Head Figurative Sculptures

LOUIS AUGUSTE MOREAU French, (1834-1917) Figural Group of Venus Flanked by Putti Patinated bronze; Signed ‘Ate Moreau’ 28 in. x 11 in x 8 inches Notes: Having a deep brown...

Antique bronze nude gladiator/ swordsman - Signed "Rudolf Marcuse" + "Gladenbeck Berlin" Dimensions: Sculpture: 16.5 cm high Base: 6.5 cm high To...

Sorbe Small Bronze Sculpture Nude Boy Drinking Male Figure Marble Stone Wim van der Kant (1949, Kampen) is a selftaught artist. Next to his busy profession as a teacher at a high sc...

Bust Of A Young Girl In Arte Povera Style, Italy,mid 20th century. Bust of a young girl , follower of Arte Povera artistic movement, Italy, around 1970. Sculpture in fir wood. Italy...

This reproduction of a classical Hellenistic sculpture, a timeless piece for interior and a garden decoration. Measurement: Torso cm 100 base cm 70.

The collectible characters are the fresh bold air in the toy art industry at the intersection of art and interior design, fueled by passion and beauty. The TUD image encapsulates th...

Life-size sculpture of a bare-footed boy balancing himself atop a ball.

Aquila Bronze Sculpture Nude Boy Marble Stone Contemporary In Stock - Sculpture without Stone is 57 cm high Wim van der Kant (1949, Kampen) is a selftaught a...

Finis Saltationis Bronze Sculpture Nude Boy Male Figure Marble Stone This sculpture need to be ordered. We will cast a b...

A powerful presentation piece, this stunning bust of Jean Bécu - Comtesse du Barry is both beautiful and tragic. Executed in terracotta that has been...

Earth by Jane DeDecker Allegorical Element Figurative Bronze 72x32x20" bronze ed/17 (available patina is a darker blue-grey hue) Shipping price includes the custom packing/crating n...

Artist: Anthony Quinn Title: Song of Zorba Year: 1984 Medium: Bronze sculpture on marble base, signature and year inscribed Size: 24 in. x 20 in. x 9 in. (60.96 cm x 50.8 cm x 22.86...

Finely carved mythological subject in Vicenza limestone of Hercules in excellent condition from an estate of Veneto. Timeless decoration for your interior or garden. Measurements: ...

Bronze life-size male head with a dark brown patina. Sculpted in Florence Italy and casted in bronze just outside of the city. This is an earlier piece that holds a distinctly differ...

Augustus Saint-Gaudens 1848-1907 American Young Emperor Augustus Marble This extraordinary marble bust by revered American sculptor Augustus Saint-Gaudens is crafted in the class...

In working his way through the Louvre, The Vatican and other historic art museums, Richard MacDonald is particularly engaged by the ancient pieces and the fragments that remain of th...

"At the Water" is a larger free-standing bronze sculpture, suitable both for the inside and outside. Edition 18, signed, numbered and dated on the bottom. Certificate. The sculptress Susanne Kraisser is to be considered as part of the great modern figurative tradition. She was born in 1977 in Rosenheim, Southern Germany. She studied both at the Academy of Fine Arts Nuremberg and the University of Arts in Bremen. She graduated with distinction in 2007 in Nuremberg and received her Diploma with distinction in 2008 in Bremen. She has won numerous awards and exhibits nationally as well as internationally. Artist Statement: For me, sculpture is particularly shape and material, volume and size, space, movement and statics. I focus on the ‘female body’, presenting it either as an intimate miniature or on a monumental scale – each time as a solitary figure. In terms of content, my work focuses on identifying and combining polarities, such as instability and strength, fragility and solidity, activity and passivity, movement and statics, balance and volume, and dependence and autarchy. I work predominantly with the materials bronze, aluminium and wood. The small miniatures are made from wax and are then cast in bronze as part of what is known as the wax smelting process. Large-scale pieces are similarly cast in aluminium or created directly out of wood. The various work processes and tools determine the appearance of the surface; for wax, it’s my hands, and for wood, it’s my chainsaw. Each material is a new challenge for me. My previous wood-sculpting studies involved respecting the material’s limits to create craft of solid quality in keeping with the material. But this is where the intense discussion and its limit become clear. I fight with the material, and a lot of things go wrong. It becomes my opponent, whose limits I test out and reset if necessary. Cautious movements requiring a lot of physical tension are maintained without losing their inner dynamics. Amidst the often harmonious external form is a harsh dissonance evidenced by the rough, fragmented design...

Europe & Zeus (divine love) Europa the daughter of the Phoenician king of Tyre, Agenor and Zeus in love in the shape of the bull. Bronze, on onyx pedestal Signed: Bruno Zach

ALEX KATZ (1927-Present) This Alex Katz work 'Yvonne' is a 2018 cutout in powder-coated aluminum, UV archival inks, stainless steel. The signature impressed to the base ‘Alex Katz’....

This exceptional Murano glass piece was created in 1970 by Alessandro Barbaro (Dorsoduro, 1936), a renowned artist and master glassmaker celebrated for his ability to transform glass...

Originally conceived in 1880-82 for the tympanum of the Gates of Hell, where she is cradled in the arms of L'homme qui tombe, as well as crouching in slightly varied form to the lef...

Presenting a magnificent early Art Nouveau bronze by Belgian artist Jef Lambeaux(1852-1908.) “Leda and the Swan”, is an original Art Nouveau Bronze,...

Crouching Venus, neoclassical Carrara marble sculpture, early 19th century. An 18th-century English tourist to Florence wrote that of all the Venuses in the Uffizi, "only one grace...

Contemporary figurative patinated bronze sculpture by Italian artist Antonio Giancaterino. Sculpture shows a couple in which man is holding woman by her hands as she is floating. Art...

Anonymous, Bust of a young woman, c. 1900, artificial marble and gray onyx marble. 37 cm (height) x 37 cm (width) x 22 cm (depth), weight 17.2 kg. Signed “GURRINI” on the reverse. -...

Toy Soldier #5 (Prone Position) by Yoram Wolberger Additional information: Medium: 3D digital scanning, CNC digital sculpting, Reinforced Fiberglass Composite, Urethane Dimensions: ...

"Apollo" by Henri Bouchard (1875-1960) An Art Deco period masterpiece! Exceptional bronze sculpture with a golden-brown patina Signed " H. Bouchard " Unique piece This work personifies Apollo, god of the Arts. Represented here as Apollo Musagète, leader of the procession of muses and winner of the serpent Python. This subject was commissioned to adorn the entrance to the Palais de Chaillot in Paris, and whose monumental bronze is still exhibited there. To participate in the Venice Biennale in 1938, Henri Bouchard had reduced in 1937 the large Apollo of the Palais de Chaillot, which had not yet been installed. Vintage cast by Bisceglia (cast founder stamp) made during the artist's lifetime. Incised dedication below signature : " à mon cher ami E. Sandoz " This is a unique cast made for the sculptor Edouard-Marcel Sandoz (1881-1971). This cast was exhibited at the 1938 Venice Biennale. France 1937 height : 82 cm width : 45 cm depth : 30 cm weight : 31,2 kgs Stickers under the bronze cast : - Sticker mentioning that this cast has been exhibited at the Venice Biennale of 1938 under the number 354 ("Biennale Internaz. d'Arte Venezia – 1938 – XVI – 354"). - Sticker mentioning that this cast went through Italian customs ("ne – merci – dogana italiana – visitate - 9622") - Damaged Sticker mentioning the name ("A…") and the address ("25…") of the owner of the cast (maybe for the workshop "Atelier Henri Bouchard", 25 rue d’Yvettes, 75016 Paris). Provenance : - Edouard-Marcel Sandoz, Paris, according to the dedication. - Property from the Collection of Seymour Stein (entrepreneur and founder of Sire Records, famous American record label ; and avid collector of 19th and 20th century fine art...

Je te Touche I touch you Bronze Sculpture Dancer In Stock For years Joris August Verdonkschot decicated himself to filming. He studied Law and Cultural Scie...

This is a one of a kind original wall sculpture by San Diego artist, Cheryl Tall. It's 26 inches in height, with a length of 18inches and a depth of 4.5 in...

Arrighini Nicola (Pietrasanta 1905-1977) a sculptor of Pietrasanta (Italy) in 1930 decided to create, in white Carrara marble on black marble basis, the Mask of Leopoldo Fregoli, o...

Dale Dunning’s contemporary sculptures often use the generic image of the human head as a metaphor for our collective experience. With this table top piece in bronze, the Canadian ar...

FERNANDO BOTERO (Medellín, Colombia, 1932) for ARTIKA. "Botero's women", 2018. Unique, limited, and numbered edition of 2998. Includes Art Book, Study Book and sculpture-case. Meas...

Important patinated plaster bust representing the Faun of Vienna. the original of which is in the collections of the Louvre museum (marble statue discovered in Vienna in 1820 and dat...

Sculpture by the Spanish artist AMANCIO GONZALEZ wood Fantastic piece of art representing Spanish sculpture Amancio González is a sculptor from Leon and an internationally celebrated...

The figure has always been Deborah Ballard’s muse in her sculptures. Ballard works in bronze, cast stone, and plaster; her figures ranging from life-size to hand-size. Ballard says, ...

"The Rape of the Sabine Women," veined alabaster, large sculptural group with classical subject, Volterra manufacture, 18th century. The so-called Rape of the Sabine Women is a scu...

Charles Edouard Richefeu (1868-1945) A stunning dated 1926. A faun and nude woman dancing. Signed RICHEFEU in the bronze. Foundry mark stamp "R. COTTIN & FILS Paris Bronze". Definitely inspired by Diagilev Russian Ballet and Nijinsky dancer on Claude Debussy...

"The Song" by Félix Charpentier (1858-1924) A very fine bronze sculpture with nuanced dark brown patina Signed "Fx. Charpentier" Cast by "E. Colin & Cie Paris" France around 1900 he...

Cold painted bronze sculpture. Incised Erte signature with stamp numbered edition, foundry and date. From the edition of 300. Certificate of Authenticity is included. Artwork is in...

Outstanding Italian Neoclassical Sphinx Carrara Marble sculpture designed as entrance guardian, this mythical lady sphinx statuary display the head and chest of a neoclassical woma...

A fine patinated plaster sculpture Albert Einstein mounted to a painted wooden base. The sculpture is signed illegibly and dated on the re...

Et in Arcadia Bronze Sculpture Nude Male Figure Mythology Contemporary Classic The sculptures of Margot Homan (1956, Oss, the Netherlands) show a pe...

A gorgeous solid bronze on marble pedestal depicting a demure young woman observing something that appears to be just in front of her. Is she a bit timid, perhaps? A lovely patina ha...

The beauty of the human form is captured is this dynamic bronze sculpture of a Muay Thai Fighter. Dean Kugler Ancient Art bronze 18h x 9w x 7d in 45.72h x...

Numbered and signed. Limited edition of 100 pieces. Excellent conditions. Aurelio Mistruzzi was an Italian sculptor and medalist. He attended the Udine School of Art with professor ...

Cold Cast Bronze Bust Sculpture of Vincent Van Gogh by British Artist & Sculptor Anthony D Padgett BA MA PGDip, Born in 1969. Everyone has an idea o...

"Naomi" Mid 20th Century American Bronze Sculpture Female Portrait Figurative Albert W. Wein (1915-1991) "Naomi" Bronze, c. 1960s Signed Figure: 19 1/2 x 5 1/2 x 5 inches Overall he...

Stunningly hand carved, large, circa 1825, solid Carrara marble statue of the crowned, Roman goddess, Juno- known in ancient times as the ruler of marriage, home, and family, a champ...

"Sculptor Marsha Gertenbach signed and numbered this bronze sculpture, edition 5/10. Here is the artist's message about this unique piece: In every loving relationship we experience...

Grand tour bronze sculpture of the "Crouching Venus" after the antique. Fine patina. 19th century. Ferdinand Barbedienne (French, 1821-1902). not signed . rare. museum...

David Hare Dancer, circa 1955 Bronze with integral stand 68 high x 17 wide x 13 1/2 deep inches “Freedom is what we want,” David Hare boldly stated in 1965, but then he added the caveat, “and what we are most afraid of.” No one could accuse David Hare of possessing such fear. Blithely unconcerned with the critics’ judgments, Hare flitted through most of the major art developments of the mid-twentieth century in the United States. He changed mediums several times; just when his fame as a sculptor had reached its apogee about 1960, he switched over to painting. Yet he remained attached to surrealism long after it had fallen out of official favor. “I can’t change what I do in order to fit what would make me popular,” he said. “Not because of moral reasons, but just because I can’t do it; I’m not interested in it.” Hare was born in New York City in 1917; his family was both wealthy and familiar with the world of modern art. Meredith (1870-1932), his father, was a prominent corporate attorney. His mother, Elizabeth Sage Goodwin (1878-1948) was an art collector, a financial backer of the 1913 Armory Show, and a friend of artists such as Constantin Brancusi, Walt Kuhn, and Marcel Duchamp. In the 1920s, the entire family moved to Santa Fe, New Mexico and later to Colorado Springs, in the hope that the change in altitude and climate would help to heal Meredith’s tuberculosis. In Colorado Springs, Elizabeth founded the Fountain Valley School where David attended high school after his father died in 1932. In the western United States, Hare developed a fascination for kachina dolls and other aspects of Native American culture that would become a recurring source of inspiration in his career. After high school, Hare briefly attended Bard College (1936-37) in Annandale-on-Hudson. At a loss as to what to do next, he parlayed his mother’s contacts into opening a commercial photography studio and began dabbling in color photography, still a rarity at the time [Kodachrome was introduced in 1935]. At age 22, Hare had his first solo exhibition at Walker Gallery in New York City; his 30 color photographs included one of President Franklin Roosevelt. As a photographer, Hare experimented with an automatist technique called “heatage” (or “melted negatives”) in which he heated the negative in order to distort the image. Hare described them as “antagonisms of matter.” The final products were usually abstractions tending towards surrealism and similar to processes used by Man Ray, Raoul Ubac, and Wolfgang Paalen. In 1940, Hare moved to Roxbury, CT, where he fraternized with neighboring artists such as Alexander Calder and Arshile Gorky, as well as Yves Tanguy who was married to Hare’s cousin Kay Sage, and the art dealer Julian Levy. The same year, Hare received a commission from the American Museum of Natural History to document the Pueblo Indians. He traveled to Santa Fe and, for several months, he took portrait photographs of members of the Hopi, Navajo, and Zuni tribes that were published in book form in 1941. World War II turned Hare’s life upside down. He became a conduit in the exchange of artistic and intellectual ideas between U.S. artists and the surrealist émigrés fleeing Europe. In 1942, Hare befriended Andre Breton, the principal theorist of surrealism. When Breton wanted to publish a magazine to promote the movement in the United States, he could not serve as an editor because he was a foreign national. Instead, Breton selected Hare to edit the journal, entitled VVV [shorth for “Victory, Victory, Victory”], which ran for four issues (the second and third issues were printed as a single volume) from June 1942 to February 1944. Each edition of VVV focused on “poetry, plastic arts, anthropology, sociology, (and) psychology,” and was extensively illustrated by surrealist artists including Giorgio de Chirico, Roberto Matta, and Yves Tanguy; Max Ernst and Marcel Duchamp served as editorial advisors. At the suggestion of Jacqueline Lamba...

ALEX KATZ (1927-Present) Katz' 2020 'Dancer 2' is a cutout with UV-cured archival inks on shaped powder-coated aluminum, mounted to aluminum base. Incised 'Alex Katz', dated and num...

The Early Morning is a bronze sculpture by French contemporary artist Marine de Soos, dimensions are 24 × 17 × 11.5 cm (9.4 × 6.7 × 4.5 in). The sculpture is signed and numbered, it...

OLouis Chalon (French, 1866-1940) "Valkyrie" Gilt Bronze Sculpture, early 20th century, depicting a Valkyrie leading the charge to Valhalla, on a...

Antique marble head of the roman emperor Tiberius. 43cm without the base.

"Caress of Love" by Albert-Ernest CARRIER-BELLEUSE (1824-1887) Bronze group sculpture with a nuanced dark brown patina Signed on the back "A. Carrier-Belleuse" Reposing on its orig...

“Torse d’une Femme” by Paul Gauguin (1848-1903).  Bronze sculpture on marble plinth.  Edition 9/10, unsigned, numbered and with foundry mark “C. Valsuani/Cire Perdue”. Sculpture: ...

Jean Michel Basquiat Andy Warhol Keith Haring Bearbrick 400%: set of 6 individual works: A set of 6 unique, timeless pop art collectibles trademarked & licensed by the estates of Jea...

Familia Big Bronze Sculpture Mother Father Child Outdoors and Indoors Theo Mackaay (1950) Mackaay works with recognizable shape:: women, men and animals, with a pointer at the prim...

Italian School Female Figure Carved Alabaster Bust, late 19th century, the portrait with tied back hair and flowing dress tied at her breast, on a rockwork plinth, unsigned. 26" H x ...