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Alex HodgeGetting at the Heart of the Matter, Hand built sculpture plate with sgraffito2023
2023
About the Item
In this new series of wall plaques, titled "Behind Closed Doors," the artist reimagines original images from a book titled In Praise of the Backside. The book's collection features women from behind, most often captured by men, often untitled and anonymous. In the artist's reinterpretation of these images, women transcend their status as objects of lines and shadows, becoming subjects imbued with emotion, thought, and a place of belonging.
Alex Hodge is an artist-ceramist primarily interested in creating work that juxtaposes the canon of Western art with the lived experiences of contemporary women. As a queer woman growing up in the rural south, she became familiar with the feeling of being on the periphery, spending her youth wandering the woods, collecting material for small sculptures and creating stories for herself.
- Creator:Alex Hodge
- Creation Year:2023
- Dimensions:Height: 9 in (22.86 cm)Width: 8.5 in (21.59 cm)Depth: 0.25 in (6.35 mm)
- Medium:
- Period:
- Condition:
- Gallery Location:Miami Beach, FL
- Reference Number:1stDibs: LU453313065762
Alex Hodge grew up on a blueberry farm in South Georgia where she learned the value of cultivating the earth. Currently based in Miami, Florida, Hodge focuses on prioritizing women’s narratives in all aspects of her work. Her poetic porcelain objects examine and reimagine the history of art in a way that values women, not only in body, but in wholeness, power, and love. By combining sculptural and drawn elements, such as carved and painted patterns, her works create a dialogue between space and line, form and surface for a dynamic viewing experience. Often limiting her color palette to black and white, she uses the carving technique called sgraffito to incise her pieces with drawings, her own text, and pattern. Focusing on the narrative qualities of art-making, Hodge weaves stories into the clay which are both personal and universal. Through the decorative and symbolic details, she hints at narratives without completing them to invite the viewer to participate in creating meaning. The women she invents exist in the present but are of the imagined future in which we all have room to flourish, tell our stories, give and receive love, and express the beauty and pain of the human condition. Fundamentally, her artworks are a celebration of the tenacity and vulnerability of women and clay, an interplay of history and hope.
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