, monumental bronze by Allan Houser © 1979 Presented to the United States Mission to the United Nations as a symbol of World Peace honoring the native people of all tribes in these United States of America on February 27, 1985 by the families of Allan and Anna Marie Houser, George and Thelma Green and Glenn and Sandy Green in New York City. National Portrait Gallery, Smithsonian, Washington, DC * Portrait of Geronimo, bronze National Museum of American Art, Smithsonian, Washington, D.C. * “Buffalo Dance Relief”, Indiana limestone National Museum of the American Indian, Smithsonian, Washington, D.C. *Sacred Rain Arrow...

Molten Glass Plate....Triomphale ..... Blue & Gold by Salvador Dali Limited Edition Daum plate made of blue Pate-de-Verre textured glass with gilt highli...

Abstract Geometric, small abstract bronze, dark brown patina, life cast, marble limited edition Allan Houser (Haozous), Chiricahua Apache (1914-1994) Selec...

Almost Asleep by Allan Houser, mother and child bronze sculpture, limited edition, brown patina, walnut base, lifetime casting Allan...

Indian Ponies, realistic bronze sculpture, dark brown patina, horses, Nambe Foundry limited edition bronze solid casting Allan Houser (Haozous), Chiricahua Apache (1914-1994) Selec...

Genre: Surrealism Subject: people, architecture rendering Medium: Etching Surface: Paper Salvador Dali (Spanish, 1904-1989) I believe the title is L'Immortalite de L'Imperialisme Genetique, 1973, From Dix Recettes d'Immortalité, Published by Audouin-Descharnes, Paris, (Michler & Löpsinger 567-577) 3-Dimensional pop-up etching on stiff wove paper, (etchings with drypoint and heliogravure). Pencil hand signed lower right and pencil numbered 100/210 lower left. On Auvergne paper. Accompanied by a certificate of authenticity from Galerie Michael, Beverly Hills, CA Open: 13 1/2" x 30 1/2" x 22" it folds flat and closes like a pop up birthday card. It can be displayed in a plexiglass case like a Charles Fazzino or Red Grooms artwork. Salvador Dali Biography 1904-1989 Salvador Dali is considered as the greatest original artist of the surrealist art movement and one of the greatest masters of art of the twentieth century. Dali began to study art at the Royal Academy of Art in Madrid. He was expelled twice and never took the final examinations. His opinion was that he was more qualified than those who should have examined him. Surreal Art In 1928 Dali went to Paris where he met the Spanish painters Pablo Picasso and Joan Miro. He established himself as the principal figure of a group of surrealist artists grouped around Andre Breton, who was something like the theoretical "schoolmaster" of surrealism. Years later Breton turned away from Dali accusing him of support of fascism, excessive self-presentation and financial greediness. By 1929 Dali had found his personal style that should make him famous - the world of the unconscious that is recalled during our dreams. The surrealist theory is based on the theories of the psychologist Dr. Sigmund Freud. Recurring images of burning giraffes and melting watches...

Bronze medallion depicting a Pueblo Buffalo Dancer in relief form. Among Houser's first bronze work created and cast in the artist's lifetime at Nambe Foundry in New Mexico. Allan Houser...

Allan Houser was an important 20th century Artist, Writer, Painter, & Sculptor Born in Oklahoma and worked in New Mexico. Sculptor Gardens were opened after him in New Mexico. Al...

Plains Indian Medallion, bronze, Nambe, Allan Houser, small life-time casting Allan Houser (Haozous), Chiricahua Apache 1914-1994 recipient of the National Medal of Arts in 1992. Allan Houser's father Sam, was part of the small band of Apaches who traveled with Geronimo and surrendered in southern Arizona in 1886. Allan's parents were imprisoned with that group in Ft. Sill, Oklahoma. He was the first child to be born in freedom to those Apaches and a fluent speaker of the Chiricahua language. Allan Houser is an important artist in that he is of the culture he depicts in his artwork. Allan's parents would tell stories and sing songs recalling the experiences on the war path. This bronze edition is a life-time casting. Our gallery represented Allan Houser from 1974 until his passing in 1994 and were investors and provided quality control in the foundry process. Allan Houser's work is many international collections including the Georges Pomidou Centre, The Smithsonian National Portrait Gallery, The Dahlem Museum among others. Allan’s first bronze sculptures were started in the late 1960’s and were cast at Nambe Foundry. At the time the foundry was producing both Nambeware and was doing some sculptural foundry work. There was a fire at Nambe and they lost many of the molds for sculpture as well as their records. We acquired these works directly from Allan Houser. Allan Houser (Haozous), Chiricahua Apache (1914-1994) Selected Collections Centre Georges Pompidou, Paris, France * “They’re Coming”, bronze Dahlem Museum, Berlin, Germany Japanese Royal Collection, Tokyo, Japan “The Eagle”, black marble commissioned by President William J. Clinton United States Mission to the United Nations, New York City, NY *"Offering of the Sacred Pipe”, monumental bronze by Allan Houser © 1979 Presented to the United States Mission to the United Nations as a symbol of World Peace honoring the native people of all tribes in these United States of America on February 27, 1985 by the families of Allan and Anna Marie Houser, George and Thelma Green and Glenn and Sandy Green in New York City. National Portrait Gallery, Smithsonian, Washington, DC * Portrait of Geronimo, bronze National Museum of American Art, Smithsonian, Washington, D.C. * “Buffalo Dance Relief”, Indiana limestone National Museum of the American Indian, Smithsonian, Washington, D.C. *Sacred Rain Arrow...

Dali -De Draeger, Portfolio by Max Gérard Luxury edition inside special packaged box bearing a cover with “soft melting pocket watch” and bronze medal of “L'Unicorne Dyonisiaque” minted and numbered by Monnaie de Paris...

Plains Drummer medallion bronze by Allan Houser Apache Bronze medallion by Allan Houser Plains Indian drummer

Allan Houser (Haozous), Chiricahua Apache 1914-1994 recipient of the National Medal of Arts in 1992. Allan Houser's father Sam, was part of the small band of Apaches who traveled wit...

Bronze medallion depicting a Pueblo Buffalo Dancer in relief form. Among Houser's first bronze work created and cast in the artist's lifetime at Nambe F...

Allan Houser (Haozous), Chiricahua Apache 1914-1994 recipient of the National Medal of Arts in 1992. Allan Houser's father Sam, was part of the small band of Apaches who traveled wit...

Plains Indian Medallion, bronze, Nambe, Allan Houser, small life-time casting Allan Houser (Haozous), Chiricahua Apache 1914-1994 recipient of the National Medal of Arts in 1992. Allan Houser's father Sam, was part of the small band of Apaches who traveled with Geronimo and surrendered in southern Arizona in 1886. Allan's parents were imprisoned with that group in Ft. Sill, Oklahoma. He was the first child to be born in freedom to those Apaches and a fluent speaker of the Chiricahua language. Allan Houser is an important artist in that he is of the culture he depicts in his artwork. Allan's parents would tell stories and sing songs recalling the experiences on the war path. This bronze edition is a life-time casting. Our gallery represented Allan Houser from 1974 until his passing in 1994 and were investors and provided quality control in the foundry process. Allan Houser's work is many international collections including the Georges Pomidou Centre, The Smithsonian National Portrait Gallery, The Dahlem Museum among others. Allan’s first bronze sculptures were started in the late 1960’s and were cast at Nambe Foundry. At the time the foundry was producing both Nambeware and was doing some sculptural foundry work. There was a fire at Nambe and they lost many of the molds for sculpture as well as their records. We acquired these works directly from Allan Houser. Allan Houser (Haozous), Chiricahua Apache (1914-1994) Selected Collections Centre Georges Pompidou, Paris, France * “They’re Coming”, bronze Dahlem Museum, Berlin, Germany Japanese Royal Collection, Tokyo, Japan “The Eagle”, black marble commissioned by President William J. Clinton United States Mission to the United Nations, New York City, NY *"Offering of the Sacred Pipe”, monumental bronze by Allan Houser © 1979 Presented to the United States Mission to the United Nations as a symbol of World Peace honoring the native people of all tribes in these United States of America on February 27, 1985 by the families of Allan and Anna Marie Houser, George and Thelma Green and Glenn and Sandy Green in New York City. National Portrait Gallery, Smithsonian, Washington, DC * Portrait of Geronimo, bronze National Museum of American Art, Smithsonian, Washington, D.C. * “Buffalo Dance Relief”, Indiana limestone National Museum of the American Indian, Smithsonian, Washington, D.C. *Sacred Rain Arrow, (Originally dedicated at the US Senate Committee on Indian Affairs, US Senate Building) “Goat”, “To The Great Spirit” - dedicated in 1994 at the Vice President’s Residence in Washington, D.C.. Ceremony officiated by Hillary Rodham Clinton and Tipper Gore. Oklahoma State Capitol, Oklahoma City, Ok * “As Long As the Waters Flow”, bronze Gilcrease Museum, Tulsa, OK *Sacred Rain Arrow, bronze Fort Sill, Oklahoma *”Chiricahua Apache Family”, bronze Donated and dedicated to Allan Houser’s parents Sam and Blossom Haozous by Allan Houser and Glenn and Sandy Green The Heard Museum, Phoenix, Arizona *Earth Song, marble donated by Glenn and Sandy Green   The Clinton Presidential Library, Arkansas * “May We Have Peace”, bronze The George H.W. Bush Presidential Library, College Station, Texas *"Offering to the Great Spirit", bronze The British Royal Collection, London, England *Princess Anne received "Proud Mother", bronze in Santa Fe Allan Houser’s father Sam Haozous, surrendered at the age of 14 with Geronimo and his band of Warm Springs Chiricahua Apache people in 1886 in Southern Arizona. This was the last active war party in the United States. This group of Apache people was imprisoned for 27 years starting in Fort Marion, Florida and finally living in captivity in Fort Sill, Oklahoma. Allan Houser was born in 1914. His artwork is an ongoing testimony to Native life in America – its beauty, strength and poignancy. Allan Houser is from the culture and portrayed his people in an insightful and authentic way. Because of the era in which he lived, he had a rare understanding of American Indian life. Allan was the first child born after the Chiricahua Apaches were released from 27 years of captivity. Allan grew up speaking the Chiricahua dialect. Allan heard his father’s stories of being on the warpath with Geronimo and almost nightly heard his parents singing traditional Apache music. Allan’s father knew all of Geronimo’s medicine songs. Allan had an early inclination to be artistic. He was exposed to many Apache ceremonial art forms: music, musical instruments, special dress, beadwork, body painting and dynamic dance that are integral aspects of his culture. His neighbors were members of many different tribes who lived in Oklahoma. Allan eagerly gained information about them and their cultures. Allan gathered this information and mentally stored images until he brought them back to life, years later, as a mature artist. Allan Houser was represented by Glenn Green Galleries (formerly known as The Gallery Wall, Inc.) from 1973 until his death in 1994. The gallery served as agents, advocates, and investors during this time. In 1973 the Greens responded enthusiastically to the abstraction and creativity in Houser’s work. They were impressed, not only with his versatility and talent but with the number of mediums he employed. His subject matter was portrayed in styles ranging from realism, stylized form to abstraction. With encouragement from the Greens, Houser at the age of 61, retired from his post as the head of the sculpture department at the Institute of American Indian Arts in Santa Fe, New Mexico in 1975 to begin working full-time creating his art. The next 20-year period was an exciting time for Allan, the gallery, and for the Green family. He created a large body of sculpture in stone, wood and bronze. For many years Glenn Green Galleries co-sponsored many editions of his bronzes and acted as quality control for the bronze sculptures according to Houser’s wishes. As both agents and gallery representatives, the Greens promoted and sold his art in their galleries in Phoenix and Scottsdale, Arizona and in Santa Fe, New Mexico. They had bi-annual exhibits in their galleries to feature Houser’s newest work and sponsored and arranged international museum shows in America, Europe and Asia. They travelled for these events including a trip to Carrara, Italy to the famed quarries of Michelangelo and together co-financed and arranged the purchase of 20 tons of marble. A watershed event for Allan Houser’s career occurred in the early 1980’s when Glenn Green Galleries arranged with the US Information Agency a touring exhibit of his sculpture through Europe. This series of exhibits drew record attendance for these museums and exposed Houser’s work to an enthusiastic art audience. This resulted in changing the perception of contemporary Native art in the United States where Houser and Glenn Green Galleries initially faced resistance from institutions who wanted to categorize him in a regional way. The credits from the European exhibits helped open doors and minds of the mainstream art community in the United States and beyond. Senator Daniel Inouye of Hawaii was a supporter of Allan Houser’s artwork. We worked with Senator Inouye on many occasions hosting events at our gallery and in Washington D.C in support of the formation of the Smithsonian’s National Museum of the American Indian in Washington, D.C. and other causes supporting Native Americans. Allan Houser is shown below presenting his sculpture “Swift Messenger” to Senator Inouye in Washington, D.C.. This sculpture was eventually given to the National Museum of the American Indian, Smithsonian’s permanent collection. It is now currently on loan and on display in the Oval Office. President Biden’s selection of artwork continues our gallery’s and Allan’s connection to the White House from our time working with Allan Houser from 1974 until his passing in 1994. “It was important for President Biden to walk into an Oval that looked like America and started to show the landscape of who he is going to be as president,” Ashley Williams...

Observant, by Allan Houser, bronze, sculpture, limited edition, blanketed figure

Salvador Dali (1904-1989) and Daum Molt Clock : Dance of Time Original pate de verre sculpture Edited and handcrafted by the Daum crystal glassworks Signed in the glass approx. 10....

"Woman with Head of Roses" or "Femme à Tête de Roses" is a bronze sculpture by Surrealist Salvador Dali. This interesting piece, referenced by Descharnes as number 684, includes a pl...

End of the Hunt, by Allan Houser, bronze, sculpture, wildlife, eagle, rabbit Allan Houser (Haozous), Chiricahua Apache (1914-1994) Selected Collections Centre Georges Pompidou, P...

Salvador Dalí (Spain, 1904-1989) Le cabinet Anthropomorphique 1982, signed Dali 057/330-A. Foundry marks Foneria Mirbosa, Barcelona. Silver sculpture. 12 x 23 cm, w. 2102 gr. A bron...

Salvador Dali (1904-1989) and Daum Molt Clock : Dance of Time Original pate de verre sculpture Edited and handcrafted by the Daum crystal gla...

Salvador Dalí (Spain, 1904-1989) Le cabinet Anthropomorphique 1982, signed Dali 057/330-A. Foundry marks Foneria Mirbosa, Barcelona. Silver sculpture. 12 x 23 cm, w. 2102 gr.

Somewhere on the Reservation, Bronze,Sculpture, by Allan Houser, Apache, Singers Allan Houser (Haozous), Chiricahua Apache 1914-1994 recipient of the National Medal of Arts in 1992. Allan Houser's father Sam, was part of the small band of Apaches who traveled with Geronimo and surrendered in southern Arizona in 1886. Allan's parents were imprisoned with that group in Ft. Sill, Oklahoma. He was the first child to be born in freedom to those Apaches and a fluent speaker of the Chiricahua language. Allan Houser is an important artist in that he is of the culture he depicts in his artwork. Allan's parents would tell stories and sing songs recalling the experiences on the warpath. Our gallery represented Allan Houser from 1974 until his passing in 1994 and were investors and provided quality control in the foundry process. Allan Houser's work is many international collections including the Georges Pompidou Centre, The Smithsonian National Portrait Gallery, The Dahlem Museum among others. Allan Houser (Haozous), Chiricahua Apache (1914-1994) Selected Collections Centre Georges Pompidou, Paris, France * “They’re Coming”, bronze Dahlem Museum, Berlin, Germany Japanese Royal Collection, Tokyo, Japan “The Eagle”, black marble commissioned by President William J. Clinton United States Mission to the United Nations, New York City, NY *"Offering of the Sacred Pipe”, monumental bronze by Allan Houser © 1979 Presented to the United States Mission to the United Nations as a symbol of World Peace honoring the native people of all tribes in these United States of America on February 27, 1985 by the families of Allan and Anna Marie Houser, George and Thelma Green and Glenn and Sandy Green in New York City. National Portrait Gallery, Smithsonian, Washington, DC * Portrait of Geronimo, bronze National Museum of American Art, Smithsonian, Washington, D.C. * “Buffalo Dance Relief”, Indiana limestone National Museum of the American Indian, Smithsonian, Washington, D.C. *Sacred Rain Arrow, (Originally dedicated at the US Senate Committee on Indian Affairs, US Senate Building) “Goat”, “To The Great Spirit” - dedicated in 1994 at the Vice President’s Residence in Washington, D.C.. Ceremony officiated by Hillary Rodham Clinton and Tipper Gore. Oklahoma State Capitol, Oklahoma City, Ok * “As Long As the Waters Flow”, bronze Gilcrease Museum, Tulsa, OK *Sacred Rain Arrow, bronze Fort Sill, Oklahoma *”Chiricahua Apache Family”, bronze Donated and dedicated to Allan Houser’s parents Sam and Blossom Haozous by Allan Houser and Glenn and Sandy Green The Heard Museum, Phoenix, Arizona *Earth Song, marble donated by Glenn and Sandy Green The Clinton Presidential Library, Arkansas * “May We Have Peace”, bronze The George H.W. Bush Presidential Library, College Station, Texas *"Offering to the Great Spirit", bronze The British Royal Collection, London, England *Princess Anne received "Proud Mother", bronze in Santa Fe Allan Houser’s father Sam Haozous, surrendered at the age of 14 with Geronimo and his band of Warm Springs Chiricahua Apache people in 1886 in Southern Arizona. This was the last active war party in the United States. This group of Apache people was imprisoned for 27 years starting in Fort Marion, Florida and finally living in captivity in Fort Sill, Oklahoma. Allan Houser was born in 1914. His artwork is an ongoing testimony to Native life in America – its beauty, strength and poignancy. Allan Houser is from the culture and portrayed his people in an insightful and authentic way. Because of the era in which he lived, he had a rare understanding of American Indian life. Allan was the first child born after the Chiricahua Apaches were released from 27 years of captivity. Allan grew up speaking the Chiricahua dialect. Allan heard his father’s stories of being on the warpath with Geronimo and almost nightly heard his parents singing traditional Apache music. Allan’s father knew all of Geronimo’s medicine songs. Allan had an early inclination to be artistic. He was exposed to many Apache ceremonial art forms: music, musical instruments, special dress, beadwork, body painting and dynamic dance that are integral aspects of his culture. His neighbors were members of many different tribes who lived in Oklahoma. Allan eagerly gained information about them and their cultures. Allan gathered this information and mentally stored images until he brought them back to life, years later, as a mature artist. Allan Houser was represented by Glenn Green Galleries (formerly known as The Gallery Wall, Inc.) from 1973 until his death in 1994. The gallery served as agents, advocates, and investors during this time. In 1973 the Greens responded enthusiastically to the abstraction and creativity in Houser’s work. They were impressed, not only with his versatility and talent but with the number of mediums he employed. His subject matter was portrayed in styles ranging from realism, stylized form to abstraction. With encouragement from the Greens, Houser at the age of 61, retired from his post as the head of the sculpture department at the Institute of American Indian Arts in Santa Fe, New Mexico in 1975 to begin working full-time creating his art. The next 20-year period was an exciting time for Allan, the gallery, and for the Green family. He created a large body of sculpture in stone, wood and bronze. For many years Glenn Green Galleries co-sponsored many editions of his bronzes and acted as quality control for the bronze sculptures according to Houser’s wishes. As both agents and gallery representatives, the Greens promoted and sold his art in their galleries in Phoenix and Scottsdale, Arizona and in Santa Fe, New Mexico. They had bi-annual exhibits in their galleries to feature Houser’s newest work and sponsored and arranged international museum shows in America, Europe and Asia. They travelled for these events including a trip to Carrara, Italy to the famed quarries of Michelangelo and together co-financed and arranged the purchase of 20 tons of marble. A watershed event for Allan Houser’s career occurred in the early 1980’s when Glenn Green Galleries arranged with the US Information Agency a touring exhibit of his sculpture through Europe. This series of exhibits drew record attendance for these museums and exposed Houser’s work to an enthusiastic art audience. This resulted in changing the perception of contemporary Native art in the United States where Houser and Glenn Green Galleries initially faced resistance from institutions who wanted to categorize him in a regional way. The credits from the European exhibits helped open doors and minds of the mainstream art community in the United States and beyond. Senator Daniel Inouye of Hawaii was a supporter of Allan Houser’s artwork. We worked with Senator Inouye on many occasions hosting events at our gallery and in Washington D.C in support of the formation of the Smithsonian’s National Museum of the American Indian in Washington, D.C. and other causes supporting Native Americans. Allan Houser is shown below presenting his sculpture “Swift Messenger” to Senator Inouye in Washington, D.C.. This sculpture was eventually given to the National Museum of the American Indian, Smithsonian’s permanent collection. It is now currently on loan and on display in the Oval Office. President Biden’s selection of artwork continues our gallery’s and Allan’s connection to the White House from our time working with Allan Houser from 1974 until his passing in 1994. “It was important for President Biden to walk into an Oval that looked like America and started to show the landscape of who he is going to be as president,” Ashley Williams...

San Carlos Girl, bronze, sculpture, by Allan Houser, Apache, woman, brown lifetime casting limited edition Allan Houser (Haozous), Chiricahua Apache 1914-1994 recipient of the National Medal of Arts in 1992. Allan Houser's father Sam, was part of the small band of Apaches who traveled with Geronimo and surrendered in southern Arizona in 1886. Allan's parents were imprisoned with that group in Ft. Sill, Oklahoma. He was the first child to be born in freedom to those Apaches and a fluent speaker of the Chiricahua language. Allan Houser is an important artist because he is of the culture he depicts in his artwork. Allan's parents would tell stories and sing songs recalling the experiences on the warpath. Our gallery represented Allan Houser from 1974 until his passing in 1994 and were investors and provided quality control in the foundry process. Allan Houser's work is in many international collections including the Georges Pompidou Centre, The Smithsonian National Portrait Gallery, and The Dahlem Museum among others. Allan Houser (Haozous), Chiricahua Apache (1914-1994) Selected Collections Centre Georges Pompidou, Paris, France * “They’re Coming”, bronze Dahlem Museum, Berlin, Germany Japanese Royal Collection, Tokyo, Japan “The Eagle”, black marble commissioned by President William J. Clinton United States Mission to the United Nations, New York City, NY *"Offering of the Sacred Pipe”, monumental bronze by Allan Houser © 1979 Presented to the United States Mission to the United Nations as a symbol of World Peace honoring the native people of all tribes in these United States of America on February 27, 1985 by the families of Allan and Anna Marie Houser, George and Thelma Green and Glenn and Sandy Green in New York City. National Portrait Gallery, Smithsonian, Washington, DC * Portrait of Geronimo, bronze National Museum of American Art, Smithsonian, Washington, D.C. * “Buffalo Dance Relief”, Indiana limestone National Museum of the American Indian, Smithsonian, Washington, D.C. *Sacred Rain Arrow, (Originally dedicated at the US Senate Committee on Indian Affairs, US Senate Building) “Goat”, “To The Great Spirit” - dedicated in 1994 at the Vice President’s Residence in Washington, D.C.. The ceremony officiated by Hillary Rodham Clinton and Tipper Gore. Oklahoma State Capitol, Oklahoma City, Ok * “As Long As the Waters Flow”, bronze Gilcrease Museum, Tulsa, OK *Sacred Rain Arrow, bronze Fort Sill, Oklahoma *” Chiricahua Apache Family”, bronze Donated and dedicated to Allan Houser’s parents Sam and Blossom Haozous by Allan Houser and Glenn and Sandy Green The Heard Museum, Phoenix, Arizona *Earth Song, marble donated by Glenn and Sandy Green The Clinton Presidential Library, Arkansas * “May We Have Peace”, bronze The George H.W. Bush Presidential Library, College Station, Texas *"Offering to the Great Spirit", bronze The British Royal Collection, London, England *Princess Anne received "Proud Mother", bronze in Santa Fe Allan Houser’s father Sam Haozous, surrendered at the age of 14 with Geronimo and his band of Warm Springs Chiricahua Apache people in 1886 in Southern Arizona. This was the last active war party in the United States. This group of Apache people was imprisoned for 27 years starting in Fort Marion, Florida and finally living in captivity in Fort Sill, Oklahoma. Allan Houser was born in 1914. His artwork is an ongoing testimony to Native life in America – its beauty, strength and poignancy. Allan Houser is from the culture and portrayed his people in an insightful and authentic way. Because of the era in which he lived, he had a rare understanding of American Indian life. Allan was the first child born after the Chiricahua Apaches were released from 27 years of captivity. Allan grew up speaking the Chiricahua dialect. Allan heard his father’s stories of being on the warpath with Geronimo and almost nightly heard his parents singing traditional Apache music. Allan’s father knew all of Geronimo’s medicine songs. Allan had an early inclination to be artistic. He was exposed to many Apache ceremonial art forms: music, musical instruments, special dress, beadwork, body painting and dynamic dance that are integral aspects of his culture. His neighbors were members of many different tribes who lived in Oklahoma. Allan eagerly gained information about them and their cultures. Allan gathered this information and mentally stored images until he brought them back to life, years later, as a mature artist. Allan Houser was represented by Glenn Green Galleries (formerly known as The Gallery Wall, Inc.) from 1973 until his death in 1994. The gallery served as agents, advocates, and investors during this time. In 1973 the Greens responded enthusiastically to the abstraction and creativity in Houser’s work. They were impressed, not only with his versatility and talent but with the number of mediums he employed. His subject matter was portrayed in styles ranging from realism, stylized form to abstraction. With encouragement from the Greens, Houser at the age of 61, retired from his post as the head of the sculpture department at the Institute of American Indian Arts in Santa Fe, New Mexico in 1975 to begin working full-time creating his art. The next 20-year period was an exciting time for Allan, the gallery, and for the Green family. He created a large body of sculpture in stone, wood and bronze. For many years Glenn Green Galleries co-sponsored many editions of his bronzes and acted as quality control for the bronze sculptures according to Houser’s wishes. As both agents and gallery representatives, the Greens promoted and sold his art in their galleries in Phoenix and Scottsdale, Arizona and in Santa Fe, New Mexico. They had bi-annual exhibits in their galleries to feature Houser’s newest work and sponsored and arranged international museum shows in America, Europe and Asia. They travelled for these events including a trip to Carrara, Italy to the famed quarries of Michelangelo and together co-financed and arranged the purchase of 20 tons of marble. A watershed event for Allan Houser’s career occurred in the early 1980’s when Glenn Green Galleries arranged with the US Information Agency a touring exhibit of his sculpture through Europe. This series of exhibits drew record attendance for these museums and exposed Houser’s work to an enthusiastic art audience. This resulted in changing the perception of contemporary Native art in the United States where Houser and Glenn Green Galleries initially faced resistance from institutions who wanted to categorize him in a regional way. The credits from the European exhibits helped open doors and minds of the mainstream art community in the United States and beyond. Senator Daniel Inouye of Hawaii was a supporter of Allan Houser’s artwork. We worked with Senator Inouye on many occasions hosting events at our gallery and in Washington D.C in support of the formation of the Smithsonian’s National Museum of the American Indian in Washington, D.C. and other causes supporting Native Americans. Allan Houser is shown below presenting his sculpture “Swift Messenger” to Senator Inouye in Washington, D.C.. This sculpture was eventually given to the National Museum of the American Indian, Smithsonian’s permanent collection. It is now currently on loan and on display in the Oval Office. President Biden’s selection of artwork continues our gallery’s and Allan’s connection to the White House from our time working with Allan Houser from 1974 until his passing in 1994. “It was important for President Biden to walk into an Oval that looked like America and started to show the landscape of who he is going to be as president,” Ashley Williams...

"Don Quixote" 1979 Bronze (encased in original velvet box) Signed Lower right Numbered Lower Left 157/215 Size of Relief: 27" x 18.5" Size of Velvet box: 29.5" x 21" x 3.25" Provenance: Martin Lawrence Galleries Salvador Felipe Jacinto Dali was born May 11, 1904 in the small Spanish town of Figueras in the province of Catalunya. The name 'Salvador' had been given to an older brother who died in infancy. When Dali was born the name was passed on to him. No one could have known just how revolutionary and important this name would become to the art world. Growing up, Dali was a difficult child and refused to conform to family or community customs. Dali's father, a respected notary, his mother and younger sister all encouraged Dali's early interest in art. In fact, a room in the family home was the young artist's first studio. Early on, Dali's talent was already refined beyond his years, and with each year his talent only grew, as did his interests. After receiving private art lessons in Figueras for some time, Dali enrolled at the Escuela de Pintura, Escultura y Grabado de Bellas Artes de San Fernando in Madrid in 1921. There he joined an avant-garde circle of students that included film-maker Luis Bunuel and poet-dramatist Federico Garcia Lorca. Although Dali excelled in his academic pursuits, he never took final examinations, deeming that he had no need for the type of education offered by formal schooling. He was expelled and reinstated, yet it mattered little to him. Salvador Dali's passion for the arts and his need to experience life on his own terms could not be met within the confines of school. He left. This did not sit well with Dali's father however, and Salvador was subsequently disowned. With no true home left to him, Dali moved into a fisherman's shack in the small village of Port Lligat, two miles from Cadaques and not far from the French border. Port Lligat would become the site of Dali's future mansion home where he would spend many years of his life. It was at this time that Dali came under the influence of two forces that shaped his philosophy and his art. The first was Sigmund Freud's theory of the unconscious, introduced to Dali in Freud's book The Interpretation of Dreams. The second was his association with the French surrealists, a group of artists and writers led by the French poet Andre Breton. When Dali visited Paris for the first time, he was introduced to the leading surrealists in the movement, but because of his lack of interest in politics, he was eventually shunned by this group. It was also around this time that Dali met the woman who was to become one the most important people in his life... his wife and soul mate, Gala. Gala was a Russian girl...

This iconoclastic sculpture links two of the twentieth century’s most renowned figures: President John Fitzgerald Kennedy and Salvador Dalí. Cast in wax and decorated with paperclip...

Southwest Dance Shield, Allan Houser, relief, bronze, Contemporary Native art Allan Houser SOUTHWEST DANCE SHIELD bronze edition 24 ©1976 14.5" x 14.5" x 1.5" Allan Houser (Haozous...

Artist: Salvador Dali, Spanish (1904 - 1989) Title: The Michelin Slave Year: 1967 Medium: Bronze Sculpture, Signature and number inscribed Edition: 5/6 Size: 12 in x 6 in d. (...

Artist: Salvador Dali, Spanish (1904 - 1989) Title: Swan-Elephant Year: 1967 Medium: Bronze Sculpture, Signature and number inscribed Edition: 5/6 Size: 4.5 in. x 8 in. x 5.5 i...