Early 2000s Figurative Sculptures

A woman comforting a young girl. Edition of 31

A powerful meditation on the human journey, Cheminement by the late Belgian sculptor Isabelle Thiltgès captures a procession of stylized figures asce...

Sculpture of children gathered around a dog.

"Ex Nihilo Fragment 5" by Frederick Hart is a limited edition figurative bronze numbered 50/65. I saw Ex Nihilo (Out of Nothingness) as a single expression of creation, as the metamorphosis of divine spirit and energy. The figures emerge from the nothingness of chaos, caught in the moment of eternal transformation — the majesty and mystery of divine force in a state of becoming. -Frederick Hart Ex Nihilo, Fragment No. 5. Detail from the full-scale plaster for the final stone sculpture of Ex Nihilo, commissioned as part of The Creation Sculptures at Washington National Cathedral...

Landscape N°1 is a bronze sculpture by contemporary artist Martine Demal, it measures 78 x 35 x 10 cm (30.7 × 13.8 × 3.9 in), these dimensions include the base (the sculpture measure...

Sculpture of a young girl holding a bowl for a cat.

"Reclining Figure" by Frederick Hart is a figurative female and male figure bronze sculpture with the edition number 54/65. Frederick Hart was an American sculptor. His is best known for his Three Soldiers statue at the Vietnam Veterans Memorial and Ex Nihilo (1983) depicting Creation scenes above the doors of the Washington National Cathedral...

"Ex Nihilo Working Model" by Frederick Hart is an acrylic figurative sculpture part of the "Ex Nihilo" serires numbered 53/350. “I saw Ex Nihilo (Out of Not...

Them is a bronze sculpture by sculptor Martine Demal, dimensions are 49 x 15 x 11.5 cm (19.3 × 5.9 × 4.5 in). The sculpture is sold with a plexiglas base which dimensions are 15 x 11...

Artist: Mirkò, Italian (1980 - ) Title: Vaso delle Braccia (Three Musicians) Year: 2007 Medium: Painted Terracotta Vase, signed Size: 18 x 19 x 13 in. (45.72 x 48.26 x 33.02 cm)

Edition of 17 Jane DeDecker’s energetic and dynamic bronze sculptures serve as a reflection of her own life experiences and those of her closely-knit family. Her twelve nieces and ne...

"Ex Nihilo Fragment 3" by Frederick Hart is a figurative bronze with the edition of 56/65. I saw Ex Nihilo (Out of Nothingness) as a single expression of creation, as the metamorph...

Edition of 31 Jane DeDecker’s energetic and dynamic bronze sculptures serve as a reflection of her own life experiences and those of her closely-knit family. Her twelve nieces and n...

Life-size sculpture of a young boy with sword and heraldic shield.

Provenance Acquired by the gallery directly from the artist Description The picturesque Mara River flows through the plains of Tanzania and Kenya and lies across the Serengeti/Maasai Mara reserve. The area is famous for its Great Migration...

'Feeling Heart Beat' is an original black serpentine sculpture by the celebrated second generation Shona artist Colleen Madamombe. The sculpture presents a character common to Madamo...

A crowd of diverse people and ages stand at a cross road in a Mexican city. The artist first sketched the individuals in plein air, and then produced the ceramic sculpture with their...

3 standing figures IV is a bronze sculpture by French contemporary artist Pierre Yermia, dimensions are 61 × 22 × 17 cm (24 × 8.7 × 6.7 in).   The sculpture is signed and numbered, i...

Wall is a bronze sculpture by contemporary artist Delphine Brabant, dimensions are 37 × 56 × 7 cm (14.6 × 22 × 2.8 in). The sculpture is signed and numbered, it is part of a limited...

"Adam Maquette" by Frederick Hart is a figurative female and male figure bronze sculpture with the edition number 116/350. “Adam is Everyman, pulled from the waters of baptism, concrete and universal, led by the fire of day by night, and the cloud of night by day — triumphing over the powers of darkness-emergent radiant in light.”After “Ex Nihilo” and “Adam” were carved into Indiana limestone...

Karl-Heinz Deutsch (*1940 Karlsruhe), Helmet Head, around 2003. Polished and patinated bronze, 23.5 cm (height) x 25.5 cm (length) x 16 cm (depth), weight 4.9 kg. Monogrammed on the ...

Frederick Hart is America's greatest figurative sculptor. Not only did he create works of great beauty and gravitas, he was singularly responsible for restoring to American public mo...

Mark Wallinger It's the Thought that Counts, 2001 Mixed media Christmas cracker, colored paper/ cardboard and ribbon with snap Plate signed by Mark W...

Contemporary figurative patinated bronze sculpture by Polish art master, Bronislaw Chromy. Artwork depicts a dragon. BRONISŁAW CHROMY (1925-2017) Sculptor, medallist, painter, drau...

​Kent Ullberg's Mountain Lion (edition 30/100) is a compelling bronze sculpture that embodies the stealth and power of this elusive predator. The mountain lion is depicted in a poise...

Cast resin sculpture. Hand written AP 14/65 on the underside of the left shoe. Certificate of Authenticity is included. Please do not hesitate to ask us any further questions. A...

Waiata, Song, ceramic sculpture, Maori art, contemporary cloaked male figure

Kent Ullberg's Preening Heron is a captivating bronze sculpture that offers a refined, stylized interpretation of a great blue heron. Embracing a modern, abstract aesthetic, Ullberg ...

​George and Mark Lundeen's Reagan is a distinguished bronze sculpture that captures the essence of President Ronald Reagan's leadership and charisma. Standing at 27 inches tall, 12 i...

Tupuna, Ancestor's Cloak, ceramic sculpture, abstract, Maori, contemporary art

Pagan Christian, 2006-2007 Concrete, glass 26 H × 15 7/10 W × 19 7/10 D in. 66 H × 40 W × 50 D cm Unique The idea of fragment emerged in the concrete sculpture format offers a clear view of the post-modern condition. The employment of mixed materials, apparently difficult to associate, such as concrete and colored glass beads, recall the images from the ancient Roman fragments...

'Greetings' is an original black serpentine sculpture by the celebrated second generation Shona artist Colleen Madamombe. The sculpture presents a character common to Madamombe's wor...

Continuing in the spirit of his classical mimes, Richard MacDonald’s latest work entitled “Rain, Atelier” offers us an experience with rain, wind, movement, and joy. We feel the wind...

Artist: Damien Hirst (1965) Title: The Magnificent Seven Year: 2000 Medium: Pingpong balls in original cardboard box Edition: 940/1500 Size: 2 3/8 x 13 1/4x2 3/8 inches Condition: Excellent Inscription: Signed and ink stamp numbered on the base of the box. Notes: Published by Gagosian Gallery, New York, for the exhibition "Theories, Models, Methods, Approaches, Assumptions, Results and Findings. DAMIEN HIRST (1965- ) Macabre bad-boy Damien Hirst, one of the most prominent and notorious British artists was catapulted to international art stardom with his a 14-foot tiger shark...

Flight V is a bronze sculpture by French contemporary artist Pierre Yermia, dimensions are 37 cm × 33 cm × 26 cm (14.6 × 13 × 10.2 in). The sculpture is signed and numbered, it is part of a limited edition of 8 editions + 4 artist’s proofs, and comes with a certificate of authenticity. "The theme of flight came about during my search...

Silkscreen on powder-coated fabricated aluminum. From the roman numeral edition of 5. Measures 26 x 26 x 2 inches. R. Indiana '96 incised on the right side. Hand written in gol...

The figure has always been Deborah Ballard’s muse in her sculptures. Ballard works in bronze, cast stone, and plaster; her figures ranging from life-size to hand-size. Ballard says, ...

"Morning Excercise (C-3)" is an original black serpentine stone sculpture by Colleen Madamombe. The artist signed the piece along the base of the skirt. This artwork features a woman...

Together by Kirk Tatom, bronze bird sculpture, deco, bronze, patina, edition

Evocator, 2006-2007 Concrete, glass 26 H × 15 7/10 W × 19 7/10 D in 66 H × 40 W × 50 D cm Unique The idea of fragment emerged in the concrete sculpture format offers a clear view of the post-modern condition. The employment of mixed materials, apparently difficult to associate, such as concrete and colored glass beads, recall the images from the ancient Roman fragments...

Oded Halahmy (Iraqi-Israeli, b. 1938) Bronze and aluminium "Peace Shalom Salaam" Hanukkah/ Chanukah menorah, 1997 The base signed on one side with his stamped initials, "O.H. © 97." This simple pomegranate menorah by Iraqi art...

Sandblasted carved glass, wood and bronze. Steve Linn describes himself as a documentary sculptor, conducting meticulous research on each of his selected subjects and choosing whi...

Contemporary figurative patinated bronze sculpture by Polish art master, Bronislaw Chromy. Artwork depicts an owl bird. BRONISŁAW CHROMY (1925-2017) Sculptor, medallist, painter, d...

Sandblasted carved glass, wood and bronze. Steve Linn describes himself as a documentary sculptor, conducting meticulous research on each of his selected subjects and choosing whi...

'Special Catch' is an original sculpture signed by the Zimbabwean artist Chemedu Jemali. The sculpture presents the head and torso of a figure clutching to a fish, each highly abstra...

Tupuna, ceramic series, ancestor's cloak, contemporary sculpture, Maori

Ilona Romule Decorated Plate (Porcelain, Latvia, Dish, Smooth Texture, Translucent, White Gold) Porcelain, Glaze, Chinapaint, Overglaze Decoration Year...

Cassandra by Carol Gold Abstract Figurative Portrait Bronze 12" x 3.5" x 5" ed/15 ABOUT THE ARTIST: Carol Gold was born in Hartford, Connecticut and grew up on a dairy farm in weste...

Waita - Song, Contemporary Maori Sculpture, Aotearoa, facial moko, tattoo, male

Blue Elephant Artist signed and dated 23.3.2000 Walter Furlan was born (1931-2018) in Chioggia, a small town near Venice. He started to work in a furna...

First Bite,female figure holding apple,garden of eden,bronze sculpture Williams First Bite, female figure holding apple, garden of eden, bronze sculpture Expressing Situations and Beings in Human Form Sculptor Troy Williams unites the timeless and the contemporary in sculptures of rare beauty and meaning Beyond all the narrative potential of the three obvious physical dimensions of Troy Williams’ sculpture there are many other considerations that contribute greatly to the enjoyment, appreciation, and understanding of his entrancing 360-degree works of figurative art. Among these are the emotional responses and intellectual interpretations that first go into the artist’s creative process and then into every subsequent spectator’s viewings at least somewhat differently each time. Some artists insist on leaving these entirely up to each viewer, but Williams is glad to enrich the experience by inviting the viewer in for a little insight into the artist’s intention. Certain ambiguities and unintended provocations might otherwise arise, as Williams uses original combinations of materials or ideas in highly original ways. For the sophisticated clientele of Glenn Green Galleries Williams specializes in figurative and facial sculptures hewn from fallen woods he finds while running near his home in the mountains of north central New Mexico. Williams has in the past worked with exotic woods, but now avoids them in a desire to protect the people, plants, and animals that depend on a vibrant, healthy, and unexploited local ecosystems. Finding dead and downed wood also introduces an element of serendipitous chance into the sculptor’s process of selection and inspiration. Nature provides an exquisite mass of workable solids, surfaces, patterns, and curves in cottonwood and the many varieties of juniper this sculptor favors. Troy Williams simply rescues these from the elements and then elevates them to timeless treasures by relating them to themes that express our deepest nature. Awake to the most beautiful twists, turns, and striations already present in these found mediums, Williams is naturally and passionately drawn to every stage of freeing the underlying sculpture. Following the wood’s ingrained tendencies is always a creative guide for Williams. Growing up in an Indiana farming community, his dad a family practice doctor and his mother an artist, Troy has always felt an affinity for the earth and especially its mountains. He initially came west to study agriculture at Fort Lewis College in Durango, Colorado, attracted there by a setting where his athletic nature could find full expression. His interest in an agriculture career gave way to his love of the mountains. In order to continue living in them and enjoy the hiking, climbing, and running he also loved, Troy worked for several years in a solar business, progressing from manufacturing to installations to design. On a fortuitous errand for a cousin back home, Troy happened into silversmithing and began producing simple, hammered ear cuffs. At this point the artistic nature that he had earlier suppressed in favor of athletics began to emerge strongly, and he expanded into more complex designs as he learned and mastered goldsmithing and lapidary. Another quantum leap occurred when he made his first copper face for a pendant. He couldn’t wait to see the face on a larger scale and was eager for the challenge of learning another art. He began sculpting metal, then stone, then came upon wood as his medium of choice. Wood had immediate allure: scented, expanding, contracting, and seeming to breathe. Williams was seduced by its warmth, the play of light on the complexion of its grain, and the inherent life force so evident in wood. He also learned to coax creative advantage from some of wood’s pitfalls, like soft spots, tricky grains composed of woody xylem and softer phloem; and to avoid the conditions that make it splinter. A quality of segmentation or fragmentation characterizes Williams’s sculptures and provides great visual satisfaction along with intriguing thematic provocation. One is struck by the beautiful outlines that might never be apparent had Williams not removed segments or created interior voids expressly to reveal them. When sculpting a face, Williams focuses on aspects that are mask-like, floating, and alive with contours that might not be visible were the artist to sculpt the full head. The segmentation in his exquisitely refined female figurative works incorporates solids, hollows, and curvilinear elements for reasons that are at once artistic, philosophical, and experiential. Besides attending basic college art classes, to understand more fully the human figure, Troy spent a summer in Europe...

'Caring Mother' is an original springstone sculpture by the Zimbabwean artist Brighton Mutongwizo. The sculpture presents a moment of motherly devotion, with a woman's tall figure embracing her child. Their faces are calm and content, with downcast eyes and full lips. In capturing these figures, Mutongwizo plays with the texture and finish of the stone, using a fine polish to emphasize the softness of skin alongside natural and rough textures to describe the texture and movement of hair. springstone 26 x 8 x 5 inches, sculpture 1.25 x 7 x 7 inches, base 27.25 x 8 x 7 inches, overall not signed acquired directly from the artist overall excellent condition with no signs of wear or damage Brighton Mutongwizo was born on the 15th of March, 1975. He did his primary education at St. Matthew Ngundu School in Chihota, Marondera and then went on to graduate from Ushewokunze Secondary School in Seke in 1989. Brighton’s brother, Kennedy Musekiwa...

"Drover" is an original yellow & green opal serpentine stone sculpture by Aaron Perkins Chikumbirike, a contemporary Shona stone sculptor. The artist signed the piece. It depicts an ...

This artwork "Woman with Bird" c.2000 is an original cast paper bas relief by noted Swedish/American artist Carlo Wahlbeck, b. 1933. It is hand signed a...

This is a unique bronze container. The figure has always been Deborah Ballard’s muse in her sculptures. Ballard works in bronze, cast stone, and plaster; her figures ranging from li...

Ruth Bloch, Cellist, Bronze sculpture, musical instrument, Cello, ondoor sculpture, classic theme, International artist, Israeli artist, Israeli art

Artist/Designer; Manufacturer: Ross Richmond (b. 1971) Marking(s); notes: no marking(s) apparent Country of origin; materials: USA; blown and hot-sculpted glass, metal (stand) Dimensions: 10.75″h, 7.25″w, 5″d on stand Additional Information: Ross Richmond (b. 1971) is a contemporary American glass artist renowned for his mastery of hot-sculpted and blown glass techniques. A former assistant to William Morris, Richmond developed a distinctive approach to figurative glass sculpture...

Summertime Lady is back to the gallery on consignment. Outstanding focal point for front entry of your home or garden. Flowing curves, elongated form, definitive gaze and the ultimat...