Platinum Abstract Sculptures

This work is aluminum on a black slate base, measuring 28.5" x 9" x 6". Myford's interest in aluminum began in 1970 when he attended a workshop sponsored by Alcoa at the Art Center ...

Abstract bronze sculpture by artist Clyde Ball on cast concrete base. Circa 1970's, signed on base. The patina on this piece is dark, with hints of ...

Dimitri Hadzi Uxmal, 1991 Cast bronze on custom made granite base 17 × 30 1/2 × 14 inches The title UXMAL, refers to the ancient Mayan city of Uxmal, which is known for its "Pyramid of the Magician" Provenance: Acquired by the original owner from the prestigious Gremillion Gallery in Houston, Texas (accompanied by a copy of the original receipt) Measurements: Base: 26.5 by 11 by 1.75 inches Work longest 30.5 inches Widest 14 inches Highest. 17 inches More about Dimitri Hadzi" Derived from the figure and mythic narratives, Hadzi’s sculpture references antiquity and classical artifacts – abstracted anatomical forms, columnar and other architectural elements, helmets, weaponry and body armor function as visual metaphors for ancient cultures. “I was interested in mythology, and I was interested in movement,” Hadzi remarked on his years in Rome, “I was attempting through formal methods to exaggerate sexual tension or apprehension. Suddenly I was myself in an atmosphere of freedom.” [1] Powerfully rendered in bronze his sculptures convey raw emotion, brute strength and mass, tempered with a delicate rush of whimsy, vivacity and sensuality. Born in New York City on March 21, 1921, Hadzi graduated from Cooper Union in 1950 and received a Fulbright Fellowship in the same year. After studying sculpture in Greece, he moved to Rome under the GI Bill where he lived for twenty-five years. Hadzi returned to the U.S. where he taught at Harvard University for fourteen years. He continued to create sculpture until his death in 2006. Hadzi is included in the permanent collections of the Museum of Modern Art; the Whitney Museum of American Art; the Museum of Fine Arts, Boston; the Hirshhorn Museum and Sculpture Garden; The Phillips Collection and the Guggenheim Museum. Receiving over twenty sculpture commissions, Hadzi’s work appears in public squares, concert halls, federal and private plazas, and universities throughout the world. --------------- [1] Elsen, Albert. “On Artistic Freedom: An Interview,” Dimitri Hadzi, (New York: Hudson Hills Press, 1996), 30. Additional Biography: Dimitri Hadzi (1921 – 2006) is among the most distinguished modernist sculptors, creator of works in bronze and stone that are powerfully abstract and expressionist in character. His contribution to the international language of sculpture continues to influence and inspire through permanent installations and collections, and exhibitions worldwide. Born to Greek-American immigrant parents in New York City, he had a talent for drawing at an early age and won a prize for his young ability. But, it wasn't until after serving in the Air-force in the South Pacific during WWII that he turned his sights fully to painting and sculpture, going on to study both at Cooper Union. Eventually, he would become a mainstay of the Cambridge, MA art community. He was a Guggenheim Fellow (1957), the winner of the Venice Biennale Award (1962), and the Rome Prize (1974). His most notable sculptures are: Copley Place Waterfall (Boston, MA), Owen Glass Co. (Toledo, OH), as well as Thermopolis, adjacent to Boston’s City Hall Plaza, and the former Omphalos in Harvard Square (Cambridge, MA). Hadzi is included in the permanent collections of the Museum of Modern Art; National Gallery of Art; Whitney Museum of American Art; Museum of Fine Art, Boston; Hirshhorn Museum and Sculpture Garden; The Phillips Collection and the Guggenheim Museum. Additionally, Hadzi was also a prolific painter, and printmaker. He also taught at Harvard University for over a decade. Famously, David Hockney attended one of Hadzi’s classes at the Carpenter Center at Harvard, where Hadzi served as director. The two of them spent time together painting and discussing techniques. Hockney gifted Hadzi one of his paintings. He worked alongside his good friend, Nobel Prize winning Irish poet...

"Gloria" Bronze and Marble sculpture 27" x 11" in by Ibrahim Abd Elmalak Gloria, 2007 Bronze & Marble 68 x 27 cm, Signed & Dated Sculptures that mostly depict his characteristic ...

"Symphony II" Bronze Sculpture 14.5" x 17" inch by Ibrahim Abd Elmalak Bronze & Marble Signed & Dated Sculptures that mostly depict his characteristic figures of feminine form an...

Eva Ennist, a mixed media and fiber artist, travels extensively through the Far East, gathering materials and techniques for her practice. The sculpture "SAFE" is a prime example of ...

"Renaissance" Bronze and Marble sculpture 13" x 9" in by Ibrahim Abd Elmalak Songbird, 2005 Bronze & Marble 33 x 23 cm, Signed & Dated Sculptures that mostly depict his character...

“My work reflects on experiences of transformation, alchemy and the sublime, manifesting in sculptures that undulate between soft and hard, alive and static, real and imagined. Thes...

"Love of Horses" Bronze and Marble Sculpture 16" x 7" in by Ibrahim Abd Elmalak Love of Horses, 2000 Bronze & Marble (Double Face) 40 x 18 cm, Signed & Dated Sculptures that mostl...

"Equine Spirit I" Bronze Sculpture 14.5" x 6" inch by Ibrahim Abd Elmalak Double-faced Bronze & Marble Signed & Dated Sculptures that mostly depict his characteristic figures of...

"Grecian Stallion I" Bronze sculpture 24" x 11" inch by Ibrahim Abd Elmalak Grecian Stallion I, 2007 Bronze & Marble Signed & Dated Sculptures that mostly depict his characterist...

"Metamorphosis" Bronze and Marble sculpture 22" x 6" in by Ibrahim Abd Elmalak Songbird, 2004 Bronze & Marble 56 x 16 cm, Signed & Dated Sculptures that mostly depict his charact...