Simcha Even-Chen

Folding in Motion 9 by Simcha Even-Chen - Porcelain sculpture, yellow lines

2021

Folding in Motion 10 is a unique paper porcelain sculpture by contemporary artist Simcha Even-Chen, dimensions are 16 cm × 30 cm × 11 cm (6.3 × 11.8 × ...

Hollows 3 is a unique sculpture by contemporary artist Sharon Brill. This is a wheel thrown altered and sandblasted porcelain sculpture, sold with a round ceramic stand, dimensions a...

Wall Object #1 is a unique wall paper porcelain sculpture by contemporary artist Simcha Even-Chen, dimensions are 32 × 17 × 10.5 cm (12.6 × 6.7 × 4.1 in). The sculpture is signed an...

Relations 1 is a unique sculpture by contemporary artist Sharon Brill. This sculpture is made of Wheel thrown altered and sandblasted porcelain, dimensions are 22 cm × 15 cm × 20 cm ...

"I work with a simple elemental form, a curve made from the most basic natural material, clay. I make and build with hundreds or thousands of these forms. The clay curve connects me ...

Delicate wave-like patterns swirl around this gorgeous vessel by Paula Murray. Creamy white porcelain—her own recipe for clay and thin ocean-blue veins appear to emulate the natural ...

ADRIANA MARMOREK FLOWER TO BEE, 2019 porcelain, magnet 13.19 x 7.09 x 10.63 in. 33.5 x 18 x 27 cm.

A sculpture by Theaster Gates. "Stand-Ins for Period of Wreckage 25" is a contemporary sculpture, white concrete and porcelain by American, Blue Chip artist Theaster Gates. The artwork is unsigned. Theaster Gates' practice includes sculpture, installation, performance and urban interventions that aim to bridge the gap between art and life. Gates works as an artist, curator, urbanist and facilitator and his projects attempt to instigate the creation of cultural communities by acting as catalysts for social engagement that leads to political and spatial change. Gates has described his working method as “critique through collaboration” – often with architects, researchers and performers – to create works that stretch the idea of what we usually understand visual-based practices to be. For his exhibition at Milwaukee Art Museum exhibition in 2010, for example, Gates invited a 250 strong gospel choir into the galleries to sing songs adapted from the inscriptions on pots by the famous 19th century slave and potter 'Dave Drake'. For the 2010 Whitney Biennial, Gates transformed the Whitney’s Sculpture Court with a spare, architectural installation that functioned as a communal gathering space for performances, social engagement, and contemplation. For the duration of the exhibition Gates collaborated with various creative practitioners on a series of 'monastic residencies', holding live events such as the session by Gates' musical ensemble, the Black Monks of Mississippi. In another recent exhibition at Seattle Art Museum, Gates transformed the gallery into an audio archive entitled 'The Listening Room', incorporating a hand-built DJ...