Unknown

Grande Scultura in Alabastro Satiro con Cimbali Bottega Volterrana XIX secolo

circa 1870

18th/19th Century Italian Infant Hercules Wrestling a Snake Alabaster 18 x 18 x 6 inches 40 lb. In Greek mythology, the infant Hercules (Heracles) is famously depicted wrestling wit...

Emilio Fiaschi (Italian, 1858-1941) Neapolitan Girl Alabaster Bust, late 19th century, depicting a young girl hiding her face behind her hands, on a socle, signed "E Fiaschi" to back...

Italian School Female Figure Carved Alabaster Bust, late 19th century, the portrait with tied back hair and flowing dress tied at her breast, on a rockwork plinth, unsigned. 26" H x ...

Aristide Petrilli (Italian, 1868-1930) "Violante Beatrice of Bavaria" Alabaster Bust, late 19th century, the bust on an angular plinth, signed and titled. 17" H x 16" W x 7" D.

"Pair Recumbent Stone Lions" after Antonio Canova (1757-1822) Italian (possibly Florence) Mid 19th Century Alabaster, marble 6 x 9 x 4 inches This is an exquisite pair of Italian alabaster lions on marble bases based on the monumental lions carved by Antonio Canova (1757-1822), the greatest Italian neoclassical sculptor. Canova sculpted the marble lions for the monumental tomb of Pope Clement XIII in St. Peter’s, Rome in 1792 Canova Lions refers to the pair of copies of lion sculptures by Antonio Canova. When Canova created the sculptures in 1792, he installed them on the tomb of Pope Clement XIII. The marble sculptures are some of the most prominent features in St. Peter's Basilica in Rome. Given the intricacies of creating the original Canova lions, some artists created molds and replicated them. A good example is the pair of lion sculptures...

This is a one of a kind Italian white Carerra marble sculpture by San Diego artist Tony Gangitano. Its dimensions are 10" x 25" x 10". It is on a black granite base. A certificate of authenticity will follow delivery. This sculpture is a representation of Mary and Christ...

Ercole Rosa (Italian, 1846 - 1893) Frine (Phryne) Marble Signed 'E. Rosa, Studio O. Andreoni, Roma' on back 34.5 x 12 x 10 inches 80 lb. Phryne was a 4th century BC famous Greek ...

"Musidora" by Odoardo FANTACCHIOTTI (1809-1877) Sculpture made in white Carrara marble signed on the side on the base " O. Fantacchiotti " Italy around 1862 height 110 cm diameter ...

Randolph John Rogers (American, 1825 - 1892) Randolph Rogers' Nydia, the Blind Flower Girl of Pompeii debuted in 1856 to critical and public acclaim, solidifying Rogers’ position as a pre-eminent American sculptor and it remains one of the artist’s most celebrated works today. The subject of Nydia is drawn from Edward Bulwer-Lytton's The Last Days of Pompeii 1834. After touring the ruins of the ancient city in 1833, and inspired by the stories of blinding volcanic ash, he composed the tale of Nydia, a slave who led her master, Glaucus, to safety. Rogers depicts Nydia at the moment that she and Glaucus have become separated in their perilous journey through the rubble and Nydia seeks familiarity in the surrounding chaos, her distress evident in her pained expression. The grace of the sculpture is at odds with the turmoil portrayed; a toppled Corinthian capital lies at her feet and obstructs her next step, indicated by the tilt of her back foot and grip on her walking stick. Examples of this model can be found in major American collections, including The Metropolitan Museum of Art, the Art Institute of Chicago, the Detroit Institute of Arts, the Los Angeles County Museum of Art, and the Museum of Fine Arts, Boston. Literature, Millard F Rogers, Jr. Randolph Rogers, American Sculptor in Rome. University of Massachusetts Press, 1971, American Figurative Sculpture in the Museum of Fine Arts Boston. Museum of Fine Arts, Boston, 1986. Joyce K Schiller. "Nydia, A Forgotten Icon of the Nineteenth Century." Bulletin of the Detroit Institute of Arts, Born in Waterloo, New York, Randolph John Rogers became an expatriate* sculptor of idealized figures, portraits, and commemorative works in Neo-Classical* and Realist* styles. He worked in clay, plaster, marble and bronze, and lived both in Italy and the United States. He made 167 examples of Nydia in two sizes (varies depending on base height) 36" and 54'. Rogers was raised in Ann Arbor, Michigan, and as a young man did woodcuts* for the local newspaper, The Michigan Argus, and also worked as a baker's assistant and a dry goods clerk. In 1847, he moved to New York City, where he hoped to find work as an engraver*, but failing to do so, worked in a dry goods store owned by John Steward...

A good antique Italian Grand Tour Bronze and marble bust of Dante Alighieri, circa 1880. The bronze is most likely Florentine and mod...