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Jack YoungermanNexus1990
1990
About the Item
Abstract sculpture by American artist, Jack Youngerman (b.1926). Nexus, 1990. 24.5 inches. Aluminum, numbered 2/3. Signed and numbered on base.
1926 Born, St. Louis, Missouri; moved with family to Louisville, Kentucky in 1929
1943-44; 1946-47 Attended University of Missouri
1944-46 U.S. Navy, University of North Carolina
1947-49 Ecole des Beaux-Arts, Paris
1949-55 Lived and worked in Paris
1956 Returned to the United States; lived in New York City 1956-1995
1995-current Resides in Bridgehampton, New York
ONE MAN EXHIBITIONS:
1951 Galerie Arnaud, Paris
1958 Betty Parsons Gallery, New York (1960, 1961, 1964, 1967, 1968)
1959 Museum of Modern Art, New York, "Sixteen Americans"
1962 Galerie Lawrence, Paris (also 1965)
1963 Galeria dell' Ariete, Milan
Everett Ellen Gallery, Los Angeles, California
The Phillips Collection, Washington, D. C.
1971 Pace Gallery, New York (also 1972, 1975)
1972 Portland Center for the Arts, Oregon
Seattle Art Museum, Washington
1973 The Arts Club of Chicago, Illinois
Galerie Denise Rene, Paris
1975 Hopkins Center, Dartmouth College, Hanover, New Hampshire
1976 Parrish Art Museum, Southampton, New York
1981 Washburn Gallery (also 1982, 84, 85, 86, 87, 91, 97, 99, 2001, 03, 06, 09)
Doris C. Freedman Plaza, Central Park, New York, :"Sculpture Grove," Public Art Fund
1982 Fine Arts Center, S.U.N.Y., Stony Brook, New York
1986 Solomon R. Guggenheim Museum of Art, New York
1989 Heland Wetterling Gallery, Stockholm, Sweded
2000 Guild Hall Museum, East Hampton, New York
2004 Parrish Art Museum, Southampton, New York
2005 The Drawing Room, East Hampton, New York
Susan Sheehan Gallery, New York (also 2006)
2011 Margo Leavin Gallery, Los Angeles, California
2013 Washburn Gallery, New York, NY
LongHouse Reserve, East Hampton, NY
The Drawing Room, East Hampton, NY
2014 Washburn Gallery, New York, NY
Galerie Hervé Bize, Nancy, France
Selected Public Collections:
Albright Knox Art Gallery, Buffalo, New York
Art Institute of Chicago, Illinois
Baltimore Museum of Art, Maryland
Carnegie Institute, Museum of Art, Pittsburgh, Pennsylvania
Corcoran Gallery of Art, Washington, D.C.
Gateway Foundation, Citygarden, St. Louis, Missouri
Musee de Grenoble, Grenoble, France
Houston Museum of Fine Art, Texas
High Museum of Art, Atlanta, Georgia
Hirshhorn Museum and Sculpture Garden, Washington, D.C.
Louisiana Museum of Art, Humlebach, Denmark
Milwaukee Museum of Art, Wisconsin
Museum of Modern Art, New York
National Museum of American Art, Smithsonian Institution, Washington, D.C.
The New School for Social Research, New York
Olympic Sculpture Park, Seoul, South Korea
The Phillips Collection, Washington, D.C.
Solomon R. Guggenheim Museum of Art, New York
Tate Gallery, London, England
University Art Museum, Berkeley, California
Vassar College, Poughkeepsie, New York
Walker Art Center, Minneapolis, Minnesota
Whitney Museum of American Art, New York
Worchester Art Museum, Massachusetts
Yale University Art Center, New Haven, Connecticutt
- Creator:Jack Youngerman (1926, American)
- Creation Year:1990
- Dimensions:Height: 24.5 in (62.23 cm)Width: 24.5 in (62.23 cm)Depth: 5 in (12.7 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Wilton Manors, FL
- Reference Number:1stDibs: LU2452620192
Jack Youngerman
Jack Youngerman (1926–2020) is known for his powerful and graphic compositions that alternate between pure abstraction and highly stylized depictions of flowers or other elements from nature. Youngerman often synthesizes the best characteristics of Robert Motherwell and Ellsworth Kelly creating something highly original and confident. Youngerman's work always feels fresh, vibrant and optimistic. The artist has had a prolific career with major museum shows across the United States and internationally, including at the Guggenheim and MoMA.
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His death was confirmed by Scott Chaskey, who is married to Mr. King's stepdaughter, Megan Chaskey.
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Mr. King's work is in the collections of the Metropolitan Museum of Art and the Museum of Modern Art in New York and the Smithsonian American Art Museum in Washington, among other places, and he had dozens of solo gallery shows in New York and elsewhere. But the comic element of his work probably caused his reputation to suffer.
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James E. Lewis was born in rural Phenix, Virginia on August 4, 1923 to James T. Lewis and Pearline (Pearlean) Harvey.[5] Lewis' parents were both sharecroppers. Shortly after his birth, his father moved to Baltimore for increased job opportunity; James E. was subsequently raised by his mother until the family was reunited in 1925. They lived for a short time with distant relatives until moving to a four-bedroom house on 1024 North Durham Street in East Baltimore, a predominantly African-American lower-class neighborhood close to Johns Hopkins Hospital. Lewis' primary school, PS 101, was the only public school in East Baltimore that served black children. Lewis grew up in a church-going family, his parents both active members of the Faith Baptist Church, devoting the entirety of their Sundays to church activities. His parents worked a variety of different jobs throughout his youth:[6] his father working as a stevedore for a shipping company, a mechanic, a custodian, a mailroom handler,[6] and an elevator operator.] His mother worked as both a clerk at a drugstore[7] and a laundress for a private family.[4]
Lewis' primary exposure to the arts came from Dr. Leon Winslow, a faculty member at PS 101 who Lewis saw as "providing encouragement and art materials to those who wanted and needed it." In fifth grade, Lewis transferred to PS 102. Here, he was able to receive specialized Art Education in Ms. William's class under the guidance of Winslow. He was considered a standout pupil at PS 102 as a result of his introduction to the connection between the arts and the other studies. His time spent in Ms. Pauline Wharton's class allowed for him to experiment with singing, to which he was considered a talented singer. His involvement in this class challenged his earlier belief that singing was not a masculine artistic pursuit. He was able to study both European classics and negro spirituals, which was one of his earliest introductions to arts specific to American black culture. Under Ms. Wharton's direction, he was also involved in many different musical performances,[6] including some works of the Works Progress Administration's Federal Theatre Project.[8] Lewis attended Paul Laurence Dunbar High School, where his love of the arts was heightened through his industrial art class with Lee Davis...
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Klaus Karl Otto IhlenfeldHe was born in Berlin, Germany in 1934. He studied art at the Hochschule für Bildende Künste and completed graduate work with the metal sculptor Hans Uhlmann. He visited the US in 1957 for the first time living in Durham, NC, where he befriended Dr. W. R. Valentiner, the Rembrandt authority and Director of the Museum of Art, Raleigh, NC. Through this friendship in 1960 he met and worked with the metal sculptor Harry Bertoia in Barto, PA.
He joined the Staempfli Gallery in NYC and entered in many group and one-man shows. He has been an Artist-in-Residence in Ogden, Utah; Huntington Museum of Art in West Virginia, Penn State University at University Park; the Colorado State University in Denver; and Shippensburg University. He has large commissions at Kutztown University, Pottstown Hospital, and a monumental relief sculpture at the Emigrant Savings Bank in NYC. He has traveled extensively in Spain, Greece, and Mexico. He is living and working on a farm in Barto, PA welding bronze and forged iron metal sculptures and painting watercolors.
Group Shows:
North Carolina Museum of Art in Raleigh, NC - 1957
Solomon R. Guggenheim Museum in New York City - 1962
Staempfli Gallery in New York City - 1962, 1964 and 1965
Gallery Ludwig Lange in West Berlin, Germany - 1977
Gallery Herbert Remmert and Dr. Barth in Dusseldorf in West Germany - 1981
Jack Savitt Gallery in Macungie, PA - 1981 and 1984
Heinz Ortleb Gallery, West Berlin, Germany - 1992
Central Bucks Chamber of Commerce Show at the James A. Michener Art Museum in Doylestown, PA - 1997
Berks Art Alliance Show at the Reading Art Museum in Reading, PA - 1997
Mayfair Festival of the Arts at the Allentown Art Museum - 1998
Baum School of Art in Allentown, PA - 1997
Schwenkfelder Library and Heritage Center Art Show in Pennsburg, PA - 2001
Reading Public Museum in Reading PA, 2014
Solo Shows:
Kutztown University in Kutztown, PA - 1960 and 1965
Allentown Art Museum in Allentown, PA - 1960 and 1961
Staempfli Gallery in New York City - 1962
Penn State University in University Park, PA - 1964 and 1972
Berks Art Alliance in Wyomissing, PA - 1966
Bertha Eccles Art Center in Ogden, Utah - 1967
Mansfield University in Mansfield, PA - 1967
Huntington Museum of Art in Huntington, WV - 1971
Shippensburg University in Shippensburg, PA - 1972
Albright College in Reading, PA - 1973
Ianuzzi Gallery in Scottsdale, AZ - 1974
Gallery Heimat 85 in West Berlin, Germany - 1977
Jack Savitt Gallery in Macungie, PA - 1981
College Misericordia in Dallas, PA - 1983
Schwenkfelder Library and Heritage Center in Pennsburg, PA, 2013
Periodical Reference:
Kaye, Ellen "The Obsessive Collector," Philadelphia Inquirer Sunday Magazine Sptember 21, 1986 pp. 32-33.
Chronology:
1-30-1934 Born in Berlin, Germany. Father, Kurt Ihlenfeld, Lutheran pastor, novelist, critic and publisher was born in 1901 in Colmar, Alsace Lorain. Mother, Annie Stuhlmann, was born in 1905 in Breslau, Lower Silesia.
1940 - 1950 Public schools in Berlin; Löwen, Lower Silesia; Coswig, Radebeul, Glaubitz, Saxony. Königin Luise-Gymnasium in Dahlem, Berlin. First artworks, drawings and paintings; few sculptures.
1950 - 1956 Studied at the Hochschule für Bildende Künste in West Berlin, Germany. Graduate work with metal sculptor Hans Uhlmann. For 2 years maintained own studio at the Academy. Friendship with writer Günter Grass, and painter F. S. Sonnenstern. Met painters: Max Pechstein, Karl Schmidt-Rottluff, Carl Hofer, Max Kaus, and sculptors: Bernhard Heiliger, Renee Sintenis, and Richard Scheibe...
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