Metal Figurative Sculptures

Upon discovering a weathered steel drum that had been warped to resemble the sleeve of a garment, artist Gordon Chandler was inspired to embark on a series of kimono sculptures formed from found metal scraps. With an eye to the aesthetic possibilities of this humble material, Chandler invests the reclaimed steel with sculptural fluidity and a wry sense of form. Flattened with the center portion rolled out and the sides left open, this discarded barrel takes on the look of a miniature jacket. Coated with a mint green finish, the eroded metal appears as draped fabric, folded back to form a simple collar. The sculpture is finished with the artist's initials stamped...

The Three Graces by Alfred JANNIOT (1889-1969) A bronze group with a nuanced brownish green patina Signed on the side of the base "A. Janniot" Cast by "Susse fondeur Paris" (inscrib...

Chinese Contemporary art sculpture. Weight lifter, body builder with bar bell. Yaohui Wu was born on November 2, 1964 in China. Passionate about paintin...

Mauro Corda’s figurative sculptures maintain a reverence for classical and modernist traditions, while also expressing the artist’s voice. Though born in France, the artist hails fro...

MATHURIN MOREAU French, (1822-1912) Signed ‘Math.Moreau’ 36 in. x 14 1/2 in. Notes: Fine Quality Patinated Bronze Group of a Mother and Child

LOUIS AUGUSTE MOREAU French, (1834-1917) Grecian Mother and Two Children Patinated bronze; Signed “MOREAU”. 22 x 25 inches

Oriental Chinese bronze statuette measuring 16, 5 x 16 cm depicting a sage riding a horse. Note the accuracy of the details, from the tassels on the harnesses to the under saddle wit...

Lapin, modèle 6, circa 1944-1949 Edition Leblanc-Barbedienne Bronze with a brown patina 7.5 x 4 x 2.5 cm Sandoz : Sculpteur Figuriste et Animalier 1881-1971, Catalogue Raisonné de l...

Vos Fox Bronze Sculpture Girl with Fox Figure People Animal The statues of Erwin Meijer are subtle with a recognizable, personal handwriting. T...

A limited edition wall mounted steel sculpture made of stainless steel on board. Edition 1/3

Jean-Louis Corby was born in 1951 and was predominantly influenced creatively by the 1970s. The 1970s were a period of consolidation and growth in the arts, most often characterised ...

Jockey Winner by Isidore BONHEUR (1827-1901) A rare and magnificent bronze group with a dark brown patina Signed on the base "I. Bonheur" A period cast by "Peyrol" (with the foundry stamp) Standing on a molded wooden base France circa 1880 height of the bronze : 53,5 cm total height with the base : 62 cm total length : 68 cm depth : 24 cm Biography: Isidore Jules Bonheur (1827-1901) was a French painter and sculptor. Isidore first received an artistic apprenticeship from his father Raymond and his older sister Rosa, then, in 1827, he entered the School of Fine Arts in Paris. After practicing...

Chief Joseph of the Nez Perce Indians by Arnold Goldstein, American Date: 1975 Bronze, signed, inscribed and numbered Edition of 4/30 Size: 18 in. x 13 in. x 9 in. (45.72 cm x 33.02 ...

The Mockers by Victor PROUVE (1858-1943) Rare bronze group with nuanced reddish brown patina SIgned on the side of the base " V. Prouvé " Cast by " Union de Maîtres Sculpteurs – édi...

Lucifer Bronze Sculpture Contemporary Classic Mythology Male Figure Wings Angel The sculptures of Margot Homan (1956, Oss, the Netherlands) show a perfect command of the old craft o...

The Odalisque is an original decorative object realized by Giuseppe Salvi in 1886. Silver-plated Bronze representing a young odalisque, Sign, place and...

Rudolf Kaesbach (1873 Gladbach - 1955 Berlin), Forest idyll, around 1915. Bronze, gold and golden brown patina, with cast plinth, mounted on a marble base (5 cm high), total height 36 cm, dimensions of the bronze: 31 cm (height) x 17 cm (length) x 12 cm (width). Weight 4,6 kg, signed on the plinth "R.[udolf] KAESBACH". - a few rubbed areas, overall in excellent condition for its age - Soulmate - The bronze sculpture depicts a young woman in an intimate exchange with a deer that accompanies her. The animal pauses to turn toward her, while the nude beauty slows her pace to look into the deer's eyes and tenderly caress it with her hand. The woman and the deer are in inner harmony. Even though her lips remain motionless, she speaks the language of the animal with which she is deeply connected. The golden patina, which contrasts with the more naturalistic coloring of the deer, gives the young woman the appearance of a saint, even if she cannot be identified as such. At the same time, she evokes memories of Diana, the goddess of the hunt, or a nymph. But she lacks the ferocity. In her innocent naivety, she is more like a vestal virgin, who is not at home in the solitude of the forest. And yet, the young beauty, moving unclothed in the heart of nature, looks like a priestess with her hair tied up and a carefully carried bowl on her way to a sacred grove. In order to open up the above-mentioned associations, Kaesbach deliberately designed the female figure in such a way that she cannot be identified as a specific person. He has created an allegory of natural femininity, characteristic of Art Nouveau, in which the deer is far more than a companion animal. It displays the same gracefulness as the young woman, and the inner resemblance between the two makes the deer appear as her other self. In animal terms, it embodies her inner being, which also gives the deer an allegorical character. About the artist Rudolf Kaesbach studied sculpture at the Hanau Academy and worked in a bronze foundry in Paris in 1900. In order to work as an independent artist, he opened a workshop in Düsseldorf, where he cast bronzes from models he designed. In 1902 he made his debut at the German National Art Exhibition in Düsseldorf. The following year Kaesbach went to the academy in Brussels. There he was inspired by contemporary Belgian sculpture, especially the work of Constantin Meunier. He moved to Berlin, where he opened a studio in the villa district of Grunewald and devoted himself to life-size marble sculptures and the design of bronzes. From 1911, he regularly presented his works at the major art exhibitions in Berlin, as well as in Düsseldorf and Malmö. Between 1936 and 1939, he also created models for the Rosenthal porcelain factory. From 1939 to 1944, Kaesbach was represented at the major German art exhibitions in Munich. GERMAN VERSION Rudolf Kaesbach (1873 Gladbach - 1955 Berlin), Waldidyll, um 1915. Gold und goldbraun patinierte Bronze mit gegossener Plinthe, auf einem Marmorsockel montiert (5 cm Höhe), Gesamthöhe 36 cm, Maße der Bronze: 31 cm (Höhe) x 17 cm (Länge) x 12 cm (Breite). Gewicht 4,6 kg, auf der Plinthe mit „R.[udolf] KAESBACH“ signiert. - vereinzele beriebene Stellen, insgesamt in einem altersgemäß ausgezeichneten Zustand - Seelenverwandtschaft - Die Bronzeplastik veranschaulicht eine junge Frau im innigen Austausch mit einem sie begleitenden Reh. Das Tier hält inne, um sich zu ihr hochzuwenden, während die nackte Schönheit ihren Schritt verlangsamt, um dem Reh ebenfalls in die Augen zu schauen und es zärtlich mit der Hand zu liebkosen. Die Frau und das Reh sind in einem inneren Gleichklang. Auch wenn ihre Lippen unbewegt bleiben, spricht sie die Sprache des Tieres, mit dem sie auf eine tief empfundene Weise verbunden ist. Die im Kontrast zur naturalistischeren Einfärbung des Rehs aufstrahlende goldfarbene Patina lässt die junge Frau wie eine Heilige erscheinen, auch wenn sich nicht als Heilige identifizierbar ist. Zugleich ruft sie Erinnerungen an die Jagdgöttin Diana oder eine Nymphe hervor. Dafür fehlt ihr allerdings die Wildheit. In ihrer unschuldigen Naivität gemahnt sie vielmehr an eine Vestalin, die freilich nicht in der Waldeinsamkeit zu Hause ist. Und doch wirkt die sich unbekleidet im Herzen der Natur bewegende junge Schönheit wie eine Priesterin, die sich mit hochgebundenem Haar und der vorsichtig getragenen Schale und dem Wege zu einem Heiligen Hain befindet. Um die gennannten Assoziationen zu eröffnen, hat Kaesbach die Frauenfigur bewusst so gestaltet, dass sie nicht als konkrete Person identifizierbar ist. Damit hat er eine für den Jugendstil charakteristische Allegorie natürlicher Weiblichkeit geschaffen, bei der das Reh weit mehr als ein Begleittier ist. Es weist dieselbe grazile Anmut wie die junge Frau auf und der innere Gleichklag der beiden lässt das Reh als ihr anderen Ich erscheinen. Es verkörpert – ins Animalische übertragen - ihr inneres Wesen, wodurch auch dem Reh ein allegorischer Charakter zukommt. zum Künstler Rudolf Kaesbach studierte an der Akademie Hanau Bildhauerei und war im Jahr 1900 in einer Pariser Bronzegießerei tätig. Um sich als eigenständiger Künstler betätigen zu können, eröffnete er in Düsseldorf eine Werkstatt, in der er Bronzen nach selbstentworfenen Modellen goss. 1902 debütierte er auf der Deutschen Nationalen Kunstaustellung in Düsseldorf. Im Folgejahr ging Kaesbach an die Akademie nach Brüssel. Dort wurde er von der zeitgenössischen belgischen Bildhauerei, insbesondere vom Werk Constantin Meuniers, inspiriert. Zurückgekehrt zog er nach Berlin, wo er im Villenviertel Grunewald ein Atelier eröffnete und sich neben dem Entwurf für Bronzen der lebensgroßen Marmorbildhauerei widmete. Ab 1911 präsentierte er seine Werke regelmäßig auf den Großen Berliner Kunstausstellungen, aber auch in Düsseldorf und Malmö. Zwischen 1936 und 1939 fertigte er zudem Modelle für die Porzellan-Manufaktur Rosenthal an. Von 1939 bis 1944 war...

Sculpture combining a glass box displaying a plastic/resin character enhanced with acrylic paint and real customized candies are scattered around the base of the sculpture. Instead ...

Victor Heinrich Seifert (1870 – 1953) Die Trinkende, c. 1900 H 26.25 in. x W 8 in. x D 11.38 inch Bronze with brown patina Austrian artist Victor Heinrich Seifert is known for his ...

Artist: Anthony Quinn, American (1915 - 2001) Title: Spirit of Zorba Year: 1984 Medium: Bronze Sculpture, signature, date and edition inscribed Edition: 49, AP Size: 16.5 x 9.5 x 8....

Jean-Léon Gérôme (1824 - 1904) FRENCH BELLUAIRE OR PLAUDITE CIVES. This sculpture shows the scene of a Roman coliseum where a gladiator just finished his battle with a large lion. ...

Hans Harders (1875 Mörel - 1955 Berlin), Goethe (bookend). Patinated brass mounted on a wooden base, 15 x 12 x 6 cm (depiction), 17 x 14.5 x 7 cm (with ba...

La Mystérieuse was inspired by Erté’s design for a wedding gown published in Harper’s Bazar in 1923. Erté wrote, “The name comes from the effect of mystery of this exquisite outfit. The dress was designed to be in white crêpe embroidered with geometric designs in silver and adorned with snow-white ermine...

William McVey (American, 1905-1995) Mountain Goat Bronze Signed by foot 14 x 3.5 x 6 inches William McVey (12 July 1905-31 May 1995) became Cleveland's most visible artist largely t...

Modern copy bronze with brown patina figural sculpture, after Alberto Giacometti (Swiss, 1901-1966), signed, depicting abstract nude male a figures, in a parcel gilt finish, stan...

Richard Claude Belt (English, 1851-1921) Signed: R. Belt 1918 (base verso) " Casualties of War " 1918 Bronze Height 26" Width 15" Depth 13" In very good original condition w...

Nir Adoni's metal vessels sculptures have become his signature art and are displayed in public buildings around the world. We are offering limited editions ...

This sculpture of a pair of Dancing Cranes by Lyle London explores a unique translation of the Japanese art of folded paper into a metal sculpture. Th...

The Boxer by Craig Campbell Expressionistic Figurative Sculpture 16x6x5" Bronze edition of 5 "The Boxer" won the Fred and Cheryl Newby Patrons Award at the National Sculpture Society 88th Annual Awards Exhibition at Brookgreen Gardens in 2021. ABOUT THE ARTIST: Craig Campbell began sculpting more than 25 years ago and received his BFA in sculpture from Wichita State University. To further his goal to create figurative and representational work, he began a rigorous program of self-study in the areas of human and animal anatomy, movement, character, and proportion. He has created work for both commercial clients and fine art galleries, and his work has been commissioned by zoos and theme companies, toy companies, and the film industry, including work for The Hobbit...

Summertime Lady is back to the gallery on consignment. Outstanding focal point for front entry of your home or garden. Flowing curves, elongated form, definitive gaze and the ultimat...

Walking Stag No.2 by Antoine-Louis BARYE (1796-1875) A bronze sculpture with a nuanced brown patina Signed on the base " Barye " Probably cast by " Brame " France circa 1880 heig...

Parcel gilt and patinated bronze figural statue of a Water carrier with a pitcher on her shoulder. The contrast between the deep bronze and bright gilding is incredibly striking. The woman drips in gold jewelry and drapery, wearing arm bangles, a large necklace and outrageous earrings. Beautifully casted, the piece's details are crisp and well defined, with beautiful even patinas and gilding. She stands atop an exquisitely carved, two toned, wooden base made of three sections. A fluted column with a small garland nestled within each flute makes up the main body, while a bellied band carved to mimic tufted cushions or upholstery is sandwiched between the column and a black hexagonal ped. Attributed to the Graux-Marly Foundry. Based at 8 rue du Parc-Royal in Paris in 1860, started by Jules Graux-Marly and continued by his sons into the later 19th Century. The firm exhibited at the 1878 Paris Exhibition and was well-respected for both their figurative sculptures and decorative ornaments. Dimensions: Statue: 53.5" x 13" Base: 25.5" x 17" Overall: 79 in x 17" Circa 1870 Sold with a carved wood pedestal plinth...

"Cat's Cradle" is a limited edition sculpture created by Bill Starke depicting a figure playing with string. About the artist: Human beings interacting, colliding, cooperating, striving, & achieving are the themes I wish to portray in my sculptures. My observations on the human condition are meant to be both humorous and thought provoking. Bill Starke's "Free Man" is everything that good art should be: technically superb, brilliantly composed, emotionally powerful and visually arresting... like George Stubbs, the 18th century English master...

"Faces" is a single edition bronze wall sculpture created by Bill Starke, depicting three finely carved human heads from differing perspectives. "Faces" is a single edition install...

L'alsacienne Or Bretonne aux Rameau silver overlay patina by Leo Laporte Blairsy (French, 1867-1923). Depicting a woman in robe holding a garnet of flowers with a L'alsacienne or Bre...

The Worry This series began in reaction to photos of politicians and world leaders during any number of the current world crises. As news cycles proliferate, these images swirl past ...

Richard MacDonald’s “Cheetah Bust, Atelier” reveals an intimate study of “Samburu”, the two and a half year old Nambian cheetah the artist used as the subject for his “Diana and the ...

Working in a variety of scales and mainly to commission, Sara's work captures the spirit and form of people and animals. Many of them are inspired by mythology, nature or circus.

"PANTHER" Sculpture covered in a cold patina. c.1930 Rests on marble base. Inscribed in script: D. H. Chiparus. Cold patina was very popular in the Art Deco period. The metal: bronze, spelter, etc. would be covered with chemicals to create the brownish tone. Usually ammonium chlorite and cupric chloride was used to achieve the desirable tone. Since the finish was quite fragile and could wear off...

Laurence Perratzi is a French figurative artist exploring the body’s expression. Her work is a reflection on movement, strongly influenced by her athletic background where poise and ...

Provenance Acquired by the gallery directly from the artist Description Slatoff’s sculpture is a biblical reference to the central figure in the book of Nehemiah, which describes a ...

Three Ibis is a sculpture, a one-off piece, by contemporary artist Chésade, representing three sea waders. Dimensions are 27.5 × 55 × 18.5 cm / 10.8 × 21.7 × 7.3 inches. The sculptu...

Richard MacDonald has always been intrigued by opposites and he has the range to be able to create both sculptures of delicate, archetypal femininity and powerful, athletic masculini...

A Songye Male Power Figure, Democratic Republic of the Congo, the male figure with openwork arms and hands resting on the abdomen, typical facial features and a waterbuck (kobus elli...

Edition of 9 + APs

After studying Fine Art in the Netherlands Ans Zondag (1959) spent several years abroad in order to explore different artistic areas and to establish which technique suited her best....

Jean-Léon Gérôme (1824-1904) A Rare Antique gilt bronze bust of Jesus French Signed J.L. Gerome  Siot-Decauville Paris foundry mark 23”H x 16"W x 10" D

Tushar Kanti Das Roy Down the Memory Line Bronze Hight- 3 ft Here Tushar Kanti has beautifully depicted the romance of Bengal not only in the figures but also its location , a stre...

This is the table top version of the 4m high monumental Bronze placed within The Royal Enclosure at this year's Royal Ascot meeting. Created by Holly Hickmore, the rising star in con...

French Bronze high shine Orientalist Bust of Young Turkish Woman in Traditional Dress. Common for Orientalism, the bust is rendered in such high detail it feels as though the young woman sits before you. The gorgeous modeling showcases multiple textures and patterns throughout the piece, from the softness of her skin, the string of tassels across her brow, and the dynamic drapery of her scarves, to the hard chains with flat, disc-like links and two cloak pins...

We have not located any markings on the piece and it does not appear to be signed. it bears similarities with works by Wilfredo Lam and other Cuban and Latin American masters and it ...

A one time exclusive re-edition of 500 pcs from the highly popular "Balloon Swan". Cold cast resin, comes with its original box and certificate of authenticity. From a Limited Editi...

John Bennett (Born 1952) Fredericksburg, Texas Artist Image Size: 26 x 12 x 8 Medium: Bronze Sculpture "La Dolce Vita" The Sweet Life! John Bennett (Born 1952) John Bennett was desig...

Nichola Theakston (1967) has established herself as one of the UK’s foremost contemporary sculptors working within the animal genre. With the ''Tesem Study'' Nichola shows how exqu...

Kioetano is a bronze sculpture by contemporary artist Jacques Owczarek, dimensions are 33 × 52 × 36 cm (13 × 20.5 × 14.2 in). The sculpture is signed and numbered, it is part of a l...

Ruth Bloch, Bronze, Human Figure, Metallic, Earth Tones

Fabbri was born in Quarrata (Tuscany). At the age of 12, he attended the Scuola d'Arte in Pistoia and then, under the instruction of the painter Fabio Casanova, he decided to embark on an artistic career and created his first sculptures, mainly using the wax and plaster. In 1932 Fabbri, in order to continue his education at the Accademia di Belle Arti, moved to Florence where he frequented the artists' Caffè Giubbe Rosse, meeting point for the intellectuals known as the Ermetici Group (Eugenio Montale, Carlo Bo, etc.) and also came into contact with the painter Ottone Rosai and the poet Mario Luzi. At the end of the year he moved to Albisola (Savona), where he worked in the La Fiamma...

Indulge in the beauty of divine creation with Adam by Frederick Hart. This masterpiece, number 2 out of 8, is up for sale and waiting to be cherished by its new owner. This piece is ...

19th Century Miniature Bronze Sculpture of a Young Girl Holding a Doll Charming bronze atop a marble base The overall dimensions are 2" wide x 2" deep x 5.75" high Signed at the b...

Rex Dietderich (American, 20th C.) "Frank, Age 14" Original Bronze Sculpture C.1970s The walnut base measures 7" wide x 3.5" deep x 2.5" high The bronze bust measures 7" wide x 4" ...