Head Figurative Sculptures

"Mother Earth, Father Sky​​" by Denny Haskew Expressive Figurative Nude Sculpture 31” x 10” x 9” ed/20 Bronze, Cobalt Patina ABOUT THE ARTIST: Denny Haskew currently resides in Lov...

David Hare Dancer, circa 1955 Bronze with integral stand 68 high x 17 wide x 13 1/2 deep inches “Freedom is what we want,” David Hare boldly stated in 1965, but then he added the caveat, “and what we are most afraid of.” No one could accuse David Hare of possessing such fear. Blithely unconcerned with the critics’ judgments, Hare flitted through most of the major art developments of the mid-twentieth century in the United States. He changed mediums several times; just when his fame as a sculptor had reached its apogee about 1960, he switched over to painting. Yet he remained attached to surrealism long after it had fallen out of official favor. “I can’t change what I do in order to fit what would make me popular,” he said. “Not because of moral reasons, but just because I can’t do it; I’m not interested in it.” Hare was born in New York City in 1917; his family was both wealthy and familiar with the world of modern art. Meredith (1870-1932), his father, was a prominent corporate attorney. His mother, Elizabeth Sage Goodwin (1878-1948) was an art collector, a financial backer of the 1913 Armory Show, and a friend of artists such as Constantin Brancusi, Walt Kuhn, and Marcel Duchamp. In the 1920s, the entire family moved to Santa Fe, New Mexico and later to Colorado Springs, in the hope that the change in altitude and climate would help to heal Meredith’s tuberculosis. In Colorado Springs, Elizabeth founded the Fountain Valley School where David attended high school after his father died in 1932. In the western United States, Hare developed a fascination for kachina dolls and other aspects of Native American culture that would become a recurring source of inspiration in his career. After high school, Hare briefly attended Bard College (1936-37) in Annandale-on-Hudson. At a loss as to what to do next, he parlayed his mother’s contacts into opening a commercial photography studio and began dabbling in color photography, still a rarity at the time [Kodachrome was introduced in 1935]. At age 22, Hare had his first solo exhibition at Walker Gallery in New York City; his 30 color photographs included one of President Franklin Roosevelt. As a photographer, Hare experimented with an automatist technique called “heatage” (or “melted negatives”) in which he heated the negative in order to distort the image. Hare described them as “antagonisms of matter.” The final products were usually abstractions tending towards surrealism and similar to processes used by Man Ray, Raoul Ubac, and Wolfgang Paalen. In 1940, Hare moved to Roxbury, CT, where he fraternized with neighboring artists such as Alexander Calder and Arshile Gorky, as well as Yves Tanguy who was married to Hare’s cousin Kay Sage, and the art dealer Julian Levy. The same year, Hare received a commission from the American Museum of Natural History to document the Pueblo Indians. He traveled to Santa Fe and, for several months, he took portrait photographs of members of the Hopi, Navajo, and Zuni tribes that were published in book form in 1941. World War II turned Hare’s life upside down. He became a conduit in the exchange of artistic and intellectual ideas between U.S. artists and the surrealist émigrés fleeing Europe. In 1942, Hare befriended Andre Breton, the principal theorist of surrealism. When Breton wanted to publish a magazine to promote the movement in the United States, he could not serve as an editor because he was a foreign national. Instead, Breton selected Hare to edit the journal, entitled VVV [shorth for “Victory, Victory, Victory”], which ran for four issues (the second and third issues were printed as a single volume) from June 1942 to February 1944. Each edition of VVV focused on “poetry, plastic arts, anthropology, sociology, (and) psychology,” and was extensively illustrated by surrealist artists including Giorgio de Chirico, Roberto Matta, and Yves Tanguy; Max Ernst and Marcel Duchamp served as editorial advisors. At the suggestion of Jacqueline Lamba...

Subrata Biswas - Relief - 10.5 Inches Diameter Bronze Sculpture Subrata Biswas’s three sculptures ‘Think Green’, ‘Amigo’ and ‘City Bred’ a conscious selection of elements of folk f...

As a child, I had dirt under my fingernails. I continue to allow the earth to feed me information for my art and for daily living. My expression is basic yet intrigues me to continue...

Stephanie Trenchard Art Glass Sculpture Sand-cast blacks sculpted and painted inclusions three separate pieces. Size: 20x7.5x5 Stephanie Trenchar...

Sculpture in terracotta.

Bronze

ALBERT TOFT (1862-1949) Relief Portrait of Sir Henry Irving Indistinctly signed l.r.: Albert Toft Bronze, dark brown patina, on wooden base Diameter 24....

The first decades of the 21st century shaped the period of reconfiguration of the "world order", according to Pedro Pablo Gómez1, into three options: "rewesternalization, dewesternal...

Italian 19th Century marble bust depicting the young Emperor Octavian. The sculpture, carved in white Carrara marble, is an exquisite example of neoclassical works and shows a fascin...

LOUIS AUGUSTE MOREAU (French, 1834-1917) Signed ‘auguste moreau’ 19th Century 24 1/2 in. x 11 in. x 11 in.

Subrata Biswas - Untitled - 7.5 x 5 x 5 Inches Bronze Sculpture Subrata Biswas’s three sculptures ‘Think Green’, ‘Amigo’ and ‘City Bred’ a conscious selection of elements of folk fo...

Moorish heads decorated in the Sicilian tradition

Pair of Bronze Busts of Queen Mary when Duchess of York William Henry Tyler Dated 1893 These rare and highly important bronze busts of the future Queen Mary, created in 1893 by the ...

Subrata Biswas - Untitled - 31 x 41 Inches ( framed size ) Terracotta Subrata Biswas’s three sculptures ‘Think Green’, ‘Amigo’ and ‘City Bred’ a conscious selection of elements of f...

"Triplets (C-25)" is an original black serpentine sculpture by Colleen Madamombe. The artist signed the piece. This artwork features three women in large, textured dresses, gesturing and standing close to one another. 9 1/2" x 13" x 8" art Colleen Madamombe was born in 1964 in Harare, Zimbabwe. Considered to be among the finest new talents from Zimbabwe, she has won the award of Best Female Artist of Zimbabwe for the past three consecutive years, and is quickly becoming an established figure of the Second Generation of Zimbabwean stone...

After studying fine arts, a need for contact with solid material was needed. Ybah took a classic artistic path from an academic education from the Louvre reproductions, learning at t...

"Crossing the Road (C-48)" is an original black serpentine stone sculpture by Colleen Madamombe. The artist signed the piece. This artwork features two women in large, textured dresses walking side by side. 6" x 5 1/2" x 3" art Colleen Madamombe was born in 1964 in Harare, Zimbabwe. Considered to be among the finest new talents from Zimbabwe, she has won the award of Best Female Artist of Zimbabwe for the past three consecutive years, and is quickly becoming an established figure of the Second Generation of Zimbabwean stone...

S. K. Sahajahan - Untitled - 54 x 60 inches, 2018 Mixed Media on Canvas Sahajahan’s work explores his physical surroundings through figurative contexts. Utilizing texture and and t...

Pierrot or Mime Deburau Charles Deburau (February 15, 1829 – December 19, 1873) was an important French mime, the son and successor of the legendary Jean-Gaspard Deburau, who was im...

'Fish Totem' is an original springstone sculpture by the Zimbabwean artist Obert Mukumbi. The sculpture presents an interactive and playful combination of subjects, both of which are beloved themes in the Shona tradition. As one faces the sculpture, they are presented at first with a pair of figures: an adult and child, one towering above the other. Surrounding them like a shawl is a mandorla-form, which emphasizes their tall upward posture and movement. This pair of figures emphasizes close relationships and family ties. As one walks around the sculpture, however, the almond shape transforms into the body of a boldly striped fish. This duality of human and animal brings mysticism and transformation to the sculpture and suggests the power and vitality of nature in sustenance and spirit. springstone signed "Obert Mukumbi" along bottom edge 34.5 x 7 x 12 inches concrete base included at buyer request hole drilled into bottom to accommodate steel support rod Overall excellent condition with no signs of wear or damage. Obert Mukumbi was born on February 11, 1974 in the village of Dengu in Bindura, some 86 kilometers north east of Harare, Zimbabwe, where he likewise completed his O-levels in school. During his education, he was interested in wood craft. By age twelve, however, he began working in stone under the guidance and encouragement of his brother Kennedy Musekiwa...

'Teacher or Preacher' is an original black serpentine sculpture by the celebrated second generation Shona artist Colleen Madamombe. The sculpture presents a character common to Madam...

Centaur abducting a woman by Aimé-Jules DALOU (1838-1902) A bronze group sculpture with a dark brown patina Signed on the base "Dalou" Cast by "A.A. Hébrard" (with the foundry sta...

Anne de Villeméjane's sculptures in bronze, crystal and cement are exhibited in galleries and major art shows in the United States, Europe and the Middle East. Anne is a French artis...

This 18 x 9 x 4 inch carved wood sculpture is unsigned and comes directly from the artist's family. Louis 'Lou' Bunin (28 March 1904 – 17 February 1994) was an American puppeteer, artist, and pioneer of stop-motion animation in the latter half of the twentieth century. While working as a mural artist under Diego Rivera in Mexico City in 1926, Bunin created political puppet shows using marionettes...

"Lichtenstein's Portrait of a Woman " is a direct reference to the iconic Roy Lichtenstein's 1979 painting of the same name. Kaplan's ceramic sculpture brings a three dimensionality to Lichtenstein's painting. Sandy Kaplan Lichtenstein's Portrait of a Woman ceramic, glaze 13h x 9w x 6d in 33.02h x 22.86w x 15.24d cm SAK014 Sandy Kaplan b. 1943, St. Louis, MO 2021 Maturity and Its Muse, Art Saint Louis 2020 Storytellers Exhibit, Art Saint Louis 2019 SOFA Chicago, Gallery Victor Armendariz, Navy Pier, Chicago, IL Honors Exhibit, Art Saint Louis Anthony Bourdain - Parts Unknown: Ceramic Centric, Foundry Arts Ctr, St. Charles, MO Current Profiles, Craft Alliance Center, St. Louis, MO 2018 SOFA Chicago, Gallery Victor Armendariz, Navy Pier, Chicago, IL Maturity and Its Muse, Art Saint Louis Works from the Studios, Craft Alliance, St. Louis, MO Drawn From Life: Artful Aging, Washington University, St. Louis, MO 2017 3-D, Gallery Victor Armendariz, Chicago, IL SOFA Chicago, Gallery Victor Armendariz, Navy Pier, Chicago, IL 2016 Works from the Studio, Craft Alliance, St. Louis, MO A Moveable Feast Exhibit, Oak Park Art League, Oak Park, IL Maturity and Its Muse, Art Saint Louis 2015 Writers Round Table, Craft Alliance Gallery, St. Louis, MO 2014 Save the Last Dance for Me, Art Saint Louis XXX...

This flat shadow puppet was created by an unknown Indonesian artist. This shadow puppet, 25" high with movable arms, was used in Indonesian Wayang Klitik puppet shows. Wayang (Krama Javanese: Ringgit ꦫꦶꦁꦒꦶꦠ꧀, "Shadow"), also known as Wajang, is a form of puppet theatre art...

[lives & works – Philadelphia, PA ::: b. 1954] Peter Olson is a Philadelphia-based photographer and ceramicist who creates pieces that chemically and conceptually fuse the two medi...

Large Italian bust of the Roman Emperor Caracalla, cement sculpture from the second half of the 20th century. Copy of the famous Caracalla Farnese bust dated 3rd century AD and kept ...

Anneke Bogardus "Moon Face №3" 2022 Entirely hand sculpted. Raku fired. 51.5” around, 16.5” Long, 16” Wide, 6 1/2” Off the wall Raku firing is an ancient Japanese ceramics techniq...

A frightened monkey looking sideways, carved in yellow (Sienese?) marble. Origin Italy. First half of the nineteenth century.

Ian Edwards - The Hour of Darkness - Original Signed Bronze Sculpure Dimensions: 40 x 31 x 31 cm Edition of 8 Edwards’ practice expresses the power and determination of human endea...

Europe & Zeus (divine love) Europa the daughter of the Phoenician king of Tyre, Agenor and Zeus in love in the shape of the bull. Bronze, on onyx pedestal Signed: Bruno Zach

CESARE LAPINI Italian, (1848-1893) Segreto Al Cuore Signed Prop ta Fratelli; Lapini; Firenze 29 1/4 x 8 x 11 inches Notes: A fine quality white marble sculpture of a you...

Pavel Amromin George raku fired ceramic 17h x 15w x 9d in 43.18h x 38.10w x 22.86d cm PAM002 Pavel G. Amromin EXHIBITIONS 2017 SOFA: Sculpture, Objects, Functional Art, Gallery Victor Armendariz, Navy Pier, Chicago, IL 2009 Pavel Amromin: Adventure Bound, The Clay Studio, Philadelphia, PA SOFA: Sculpture, Objects, Functional Art, New York, NY 2008 SOFA: Sculpture, Objects, Functional Art, New York, NY 38th Annual Ceramics Exhibition, Crossman Gallery, UW Whitewater, WI 2007 SOFA: Sculpture, Objects, Functional Art, Chicago, IL SOFA: Sculpture, Objects, Functional Art, New York, NY 2006 SOFA: Sculpture, Objects, Functional Art, Chicago, IL The Toy Soldier Collection - MFA Thesis Exhibition, University Gallery, University of Florida...

The draw of clay for Anastassia is in its innate ability to connect us to our unconscious and past experiences of touch. Her work, led by intuition and a sense of play, explores the ...

Carved profile bust of Leonardo Da Vinci. Mounted on velvet covered wood plaque. 19th century.

The Worry This series began in reaction to photos of politicians and world leaders during any number of the current world crises. As news cycles proliferate, these images swirl past ...

The draw of clay for Anastassia is in its innate ability to connect us to our unconscious and past experiences of touch. Her work, led by intuition and a sense of play, explores the ...

This Golek puppet was made by an unknown Indonesian artist using wood and cloth. It is approximately 28" tall. Traditional Wayang Golek plays can be compared to European and North America: most performances revolve around Kings, Queens, Princes and Princesses who fight against evil, mystical, beings to (usually) end happily. Three-dimensional Indonesian puppets...

"At Eagle's Glance" by Denny Haskew Bronze on Granite and Wood turntable style base Figurative Native American subject matter 24x18x18" ed/26, available...

JUAN CLARÁ AYATS Spanish, 1878 - 1958 A GIRL BUST signed "Juan Clara" and Buenos Aires stamp mark (on the back ) bronze figure 6-3/8 x 4-1/8 x 4-1/8 inches (16 x 10.5 x 10.5 cm.) 8 x 4-1/8 x 4-1/8 inches (20 x 10.5 x 10.5 cm.) base included PROVENANCE Private Spanish Collector Art Noveau bronze...

A Hand Once Held by Denny Haskew Figurative Male Nude Bronze Sculpture with Gold Leaf on granite base 16x7x7" limited edition #2 of 2 (mold was destroyed early) "The last day of my ...

"Cutouts" by Jane DeDecker Figurative Bronze, 41x40x20" Sandstone bench is included. A girl sits quietly unfolding her paper cutouts. Great piece for a...

"Market Day" by Denny Haskew Figurative Bronze, depicts a woman seated next to a bowl of the oranges she is offering for sale. 13x12x6" ed/20, number 14 available "Spirit, you made me look, Seeing there among the flocks of colored flowers, pathways lined with vegetables and fruits sat elegance Energy radiating, the air held its breath as one more gorgeous orange lightly kissed its brother." -DH ABOUT THE ARTIST: Denny Haskew currently resides in Loveland, Colorado where he is actively engaged in the art industry as a sculptor. He received his degree from the University of Utah, then served two years in the United States Army during the Vietnam War. Having spent numerous years as a guide and ski instructor, Denny has learned to love the rivers and mountains of the western states of Arizona, Colorado, Idaho, Oregon, and Utah. After moving to Loveland, a hub of successful working sculptors, he wasted no time in getting monumental sculpture experience through working with renowned sculptors including Fritz White and Kent Ullberg N.A. Since 1987, Denny has created and placed dozens of monumental compositions; spanning the full spectrum of the figurative genre. As a member of the Potawatomi Citizen Nation, it is only natural for his artwork to follow the Native American culture. His art has not been limited to Native American and southwestern subjects, however, as he frequently explores abstract forms placing emphasis on the qualities of the metal and stone used. As a Charter member of the National Sculptors' Guild and being close to other sculptors and the Loveland area foundries has helped him to master all the foundry processes involved in producing a desirable and lasting monumental bronze sculpture. Over 50 major public placements include the Smithsonian Institution, DC.; the Gilcrease Museum, OK; Cerritos, CA; Little Rock, AR; the Shakopee Mdewakanton Dakota Sioux collection, MN, and the Barona Band of Mission Indians...

Superbly carved white statuary Carrara marble bust of Flora, the goddess of flowers. Flora was often associated with the coming of spring and th...

"Balance" by Denny Haskew Unique, 1 of 1, Figurative Sculpture 15.5 x 8 x 8" bronze, gold leaf, silver leaf, granite base Male and Female nudes balance together on a sphere in a dance of unity. "ENTER HERE, YOU ARE GOLDEN. IT IS NOT THE ROOM NOR THE LIGHTING. THE MALE THAT LIVES, IS YOU. THE FEMALE THAT LIVES, IS YOU. HOLDING, TWISTING WITH THE TORCH OF LIFE. AT TIMES TURNING YOUR BACK ON WHAT LIFE IS. ENTER HERE YOU ARE GOLDEN." -DH ABOUT THE ARTIST: Denny Haskew currently resides in Loveland, Colorado where he is actively engaged in the art industry as a sculptor. He received his degree from the University of Utah, then served two years in the United States Army during the Vietnam War. Having spent numerous years as a guide and ski instructor, Denny has learned to love the rivers and mountains of the western states of Arizona, Colorado, Idaho, Oregon, and Utah. After moving to Loveland, a hub of successful working sculptors, he wasted no time in getting monumental sculpture experience through working with renowned sculptors including Fritz White and Kent Ullberg N.A. Since 1987, Denny has created and placed dozens of monumental compositions; spanning the full spectrum of the figurative genre. As a member of the Potawatomi Citizen Nation, it is only natural for his artwork to follow the Native American culture. His art has not been limited to Native American and southwestern subjects, however, as he frequently explores abstract forms placing emphasis on the qualities of the metal and stone used. As a Charter member of the National Sculptors' Guild and being close to other sculptors and the Loveland area foundries has helped him to master all the foundry processes involved in producing a desirable and lasting monumental bronze sculpture. Over 50 major public placements include the Smithsonian Institution, DC.; the Gilcrease Museum, OK; Cerritos, CA; Little Rock, AR; the Shakopee Mdewakanton Dakota Sioux collection, MN, and the Barona Band of Mission Indians...

White onyx sculpture. Incised artist signature with date. Size includes base. Additional images are available upon request. Certificate of Authe...

This Golek Puppet was created by an unknown Indonesian artist using wood and cloth. It is approximately 22" tall. Traditional Wayang Golek plays can be c...

"Celebrations (C-56)" is an original black serpentine stone sculpture by Colleen Madamombe. The artist signed the piece, and it weighs 228 pounds. This piece features a woman with a ...

Patrick BRUN was born in Paris in 1941. After obtaining his Engineering degree, he began his professional life as a teacher in mathematics and physics. After this period, he started ...

Robert Christian Bodem is a sculptor of figurative work, primarily showing in bronze. He received both his Bachelors and Masters in Fine Arts in Sculpture at Boston University. Durin...

This surrealist figurative wall sculpture was made by artist Megan Dune is a maximalists' dream. It is assembled with multiple materials, including acrylic ...

Edition 2/15 Currently based in Frome, Somerset, Sara Ingleby-Mackenzie graduated with a First Class Honours Degree in Sculpture from the Bath Academy of Art. Having studied under K...

Numbered and limited to 8 copies Artwork signed Authenticity: Sold with certificate of Authenticity Invoice from the gallery Sculpture: bronze, metal, bronze patina Display: The sc...

Marble portrait of a boy in 1930 not signed

Questa statua in terracotta in eccellente stato conservativo considerata l'età e la fragilità del materiale, raffigura un putto nell'atto di soffiare, colto in una posa di intenso p...

'Family' is an original stone sculpture signed by Zimbabwean artist Wonder Mazhindu Bumhira. The composition is an example of the family groupings, with each figure arranged as though they were a flower in a bouquet, that are so desired from Shona sculptors. Though the figures are ambiguous and stylized, the figures are arranged using a hierarchy of scale: the matriarch (perhaps a grandmother) towers over the other members of her family, with her children and grandchildren below. Thusly, sculptures like this present a vision of family structure and unity. opal stone (serpentine) 36 x 13.5 x 11 inches signed 'W. Maz' along base Overall good condition. Please contact us for a complete condition assessment. Born on January 17th, 1982 in East Mashonaland, Harare, Wonder (often spelled Wander) is the fifth born of a family of 6...

"Pop doll - 2389 " is a decorated sculpture. It is created by the French artist David Cintract. About the artwork: TECHNIQUE: mannequin fiberglass, ...

Prendoni Attilio Sculpture of Girl Child in Carrara Marble Biaco signed on the molded plinth, depicts a young girl with her hair gathered by a bow, a maiden with a shy attitude as in...