Sculptures

"Small Sitting Figure" is a bronze sculpture of a sitting nude female on a white wooden frame. Edition 18, signed, numbered and dated on the back. The wooden block can be hung on a ...

Stink, 2023 David Shrigley Ceramic multiple Signed on an accompanying COA Numbered from the edition of 75 Multiple: 16.5 × 12 × 12 cm (6.5 × 4.7 × 4.7 in) Accompanied by a certific...

Maxwell Mustardo is a ceramic artist whose highly textured forms are the result of meticulous research into the chemistry of kiln firing. He includes materials such as glass, metals,...

This artwork formed part of Nghidishange's exhibition titled 'Ehafo' held at the Namibian Arts Association in 2022. Nghidishange was born in Eenhana in northern Namibia. This printma...

Space is a unique contemporary modern sculpture painting by Dutch artist Michiel Jansen. This wall relief is made from dozens of indivually cut strips of pure grey black slate. First...

A sculpture of a figure using stoneware and found objects.

Dancing Lady in polished bronze is sealed with Glasurit- it never needs to be polished. She is cast from a wood carving of Dancing Lady- an iconic Hostetler form. The dynamic head li...

Please allow a three month turnaround time for piece to be made. The Geologic Screens Series The Geologic Screens are studies from the Colorado Cascade Mural. David pieced together ...

The majesty of woodland animals is celebrated in these striking metal sculptures by the Six Nations Mohawk artist Adam Monture. Monture’s beautiful paintings of woodland animals—bears, deer, wolves, turtles, loons and herons were re-imagined as 3-dimensional sculptures hand forged from aluminum. Each animal and bird appears as a ‘double’—one image mirrors the other; the exterior sculpture...

Description: A Spanish Statue of a Sitting on a Pedestal Angel with Open Arms in polychromed wood, Early 19th Century Statue: Statue of an Angel Object Type: Statuette Artist, Sculp...

Cube, large 2023 Cotton on mahogany

Jana Osterman is fascinated and inspired by the organic shapes found in nature. This is one in a series of imposing wall reliefs created in venetian plaster. Osterman’s biomorphic wo...

A figurative sculpture of a woman using ceramic clay, slips, and glaze.

This unique piece by Margulis is from his latest body of works and is part of an edition of 9. After assembling the Plexiglas sheets onto the aluminium core, he uses acrylic paints t...

Manitoba sculptor Jake Goertzen’s dynamic Mach I sculpture is an homage to the historic event in 1947 that changed the face of aviation. The decorated US air force...

Mike Rea Rest Is About Breathing Installation: 128” x 151” wood, burlap, rope, stain, saw dust 2023

Harumi Nakashima is the Director of Tajimi City Pottery Design and Technical Center. Based in the port city of Nagoya Japan, Nakashima creates stunning hand-built porcelain sculptur...

Maqueta las Toninas, 1944 BMY-022, 1970 Edition 1/25 Bronze 22 x 22 x 10 cm 8.6 x 8.6 x 3.9 in ABOUT THE ARTIST Narvaez was born in Porlamar, Venezuela, in 1905; he was the fifth son of eleven siblings; his parents were Jose Lorenzo Narvaez and Vicenta Rivera. Don José Lorenzo, a multifaceted and creative man, sowed the seed of creativity in his son. “My father did not fit in with his fantasies of cabinetmaker, bricklayer, master builder, and self-taught architect.”1 From an early age, Francis was led to the artistic activity, he traced, carved, made replicas of the furniture and the saints restored by his father. In 1920 he obtained his first professional assignment, a San Rafael for the Church of Carupano, and, in 1922, his father authorized him to travel to Caracas to pursue his studies as an artist. He studied at the atelier of Marcos Castillo, at of the Angel Cabre y Magriña and at the Academy of Fine Arts in Caracas, where he was introduced to the painters and intellectuals of the time. In 1928 he presented his first solo exhibition at the Club Venezuela. With the money raised from the sale of the works and the support of Monsignor Sosa, and the Ministers Centeno Grau and Arcaya, he studied in Paris on a scholarship. Once there, he enrolled at the Académie Julian, where Tito Salas, Cristóbal Rojas and Arturo Michelena had also studied. It was in Paris where, unable to work in wood, he turned to stone carving. “In Paris, I didn’t have wood, so I carved a lot in stone (…), when there were demolitions I purchased chunks of stone, I would take them to the workshop and carve them.”2 His first attempts at volumetric sculptures and painting in plain colours, linked to the thematic of American miscegenation and Creole reality, can be traced back to that first trip to Paris. During his stay in the French city, Arturo Uslar Pietri, Alfredo Boulton, and Finita Vallenilla supported the artist both financially and logistically, and in February of 1930, the trio of friends arranged another exhibition for him at the Club Venezuela. Narvaez describes his exhibition as follows: “(…) in it I feel that the sculptural work is more my own, done with more assurance, a response to my pursuit of large planes, stylisation and synthesis.”3 By then, as Boulton himself noted in his book about the artist, Narvaez departed from most of the artistic traditions that prevailed by that time in Venezuela. In 1931 he returned to Caracas and established his atelier at the Barrio Obrero in Catia. The atelier became the hub of the intellectual life of the time. “In those years, the atelier of Francisco Narvaez was the hub of the greatest Venezuelan hope. Nothing comparable to it can be found either before or since.”4 From that year onwards, exhibitions, projects, trips, and awards we multiplied. He was awarded the President of the Republic of Venezuela Prize, the National Sculpture Prize of the 1st Official Venezuelan Art Salon, and the John Boulton Prize of the 3rd Annual Venezuelan Art Salon; for the Military Academy, he produced a spectacular relief entitled La Patria. In 1945, commissioned by the architect Carlos Raúl Villanueva, he produced two groups of sculptures known as Las Toninas, both located in the O’Leary Square. There, as he himself states, he incorporates some baroque patterns into the figures to the source itself: “It is a work of balance between the decorative requirements and the sculpture of planes and angles.”5 In 1948 he was awarded the National Painting Prize. In the same year, he was called upon by the architect Carlos Raul Villanueva to participate in the project for the arts integration in the Universidad Central de Venezuela. Francisco Narvaez’s public output continued with works such as the statue of Fermín Toro, La Educacion, La Ciencia, three murals (produced by María Luisa Tovar) for the Instituto de Medicina Experimental, El Cristo; el Atleta, the equestrian statue of General Rafael Urdaneta. In 1953 he was appointed Director of the School of Plastic and Applied Arts, and in July of the same year, he exhibited “Francisco Narvaez, Maderas, Piedras y Bronces” (Francisco Narvaez, Woods, Stones and Bronzes) at the Museum of Fine Arts. Narvaez is, unquestionably, one of the great Venezuelan sculptors, his work goes through various stages and interests; as the art world evolves, the artist does not remain in his initial scopes of work. His creations are not imposed by the prevailing trends or fashion but do evolve by experimenting with new materials and interests. When one peruses the artist’s lengthy list of exhibitions, commissions, and awards, it is worth remembering the Narvaez who embark on his career as a child and who, overcoming obstacles, knew how to make the most of his curiosity. He did not settle for living off his successes. He did not remain stagnant as many creators of his environment did. Narvaez managed to understand the changes in the history of art around him. We must not overlook the fact that Francisco Narvaez is an artist amid all the changes occurring in the art world. He moves from the classics to the great transformations in the art world. It is the Europe of Picasso, Braque, Arp. He observes, he is aware of what is happening in the centres of the world of art, but between his craft and his sensitivity, the result is NARVAEZ, his stamp, and his identity. Francisco Narvaez comes from tradition, and his first stage is linked to the classics, to the exploration of his heritage, but always with his very own language. Throughout his prolific career, he knew how to remain true to himself, without disregarding the influences of his surroundings or his artistic interests: his ability as a sculptor, his selection of materials, whether they were wood, stone or bronze; his choice of the subject of his work…His mastery and great craftsmanship are a constant that over time have made him a leading player in the history of contemporary Venezuelan and world art. From his beginnings, no subject was foreign to him. His paintings, drawings, aquarelles, and sketches are testimony to his prolific output. Among his themes are portraits, our traditions, still lifes, and landscapes. Narvaez is an artist who represents his time. Later, he evolved towards purer and simpler forms, abandoning figurative art for short periods. In 1956 he declared to the newspaper El Nacional: “Every day I am freeing myself, it is a soul that frees itself from the ephemeral wrappings of the circumstantial always, as well as from the inevitable weight of the anecdote. This second stage of my work is remarkably close to abstractionism, even if there are still certain figures or figurations in the sculptures that I will shortly be showing. However, pure, and absolute abstractionism, it will treat the form itself as the sole reason for its existence on the plane of artistic excellence.”6 The artistic development was his professional life. Each period of his life as an artist, he went one step further, searching, solving, seeing plenty of things and understanding how diverse expressions were transforming themselves. His hands followed his gaze and his mind, always inquisitive. He added movement to the volumes. Arturo Uslar Pietri, “Formas Nuevas”, Cromotip editions, 1956 “Francisco Narvaez is a path: the path that Venezuelan sculpture...

Canadian sculptor Floyd Elzinga finds inspiration for his iconic imagery in nature. From his studio on the rugged Niagara escarpment, he creates beautiful sculptures using natural forms—trees, the maple leaf and pine cones. This new series of pine cones are superbly detailed, and hand forged from bronze. The polished finish lends an elegance to these tabletop pieces. “The natural world is fundamentally my inspiration, and it is strongly reflected in my subject matter.” Floyd Elzinga His pinecone...

Monochromatic Moon Jar The characteristic of the method of making moon jars is the technique of making and attaching the top and bottom separately. ‘The technique of making moon jar...

Sculpture by the Spanish artist AMANCIO GONZALEZ Artist well known for his large format works on the street. Iron and bronze. AMANCIO Gonzalez ( Leon 1965 ) Amancio González is a s...

Matt Mitros was born in Philadelphia, PA. Upon completing his BFA at Penn State University, he was an Artist-In-Residence at Arrowmont School of Arts & Crafts as well as the Archie B...

Monochromatic Landscape Moon Jar It represents the material-in-itself and material-as-it-is, such as a monochromatic moon jar, and expresses a...

" Omaggio a Colbert " 12 x 41 x 14 cm ed. 7/8 + 4 A.P. Bronze 2022 Stefano Bombardieri is known for large figurative sculptures of wild animals. The son of sculptor Remo Bombard...

Edition 95 of 99

Harumi Nakashima is the Director of Tajimi City Pottery Design and Technical Center. Based in the port city of Nagoya Japan, Nakashima creates stunning hand-built porcelain sculptur...

"The Escape" Wall Sculpture 71" x 59" inch by Gosha Ostretsov Born in 1967, in Moscow Lived in Paris for ten years (1988 - 1998), now lives and works in Moscow. PUBLIC COLLECTIONS:...

Approximately 3,000 U.S. Pennies and mixed media.

Geometric process white E is a unique one-of-a-kind contemporary modern painting relief by Dutch artist Eef de Graaf. The relief is made from meticulously hand-cut plain white cardbo...

Approximately 10,000 U.S. pennies.

Approximately 15,000 U.S Nickels.

Hand painted cutout steel

Cloud Constructions This elegant and playful sculpture is kinetic (characterized by movement). The painted steel, vertical, sky-blue stalk creates the fulcrum or support for the hori...

This artwork formed part of Ismael Shivute's 2022 solo exhibition 'I keep my circle small' hosted in Windhoek, Namibia. Hailing from northern Namibia, Ismael Shivute studied Sculptu...

Mixed Media from artist studio.

Horse and Woman Bronze Sculpture Animal Lady Theo Mackaay (1950) Mackaay works with recognizable shape:: women, men and animals, with a pointer at the primal form. Archetypal motiv...

Approximately 2,000 U.S Dimes on a metal base. Mixed media.

Frances Semple’s beautiful and elegant sculptures often appear in motion. Defying gravity, a horizontal figure appears to float on its back above its shadow. This table top piece is ...

Approximately 10,000 U.S. Pennies.

Jonah with Key by Michael Warrick 20x15x4" aluminum, wall mounted sculpture Fragment of a portrait with impressions of their interests highlighted across the face. Shipping price in...

Futura is continuing his longstanding partnership with AllRightsReserved, teaming with the company for a new stainless steel take on his iconic Pointman figure. Dubbed the AV-001L an...

24k Gold plated U.S. pennies. Approximately 13,000 gold pennies on acrylic base.

"Patty" Bronze Sculpture 17" x 17" x 9" inch by Sarkis Tossonian Sarkis Tossoonian was born in Alexandria in 1953. He graduated from the Faculty of Fine Arts/Sculpture in 1979. He s...

Carol w/ Gloves by Michael Warrick 20x16x7" aluminum, wall mounted sculpture Fragment of a portrait with impressions of their interests highlighted across the face. Shipping price i...

"Movement" Bronze Sculpture 5" x 4" x 2" inch by Sarkis Tossonian Sarkis Tossoonian was born in Alexandria in 1953. He graduated from the Faculty of Fine Arts/Sculpture in 1979. He started exhibiting in individual and group exhibitions in Alexandria since 1980 and up until now. Sarkis Tossoonian won the second prize in Sculpture in the 5th Biennale of Port Said in 2001. Sarkis Tossoonian excels in blending two different mediums in his works like non shiny bronze with shiny golden brass. His figures stand for both male and female dressed...

Thriller is a bronze sculpture with dark brown patina, it is connected to a steel base. The edition size is 25. This sculpture stands on shelf as well as be hung on wall. Joan’s la...

This artwork formed part of Ismael Shivute's 2022 solo exhibition 'I keep my circle small' hosted in Windhoek, Namibia. Hailing from northern Namibia, Ismael Shivute studied Sculptu...

Private Trap II displays a minimalist dark brown steel sculpture that showcases Buduo's respect for gravity, attention to scale, and knowledge of time-honored principles. His works d...

This sculpture from the "Aliens" series. In this series I created miniatures from different materials, combining them with fabric. Each sculpture is an association with some real o...

Maxwell Mustardo is a ceramic artist whose highly textured forms are the result of meticulous research into the chemistry of kiln firing. He includes materials such as glass, metals, and plastic in the glazing and post-firing process, resulting in deconstructed vessels with unique surfaces, such as crystallized metallics or lush neon moss. Maxwell has earned multiple awards for his work including an Award of Excellence from the James Renwick Alliance, an ARGUS grant for materials research, a Levine Endowment grant to study material culture in Japan & South Korea, and as the SUNY-wide finalist in the visual arts category for the Thayer Fellowship in the Arts as an undergraduate student. He has been a resident artist at the Takaezu Studio, the Mendocino Art Center, the Houston Center for Contemporary Craft, the Sonoma Community Center, the New Harmony Clay Project, & the C.R.E.T.A. Rome International Center. "Orange Pitcher...

José Sierra is a self-taught artist and ceramicist, born in Mérida, Venezuela in 1975. His work draws inspiration from his heritage, along with pre-Hispanic art, East Asian pottery, and contemporary design. His work teems with super-saturated colors and conflicting textures populating asymmetrical forms reminiscent of microscopic life or grand mythological icons. “The images and memories of coffee mills, intensely colored mountains, dramatic landscapes, pre-Colombian art...

Strohacker’s co-creative and site-responsive practice routinely collaborates with both local and national wildlife conservation organizations to conceptualize animals who have been displaced by the colonial built environment, controlled by the North American Model...

Bull Bronze Sculpture Animal Small Farmlife Theo Mackaay (1950) Mackaay works with recognizable shape:: women, men and animals, with a pointer at the primal form. Archetypal motive...

NEW RELEASE! "Blue Series" - Hyperreal blue glass water bag trio sculpture installation, solid and hollow glass by Dylan Martinez. Bag Dimensions (approx): Left: 11.75 x 7 x 4.5” C...

Original Sculpture, Artist Proof, edition of 9 Fantastic sculpture made entirely from nails, this unique sculpture has been Chromed to create a beautiful shine. Each nail has been ...

Mireia Serra creates sensuous bronze and iron sculptures showing the beauty of snapshots caught in life which are full of emotions and feelings along the life journey. Her metal artw...

Jaguar Standing Bronze Sculpture Wildlife Wild Animal Realisme Contemporary Chris Tap (1973, Amsterdam) attended university where he studied ...

José Sierra is a self-taught artist and ceramicist, born in Mérida, Venezuela in 1975. His work draws inspiration from his heritage, along with pre-Hispanic art, East Asian pottery, and contemporary design. His work teems with super-saturated colors and conflicting textures populating asymmetrical forms reminiscent of microscopic life or grand mythological icons. “The images and memories of coffee mills, intensely colored mountains, dramatic landscapes, pre-Colombian art...