Early 2000s Figurative Sculptures

Flight of Fancy by Gary Alsum Traditional Figurative Sculpture 20" x 12" x 9" ed/14 Bronze A young child raises their toy airplane toward the sky *Shipping price includes the custom ...

"My Dear Friend" is a green serpentine stone signed by Chemedu Jemali who is a African Shona. The body of the figure is a fluid shape with their left hand in...

Ex Nihilo Fragment 2 is a detail from the full scale plaster from the final stone sculpture of Ex Nihilo, commissioned as part of the The Creation Sculptures...

Sculpture of children gathered around a dog.

"Crossing the Road (C-48)" is an original black serpentine stone sculpture by Colleen Madamombe. The artist signed the piece. This artwork features two women in large, textured dresses walking side by side. 6" x 5 1/2" x 3" art Colleen Madamombe was born in 1964 in Harare, Zimbabwe. Considered to be among the finest new talents from Zimbabwe, she has won the award of Best Female Artist of Zimbabwe for the past three consecutive years, and is quickly becoming an established figure of the Second Generation of Zimbabwean stone...

Murano Glass. Signed and numbered EA 2/3. Free shipment worldwide. With just a few strokes of his brush he conjures up an entire world. James Coignard extends the boundaries between concrete and abstract. He knows how to create chromatic melodies that shift in timbre from cobalt blue to blood red. His pictures are an artistic epicentre where lines, letters and numbers meld with vigorous swashes of colour.” That is how the writer Johan Persson has described the artist’s paintings. With this exhibition we honour James Coignard, showing some of his last carborundum engravings and paintings as well as presenting the book “L’œuvre gravé de James Coignard” volume VI. In this edition, we have gathered together all the engravings that James Coignard produced between June 2005 and his decease, on 7 March 2008. Behind him he left many fond memories and a life’s work as a great artist. James Coignard’s principal modes of expression were oil on canvas and gravure au carborundum, but also in bronze and glass sculptures as well as in ceramics. His work has been shown on more than 400 exhibitions, primarily in Central Europe and Scandinavia, but also in Canada and the USA. His first Swedish exhibition was at Malmö Museum in 1956. The early 1970s saw the start of a long-term liaison with Galleri Östermalm in Stockholm, owned by Editions Sonet. They came to represent him in Scandinavia and edited several volumes of his graphic works. It was not until 2003 that we at Galleri GKM Siwert Bergström...

Rejoice by Gary Alsum Traditional Figurative Sculpture A Girl gracefully dancing, or perhaps a gymnastic running a floor excercise. 25" x 16" x 8" Bronze ed/35 #1 available. Shipping price includes the custom packing necessary for fine art. ABOUT THE ARTIST: Taking the knowledge passed on from artists such as Fritz White, Glenna Goodacre...

"Ex Nihilo Fragment 5" by Frederick Hart is a limited edition figurative bronze numbered 50/65. I saw Ex Nihilo (Out of Nothingness) as a single expression of creation, as the metamorphosis of divine spirit and energy. The figures emerge from the nothingness of chaos, caught in the moment of eternal transformation — the majesty and mystery of divine force in a state of becoming. -Frederick Hart Ex Nihilo, Fragment No. 5. Detail from the full-scale plaster for the final stone sculpture of Ex Nihilo, commissioned as part of The Creation Sculptures at Washington National Cathedral...

Ex Nihilo Figure 3 is a full scale plaster from the final stone sculpture of Ex Nihilo, commissioned as part of the The Creation Sculptures at Washington National Cathedral...

"Ex Nihilo Fragment 3" by Frederick Hart is a figurative bronze with the edition of 61/65. I saw Ex Nihilo (Out of Nothingness) as a single expression of creation, as the metamorphosis of divine spirit and energy. The figures emerge from the nothingness of chaos, caught in the moment of eternal transformation — the majesty and mystery of divine force in a state of becoming. -Frederick Hart Ex Nihilo, Fragment No.3. Detail from the full-scale plaster for the final stone sculpture of Ex Nihilo, commissioned as part of The Creation Sculptures at Washington National Cathedral...

Three children on a tree branch with a dog below them and a squirrel at the end of the branch.

"The Artists Wife" by Frederick Hart is a figurative Bronze sculpture bust of Frederick Hart's wife numbered 23/25. His wife blissfully sits with a drapery over her shoulders and loo...

Julie's Rabbit by Dan Ostermiller cast bronze rabbit sculpture, 4x7x4" #APJ Available (mold was destroyed so edition is complete) Shipping price includes the custom packing necessar...

"Metamorphosis" by Frederick Hart is figurative bronze bust of a woman numbered 17/29. “Metamorphosis” was a journey of transformation for Hart. The work haunted and yet thrilled hi...

Signed bronze from small edition of 8. plus 4 artists proofs Dominik Albiński (born 1975, South Africa) He started carving at the age of twelve. When he was eighteen he went to Pari...

Painted wood wall hanging sculpture "Red, White and Blue," (and gold) 2008 Stamped signed with initials, date and edition 2/5 Oded Halahmy, Abstract Modernist artist, was born in Iraq in the old city of Baghdad in 1938, the artist came from a family of Orthodox Jews with deep roots in ancient...

"Celebrations (C-56)" is an original black serpentine stone sculpture by Colleen Madamombe. The artist signed the piece, and it weighs 228 pounds. This piece features a woman with a ...

Edition of 8 ex. Publisher GKM. Acquired directly from the artist. Free shipment worldwide. Arman wrote, “The bow on the strings releases an explosion of sounds,” in the book Trio à...

This sculpture depicts a bellowing bull, full of strength and muscular power. This artwork was made in direct cuts, then the bull's hair were finished using a smal power tool. It is not polished. The separated base is made of black veined marble. A graduate from the Academy of Fine Arts of Carrare, in Italy, Lutfi Romhein...

Figure posed like a crescent moon

Sculpture of a man in a suit walking carefully across a precarious edge. Edition of 45 Jim Rennert Biography American, b. 1958 National Sculpture Society Fellow Jim Rennert was b...

Charles Favard is a sculptor who mastered this rare technique of direct cutting: stone, marble, wood ... materials that he uses with particular ease. His innate sense of volume allow...

K.S. Radhakrishnan - Krishna - H : 12.5 x W : 22x D : 9 inches Bronze Sculpture. K.S. Radhakrishnan working with Musui & Maiya, Musui potraits has a hand Rickshaw puller as is still prevalent in few parts of Bengal. The bronze figures are elfin, mischievous, airy, acrobatic, and archaic, delicately balancing on one hand or leg. He renders a sensuous quality to his works by deploying extraordinary body movements of his figures. Radhakrishnan is a distinctive and appealing presence on the modern Indian sculpture scene. He says: “For me bronze works best because it is strong, and brings out the character of my sculptures. Although it takes time, the process also becomes a part of my art form.” Style : K.S Radhakrishnan is one of the most notable among the new generation of sculptors. Like many of his contempories he is a figurative sculptor, but his preference for modelling and bronze casting sets him apart from the rest of them. Recharging age old sculptural processes with a new sensibility, thus is the singular challenge he brings to modern Indian sculpture. And this makes him a modernist - who approaches his work with discernible ambition and considerable aplomb while steering clear of brinkmanship. Radhakrishnan's works often drawn from the emotions and myths of the Hindu gods, such as Shiva, Kali and Radha. His sculptures are often larger than life-sized; placed in the outdoors, they evoke a superhuman atmosphere. Over the years, Radhakrishnan has experienced with alternate sculpting mediums, working in molten bronze, beeswax and Plaster of Paris.The physical process of working with the materials becomes a performance in itself. The sculpture is the product of a tactile engagement with his medium. With celebration of sensuality as one of its running themes, his works is at once both intimate and universal in its appeal. A personal commemorative sculpture, with a scale and presence that holds well in natural settings, his work has found permanent home in a number of public collections all over the world. About the Artist and his work : Born : Born 1956, Kerala. Education : 1979 : B.F.A. in Sculpture, Viswa Bharati University, Santiniketan, West Bengal 1981 : M.F.A. in Sculpture, Viswa Bharati University, Santiniketan, West Bengal. Solo exhibitions : 2006 : ’Freehold’ at Museum Gallery, Mumbai ‘Freehold’ at Artalive Gallery, New Delhi 2005 : ’The Ramp’ at Tao Art Gallery, Mumbai ‘Unbearable Lightness of being’ at India International Centre, New Delhi 2004 : ’The Ramp’ at Sridharani Art Gallery, New Delhi ‘The Ramp’ at Bayer ABS Limited Gallery, Vadodara 2000 : ’Musui Maiya’ sponsored by Vadehra Art Gallery, New Delhi 1998 : ’Song of the Road’ – sponsored by International Travel House, ITC, New Delhi ‘Portal’ – Apeejay Lawns, Calcutta, sponsored by Apeejay Surendra, Group, Calcutta 1993 : Centre des Bonds de Marne, LePerreux-Bry sur-Marne, Paris, France. 1987 : Jehangir Art Gallery, Mumbai. Participated Exhibitions : 2007 : ’Darpan’ an exhibition sponsored by Nvya Gallery, New Delhi Travel to Moscow and St. Petersburg, Russia – sponsored by Nvya Gallery. 2006 : Travel to U.S.A, sponsored by Arts India, New York Travel to Russia, sponsored by Art Resource Trust, Mumbai Travel to Morocco, sponsored by Popular Prakashan, Mumbai. 2005 : Travel to Istanbul, Turkey to attend artists workshop Travel to China (Silk Route) sponsored by Uttarayan, Baroda Travel to South Africa organised by Gallery Navya, New Delhi. 2003 : Travel to Cairo and other cities in Egypt to attend an artists workshop Travel to France and Italy sponsored by TMI Foundation France Exhibition titled ‘Can’ curated by Johny M.L Exhibition ‘Only connect’ at India Habitat Centre, New Delhi Exhibition ‘Nayika’ by Ganesha Art...

"Monumental" is an original springstone sculpture by Shona sculptor Phineas Masaya. The artist signed the piece. This artwork features an abstracted figure. 10 1/2" x 4" x 4" art Shona artists and crafts people have been working in different media for generations. These include paintings, pottery, basket ware, wood carvings, and sculpture done in metal as well as the stone carvings. While there is not a long standing tradition of sculpture in what is now Zimbabwe (formerly Southern Rhodesia), stone carvings dating from the 15th century were seen in Great Zimbabwe, an excavated temple near Bulawayo. Most of the artifacts from this location have been moved to museums in Cape Town, South Africa or London. It is generally agreed that Zimbabwean stone sculpture as seen today began during the late colonial period of the 1950's and 1960's. During this period the artists and artisans depicted many of the traditional Shona and other tribal spiritual myths. Out of all the nations in Africa, the large varieties and abundant supplies of rock formations present throughout the Zimbabwe landscape...

Adam Fragment, detail from the full-scale trumeau figure of Adam commissioned as part of The Creation Series at Washington National Cathedral...

Evocator, 2006-2007 Concrete, glass 26 H × 15 7/10 W × 19 7/10 D in 66 H × 40 W × 50 D cm Unique The idea of fragment emerged in the concrete sculpture format offers a clear view of the post-modern condition. The employment of mixed materials, apparently difficult to associate, such as concrete and colored glass beads, recall the images from the ancient Roman fragments...

Pagan Christian, 2006-2007 Concrete, glass 26 H × 15 7/10 W × 19 7/10 D in. 66 H × 40 W × 50 D cm Unique The idea of fragment emerged in the concrete sculpture format offers a clear view of the post-modern condition. The employment of mixed materials, apparently difficult to associate, such as concrete and colored glass beads, recall the images from the ancient Roman fragments...

Pohlman and Knowles began their collaboration in 1992. They use a variety of materials in their rich assemblages, including hot-sculpted glass, various metal works, found objects and beads, achieving a fine sense of formal balance. Three notable research field trips...

A Hand Once Held by Denny Haskew Figurative Male Nude Bronze Sculpture with Gold Leaf on granite base 16x7x7" limited edition #2 of 2 (mold was destroyed early) "The last day of my ...

"Bear & Chief" is a light green Brazilian soapstone sculpture by Todd Longboat. The artist signed the piece on the bottom. This piece depicts the face of a Native American chief transitioning out of the head of a bear. 11" x 9 3/8" x 4 1/8" sculpture Todd Longoboat is from the Six Nations...

Small figure standing, as if between two skyscrapers Edition of 7

Provenance Acquired by the gallery directly from the artist Description The picturesque Mara River flows through the plains of Tanzania and Kenya and lies across the Serengeti/Maasai Mara reserve. The area is famous for its Great Migration...

"Together We Stand" is an original opal stone sculpture by Shona sculptor Obert Mukumbi. The artist signed the piece on the bottom. The piece weighs ...

A young girl waiting by the mailbox for love letters. Edition of 31

"New Hair Style" is an original springstone sculpture by Shona artist Edgar Sahondo. It depicts a female head with an elongated neck and stylized hair and features. 21" x 10" x 9" ...

"Spirit Medium" is a stone sculpture made with yellow opal, green jade, and opaline by Aaron Perkins Chikumbirike. This sculpture is signed and depicts a f...

The ceramic sculptures of SunKoo Yuh are composed of tight groupings of various forms including plants, animals, fish, and human figures. While Korean art, Buddhism, and Confucian beliefs inform some aspects of his imagery, implied narratives that often suggest socio-political critiques largely drive his work. Yuh is currently Associate Professor at the University of Georgia, Athens, GA. The Rubin Center has exhibited two monumental columns...

Artist: Mirkò, Italian (1980 - ) Title: Vaso delle Braccia (Three Musicians) Year: 2007 Medium: Painted Terracotta Vase, signed Size: 18 x 19 x 13 in. (45.72 x 48.26 x 33.02 cm)

"Traditional Dresser" is an original opal serpentine sculpture signed by the Zimbabwean artist Washington Msonza. The sculpture features a single elegant figure in a flowing gown, standing tall and averting her gaze as she clutches the veil that envelops her. Msonza emphasizes the materiality of the work, as is so desired of artists trained in the Shona tradition, by differentiating between the dark, smooth polish of her skin and the lighter textured surface of her clothes. Even more, passages of the surface are left in the serpentine's rough natural state, allowing the green-colored stone to contrast with the red-orange oxidization of its environment. opal stone (serpentine) 37.5 x 12.5 x 13 inches signed "Msonza W" on reverse along base Overall good condition; some minor scratches, likely as the sculpture left artist's studio. Washington Msonza was born in 1966 in Domboshava where he attended primary school. He then moved to Chitungwiza to attend secondary schooling. While in school, he spent most of his time watching his brother-in-law Albert Mamvura also a sculptor, whose workshop was close to his house. In 1988 Msonza began assisting Albert full time, while simultaneously gaining experience by watching other well known artists in the area including Gedion Nyanhongo...

A woman comforting a young girl. Edition of 31

Provenance Acquired by the gallery directly from the artist Description Slatoff’s sculpture is a biblical reference to the central figure in the book of Nehemiah, which describes a ...

"Triplets (C-25)" is an original black serpentine sculpture by Colleen Madamombe. The artist signed the piece. This artwork features three women in large, textured dresses, gesturing and standing close to one another. 9 1/2" x 13" x 8" art Colleen Madamombe was born in 1964 in Harare, Zimbabwe. Considered to be among the finest new talents from Zimbabwe, she has won the award of Best Female Artist of Zimbabwe for the past three consecutive years, and is quickly becoming an established figure of the Second Generation of Zimbabwean stone...

"Creating Spirits" is an original red jasper sculpture by Farai Darare. It depicts an abstracted figure holding a pot. 19" x 6 1/2" x 3 1/4" Farai Walter Darare started working as a washer and polisher for his father's sculptures when he was seven years old. He worked and studied under the renowned Shona sculptors Chikumbirike, Runyanga, Muropa, and his father Casper Darare...

Artist: Bertjan Pot, Dutch (b. 1975) Title: Pig, Shark, Chicken from The Gathering Year: 2007 Medium: Yellow Stoneware with Magnet, signature, date, title, and stamp printed, hand-nu...

"Judge" is an original green serpentine stone sculpture by Corlet, a contemporary Shona stone sculptor. It depicts a man with his arms folded around his body. 11" x 10 1/2" x 11" Shona artists and crafts people have been working in different media for generations. These include paintings, pottery, basket ware, wood carvings, and sculpture done in metal as well as the stone carvings. While there is not a long standing tradition of sculpture in what is now Zimbabwe (formerly Southern Rhodesia), stone carvings dating from the 15th century were seen in Great Zimbabwe, an excavated temple near Bulawayo. Most of the artifacts from this location have been moved to museums in Cape Town, South Africa or London. It is generally agreed that Zimbabwean stone sculpture as seen today began during the late colonial period of the 1950's and 1960's. During this period the artists and artisans depicted many of the traditional Shona and other tribal spiritual myths. Out of all the nations in Africa, the large varieties and abundant supplies of rock formations present throughout the Zimbabwe landscape...

Life-size sculpture of three boys walking atop a log.

'Healing and Diagnosing' is an original stone sculpture by the Zimbabwean sculptor Aaron Perkins Chikumbirike. The sculpture presents a highly stylized figural grouping, as is so oft...

Charles Favard is a sculptor who mastered this rare technique of direct cutting: stone, marble, wood ... materials that he uses with particular ease. His innate sense of volume allow...

Limited edition encased glass Art Deco vase with raised and etched design in frosted and cranberry glass colors. Holds Erte signature to lower right of figure. Stamp numbered with fo...

"I Am Beautiful" is an original opal stone sculpture by Savheri Chirwa, a contemporary Shona sculptor. This sculpture features an elongated face with textu...

"Judge" is a signed opal sculpture created by Shona artist Luckmore Joseph. It weighs 178lbs and was created in 2004. It depicts an abstracted face coming out of the natural stone. 43" x 15" x 11" sculpture, 178 pounds Luckmore Joseph was born in 1979. He was interested in drawing and weaving baskets before he started carving. Luckmore later found that carving was of paramount importance to him in 1999 when he was employed by Sydney Majengwa as his assistant. He first gained experience working on torsos, then later embarked on creations of street beggars and pregnant women, varying the styles. Luckmore gets the subjects for his sculptures after seeing the shape of the natural stone before he works on it. His sculptures carry messages to people and explain the daily routines of people like him. He carves because he wants people to know the good and the bad, the comedy and tragedy in life circles. His philosophy has directed him to the subject issue of beggars. He wants to let people know that every country in the world has poor and rich people and both of them have the same equality and have the same right to life. Carving has become a way of life for Luckmore, and he never can leave it for very long. When he is not working, he enjoys playing football. Shona artists and crafts people have been working in different media for generations. These include paintings, pottery, basket ware, wood carvings, and sculpture done in metal as well as the stone carvings. While there is not a long standing tradition of sculpture in what is now Zimbabwe (formerly Southern Rhodesia), stone carvings dating from the 15th century were seen in Great Zimbabwe, an excavated temple near Bulawayo. Most of the artifacts from this location have been moved to museums in Cape Town, South Africa or London. It is generally agreed that Zimbabwean stone sculpture...

This intense bronze sculpture was made by the well known Italian artist, Aron Demetz, in 2004, Italy. This is a lost wax bronze hand painted. The title is "Guardando" translated in ...

"Mermaid" is a unique springstone sculpture by the Shona artist Farai Darare. It depicts a woman's face and an abstracted body that loops around to frame an oval of negative space. This piece is expertly carved to showcase two textures from the same stone. This sculpture weighs 30 pounds (approximately 13.6 kg). 16 3/4" x 8" x 5 1/4" art 30 lbs Farai Walter Darare started working as a washer and polisher for his father's sculptures when he was seven years old. He worked and studied under the renowned Shona sculptors Chikumbirike, Runyanga, Muropa, and his father Casper Darare...

FREE SHIPPING TO WORLDWIDE! Artisan: Fidel Martinez Martinez 1st. Place Category Clay Sculpture   XXX Edition Ceramics National Award Made with Black Clay, hand-modeled technique...

Artist 1: Jeff Koons, American (1954 - ) Artist 2: Howard L. Bingham, American (1939 - ) Title: GOAT: A Tribute to Muhammad Ali - CHAMPS Edition Book: Hardcover Book in Clamshell Box, signed and numbered on Frontispiece by Artists and Muhammad Ali Koons Sculpture Title: Radial Champs Sculptures: Blow Up Dolphin, Tire Sculpture...

"My New Hairstyle" is an original signed springstone sculpture by the Shona artist Witness Bonjesi. It depicts an elongated female face with textured hair and weighs 150 lbs. 40" x...

K.S. Radhakrishnan - Krishna - H : 15 x W : 6 x D : 6 inches Bronze Sculpture , 2009 Maiya as Monalisa : Golden metallic frames with a smile by K.S. Radhakrishnan K.S. Radhakrishnan has a new interpretation of Leonardo da Vinci's Mona Lisa through his sculpture titled Maiya as Monalisa. Here the entire frame of Maiya stands between golden metallic frames with a smile on her face. "This sculpture shows that it is not necessary that my sculptures have to be associated to any mythological character. They could be universal," says the internationally-acclaimed artist. Style : K.S Radhakrishnan is one of the most notable among the new generation of sculptors. Like many of his contempories he is a figurative sculptor, but his preference for modelling and bronze casting sets him apart from the rest of them. Recharging age old sculptural processes with a new sensibility, thus is the singular challenge he brings to modern Indian sculpture. And this makes him a modernist - who approaches his work with discernible ambition and considerable aplomb while steering clear of brinkmanship. Radhakrishnan's works often drawn from the emotions and myths of the Hindu gods, such as Shiva, Kali and Radha. His sculptures are often larger than life-sized; placed in the outdoors, they evoke a superhuman atmosphere. Over the years, Radhakrishnan has experienced with alternate sculpting mediums, working in molten bronze, beeswax and Plaster of Paris.The physical process of working with the materials becomes a performance in itself. The sculpture is the product of a tactile engagement with his medium. With celebration of sensuality as one of its running themes, his works is at once both intimate and universal in its appeal. A personal commemorative sculpture, with a scale and presence that holds well in natural settings, his work has found permanent home in a number of public collections all over the world. About the Artist and his work : Born : Born 1956, Kerala. Education : 1979 : B.F.A. in Sculpture, Viswa Bharati University, Santiniketan, West Bengal 1981 : M.F.A. in Sculpture, Viswa Bharati University, Santiniketan, West Bengal. Solo exhibitions : 2006 : ’Freehold’ at Museum Gallery, Mumbai ‘Freehold’ at Artalive Gallery, New Delhi 2005 : ’The Ramp’ at Tao Art Gallery, Mumbai ‘Unbearable Lightness of being’ at India International Centre, New Delhi 2004 : ’The Ramp’ at Sridharani Art Gallery, New Delhi ‘The Ramp’ at Bayer ABS Limited Gallery, Vadodara 2000 : ’Musui Maiya’ sponsored by Vadehra Art Gallery, New Delhi 1998 : ’Song of the Road’ – sponsored by International Travel House, ITC, New Delhi ‘Portal’ – Apeejay Lawns, Calcutta, sponsored by Apeejay Surendra, Group, Calcutta 1993 : Centre des Bonds de Marne, LePerreux-Bry sur-Marne, Paris, France. 1987 : Jehangir Art Gallery, Mumbai. Participated Exhibitions : 2007 : ’Darpan’ an exhibition sponsored by Nvya Gallery, New Delhi Travel to Moscow and St. Petersburg, Russia – sponsored by Nvya Gallery. 2006 : Travel to U.S.A, sponsored by Arts India, New York Travel to Russia, sponsored by Art Resource Trust, Mumbai Travel to Morocco, sponsored by Popular Prakashan, Mumbai. 2005 : Travel to Istanbul, Turkey to attend artists workshop Travel to China (Silk Route) sponsored by Uttarayan, Baroda Travel to South Africa organised by Gallery Navya, New Delhi. 2003 : Travel to Cairo and other cities in Egypt to attend an artists workshop Travel to France and Italy sponsored by TMI Foundation France Exhibition titled ‘Can’ curated by Johny M.L Exhibition ‘Only connect’ at India Habitat Centre, New Delhi Exhibition ‘Nayika’ by Ganesha Art...

“Guilt of Innocence” (Postage Due Mr. Lee) Most of us don’t realize the true cost of the lifestyle we enjoy. There is a price paid by humanity that lives in our shadow. Unfair trade practices have stripped multitudes from their means of subsistence, thus forcing them to bow down to the system that has taken from them a meaningful life. The sculpture “Guilt of Innocence” depicts the American consumer’s role in this tragedy. Who is Mr. Lee? Lee Kyung was a South Korean farmer whose family farm is now a parking lot due to the WTO and unfair trade practices. Farmers in South Korea, who once made a good middle class living on their land, are now impoverished by the dumping...