Bronze Sculptures

Lion is a limited edition bronze sculpture.

This is artwork is titled Shayleigh which is a Gaelic name meaning 'full of majesty in the woods'. The artwork is bronze with 24 carat gold leaf. It is an outdoor artwork...

This Peasant resting is a subject that is included in the famous suite commonly called "little workers" by Jules Dalou (1838-1902) Bronze with nuanced brown patina cast by Susse Frè...

Nostlagia is a limited edition bronze sculpture with nickel plating.

The Dung Beetle is a limited edition bronze sculpture.

Forward Still by JaneDeDecker Abstract Figurative Sculpture ©2015 80x54x10" limited edition of 21 A contemplative person walks on the top of a large ring ABOUT THE ARTIST: 'Part of...

Sitting Man is a limited edition bronze sculpture plated in nickel.

Larissa was born in Belogorsk, a small town in Russia and later moved to The Russian FarEast where she spent her early childhood. Her family moved to Moldova and finally settled in D...

Lady Vase is a limited edition bronze sculpture.

Lady in Water is a limited edition bronze sculpture.

Ian Edwards - Surrender - Original Signed Bronze Sculpure Dimensions: 32 x 60 x 60 cm Edition of 9 Edwards’ practice expresses the power and determination of human endeavour. He draws inspiration from natural forces, with his powerful masculine figures often bearing the surface texture of time enduring landscapes. Edwards uses this external inspiration to explore very internal themes of fortitude and self-discovery. Edwards’ sensitive hand as a sculptor incorporates classical ideas about the sculpting process. In both Self Made Man and Creation of Self, a figure carves himself out of a mass of rock, reminiscent of Michelangelo's idea of seeing a form within a piece of marble and ’setting him free'. This is deeply metaphorical, reflecting timeless themes of purity, effort and self-belief. Poetic concepts such as these run throughout Edwards’ practice, with each piece subtly informed through mythological storytelling, creation beliefs and philosophical thinking. Edwards served a five-year apprenticeship at the world renowned G&H Studios...

The historic tradition of cast bronze provides a contemporary avenue for the creation of Wayne Salge’s abstracted human and animal figures. Thoroughly modern and distinctly impressio...

Larissa was born in Belogorsk, a small town in Russia and later moved to The Russian FarEast where she spent her early childhood. Her family moved to Moldova and finally settled in Dushanbe, capital of Tajikistan. At 19 Larissa went off on her own to study art in St Petersburg ( Leningrad ). ​“Larissa began sculpting in kindergarten from doughy black bread, the only material she could get her hands on. It was just after the war. Russia was still recovering from hard times. Despite the pain from hunger in her tummy, my sister would eat only the breads crust. From the doughy insides, she sculpted a dog, a cat, a tree, but mostly she sculpted the portraits of family members and they were quite recognisable. When Larissa was 12 years old, her artwork won a national competition for children. The picture depicted children of many nationalities dancing together and was chosen to be made into a national post stamp. The organisers of this competition came from Moscow and were determined to make sure that nobody had helped my sister. They couldn’t believe that little girl can draw like that” -Yakov Smagarinsky (brother) ​At 14 Larissa went to the Art College to study painting, drawing, sculpture, ceramics, perspective, geometry and literature in Dushanbe Art College where she obtained her diploma. Later she continued her education in St Petersburg where she received a Master Degree in architectural, decorative and monumental sculpture. Her first commissioned sculptures were carved oak based on Russian folklore...

A french patinated bronze figural group of Flora in the sky with Putti and bountiful garlands of flowers. Cast from a model by Mathurin Moreau. Titled "The Triumph of Flora" a story from Ovid...

Dawn by Jane DeDecker Abstract Figurative Cast Bronze Sculpture ©2008 Family of four waking to the rising sun 116x84x27" (base not included) limited edition of 11. Shipping price in...

Larissa was born in Belogorsk, a small town in Russia and later moved to The Russian FarEast where she spent her early childhood. Her family moved to Moldova and finally settled in D...

Jonathan Delmas began his wonderful work since his tenderest youth in contact with his father and grandfather, great founders of arts in Paris. His first movement, the Bear, born in...

Stephen Glassborow was born in Hammersmith, England and studied sculpture at the Brighton College of Art, before becoming a permanent resident of Australia in 1983. He is now one of ...

Bronze sculpture by Betty Jacob depicts a smooth and curvaceous gilt bronze figure posing on her knees. Signed high on the left thigh and mounted on a blac...

Nick Bibby is widely regarded as one of the preeminent sculptors of his generation. Largely self-taught, the three-dimensional form has always been at the f...

Facile 59 x 30 x 30 cm bronze Facile is a bronze sculpture by Italian contemporary artist Eva Steiner. In her work she focuses on the gracefulness of women. Her sculptures of bronz...

Earth by Jane DeDecker Allegorical Element Figurative Bronze 72x32x20" bronze ed/17 (available patina is a darker blue-grey hue) Shipping price includes the custom packing/crating n...

Inspired by Picasso’s cubist era, metal sculptor Alexander Krivosheiw altered his signature fabrication style to create a fragmented, geometric portrayal of a dog called SCOOPS. The ...

Completely self-taught, Edward has dedicated himself to his craft since leaving school and despite his young age his distinctive sculpture has already earned him international recogn...

Superb 19th century bronze and gilt bronze bust of the god Belvedere Apollo. Circa 1850. This wonderful grand tour bust is a marvel of refined beauty and elegance, crafted with richl...

Edward Waites was born in 1988 in Suffolk. Completely self-taught, Edward has dedicated himself to his craft since leaving school and despite his young a...

After studying Fine Art in the Netherlands Ans Zondag (1959) spent several years abroad in order to explore different artistic areas and to establish which technique suited her best....

A chic, signed and dated, 1928, cubist style cast bronze sculpture, "L' Etudiente" by highly regarded Austria-Hungarian born artist, József Csáky (1888-1971), who was among the most ...

Memento-Mori #5 by Michael Warrick 68x16x16" Bronze on CorTen Steel base. Fragment of a figure with impressions of their interests. Shipping price includes the custom packing necess...

Memento-Mori #3 by Michael Warrick 68x16x16" Bronze on CorTen Steel base. Fragment of a figure with impressions of their interests. Shipping price includes the custom packing necess...

Statement by artist Stephen Glassborow on his sculpture Infinity Leaf: With commissions, ideas develop in areas that I may not normally consider. These ideas can provide a wealth of...

Lena by Nando Kallweit Elegant bronze sculpture of the female figure Edition of 25 Dimensions: 20cm x 4cm x 5cm

Fabulous, 1920s, detailed, cast bronze falconfrom a lost wax cast by important Italian artist, Sirio Tofanari (1886-1969). Executed by the Fonderia Artistica Ferdinando Marinelli in ...

Jonathan Delmas began his wonderful work since his tenderest youth in contact with his father and grandfather, great founders of arts in Paris. His first movement, the Bear, born in...

Water by Jane DeDecker Allegorical Element Figurative Bronze 72x25x15" bronze ed/17 (available patina is a darker blue-grey hue) Shipping price includes the custom packing/crating n...

Memento-Mori #8 by Michael Warrick 68x16x16" Bronze on CorTen Steel base. Fragment of a figure with impressions of their interests. Shipping price includes the custom packing necess...

British sculptor Anthony Theakston (1965), who draws his inspiration from the shape and movement of birds, simplifies the birds and omits more and more details until only the essence...

SALE ONE WEEK ONLY This Pre-Star Wars Space Ship captures the magic, power and volume of unidentified objects that pass through our solar system and within viewing site of spaceship Earth. Titled "Untitled" this piece has the monumental quality and style of a spaceship that has been circling the universe forever. Constructed in 1963, prior to film industry creatives scaring viewers with visions of unimaginable spacecraft come to destroy earth, Julius Schmidt's imagination was unstoppable with his numerous and unique cast bronze sculptures. This extraordinary piece is a heart stopping example of what a genius creative can produce. It was exhibited in March 9 - 31, 1963 at the Otto Gerson Gallery, New York, NY. A Catalog of the show accompanies this piece. Julius Schmidt is an American sculptor who earned his B.F.A. from Cranbrook Academy of Art in 1953 and for the next two years studied sculpture under Ossip Zadkine in Paris and at the Accademia di Belle Arti in Florence, Italy. He returned to Cranbrook in Bloomfield Hills, Michigan, in 1955 for his M.F.A. in sculpture. Cranbrook was designed by architect and faculty member, Eliel Saarinen who collaborated with Charles and Ray Eames on chair and furniture design. Numerous creative artists who are alumni of Cranbrook include: Harry Bertoia, Florence Knoll, Jack Lenor Larsen, Donald Lipski, Duane Hanson, Nick Cave, Hani Rashid, George Nelson, Urban Jupena (Nationally recognized fiber artist), Artis Lane (the first African-American artist to have her sculpture, "Sojourner Truth," commissioned for the Emancipation Hall in the Capital Visitor Center in Washington DC), Cory Puhlman (televised Pastry Chef extraordinaire), Thom O’Connor (Lithographs), Paul Evans (Brutalist-inspired sculpted metal furnishings), Eugene Caples (small bronze images/abstract), Morris Brose (bronze sculptures), Herb Babcock...

Fine Group of Sculptures in Bronze after Jean de Boulogne (Giambologna) The torturously twisting Rape of the Sabine Women is one of the finest and most technically difficult sculpt...

Thinker II is a bronze sculpture with green patina, it is connected to a steel base. The edition size is 25. This sculpture stands on shelf as well as be hung on wall. Joan wants to ...

"With Spirit's Edge" by Denny Haskew Figurative Bronze 10.5x23.5x19" Ed/20 "It is time, Be still, Listen​. Let the honor beats of your heart now drum in your ears. Two life path ways are before you. Which one guides us home?" -DH Shipping price includes the custom packing necessary for safe transport of fine art. ABOUT THE ARTIST: Denny Haskew currently resides in Loveland, Colorado where he is actively engaged in the art industry as a sculptor. He received his degree from the University of Utah, then served two years in the United States Army during the Vietnam War. Having spent numerous years as a guide and ski instructor, Denny has learned to love the rivers and mountains of the western states of Arizona, Colorado, Idaho, Oregon, and Utah. After moving to Loveland, a hub of successful working sculptors, he wasted no time in getting monumental sculpture experience through working with renowned sculptors including Fritz White and Kent Ullberg...

Fire by Jane DeDecker Allegorical Element Figurative Bronze with Gold Leaf 72x14x20" bronze ed/17 (available patina is the darker blue-grey hue) Shipping price includes the custom p...

Maqueta las Toninas, 1944 BMY-022, 1970 Edition 1/25 Bronze 22 x 22 x 10 cm 8.6 x 8.6 x 3.9 in ABOUT THE ARTIST Narvaez was born in Porlamar, Venezuela, in 1905; he was the fifth son of eleven siblings; his parents were Jose Lorenzo Narvaez and Vicenta Rivera. Don José Lorenzo, a multifaceted and creative man, sowed the seed of creativity in his son. “My father did not fit in with his fantasies of cabinetmaker, bricklayer, master builder, and self-taught architect.”1 From an early age, Francis was led to the artistic activity, he traced, carved, made replicas of the furniture and the saints restored by his father. In 1920 he obtained his first professional assignment, a San Rafael for the Church of Carupano, and, in 1922, his father authorized him to travel to Caracas to pursue his studies as an artist. He studied at the atelier of Marcos Castillo, at of the Angel Cabre y Magriña and at the Academy of Fine Arts in Caracas, where he was introduced to the painters and intellectuals of the time. In 1928 he presented his first solo exhibition at the Club Venezuela. With the money raised from the sale of the works and the support of Monsignor Sosa, and the Ministers Centeno Grau and Arcaya, he studied in Paris on a scholarship. Once there, he enrolled at the Académie Julian, where Tito Salas, Cristóbal Rojas and Arturo Michelena had also studied. It was in Paris where, unable to work in wood, he turned to stone carving. “In Paris, I didn’t have wood, so I carved a lot in stone (…), when there were demolitions I purchased chunks of stone, I would take them to the workshop and carve them.”2 His first attempts at volumetric sculptures and painting in plain colours, linked to the thematic of American miscegenation and Creole reality, can be traced back to that first trip to Paris. During his stay in the French city, Arturo Uslar Pietri, Alfredo Boulton, and Finita Vallenilla supported the artist both financially and logistically, and in February of 1930, the trio of friends arranged another exhibition for him at the Club Venezuela. Narvaez describes his exhibition as follows: “(…) in it I feel that the sculptural work is more my own, done with more assurance, a response to my pursuit of large planes, stylisation and synthesis.”3 By then, as Boulton himself noted in his book about the artist, Narvaez departed from most of the artistic traditions that prevailed by that time in Venezuela. In 1931 he returned to Caracas and established his atelier at the Barrio Obrero in Catia. The atelier became the hub of the intellectual life of the time. “In those years, the atelier of Francisco Narvaez was the hub of the greatest Venezuelan hope. Nothing comparable to it can be found either before or since.”4 From that year onwards, exhibitions, projects, trips, and awards we multiplied. He was awarded the President of the Republic of Venezuela Prize, the National Sculpture Prize of the 1st Official Venezuelan Art Salon, and the John Boulton Prize of the 3rd Annual Venezuelan Art Salon; for the Military Academy, he produced a spectacular relief entitled La Patria. In 1945, commissioned by the architect Carlos Raúl Villanueva, he produced two groups of sculptures known as Las Toninas, both located in the O’Leary Square. There, as he himself states, he incorporates some baroque patterns into the figures to the source itself: “It is a work of balance between the decorative requirements and the sculpture of planes and angles.”5 In 1948 he was awarded the National Painting Prize. In the same year, he was called upon by the architect Carlos Raul Villanueva to participate in the project for the arts integration in the Universidad Central de Venezuela. Francisco Narvaez’s public output continued with works such as the statue of Fermín Toro, La Educacion, La Ciencia, three murals (produced by María Luisa Tovar) for the Instituto de Medicina Experimental, El Cristo; el Atleta, the equestrian statue of General Rafael Urdaneta. In 1953 he was appointed Director of the School of Plastic and Applied Arts, and in July of the same year, he exhibited “Francisco Narvaez, Maderas, Piedras y Bronces” (Francisco Narvaez, Woods, Stones and Bronzes) at the Museum of Fine Arts. Narvaez is, unquestionably, one of the great Venezuelan sculptors, his work goes through various stages and interests; as the art world evolves, the artist does not remain in his initial scopes of work. His creations are not imposed by the prevailing trends or fashion but do evolve by experimenting with new materials and interests. When one peruses the artist’s lengthy list of exhibitions, commissions, and awards, it is worth remembering the Narvaez who embark on his career as a child and who, overcoming obstacles, knew how to make the most of his curiosity. He did not settle for living off his successes. He did not remain stagnant as many creators of his environment did. Narvaez managed to understand the changes in the history of art around him. We must not overlook the fact that Francisco Narvaez is an artist amid all the changes occurring in the art world. He moves from the classics to the great transformations in the art world. It is the Europe of Picasso, Braque, Arp. He observes, he is aware of what is happening in the centres of the world of art, but between his craft and his sensitivity, the result is NARVAEZ, his stamp, and his identity. Francisco Narvaez comes from tradition, and his first stage is linked to the classics, to the exploration of his heritage, but always with his very own language. Throughout his prolific career, he knew how to remain true to himself, without disregarding the influences of his surroundings or his artistic interests: his ability as a sculptor, his selection of materials, whether they were wood, stone or bronze; his choice of the subject of his work…His mastery and great craftsmanship are a constant that over time have made him a leading player in the history of contemporary Venezuelan and world art. From his beginnings, no subject was foreign to him. His paintings, drawings, aquarelles, and sketches are testimony to his prolific output. Among his themes are portraits, our traditions, still lifes, and landscapes. Narvaez is an artist who represents his time. Later, he evolved towards purer and simpler forms, abandoning figurative art for short periods. In 1956 he declared to the newspaper El Nacional: “Every day I am freeing myself, it is a soul that frees itself from the ephemeral wrappings of the circumstantial always, as well as from the inevitable weight of the anecdote. This second stage of my work is remarkably close to abstractionism, even if there are still certain figures or figurations in the sculptures that I will shortly be showing. However, pure, and absolute abstractionism, it will treat the form itself as the sole reason for its existence on the plane of artistic excellence.”6 The artistic development was his professional life. Each period of his life as an artist, he went one step further, searching, solving, seeing plenty of things and understanding how diverse expressions were transforming themselves. His hands followed his gaze and his mind, always inquisitive. He added movement to the volumes. Arturo Uslar Pietri, “Formas Nuevas”, Cromotip editions, 1956 “Francisco Narvaez is a path: the path that Venezuelan sculpture...

Bull Bronze Sculpture Animal Small Farmlife Theo Mackaay (1950) Mackaay works with recognizable shape:: women, men and animals, with a pointer at the primal form. Archetypal motive...

Introducing the breathtaking sculpture by Jeremy Geddes featuring a cosmonaut, a stunning tribute to the wonder and beauty of space exploration. Jeremy Geddes is an Australian artist...

This Peasant resting is a subject that is included in the famous suite commonly called "little workers" by Jules Dalou (1838-1902) Bronze with nuanced dark brown patina no founder s...

Fierheid Pride Bronze Sculpture Horse Horserider In Stock KOBE, pseudonym of Jacques Saelens, was a Belgian artist (Kortrijk, Belgium 1950 – Saint-Julien (Var), France 2014). He com...

Horse and Woman Bronze Sculpture Animal Lady Theo Mackaay (1950) Mackaay works with recognizable shape:: women, men and animals, with a pointer at the primal form. Archetypal motiv...

Sculpture in bronze by Mario Dilitz. It is an edition of 8 sculptures + 4 Artist Proofs, all numbered and signed by the artist.

MATHURIN MOREAU French, (1822-1914) Silvered Bronze Figure of Psyche Silvered bronze; Signed ‘Moreau Mathurin’ 30 3/8 x 15 x 13 inches

This Peasant resting is a subject that is included in the famous suite commonly called "little workers" by Jules Dalou (1838-1902) Bronze with nuanced dark brown patina cast by Suss...

A family of lions having green patination depicting a male lion feeding two cubs; mounted on a naturalistic base - signed and applied entitled plaque "Lion 1st Gibier" Paul Edouard Delabrierre...

A large cast Vienna bronze in the Orientalist style by the Austrian sculptor Carl Kauba (1865-1922). The bronze finely modeled as an Arabian dromedary camel...

Albert-Ernest Carrier-Belleuse, (1824 1887) A Rare and Important Patinated Bronze Bust of Michelangelo On A Rouge Marble Base. Presenting an extraordinary and highly collectible ma...

Jaguar Standing Bronze Sculpture Wildlife Wild Animal Realisme Contemporary Chris Tap (1973, Amsterdam) attended university where he studied ...

Joseph Mario Korbel (Czech/American, 1882-1954). Period fine example bronze, dark brown patina, modeled as a nude female kneeling and tying her sandal, raised on a stepped black marb...

After studying Fine Art in the Netherlands Ans Zondag (1959) spent several years abroad in order to explore different artistic areas and to establish which technique suited her best....

Au Bain Marie Bronze Sculpture Bathing with Marie Bath Tub Woman Nude In Stock Dirk De Keyzer (born december 19, 1958) 1978-1985 education Koninklijke ...