Lino Tagliapietra

Mandara

2002

A mixed media piece by Theaster Gates. "Untitled (flooring)" a contemporary found object piece, white cement, debris, flooring by American artist Theaster Gates. The artwork is unsigned. Theaster Gates' practice includes sculpture, installation, performance and urban interventions that aim to bridge the gap between art and life. Gates works as an artist, curator, urbanist and facilitator and his projects attempt to instigate the creation of cultural communities by acting as catalysts for social engagement that leads to political and spatial change. Gates has described his working method as “critique through collaboration” – often with architects, researchers and performers – to create works that stretch the idea of what we usually understand visual-based practices to be. For his exhibition at Milwaukee Art Museum exhibition in 2010, for example, Gates invited a 250 strong gospel choir into the galleries to sing songs adapted from the inscriptions on pots by the famous 19th century slave and potter 'Dave Drake'. For the 2010 Whitney Biennial, Gates transformed the Whitney’s Sculpture Court with a spare, architectural installation that functioned as a communal gathering space for performances, social engagement, and contemplation. For the duration of the exhibition Gates collaborated with various creative practitioners on a series of 'monastic residencies', holding live events such as the session by Gates' musical ensemble, the Black Monks of Mississippi. In another recent exhibition at Seattle Art Museum, Gates transformed the gallery into an audio archive entitled 'The Listening Room', incorporating a hand-built DJ...

A sculpture by Theaster Gates. "Stand-Ins for Period of Wreckage 25" is a contemporary sculpture, white concrete and porcelain by American, Blue Chip artist Theaster Gates. The artwork is unsigned. Theaster Gates' practice includes sculpture, installation, performance and urban interventions that aim to bridge the gap between art and life. Gates works as an artist, curator, urbanist and facilitator and his projects attempt to instigate the creation of cultural communities by acting as catalysts for social engagement that leads to political and spatial change. Gates has described his working method as “critique through collaboration” – often with architects, researchers and performers – to create works that stretch the idea of what we usually understand visual-based practices to be. For his exhibition at Milwaukee Art Museum exhibition in 2010, for example, Gates invited a 250 strong gospel choir into the galleries to sing songs adapted from the inscriptions on pots by the famous 19th century slave and potter 'Dave Drake'. For the 2010 Whitney Biennial, Gates transformed the Whitney’s Sculpture Court with a spare, architectural installation that functioned as a communal gathering space for performances, social engagement, and contemplation. For the duration of the exhibition Gates collaborated with various creative practitioners on a series of 'monastic residencies', holding live events such as the session by Gates' musical ensemble, the Black Monks of Mississippi. In another recent exhibition at Seattle Art Museum, Gates transformed the gallery into an audio archive entitled 'The Listening Room', incorporating a hand-built DJ...

"Los Caballos en la Conquista (Horses in the Conquest)" is a Contemporary abstract Ceramica Suro slip cast remnants, glaze, and firing plate sculpture by Walead Beshty in 2013. The a...

A sculpture by Carlos Luna. "Elefante" is a bronze sculpture depicting an detailed yet abstracted elephant by Latin American artist Carlos Luna. Edition 8 of 8. Signed lower left. C...

'Ulu Oti' is a contemporary cast glass sculpture by David Ruth from the Chill Project Series. This sculpture is made from soda glass that was then mixed with cobalt and copper to cre...

'Ulu Oti' is a contemporary cast glass sculpture by David Ruth from the Chill Project Series. This sculpture is made from soda glass that was then mixed ...

"CROSS" Sculptural Mirror 25" x 25" x 2" inch by Grigorii Gorkovenko MATERIAL: metal / mirror COLOR: nature metal A mirror surface fringed by a steel strip in the form of a cross l...

Follow Me is a resin sculpture made by Patrice Breteau, a French contemporary artist. This piece is available in eight different colors, all resistant to UV ...