Miniature Figurative Sculptures

This new work by Tal Nehoray is from her latest body of works called "Happy Pills". All are hand made with ceramic and hand painted with automotive paint. It is a combination of 3 ce...

This new work by Tal Nehoray is from her latest body of works called "Happy Pills". All are hand made with ceramic and hand painted with automotive paint. It is a combination of 2 ce...

Demetre Haralamb Chiparus (also known as Dumitru Chiparus) (16 September 1886 in Dorohoi, Romania - 22 January 1947 in Paris, France) was a Romanian Art Deco* era sculptor who lived and worked in Paris. He was born in Romania, the son of Haralamb and Saveta. In 1909 he went to Italy, where he attended the classes of Italian sculptor Raffaello Romanelli. In 1912 he traveled to Paris to attend the Ecole des Beaux Arts* to pursue his art at the classes of Antonin Mercie and Jean Boucher. Demetre Chiparus died in 1947 and was buried in Bagneux cemetery, just south of Paris. The first sculptures of Chiparus were created in the realistic style and were exhibited at the Salon of 1914. He employed the combination of bronze and ivory, called chryselephantine*, to great effect. Most of his renowned works were made between 1914 and 1933. The first series of sculptures manufactured by Chiparus were the series of the children. The mature style of Chiparus took shape beginning in the 1920s. His sculptures are remarkable for their bright and outstanding decorative effect. Dancers of the Russian Ballet, French theatre, and early motion pictures were among his more notable subjects and were typified by a long, slender, stylized appearance. His work was influenced by an interest in Egypt, after Pharaoh Tutankhamen's tomb was excavated. He worked primarily with the Edmond Etling and Cie Foundry in Paris administrated by Julien Dreyfus. Les Neveux de J. Lehmann was the second foundry which constantly worked with Chiparus and produced the sculptures of his models. Chiparus rarely exhibited at the Salon. In 1923 he showed his Javelin Thrower, and in 1928 exhibited his Ta-Keo dancer. During the period of Nazi persecution and the World War II, the foundries discontinued production of work by Chiparus. The economic situation of that time was not favorable to the development of decorative arts and circumstances for many sculptors worsened. Since the early 1940s almost no works of Chiparus were sold, but he continued sculpting for his own pleasure, depicting animals in the Art Deco style. At the 1942 Paris Salon, the plaster sculptures Polar Bear and American Bison were exhibited, and in 1943 he showed a marble Polar Bear and plaster Pelican. Sculptures of Dimitri Chiparus represent the classical manifestation of Art Deco style in decorative bronze ivory sculpture. Traditionally, four factors of influence over the creative activity of the artist can be distinguished: Serge Diaghilev's Ballets Russes, ancient Egyptian art, and French theatre. Early motion pictures were among his more notable subjects and were typified by figures with a long, slender, stylized appearance. Some of his sculptures were directly inspired by Russian dancers. Quite often, Chiparus used the photos of Russian and French dancers, stars and models from fashion magazines of his time. After the tomb of Tutankhamun was discovered in 1922, the art of ancient Egypt...

Keith Haring Pop Shop 1986: A very well preserved Keith Haring Pop Shop radio accompanied by its original packaging. Sold at the Pop Shop in New York c. 1985. Features a bold Keith H...

Antique Porcelain Dog Portrait: Cavalier King Charles-Edmé Samson According to the model created by Johann Joachim Kaendler (MEISSEN around 1770). By the famous factory of Edmé Sams...

Richard MacDonald has always been intrigued by opposites and he has the range to be able to create both sculptures of delicate, archetypal femininity and powerful, athletic masculini...

ARTWORK TYPE DIMENSIONS 13.4x11.8x7.9 in / 1.00 kg TECHNIQUES Resin / Acrylic / Spray paint RELATED THEMES Street Art / Graffiti SUPPORT OR SURFACE Metal FRAMING No READY TO HANG The...

Diana, goddess of the hunt, has served as a wellspring of inspiration for artists over centuries. However, MacDonald's interpretation truly encapsulates Diana's enduring power and be...

Hebru Brantley (Hebru Brantley art toy), 2017. New in its original packaging. Medium: Painted cast vinyl. Dimensions: 9 x 8 x 4 inches (22.9 x 20.3 x 10.2 cm). New and sealed in its original packaging. From a sold out edition of unknown; published by Hebru Brantley, Billionaire Boys Club & BAIT. Safely packed and shipped from New York. Artist Statement: "Flyboy came out of characters of colour within popular culture. I hate saying “popular culture,” but it’s really popular culture. I mean you look at cartoons. You’ve got animated sponges and ducks and birds and whatever, and it’s very rare to see a popular character within any medium that is African-American, Latino, even Asian. What I wanted to do was create that, but in a space of high art and be able to have some historical context to that character. So I looked at the Tuskegee Airmen...

Hebru Brantley Flyboy, 2018. New in its original packaging. Medium: Painted cast vinyl. Dimensions: 9 x 8 x 4 inches (22.9 x 20.3 x 10.2 cm). New, never displayed; accompanied by original packaging. From a sold out edition of unknown; published by Hebru Brantley, Billionaire Boys...

Yayoi Kusama Set of 3 Pumpkins: Yellow and Black, Red & White and Red & Black Naoshima: An iconic, vibrantly colored pop art set - these small Kusama pumpkin sculptures feature the universal polka dot patterns and bold colors for which the artist is perhaps best known. Kusama first used the pumpkin at the 1993 Venice Biennale for the Japanese pavilion and since then it has appeared worldwide in various iterations, to ever rising acclaim and popularity. Medium: Painted cast resin. Red/White, Yellow/Black c. 2015. Red & Black Naoshima pumpkin...

This 19th century Chinese jardiniere features dragons in different shades of glazed earth tones and a turquoise glaze on the inside. It has good balance and a pleasing silhouette; it...

The Dancer is a sculpture realized by Giacomo Manzù in 1957. Unique piece. Exhibitions:  Manzù. L’Uomo e l’Artista, Palazzo Venezia, Roma 2002-2003 Manzù-Marino. Gli ultimi moderni,...

The sculpture of the Roman Emperor Vitellius, whose features are inspired by the so-called "Vitellius" of the Archaeological Museum of Venice, found in Rome at the beginning of the s...

This new work by Tal Nehoray is from her latest body of works called "Happy Pills". All are hand made with ceramic and hand painted with automotive paint. It is a combination of 2 ce...

Hebru Brantley Flyboy, 2017. New, never displayed; accompanied by original packaging. Medium: Painted cast vinyl. Dimensions: 9 x 8 x 4 inches (22.9 x 20.3 x 10.2 cm). New and sealed in its original packaging. From a sold out edition of unknown; published by Hebru Brantley, Billionaire Boys Club...

The Sibyl is an original sculpture realized by Vincenzo Gemito. Dark glazed bronze sculpture. Signature of the artist on the back. Stamp of Foundry. Very good conditions. Vincenzo...

Hebru Brantley Flynamic Duo 66' (set of 2 individual works)/Hebru Brantley Batboy & Sparrow: Hebru Brantley’s highly collectible take on the caped crusad...

Ultramarine seahorse II is a unique bronze sculpture by contemporary artist Chésade, dimensions are 25 × 10.5 × 6 cm (9.8 × 4.1 × 2.4 in). The specified dimensions include the stand ...

Petite Cuirasse Bronze Torso Sculpture Igot Mitoraj (Polish, 1944-2014) signed in the mold, from an unnumbered edition of 1500 bronze with gilt patina on lucite base. Dimensions of...

Beautiful golden brown patina bronze of Diana, the goddess of the moon by the French sculptor, Emmanuel Villanis. Signed on her shoulder. Impressed foundry stamp on base, “Society de...

Petite Acrobate is a bronze sculpture by contemporary artist Yann Guillon, dimensions are 19 × 16 × 4 cm (7.5 × 6.3 × 1.6 in). Dimensions of the metal base: 11 x 8 x 8 cm (4,3 x 3,1 ...

Small Horse III is a bronze sculpture by French contemporary artist Pierre Yermia, dimensions are 40 × 33 × 9 cm (15.7 × 13 × 3.5 in). The sculpture is signed and numbered, it is pa...

Artist: Kuno Lange, German (1950 - ) Title: Seated Nude Woman Year: 1996 Medium: Bronze Sculpture with Black Patina, signature and number inscribed Edition: 3/9 Size: 17 in. x 18 in....

Balloon Rabbit (Violet) 2019. Porcelain with metallic chromatic coating. Limited edition of 710/999 ex. Certificate of authenticity and the original b...

Nando Kallweit’s "Martina" is a contemporary bronze sculpture that beautifully captures introspection and serenity. Designed as a seated figure with an open book, this piece exudes a...

Nana Williams' "Delft Toad 1" is a handcrafted resin sculpture, measuring 2 x 2 x 2 inches, featuring intricate hand-painted acrylic gouache patterns in rich Delft blue against a pri...

Bronze statue of young goatherder by Oscar Gladenbeck. circa 1900. Signed "Oscar Gladenbeck Friedrichshagen".

Emma Maiden has exhibited her sculptures throughtout the UK since the mid-1990s, with shows including The Fine Art Society, London; the RWA Bristol; West Wales Arts Centre, Fishguard...

-In light of new tariffs, we’ve applied a 20% discount off the market price of this piece to support our collectors in facing potential added costs. At the gallery, we work closely w...

Nickel Plated 24 Element Puzzle Sculpture, 1968-1969, realized by Miguel Berrocal. Signature and number engraved. Edition of 9500 pieces.  Ref. Catalogo General/Obras Recientes,197...

FROM THE SPACE TO YOUR DESK!!!. . . BLUETOOTH AND RADIO SPEAKER INCLUDED!!!! A more traditional HUICHOL style sculpture. Looks great in any room!!! ALTERATION ART . . . is a colla...

Keith Haring Bearbrick Vinyl Figures: Set of two (400% & 100%): A unique, timeless collectible trademarked & licensed by the Estate of Keith Har...

Figure of a horse , French 1940's , on a marble base appears unsigned finely carved, beautiful rendering, nice patina

Crabe aux pattelas is a unique bronze sculpture by contemporary artist Chésade, dimensions are 38 × 31 × 30 cm (15 × 12.2 × 11.8 in). The sculpture is signed and comes with a certifi...

KAWS 2020 Companion: Complete Set of 3 Works: KAWS COMPANION 2020 was created by KAWS to commemorate the 20th anniversary of his signature figure, Companion — and as cultural commen...

Two Ibis is a unique bronze sculpture by contemporary artist Chésade, dimensions are 25.5 × 38 × 21 cm (10 × 15 × 8.3 in). The sculpture is signed and comes with a certificate of au...

Carved and painted wooden sculpture - Pietà - Italy, 18th century. 13 x 7 x h 22.5 cm. Entirely made of carved and polychrome painted wood. Condition report: Good state of conserv...

Reaching, ca. 1980. Cast bronze. Signed in lower region on wrist. A rare example from the artist's later period influenced by figurative abstraction with expressionist tendencies. James Edward Lewis (August 4, 1923 – August 9, 1997) was an African-American artist, art collector, professor, and curator in the city of Baltimore. He is best known for his role as the leading force for the creation of the James E. Lewis Museum of Art, an institution of the HBCU Morgan State University. His work as the chairman of the Morgan Art Department from 1950 to 1986 allowed for the museum to amass a large collection of more than 3,000 works, predominantly of African and African diasporan art.[1] In addition, he is also well known for his role as an interdisciplinary artist, primarily focused on sculpture, though also having notable examples of lithography and illustration. His artistic style throughout the years has developed from an earlier focus on African-American history and historical figures, for which he is most notable as an artist, to a more contemporary style of African-inspired abstract expressionism. Early and personal life James E. Lewis was born in rural Phenix, Virginia on August 4, 1923 to James T. Lewis and Pearline (Pearlean) Harvey.[5] Lewis' parents were both sharecroppers. Shortly after his birth, his father moved to Baltimore for increased job opportunity; James E. was subsequently raised by his mother until the family was reunited in 1925. They lived for a short time with distant relatives until moving to a four-bedroom house on 1024 North Durham Street in East Baltimore, a predominantly African-American lower-class neighborhood close to Johns Hopkins Hospital. Lewis' primary school, PS 101, was the only public school in East Baltimore that served black children. Lewis grew up in a church-going family, his parents both active members of the Faith Baptist Church, devoting the entirety of their Sundays to church activities. His parents worked a variety of different jobs throughout his youth:[6] his father working as a stevedore for a shipping company, a mechanic, a custodian, a mailroom handler,[6] and an elevator operator.] His mother worked as both a clerk at a drugstore[7] and a laundress for a private family.[4] Lewis' primary exposure to the arts came from Dr. Leon Winslow, a faculty member at PS 101 who Lewis saw as "providing encouragement and art materials to those who wanted and needed it." In fifth grade, Lewis transferred to PS 102. Here, he was able to receive specialized Art Education in Ms. William's class under the guidance of Winslow. He was considered a standout pupil at PS 102 as a result of his introduction to the connection between the arts and the other studies. His time spent in Ms. Pauline Wharton's class allowed for him to experiment with singing, to which he was considered a talented singer. His involvement in this class challenged his earlier belief that singing was not a masculine artistic pursuit. He was able to study both European classics and negro spirituals, which was one of his earliest introductions to arts specific to American black culture. Under Ms. Wharton's direction, he was also involved in many different musical performances,[6] including some works of the Works Progress Administration's Federal Theatre Project.[8] Lewis attended Paul Laurence Dunbar High School, where his love of the arts was heightened through his industrial art class with Lee Davis...

Raul Diaz (Argentina, b.1950). Abstract Figure, ca. 1970s. Canved Walnut. Measures 17 inches tall including wood base. Carved signature in lower region. Excellent condition. An ear...

Bronze Bust of Julius Caesar, 19th Century Patinated bronze mounted to stone base Unsigned 11.25 x 4.5 x 4.5 inches Gaius Julius Caesar was a Roman general and statesman. A member o...

EDITION Monogrammed : FXL Dated : 2003 Numbered EA 2/4B Stamped with foundry mark : bocquel fd. PROVENANCE Marie Lalanne former collection, daughter of the artist. LITERATURE W....

A one time exclusive re-edition of 500 pcs from the highly popular 999 pcs edition of the famous "Balloon Dog". Cold cast resin, comes with its original box and certificate of authe...

This new work by Tal Nehoray is from her latest body of works called "Happy Pills". All are hand made with ceramic and hand painted with automotive paint. It is a combination of 3 ce...

The Piper represents the very embodiment of joy. With a thousand nuances of form, from her outstretched fingers to the carefree tilt of her head, she conveys a sense of youth and hop...

"Pothos is one of the Ancient Greek Erotes dedicated to yearning and desire. He is the son of the West Wind "Zephryos" and "Iris," the rainbow. This is the artist proof of an edit...

“A silent medium within a silent medium.” These are the words contemporary master Richard MacDonald uses in describing his world renowned Mime Series. MacDonald’s trademark skill at...

Antique Bronze Dog Portrait of a Löwchen on a Marble Base French 19th century 1/2 x 8 x 5 1/2 inches The chiseled bronze has a nuanced, rich brown patina depicting a Löwchen in the round, seated on a quadrangular marble base decorated with very fine gilt bronze flowers and fluted feet. Napoleon III, Louis XVI style. Based on a model by Jacques Caffieri for the Prince de Condé in 1773. (More images to be added.)F Executed during the nineteenth century, this figure is fully in line with the eclectic taste of the reign of Napoleon III. Indeed, the Empress Eugenie brought the Louis XVI style up to date in her castle of Compiègne. Jacques Caffieri is one of the most famous bronze smiths of the eighteenth century. In 1715 he was admitted as a master caster and chiseler, and worked almost exclusively for the crown castles...

This squirrel is made by Dutch Artist Frans van Straaten. Van Straaten should be called an artist of balance always searching for harmony between force and movement in combination with space. Because of the wide range in his art-education he has mastered the art of drawing, painting and sculpting technology. However, the classical plastic art of sculpture and modelling opens up the possibility for him to create his own language of sculpture in answer to his urge for art. Due to this style of sculpting, the preference for bronze is natural. After his study of sculpture at the Academy of Art in Rotterdam (1988), Frans van Straaten creates bronze sculptures in which he unites force and movement. Feeling and Emotion converted into Matter Sculpture is an experience of space combined with the challenge of the three-dimensional. The tension of space and movement are the themes, which Frans expresses in his sculptures. Summary it can be said that the power of life and being, the feeling and emotion by force and movement will be converted into matter. The experience of space is being expressed in the shapes and characters in each of Frans’ sculptures. His sculptures of bulls express explosive power while the horses find their strength in being elegant. Each sculpture recalls this way their own association and serves as a metaphor for a certain emotion. Feelings, which has inspired the artist for each sculpture. Powerful and Elegant Looking at the works of this artist, it becomes very clear that one of his most important sources is his background in art history. The Renaissance period as well as several Italian artists served as inspiration to Frans as a sculpture. For instance the expressions in Leonardo da Vinci’s artworks, and also Giovanni Bologna...

¡ Holiday Special Pricing ! LEAPFROG has special HAND DRAWING OF HANDS on the pumpkin area . . . reach out and collect! ALTERATION ART . . . is a collaboration process between Rick...

A delightful African maternity figure from the Lobi peoples of the Ivory Coast/Ghana. With a serene yet feisty expression, the mother is carry...

Bufo Contemporary Bronze Sculpture Nude Boy Marble Stone Male Figure Wim van der Kant (1949, Kampen) is a selftaught artist. Next to his busy profession as a teacher at a high school, he intensively practises his profession as a sculptor. Only when his work would measure up to his own standards, he decided to present it to the rest of the world. In 1995, he exhibited for the first time with Morren Galleries. Van der Kant desires to sculpt young people who still stand uninhibited and curiously in life. The reason he chooses to sculpt boys is, because he is one himself, this way the subject is closer to him. The anatomy of his figures testify of perfectionism. Van der Kant's subjects show similarities with the sculptures from the Greek and Roman antiquity...

Reni by Nando Kallweit. An elegant figurative bronze sculpture of the female form. Edition of 25 Dimensions: 21cm tall

Always drawn from life and most often constructed in re-claimed steel, Iain Nutting’s sculptures reflect his belief in the importance of the conservation of animals and of the natura...

The draw of clay for Anastassia is in its innate ability to connect us to our unconscious and past experiences of touch. Her work, led by intuition and a sense of play, explores the ...

“It took two years of tireless experimentation for me to develop the process of casting paper into bronze, another seven years to perfect, and it continues to evolve today.” - Kevin ...

Edition Signed : Lalanne FXL Numeroted : 8/8A With the Coubertin foundry mark : FC

A spectacular, hand-carved Carrara marble double Janus sculpture. Note: green marble showing in some detail images is from a pedestal and not...