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Nelson Mutumbuki'Mother and Child' original springstone sculpture signed by Nelson Mutumbuki2004
2004
$1,700
£1,305.53
€1,496.12
CA$2,393.18
A$2,680.89
CHF 1,394.40
MX$32,701.33
NOK 17,752.52
SEK 16,739.36
DKK 11,166.61
About the Item
'Mother and Child' is an original springstone sculpture signed by the Zimbabwean artist Nelson Mutumbuki. The sculpture presents a theme beloved by Shona artists: motherhood. In the sculpture, two highly abstracted figures move together in lyrical synchrony, their bodies and heads only suggested by curving rectilinear forms and rounded shapes and each having nearly the appearance of the scroll of a violin or cello. Nelson Mutumbuki was a young man – aged only twenty-three when he completed this sculpture. He went to school through his primary level, after which he came to sculpture while working in the studio of the sculptor Gideon Zimuto. There he would have learned to reveal such elegant moving forms from the hard surface of stone.
springstone
18.5 x 6 x 3 inches, sculpture
0.5 x 12 x 12 inches, base
19 x 12 x 12 inches, overall
signed "Nelson Mtubuk" along bottom
acquired directly from the artist
overall good condition; some scattered scratches throughout; repaired horizontal crack along mid-body of mother figure; small loss atop mother head
- Creator:Nelson Mutumbuki (1982)
- Creation Year:2004
- Dimensions:Height: 19 in (48.26 cm)Width: 12 in (30.48 cm)Depth: 12 in (30.48 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Overall good condition; some scattered scratches throughout; repaired horizontal crack along mid-body of mother figure; small loss atop mother head.
- Gallery Location:Milwaukee, WI
- Reference Number:Seller: 11581g1stDibs: LU60537441702
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'Mother and Child' is an original stone sculpture by the Zimbabwean artist Obert Mukumbi. This sculpture is unlike most other examples of Shona sculpture in that it has been carved to sit on a step, ledge or shelf rather than to stand upright. While this difference offers the chance for a more interactive artwork that can be set in unexpected locations, the aesthetics sensibilities that Obert applies to the subject are steeped in the Shona tradition. The materiality of the stone is on full display, with the artist playing with textures of rough-hewn stone and smooth polish. In addition, the mother and child show an intimate relationship, a common and desired theme amongst Shona artists.
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