Head Figurative Sculptures

In the shadow of being loved is a bronze sculpture by French contemporary artist Marine de Soos, dimensions are 32.5 × 25.5 × 39.5 cm (12.8 × 10 × 15.6 in). The sculpture is signed ...

Finely carved mythological subject in Vicenza limestone of Apollo in Excellent condition from an estate of Veneto. Timeless decoration for your interior or garden. Measurements: St...

Asymmetrical head of man, terracotta sculpture, 1930s-40s, Giorgio Rossi (1894-1981). Terracotta modeled by hand by the artist. Unique piece.  Dimensions: Height 34 cm. The choice ...

Barcarola is bronze sculpture wall and table sculpture, it is connected to a steel base. The edition size is 8. Joan’s latest sculpture series of female figures brings an out-of-t...

Education: • 1985 – 1989 Diploma in Fine Arts from Indian College of Arts and Draftsmanship, Calcutta(R.B.U.) Debabrata De’s bronzes, rustic and earthly in its essence; his women La...

"LarA 001" is a unique sculpture crafted in cement by Spanish artist Jose Perozo in 2024. Part of the LarA series, this piece measures 21 x 29 x 17 cm and merges the female form with...

The inspiration for this sculpture comes from Erté's original costume design entitled "Texas," for the 1917 New York stage production of "The American Millionaires." This spectacular...

Her poetic porcelain plates examine and reimagine the history of art in a way that values ​​women not only in body, but in wholeness, power, and love. Focusing on the narrative quali...

Created in 2020, this painted resin and steel multiple with accompanying acrylic painting on canvas with original wood crate is signed by Javier Calleja (Spain, 1978 - ) in black ink...

Insilit Bronze Marble Stone Nude Contemporary Sculpture Boy Jumping In Stock - Sizes of sculpture, without Stone pedestal : 40 x 32 x 22 cm Wim van der Kant (1949, Kampen) is a sel...

Satyr and Baby is a bronze statue created by the artist Aurelio Mistruzzi. Minotaur with child on his shoulders. Edition of the late 1900s. Engraved signature on the marble base....

Ugo La Pietra is an Italian artist, architect, designer and philosophy. Since 1960 he created the fundamental of European artistic tendancy as founder of various art groups such as Global Tool, Radical Design...

The striking figure of a nude female, arms stretched above her head is the subject of this bronze sculpture by Canadian artist Richard Tosczak. Known for his beautiful figurative wor...

ANTONIO PIAZZA Italian, (Late 19th/Early 20th Century) signed 'A. Piazza Carrara' 33 1/2 x 14 in. x 13 in. Notes: A Fine Italian Carrara Marble Figure of a Boy Holding a Hat

Chidy Wayne (b. 1981, Spain) is an artist based in Barcelona. Over the years, he has established himself as a recognized figure in the art world, developing a personal artistic langu...

This sculpture is part of our exhibition Charles Goeller: A Wistful Loneliness. Carved and painted wood and gesso, 23 x 15 3/4 x 3 inches, Signed verso "Carved by Charles L. Goeller...

'Family' is an original stone sculpture signed by Zimbabwean artist Wonder Mazhindu Bumhira. The composition is an example of the family groupings, with each figure arranged as though they were a flower in a bouquet, that are so desired from Shona sculptors. Though the figures are ambiguous and stylized, the figures are arranged using a hierarchy of scale: the matriarch (perhaps a grandmother) towers over the other members of her family, with her children and grandchildren below. Thusly, sculptures like this present a vision of family structure and unity. opal stone (serpentine) 36 x 13.5 x 11 inches signed 'W. Maz' along base Overall good condition. Please contact us for a complete condition assessment. Born on January 17th, 1982 in East Mashonaland, Harare, Wonder (often spelled Wander) is the fifth born of a family of 6...

Walter Sinz (American, 1881-1966) Mother and Child, 1949 Plaster Signed and dated on base 23.5 x 6 x 9 inches Walter A. Sinz was an American sculptor born in Cleveland, Ohio on Jul...

Italian Portrait White Marble Bust in a Heroic Attitude. Carrara statuary Marble. Tuscan school. Circa 1850.  Bust depicting a young man with bare shoulders. This model draws inspira...

The figure has always been Deborah Ballard’s muse in her sculptures. Ballard works in bronze, cast stone, and plaster; her figures ranging from life-size to hand-size. Ballard says, ...

Mauro Corda’s figurative sculptures maintain a reverence for classical and modernist traditions, while also expressing the artist’s voice. Though born in France, the artist hails fro...

Sculpture is Capdevila's favorite form of visual communication. He works with found materials, in this case-wood from a discarded table, and creates a highly evocative work. An expre...

Angelo Basso (Italy, 1943 – 2011) Gabriella  Dimensions 17.0" W x 18.0" H x 7.0" D This sculpture was cast in the Dyansen Studios Foundry in 1991 under...

"The Bacchante," an imposing terracotta group bearing the signature of Domien van den Bossche. Late 19th century. Probably inspired by Carrier Belleuse's "The Bacchante" group of ...

The sculpture was created and shaped by the artist using Acrylic One (which is an acrylic casting resin connection). The artist then painted this sculpture expressively with oil pain...

Agnes Yarnall LePage, began studying sculpture at the age of 6 at the Liberty Tadd School of Modeling. She went on to study with Charles Grafly at the Pennsylvania Academy of the Fine Arts before opening her own studio in the late 1920s, with the support of her parents, Anna B. Coxe and Charlton Yarnall. Over the years, Ms. Yarnall's work included numerous portraits, human figures and animal sculptures. Among her proudest achievements were busts of George Washington and General Lafayette, displayed at the Valley Forge Historical Society, and of Abraham Lincoln, at the Union League of Philadelphia. She also counted among her premier accomplishments busts she sculpted of Ronald Reagan, Jack Nicklaus and Pope John Paul II. One reviewer who had seen her depictions of Edna St. Vincent Millay, Dame Judith Anderson, Carl Sandburg and Sir John Gielgud lauded her work for its ''sensitivity, grace and dynamism," her family said. During her early career Ms. Yarnall studied and worked with such great artists as Boris Blai, Paul Manship and Alexander Archipenko. In addition to her long career in sculpture, she also was an accomplished poet. Her books included Indian Summer, Hesperides and Other Poems and Pandora and Other Poems. In 1987 Ms. Yarnall was presented with the Living Legacy Award as ''Evocatrix Extraordinary" by the Women's International Center, joining such honorees as Dame Judith Anderson, Clare Boothe...

"Shona Chief" is an original serpentine sculpture signed by the artist Chemedu Jemali. This sculptor works in the Shona tradition of Zimbabwe. The sculpture depicts an abstracted head of a man and weighs 95 lbs. The signature is on the back. 25" x 12" x 10" sculpture 95 lbs. Chemedu Jemali was born on March 3, 1971 in Harare where he did his primary education. He and his family then moved to the Shamva township where he completed high school. His family is originally from Malawi and their totem is of the Miranzi (mouse). He started sculpting in 1990. He was taught to sculpt by his brother Chituwa Jemali. He has three brothers and one sister. In the early 1990's, Chemedu took an interest in carving, inspired by the success of his older brother, Chituwa, and became an established carver. Initially, he worked as an apprentice to Chituwa who introduced him to carving the local hard stone such as verdite, springstone, cobalt and lemon opal. His brother, Salim, is also a full time sculptor. Chemedu produces abstract creations of various themes - from spirit birds to stylized busts. He has become a well known artist in the Shona Art...

Hermann Rastorfer was a draftsman, painter, sculptor, illustrator, ceramist, designer, poster artist, developer of advertising concepts and communication campaigns, inventor, and architect. He began as a typesetter in Salzburg. In the mid-1950s, he moved to Germany, where he soon founded his own studio for graphic design and advertising. His goal was always to give each product a distinctive, highly recognizable appearance. He designed his own design line for the German pharmaceutical company Boehringer Ingelheim, artistic cover images for numerous paperbacks from renowned publishers, and packaging for well-known products such as Ferrero Küsschen, Mon Chéri, Martell cognac...

Portrait of boy, terracotta sculpture, 1930s-40s, Giorgio Rossi (1894-1981). Tuscan Sculptor. Terracotta modeled by hand by the artist. Unique piece. Dimensions: Height 31 cm. The...

"Classical theme of a Greek art inspires me. I am a big fan of a Greek mythology, so I depict it often". This sculpture shows beautiful woman in wet fabrics that emphasize body curve...

Bronze medallion depicting a Pueblo Buffalo Dancer in relief form. Among Houser's first bronze work created and cast in the artist's lifetime at Nambe F...

Plains Indian Medallion, bronze, Nambe, Allan Houser, small life-time casting Allan Houser (Haozous), Chiricahua Apache 1914-1994 recipient of the National Medal of Arts in 1992. Allan Houser's father Sam, was part of the small band of Apaches who traveled with Geronimo and surrendered in southern Arizona in 1886. Allan's parents were imprisoned with that group in Ft. Sill, Oklahoma. He was the first child to be born in freedom to those Apaches and a fluent speaker of the Chiricahua language. Allan Houser is an important artist in that he is of the culture he depicts in his artwork. Allan's parents would tell stories and sing songs recalling the experiences on the war path. This bronze edition is a life-time casting. Our gallery represented Allan Houser from 1974 until his passing in 1994 and were investors and provided quality control in the foundry process. Allan Houser's work is many international collections including the Georges Pomidou Centre, The Smithsonian National Portrait Gallery, The Dahlem Museum among others. Allan’s first bronze sculptures were started in the late 1960’s and were cast at Nambe Foundry. At the time the foundry was producing both Nambeware and was doing some sculptural foundry work. There was a fire at Nambe and they lost many of the molds for sculpture as well as their records. We acquired these works directly from Allan Houser. Allan Houser (Haozous), Chiricahua Apache (1914-1994) Selected Collections Centre Georges Pompidou, Paris, France * “They’re Coming”, bronze Dahlem Museum, Berlin, Germany Japanese Royal Collection, Tokyo, Japan “The Eagle”, black marble commissioned by President William J. Clinton United States Mission to the United Nations, New York City, NY *"Offering of the Sacred Pipe”, monumental bronze by Allan Houser © 1979 Presented to the United States Mission to the United Nations as a symbol of World Peace honoring the native people of all tribes in these United States of America on February 27, 1985 by the families of Allan and Anna Marie Houser, George and Thelma Green and Glenn and Sandy Green in New York City. National Portrait Gallery, Smithsonian, Washington, DC * Portrait of Geronimo, bronze National Museum of American Art, Smithsonian, Washington, D.C. * “Buffalo Dance Relief”, Indiana limestone National Museum of the American Indian, Smithsonian, Washington, D.C. *Sacred Rain Arrow, (Originally dedicated at the US Senate Committee on Indian Affairs, US Senate Building) “Goat”, “To The Great Spirit” - dedicated in 1994 at the Vice President’s Residence in Washington, D.C.. Ceremony officiated by Hillary Rodham Clinton and Tipper Gore. Oklahoma State Capitol, Oklahoma City, Ok * “As Long As the Waters Flow”, bronze Gilcrease Museum, Tulsa, OK *Sacred Rain Arrow, bronze Fort Sill, Oklahoma *”Chiricahua Apache Family”, bronze Donated and dedicated to Allan Houser’s parents Sam and Blossom Haozous by Allan Houser and Glenn and Sandy Green The Heard Museum, Phoenix, Arizona *Earth Song, marble donated by Glenn and Sandy Green   The Clinton Presidential Library, Arkansas * “May We Have Peace”, bronze The George H.W. Bush Presidential Library, College Station, Texas *"Offering to the Great Spirit", bronze The British Royal Collection, London, England *Princess Anne received "Proud Mother", bronze in Santa Fe Allan Houser’s father Sam Haozous, surrendered at the age of 14 with Geronimo and his band of Warm Springs Chiricahua Apache people in 1886 in Southern Arizona. This was the last active war party in the United States. This group of Apache people was imprisoned for 27 years starting in Fort Marion, Florida and finally living in captivity in Fort Sill, Oklahoma. Allan Houser was born in 1914. His artwork is an ongoing testimony to Native life in America – its beauty, strength and poignancy. Allan Houser is from the culture and portrayed his people in an insightful and authentic way. Because of the era in which he lived, he had a rare understanding of American Indian life. Allan was the first child born after the Chiricahua Apaches were released from 27 years of captivity. Allan grew up speaking the Chiricahua dialect. Allan heard his father’s stories of being on the warpath with Geronimo and almost nightly heard his parents singing traditional Apache music. Allan’s father knew all of Geronimo’s medicine songs. Allan had an early inclination to be artistic. He was exposed to many Apache ceremonial art forms: music, musical instruments, special dress, beadwork, body painting and dynamic dance that are integral aspects of his culture. His neighbors were members of many different tribes who lived in Oklahoma. Allan eagerly gained information about them and their cultures. Allan gathered this information and mentally stored images until he brought them back to life, years later, as a mature artist. Allan Houser was represented by Glenn Green Galleries (formerly known as The Gallery Wall, Inc.) from 1973 until his death in 1994. The gallery served as agents, advocates, and investors during this time. In 1973 the Greens responded enthusiastically to the abstraction and creativity in Houser’s work. They were impressed, not only with his versatility and talent but with the number of mediums he employed. His subject matter was portrayed in styles ranging from realism, stylized form to abstraction. With encouragement from the Greens, Houser at the age of 61, retired from his post as the head of the sculpture department at the Institute of American Indian Arts in Santa Fe, New Mexico in 1975 to begin working full-time creating his art. The next 20-year period was an exciting time for Allan, the gallery, and for the Green family. He created a large body of sculpture in stone, wood and bronze. For many years Glenn Green Galleries co-sponsored many editions of his bronzes and acted as quality control for the bronze sculptures according to Houser’s wishes. As both agents and gallery representatives, the Greens promoted and sold his art in their galleries in Phoenix and Scottsdale, Arizona and in Santa Fe, New Mexico. They had bi-annual exhibits in their galleries to feature Houser’s newest work and sponsored and arranged international museum shows in America, Europe and Asia. They travelled for these events including a trip to Carrara, Italy to the famed quarries of Michelangelo and together co-financed and arranged the purchase of 20 tons of marble. A watershed event for Allan Houser’s career occurred in the early 1980’s when Glenn Green Galleries arranged with the US Information Agency a touring exhibit of his sculpture through Europe. This series of exhibits drew record attendance for these museums and exposed Houser’s work to an enthusiastic art audience. This resulted in changing the perception of contemporary Native art in the United States where Houser and Glenn Green Galleries initially faced resistance from institutions who wanted to categorize him in a regional way. The credits from the European exhibits helped open doors and minds of the mainstream art community in the United States and beyond. Senator Daniel Inouye of Hawaii was a supporter of Allan Houser’s artwork. We worked with Senator Inouye on many occasions hosting events at our gallery and in Washington D.C in support of the formation of the Smithsonian’s National Museum of the American Indian in Washington, D.C. and other causes supporting Native Americans. Allan Houser is shown below presenting his sculpture “Swift Messenger” to Senator Inouye in Washington, D.C.. This sculpture was eventually given to the National Museum of the American Indian, Smithsonian’s permanent collection. It is now currently on loan and on display in the Oval Office. President Biden’s selection of artwork continues our gallery’s and Allan’s connection to the White House from our time working with Allan Houser from 1974 until his passing in 1994. “It was important for President Biden to walk into an Oval that looked like America and started to show the landscape of who he is going to be as president,” Ashley Williams...

Created C. 1943, award presented in 1965 to Gertrude Seperack for her design work in the fashion induustry. The bronze portion measures 14 x 8.5 inches. The Coty American Fashion Cri...

Evocator, 2006-2007 Concrete, glass 26 H × 15 7/10 W × 19 7/10 D in 66 H × 40 W × 50 D cm Unique The idea of fragment emerged in the concrete sculpture format offers a clear view of the post-modern condition. The employment of mixed materials, apparently difficult to associate, such as concrete and colored glass beads, recall the images from the ancient Roman fragments...

Jesús Curiá Perez Deslizando bronze and acrylic 24h x 12.50w x 11.75d in 60.96h x 31.75w x 29.84d cm ed. 1/8 JCP068 Jesús Curiá's sculptures arouse something more than purely aesthe...

'Mother and Child' is an original stone sculpture by the Zimbabwean artist Obert Mukumbi. This sculpture is unlike most other examples of Shona sculpture in that it has been carved to sit on a step, ledge or shelf rather than to stand upright. While this difference offers the chance for a more interactive artwork that can be set in unexpected locations, the aesthetics sensibilities that Obert applies to the subject are steeped in the Shona tradition. The materiality of the stone is on full display, with the artist playing with textures of rough-hewn stone and smooth polish. In addition, the mother and child show an intimate relationship, a common and desired theme amongst Shona artists. springstone not signed 25 x 10 x 11 inches, overall body stands 16 inches tall from seat legs extend 9.25 inches downward from seat concrete base included at request of buyer 95 lbs Overall excellent condition with no signs of wear or damage. Obert Mukumbi was born on February 11, 1974 in the village of Dengu in Bindura, some 86 kilometers north east of Harare, Zimbabwe, where he likewise completed his O-levels in school. During his education, he was interested in wood craft. By age twelve, however, he began working in stone under the guidance and encouragement of his brother Kennedy Musekiwa...

Dean Kugler The Black Road: Crystal, 2022 resin, steel, limestone 31h x 13w x 12d in 78.74h x 33.02w x 30.48d cm DK0044 Dean Kugler is a seasoned interdisciplinary artist, painter, ...

Contemporary figurative patinated bronze sculpture by Italian artist Antonio Giancaterino. Sculpture shows a female figure during walking, pointing finger somewhere in font of her. S...

Family Carved Sculpture American Scene Modernism Mid 20th Century WPA Realism Milton Hebald (American, 1917-2015), Family of Three 13 1/2 x 5 1/4 x 4 1/4 inches Carved wood, c. 19...

Volodymyr Mykytenko - flower Fairy (2009) flower Fairy-Flower fairies are graceful creatures that wield the magic of nature to promote the growth of flowers. Fairies live in the for...

I have ordered a Sensuous Woman. It will be ready to paint mid- November I can leave it all polished or paint it with a BMW white dress or a Ferrari red dress using the car paint Galsurit. Sensuous Woman as pictured is a polished bronze. It is sealed with automotive finish, so it never needs to be polished. The base is black marble, 2"h x 6"d. Sculpture is 20"h. The dynamic sculpture...

This striking character cast in aluminum was created by Paul Duval. The Quebec artist has sculpted a series of characters; each one unique in colour, gesture, and form. This table to...

Karin Beek's (1948) bronze sculptures are characterized by a friendly, round and at the same time monumental style. They breathe the atmosphere of everyday life. Beek would like her ...

Amy Young Girl with Serpent and Sunflowers Year: 2020 Material: Stoneware, underglaze, glaze, wire Size: 15 x 15 x 11 inches Signed COA provided Ref.: 924802-796 (MADE TO ORDER - Lea...

Beautiful La Belle Epoque marble in nive vintage condition. Mathurin Moreau (1822-1912) was a French sculptor in the academic style. He was born in Dijon, first exhibited in the 1848 Salon, and finally received a medal of honor...

Pagan Christian, 2006-2007 Concrete, glass 26 H × 15 7/10 W × 19 7/10 D in. 66 H × 40 W × 50 D cm Unique The idea of fragment emerged in the concrete sculpture format offers a clear view of the post-modern condition. The employment of mixed materials, apparently difficult to associate, such as concrete and colored glass beads, recall the images from the ancient Roman fragments...

The Waiting Time is a bronze sculpture by French contemporary artist Marine de Soos, dimensions are 72 × 26 × 21.5 cm (28.3 × 10.2 × 8.5 in). The sculpture is signed and numbered, i...

"Nkondi Bakongo Fetish - Zaire" is a sculpture created out of wood, cloth, nails, and twine in circa 1930. This statue is large and formidable. The figure's limbs are wrapped up in a...

In this new series of wall plaques, titled "Behind Closed Doors," the artist reimagines original images from a book titled In Praise of the Backside. The book's collection features w...

Artist: (Garo) Karapet Balakeseryan Medium: Ceramic, Clay, Handmade, One of a Kind Year: 2023 Style: Classic, Impressionism, Subject: Portrait of Woman, Size: 25" x 17'' x 4'' ...

Boaz Vaadia’s Family 1 (#146) BVE (2017) is an intimate bronze, bluestone, and boulder sculpture that encapsulates the artist’s signature technique. This editioned work (1/7), measur...

"Pop doll - 2389 " is a decorated sculpture. It is created by the French artist David Cintract. About the artwork: TECHNIQUE: mannequin fiberglass, ...

Zacharie Rimbez (active between 19th and 20th centuries). White marble Orientalist bust depicting Armida, second half of the 19th century. Armida is a Muslim sorceress, a charact...

'Fish Totem' is an original springstone sculpture by the Zimbabwean artist Obert Mukumbi. The sculpture presents an interactive and playful combination of subjects, both of which are beloved themes in the Shona tradition. As one faces the sculpture, they are presented at first with a pair of figures: an adult and child, one towering above the other. Surrounding them like a shawl is a mandorla-form, which emphasizes their tall upward posture and movement. This pair of figures emphasizes close relationships and family ties. As one walks around the sculpture, however, the almond shape transforms into the body of a boldly striped fish. This duality of human and animal brings mysticism and transformation to the sculpture and suggests the power and vitality of nature in sustenance and spirit. springstone signed "Obert Mukumbi" along bottom edge 34.5 x 7 x 12 inches concrete base included at buyer request hole drilled into bottom to accommodate steel support rod Overall excellent condition with no signs of wear or damage. Obert Mukumbi was born on February 11, 1974 in the village of Dengu in Bindura, some 86 kilometers north east of Harare, Zimbabwe, where he likewise completed his O-levels in school. During his education, he was interested in wood craft. By age twelve, however, he began working in stone under the guidance and encouragement of his brother Kennedy Musekiwa...

Contemporary bronze figurative sculpture of couple dancing together by Italian artist, professor Giuseppe del Debbio. Sculpture is signed on the base. Couple consists of man and a wo...

Garland Weeks (1942-Present) Lubbock Artist Image Size: 12 x 9 Frame Size: 17 x 14 Medium: Bronze 2014 "Frank Reaugh" Bronze Relief Pallet depicting Frank Reaugh at his easel.

Hospitality - Sculpture is a fine sculpture realized by the Italian artist Orfeo Tamburi (Jesi, 1910- Paris, 1994) during the 20th century. Edition of 99 exemplars. Bonded bronze sculpture with a golden patina. Mounted on a Guatemala green marble base. Guatemala green marble, as its name suggests, is a marble coming from India, also known ad India Green; it is characterized by an intense green color with white veins with an irregular and uneven shape. Dimensions: cm 10 x 10 x 2 (base); cm 29 (height of sculpture). Excellent conditions. This artwork - born on a project realized by the artist in the 1930's and manufactured posthumous - represents a sensual nude woman who symbolizes the hospitality. Delightful creation by the great Italian painter Orfeo Tamburi. He firstly embraced the principles of the Roman School, from which he matured an evocative language with warm chromatic intonations that found favorite themes in portraits and urban views. After a trip to Paris where he discovered the painting of Cèzanne, the artist began a long friendship with Giuseppe Ungaretti, the director Marcello Pagliaro and Curzio Malaparte...

The portraits, loaded with symbolic imagery, gaze out at the viewer, with a variety of intensities and emotions. This is to say, each woman has a story, which may not be directly evi...

The three series that make up her thesis show all center around the woman as an art historical trope who becomes a contemporary archetype of tenderness and tenacity with her own narrative. The tradition of the woman as muse or object is questioned and turned upside down as she gives her women the position of subject, i.e., the position of power. The jars, which uphold pairs of women, are the ultimate overturn of male dominance as she removes and replaces all male characters from famous artworks with women. The couples care for one another and are so consumed in their connection that the viewer is ignored. They do not exist for the viewer’s fantasy because their desires are already fulfilled. Through these three bodies of work, she creates archival objects which combine to build a narrative of women’s power, based on the Love Ethic, as discussed by bell hooks in her book, All About Love. Furthermore, notions of power are investigated in tandem with Mary Follett’s writings on power, which delineate Western conception as power-over, and the feminist ideal as power-with. Alex Hodge...

Heïdrun is a bronze sculpture by French contemporary artist Marine de Soos, dimensions are 39 × 14 × 12 cm (15.4 × 5.5 × 4.7 in). The sculpture is signed and numbered, it is part of...