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Harry Bertoia
Light Spray

c. 1970

$9,500

About

Bertoia’s spray sculptures are his most elegant sculpture creations. While they do not make any sound, they are meant to be “played” with and are carefully orchestrated to move in a hypnotic and graceful manner. Whether gathered in one’s hand and released or gently brushed with a hand, the rods move in concentric circles. There is a beautiful and gentle quality to this movement that mimics elements in nature, such as wheat in fields and certain plant life underwater such as coral. Bertoia is one of the most important designers and sculptors of the 20th century. As a young man he attended the nearby Cranbrook Academy of Art, where he notably studied with Walter Gropius, known for the Bauhaus School. Bertoia brought sound to sculpture and created works which are iconically his own. His work can be found in The Addison Gallery of American Art, the Brooklyn Museum, the Cleveland Museum of Art Smithsonian American Art Museum, and the Walker Art Center. 34.5 inches high 36.5 inches high with the base

Details

  • Creator
    Harry Bertoia (1915 - 1978, American, Italian)
  • Creation Year
    c. 1970
  • Dimensions
    Height: 34.5 in. (87.63 cm)Width: 6 in. (15.24 cm)
  • Medium
  • Movement & Style
  • Period
  • Condition
    In good condition, the individual thyne are straight.
  • Gallery Location
    New York, NY
  • Reference Number
    1stDibs: LU141326595582

Shipping & Returns

  • Shipping
    $175 Standard Parcel Shipping
    to anywhere in the world, arrives in 4-5 weeks.
    We recommend this shipping type based on item size, type and fragility.
    Ships From: Port Chester, NY
  • Return Policy

    This item cannot be returned.

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About the Artist

Harry Bertoia

Sculptor, furniture and jewelry designer, graphic artist and metalsmith, Harry Bertoia was one of the great cross-disciplinarians of 20th-century art and design and a central figure in American modernism. Among furniture aficionados he is known for the wire-lattice Diamond chair (and its variants such as the tall-backed Bird chair) designed for Knoll Inc. and first released in 1952. As an artist, Bertoia is revered for a style that was his alone. Bertoia’s metal sculptures are by turns expressive and austere, powerful and subtle, intimate in scale and monumental. All embody a tension between the intricacy and precision of Bertoia’s forms and the raw strength of his materials: steel, brass, bronze and copper.Fortune seemed to guide Bertoia’s artistic development. Born in northeastern Italy, Bertoia immigrated to the United States at age 15, joining an older brother in Detroit. He studied drawing and metalworking in the gifted student program at Cass Technical High School. Recognition led to awards that culminated, in 1937, in a teaching scholarship to attend the Cranbrook Academy of Art in suburban Bloomfield Hills, one of the great crucibles of modernism in America. There, Bertoia made friendships — with architect Eero Saarinen, designers Charles and Ray Eames and Florence Schust Knoll and others — that shaped the course of his life. He taught metalworking at Cranbrook, and when materials rationing during World War II limited the availability of metals, Bertoia focused on jewelry design. He also experimented with monotype printmaking, and 19 of his earliest efforts were bought by the Guggenheim Museum.In 1943, he left Cranbrook to work in California with the Eameses, helping them develop their now-famed plywood furniture. (Bertoia received scant credit.) Late in that decade, Florence and Hans Knoll persuaded him to move east and join Knoll Inc. His chairs became, and remain, perennial bestsellers. Royalties allowed Bertoia to devote himself full-time to metal sculpture, a medium he began to explore in earnest in 1947.By the early 1950s Bertoia was receiving commissions for large-scale works from architects — the first came via Saarinen — as he refined his aesthetic vocabulary into two distinct skeins. One comprises his “sounding sculptures” — gongs and “Sonambient” groupings of rods that strike together and chime when touched by hand or by the wind. The other genre encompasses Bertoia’s naturalistic works: abstract sculptures that suggest bushes, flower petals, leaves, dandelions or sprays of grass. As you will see on these pages, Harry Bertoia was truly unique; his art and designs manifest a wholly singular combination of delicacy and strength.
About the Seller
5 / 5
Located in New York, NY
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Established in 1857
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