Early 2000s Figurative Sculptures

Sculpture of a man in a suit walking carefully across a precarious edge. Edition of 45, 1 left from the edition and 1 AP Signed to the leg Jim Rennert Biography American, b. 1958 ...

jean pierre Mocci l'arlésienne ceramic and metal sculpture on marble base 2000 h 50 X w 14 X d 14 cms signed This intriguing sculpture embodies...

Horse IX is a bronze sculpture by French contemporary artist Pierre Yermia, dimensions are 46 × 48 × 14 cm (18.1 × 18.9 × 5.5 in). The sculpture is signed and numbered, it is part o...

JANE HAMMOND with ARDEN MASON (Jane Hammond is a renowned contemporary artist and Arden Mason is a celebrated 'plein air" painter) Artist's Palette (from the Estate of Ashton Hawkin...

Poly resin sculpture. Britto signature stamped on lower right. From the edition of 4000 (2nd edition). Comes in original box with certificate of authenticity. Artwork is in ex...

Adam Fragment, detail from the full-scale trumeau figure of Adam commissioned as part of The Creation Series at Washington National Cathedral...

Figure posed like a crescent moon

Carved serpentine sculpture from the Shona tribe of Zimbabwe

Edition of 17 Jane DeDecker’s energetic and dynamic bronze sculptures serve as a reflection of her own life experiences and those of her closely-knit family. Her twelve nieces and ne...

Jeff Koons, Yellow Balloon Dog, 1995-2002 Porcelain with original box and plastic stand 26.7 × 26.7 × 12.7 cm (10 1/2 × 10 1/2 × 5 in) Edition of 2300 Jeff Koons released Balloon...

"Metamorphosis" by Frederick Hart is figurative bronze bust of a woman numbered 17/29. “Metamorphosis” was a journey of transformation for Hart. The work haunted and yet thrilled hi...

Ex Nihilo Figure 3 is a full scale plaster from the final stone sculpture of Ex Nihilo, commissioned as part of the The Creation Sculptures at Washington National Cathedral...

Sculpture of a woman representing the element of earth.

Landscape N°1 is a bronze sculpture by contemporary artist Martine Demal, it measures 78 x 35 x 10 cm (30.7 × 13.8 × 3.9 in), these dimensions include the base (the sculpture measure...

Angelo Canevari’s Assyrian King is a 25 x 14 inch mix media surrealist sculpture. It is made of metal, resin, automotive paint, and cardboard. It is a surrealist interpretation of a bust of an Assyrian King. The use of metal and wires to develop a tridimensional sculptural quality, as well as the expressionistic outcome of the imagery, has echoes in some contemporary African sculpture...

This Bronze by Isabelle Jeandot is one edition of a limited series of twelve original sculptures, and it will be delivered with the certificate of aut...

Seated Figure XII is a bronze sculpture by French contemporary artist Pierre Yermia, dimensions are 51 × 13 × 9 cm (20.1 × 5.1 × 3.5 in). The sculpture is signed and numbered, it is...

"Morning Excercise (C-3)" is an original black serpentine stone sculpture by Colleen Madamombe. The artist signed the piece along the base of the skirt. This artwork features a woman...

Awhi Whakapapa, Embracing Geneaology, ceramic figurative sculpture, Contemporary

Life-size sculpture of three boys walking atop a log.

Cathedral is a bronze sculpture by French contemporary artist Delphine Brabant, dimensions are 43 × 17 × 9 cm (16.9 × 6.7 × 3.5 in). The sculpture is signed and numbered, it is part...

Old metal type, welded together to form the head of this oversized bust, is cast in bronze and perched on a bronze pyramidal base by sculptor Dale Dunni...

ROBERT BRADY terracotta 20.75 x 5 x 7.5” signed by artist date unknown

Horse XII is a bronze sculpture by French contemporary artist Pierre Yermia, dimensions are 48 × 53 × 25 cm (18.9 × 20.9 × 9.8 in). The sculpture is signed and numbered, it is part ...

Tolla Inbar, Circle of Life, bronze sculpture, International artist, Israeli artist, Figurative sculpture, art

The figure has always been Deborah Ballard’s muse in her sculptures. Ballard works in bronze, cast stone, and plaster; her figures ranging from life-size to hand-size. Ballard says, ...

This is a unique bronze container. The figure has always been Deborah Ballard’s muse in her sculptures. Ballard works in bronze, cast stone, and plaster; her figures ranging from li...

Hand built with slabs using Laguna Clay EM347 white ware with grog and bisque fired to cone 06. Then fired to cone 06 with low fire underglazes and glazes.

Melanie Yazzie (1966-) Pollen Keeper II (maquette) Powder-coated metal, 2008 Hand signed, titled, dated and numbered 2/30, attributed, titled, dated and numbered again to paper label Mounted to a white composition plinth Provenance: The Freund Family Collection Melanie Yazzie is a Navajo sculptor, painter, printmaker, and professor. She teaches at the University of Colorado at Boulder. Yazzie was born in 1966 in Ganado, Arizona, United States. She is Navajo of the Áshįįhí, born for Tó Dichʼíinii. She grew up on the Navajo Nation. Although she grew up on the Navajo Nation, Melanie Yazzie is of the Salt Water Clan born for the Bitter Water Clan. She first studied art at the Westtown School in Pennsylvania. Yazzie earned a BA in Studio Art with a minor in Spanish from Arizona State University in 1990 and an MFA in printmaking from the University of Colorado at Boulder in 1993. Melanie Yazzie works a wide range of media that include printmaking, painting, sculpting, and ceramics, as well as installation art. Her art is accessible to the public on many levels and the main focus is on connecting with people and educating people about the contemporary status of one indigenous woman and hoping that people can learn from her experience. Her subject matter is significant because the serious undertones reference native postcolonial dilemmas. Melanie's work focuses primarily on themes of indigenous people. Her work often brings images of women from many indigenous cultures to the forefront. Thus her work references matrilineal systems and points to the possibility of female leadership. Yazzie is known for her multilayered monotype prints that focus on storytelling and reflect her dreamtime friends and companions. The works are filled with colors and textures that reflect different world. The works are made with stencils and often she is printing with soy based inks called Akua inks that are safe for the artist and the environment. The works most often are printed on Arches 88 due to the absorbing quality of that 100% rag paper. It is a fine art paper made in France and very soft to the touch. It is a paper designed originally for screen printing but is the perfect surface for many of the works Yazzie creates. The works often are monotypes as opposed to monoprints. So the works are a one of a kind work of art and not made in multiples. She is a Professor and Head of Printmaking at the University of Colorado at Boulder. She teaches printmaking courses and travels extensively to indigenous communities within the United States and abroad. She can always be found through the University of Colorado Art and Art History Department. In addition to teaching at the Institute of American Indian Arts, the College of Santa Fe (now Santa Fe University of Art and Design), Boise State University, and the University of Arizona, Yazzie has taught at the Pont Aven School of Contemporary Art in France. Yazzie has led over 100 international print exchanges over a 20-year time period. Many of these exchanges include artists from Siberia, Japan, New Zealand, Australia, Canada, Mexico, and Germany. In 2012, the Denver Art Museum welcomed Yazzie as artist-in-residence, making her the first in the Native Arts department. A selection of major exhibitions from the 1990s to present include "Between Two Worlds" (2008) at Arizona State University, "Traveling" at the Heard West Museum (2006), "About Face: Self-Portraits by Native American, First Nations, and Inuit Artists" at the Wheelwright Museum (2005), "Making Connections" (2002) in Bulova, Russia, "Navajo in Gisborne" (1999) in Gisborne, New Zealand and "Watchful Eyes" (1994) at the Heard Museum. In September 2013 she co-curated the exhibition "Heart Lines: Expressions of Native North American Art" in Colorado University Art Museum, partially based on her private collection and including her work "Pollen Girl". Artists featured: Norman Akers, Maile Andrade, Kenojuak Ashevak, Pitseolak Ashoona, Corwin Clairmont, Jimmie Durham, Joe...

Karl-Heinz Deutsch (*1940 Karlsruhe), Helmet Head, around 2003. Polished and patinated bronze, 23.5 cm (height) x 25.5 cm (length) x 16 cm (depth), weight 4.9 kg. Monogrammed on the ...

Sculpture from the Ballet series. The series is dedicated to classical ballet and includes over 30 sculptures. This sculpture depicts a dancer tying p...

Glazed ceramic

J. Casamayor. Torso of a man with a marble base.. original bronze 7/7 sculpture José Casamayor began, at the age of eight, in the disciplines of drawing and painting, when he attende...

Invitation is a bronze sculpture with an iron stand by contemporary artist Delphine Brabant, dimensions are 50 × 30 × 10 cm (19.7 × 11.8 × 3.9 in). The sculpture is signed and numbe...

Unknown Artist In-Style of Juris Bergins Cup with Handle Porcelain, Glaze, Image Transfer, Chinapaint Year: 2000s Size: 7.5x6.5x3in Signed COA provided Ref.: 24802-1743 *minute chip...

Mixed media artwork - bronze sculpture installed on velvet

This artwork "Woman with Bird" c.2000 is an original cast paper bas relief by noted Swedish/American artist Carlo Wahlbeck, b. 1933. It is hand signed a...

woven willow, twigs, waxed string

Sculpture, Serpentine

This is an intense bronze sculpture created by the Italian artist Ugo Riva, in 2006. Lost wax bronze. The title of this artwork is "Con gli occhi nell...

"Amazon", Nude Walking Woman Looking on the Side Figurative Bronze Sculpture. Passionate about the spirit, with her timeless and universal expression in the heart of the human condition, the artist Isabelle Jeandot...

Flight V is a bronze sculpture by French contemporary artist Pierre Yermia, dimensions are 37 cm × 33 cm × 26 cm (14.6 × 13 × 10.2 in). The sculpture is signed and numbered, it is part of a limited edition of 8 editions + 4 artist’s proofs, and comes with a certificate of authenticity. "The theme of flight came about during my search...

Evocator, 2006-2007 Concrete, glass 26 H × 15 7/10 W × 19 7/10 D in 66 H × 40 W × 50 D cm Unique The idea of fragment emerged in the concrete sculpture format offers a clear view of the post-modern condition. The employment of mixed materials, apparently difficult to associate, such as concrete and colored glass beads, recall the images from the ancient Roman fragments...

Pagan Christian, 2006-2007 Concrete, glass 26 H × 15 7/10 W × 19 7/10 D in. 66 H × 40 W × 50 D cm Unique The idea of fragment emerged in the concrete sculpture format offers a clear view of the post-modern condition. The employment of mixed materials, apparently difficult to associate, such as concrete and colored glass beads, recall the images from the ancient Roman fragments...

Provenance Acquired by the gallery directly from the artist EXHIBITIONS California Art Clubs 95th Annual Gold Medal Juried Exhibition April 2 - 23...

Arman, French American (1928-2005) Gambit (Chess pieces) Cast Bronze Sculpture with patina Incised signature near lower edge, 48/70 with impressed "Bronze Romain & Fils" foundry ma...

Tolla Inbar, My first book, bronze sculpture, International artist, Israeli artist, Figurative sculpture, , art

First Bite,female figure holding apple,garden of eden,bronze sculpture Williams First Bite, female figure holding apple, garden of eden, bronze sculpture Expressing Situations and Beings in Human Form Sculptor Troy Williams unites the timeless and the contemporary in sculptures of rare beauty and meaning Beyond all the narrative potential of the three obvious physical dimensions of Troy Williams’ sculpture there are many other considerations that contribute greatly to the enjoyment, appreciation, and understanding of his entrancing 360-degree works of figurative art. Among these are the emotional responses and intellectual interpretations that first go into the artist’s creative process and then into every subsequent spectator’s viewings at least somewhat differently each time. Some artists insist on leaving these entirely up to each viewer, but Williams is glad to enrich the experience by inviting the viewer in for a little insight into the artist’s intention. Certain ambiguities and unintended provocations might otherwise arise, as Williams uses original combinations of materials or ideas in highly original ways. For the sophisticated clientele of Glenn Green Galleries Williams specializes in figurative and facial sculptures hewn from fallen woods he finds while running near his home in the mountains of north central New Mexico. Williams has in the past worked with exotic woods, but now avoids them in a desire to protect the people, plants, and animals that depend on a vibrant, healthy, and unexploited local ecosystems. Finding dead and downed wood also introduces an element of serendipitous chance into the sculptor’s process of selection and inspiration. Nature provides an exquisite mass of workable solids, surfaces, patterns, and curves in cottonwood and the many varieties of juniper this sculptor favors. Troy Williams simply rescues these from the elements and then elevates them to timeless treasures by relating them to themes that express our deepest nature. Awake to the most beautiful twists, turns, and striations already present in these found mediums, Williams is naturally and passionately drawn to every stage of freeing the underlying sculpture. Following the wood’s ingrained tendencies is always a creative guide for Williams. Growing up in an Indiana farming community, his dad a family practice doctor and his mother an artist, Troy has always felt an affinity for the earth and especially its mountains. He initially came west to study agriculture at Fort Lewis College in Durango, Colorado, attracted there by a setting where his athletic nature could find full expression. His interest in an agriculture career gave way to his love of the mountains. In order to continue living in them and enjoy the hiking, climbing, and running he also loved, Troy worked for several years in a solar business, progressing from manufacturing to installations to design. On a fortuitous errand for a cousin back home, Troy happened into silversmithing and began producing simple, hammered ear cuffs. At this point the artistic nature that he had earlier suppressed in favor of athletics began to emerge strongly, and he expanded into more complex designs as he learned and mastered goldsmithing and lapidary. Another quantum leap occurred when he made his first copper face for a pendant. He couldn’t wait to see the face on a larger scale and was eager for the challenge of learning another art. He began sculpting metal, then stone, then came upon wood as his medium of choice. Wood had immediate allure: scented, expanding, contracting, and seeming to breathe. Williams was seduced by its warmth, the play of light on the complexion of its grain, and the inherent life force so evident in wood. He also learned to coax creative advantage from some of wood’s pitfalls, like soft spots, tricky grains composed of woody xylem and softer phloem; and to avoid the conditions that make it splinter. A quality of segmentation or fragmentation characterizes Williams’s sculptures and provides great visual satisfaction along with intriguing thematic provocation. One is struck by the beautiful outlines that might never be apparent had Williams not removed segments or created interior voids expressly to reveal them. When sculpting a face, Williams focuses on aspects that are mask-like, floating, and alive with contours that might not be visible were the artist to sculpt the full head. The segmentation in his exquisitely refined female figurative works incorporates solids, hollows, and curvilinear elements for reasons that are at once artistic, philosophical, and experiential. Besides attending basic college art classes, to understand more fully the human figure, Troy spent a summer in Europe...

The sculpture is dedicated to female beauty and grace. The author portrayed a beautiful girl who is a little shy about her nakedness. Her body is stylized. Polished bronze accentuate...

Together by Kirk Tatom, bronze bird sculpture, deco, bronze, patina, edition

“Guilt of Innocence” (Postage Due Mr. Lee) Most of us don’t realize the true cost of the lifestyle we enjoy. There is a price paid by humanity that lives in our shadow. Unfair trade practices have stripped multitudes from their means of subsistence, thus forcing them to bow down to the system that has taken from them a meaningful life. The sculpture “Guilt of Innocence” depicts the American consumer’s role in this tragedy. Who is Mr. Lee? Lee Kyung was a South Korean farmer whose family farm is now a parking lot due to the WTO and unfair trade practices. Farmers in South Korea, who once made a good middle class living on their land, are now impoverished by the dumping...

Tupuna, ceramic series, ancestor's cloak, contemporary sculpture, Maori

Whaea- The Matriarch, ceramic figurative sculpture, female, clay, Maori woman

"Fiesta" by Carol Gold Abstract Figurative Bronze A couple of figures dancing. 29.5x36x9" ed/10 (AP available) The monumental version of this sculpture was placed on the pedestrian...

Standing Arms Crossed, 2000 Julian Opie Paint and vinyl on wood, black on white sculpture Signed in pen on underside From the edition of three, each a unique colour variant Sculptur...

fabricated steel

Waiata, Song, ceramic sculpture, Maori art, contemporary cloaked male figure

Provenance Acquired by the gallery directly from the artist Description Slatoff’s sculpture is a biblical reference to the central figure in the book of Nehemiah, which describes a ...

Immerse yourself in a world where emotions run high and desires are laid bare with our stunning Dreams of Ecstasy sculpture. Crafted with exquisite detail, this towering masterpiece ...

Numbered and limited to 8 copies Signature: Hand-signed by artist Authenticity: Sold with certificate of Authenticity from the gallery Invoice from the gallery Sculpture: bronze, me...