Clay Sculptures

Elizabeth Jordan is an artist working primarily in sculpture and whose work uses multiple materials to produce unique, organic forms. In addition to a solo and group shows at Ivy Bro...

Elizabeth Jordan is an artist working primarily in sculpture and whose work uses multiple materials to produce unique, organic forms. In addition to a solo and group shows at Ivy Bro...

Roberto Lugo "Swimming with the Fishes" Lidded Jar (INV# NP5370) Clay and Glaze 13 x 9.5 x 9.5" 2018 signed * small firing crack on bottom but exactly how artist originally made the ...

One night ii, 2016 Stoneware and slip

One Night IV, 2016 Stoneware and slip

April 13, 2016 Stoneware, slip and gold leaf

Stele #29 Stoneware and slip

Stele #28 Stoneware and slip

Stele #11 Stoneware and slip

Composition #8 Stoneware and slip

Stele #13 Stoneware and black slip

Stele #16 Stoneware and slip

Stele #5 Stoneware and black slip

Stoneware and slip 14 x 6 x 4 in.

Magdalena Suarez-Frimkess Venice Beach Cow (INV# NP4060) clay and glaze 4.75 x 6.25 x 2.5" 2018 signed by artist Magdalena Suarez Frimkess and Michael Frimkess began working togethe...

Racu fired ceramics. Size: 73" H, base 11" x 11"

The six headed stack is a raku fired ceramics.

Grace Khalsa Gray Whale Medium: Black stoneware and white slip Year: 2021 Size: 25" x 13" x 6.5" Description: Slip-trailed skeleton sculpture Signed COA provided (by representing gallery) ------------------------------ ARTIST STATEMENT “We humans are poised between microcosm and macrocosm, containing one, sensing the other, comprehending both.” - Frank Wilczek The focus of my work is to bring attention to natural forms and patterns that implicate vast interconnection. I am captivated by the diversity and intricacy of natural systems and I consistently find myself searching for commonalities within them. These commonalities provide me with a tangible form of navigating the intangible perceptions of existence. My most recent body of work examines and illustrates the skeletons of various animals. In looking closely at their anatomy, I find undeniable similarities indicating common evolution. Shared spines, ribs, teeth and vestigial structures are the signatures of millions of years of complex relationships. After sculpting the body of the animal, I then meticulously slip-trail each skeletal detail layer by layer. This process requires an understanding of how every layer, however small, will affect the greater whole. I see clay as a material of ‘deep time’ both in a geological and cultural sense. Fired clay, ceramic, is an archival material, a record keeper of human history. Taking the role of a scientific illustrator, these works are my mark in time, paying homage to the creatures they portray. I hope to highlight the pervasive entanglement of life and honor the delicate, nuanced relationships that exist between human and non-human. BIO Grace Khalsa is a ceramic artist from Knoxville, TN. She is currently an Artist in Residence at the Mendocino Art Center in Mendocino, CA. Khalsa received her BFA in Art Practices with minors in Art History and Anthropology from the University of Colorado Boulder. She has completed two years of Post-Baccalaureate study in ceramics, one year at the University of Colorado Boulder and one at Louisiana State University. Khalsa has exhibited work at the Artists Co-Op of Mendocino, Ann Connelly...

Grace Khalsa Fruit Bat Medium: Black stoneware and white slip Year: 2021 Size: 28" x 10" x 3" Description: Slip-trailed skeleton sculpture Signed COA provided (by representing gallery) ------------------------------ ARTIST STATEMENT “We humans are poised between microcosm and macrocosm, containing one, sensing the other, comprehending both.” - Frank Wilczek The focus of my work is to bring attention to natural forms and patterns that implicate vast interconnection. I am captivated by the diversity and intricacy of natural systems and I consistently find myself searching for commonalities within them. These commonalities provide me with a tangible form of navigating the intangible perceptions of existence. My most recent body of work examines and illustrates the skeletons of various animals. In looking closely at their anatomy, I find undeniable similarities indicating common evolution. Shared spines, ribs, teeth and vestigial structures are the signatures of millions of years of complex relationships. After sculpting the body of the animal, I then meticulously slip-trail each skeletal detail layer by layer. This process requires an understanding of how every layer, however small, will affect the greater whole. I see clay as a material of ‘deep time’ both in a geological and cultural sense. Fired clay, ceramic, is an archival material, a record keeper of human history. Taking the role of a scientific illustrator, these works are my mark in time, paying homage to the creatures they portray. I hope to highlight the pervasive entanglement of life and honor the delicate, nuanced relationships that exist between human and non-human. BIO Grace Khalsa is a ceramic artist from Knoxville, TN. She is currently an Artist in Residence at the Mendocino Art Center in Mendocino, CA. Khalsa received her BFA in Art Practices with minors in Art History and Anthropology from the University of Colorado Boulder. She has completed two years of Post-Baccalaureate study in ceramics, one year at the University of Colorado Boulder and one at Louisiana State University. Khalsa has exhibited work at the Artists Co-Op of Mendocino, Ann Connelly...

Grace Khalsa Yellow Stingray Medium: Black stoneware and white slip Year: 2021 Size: 10" x 19.5" x 2" Description: Slip-trailed skeleton sculpture Signed COA provided (by representing gallery) ------------------------------ ARTIST STATEMENT “We humans are poised between microcosm and macrocosm, containing one, sensing the other, comprehending both.” - Frank Wilczek The focus of my work is to bring attention to natural forms and patterns that implicate vast interconnection. I am captivated by the diversity and intricacy of natural systems and I consistently find myself searching for commonalities within them. These commonalities provide me with a tangible form of navigating the intangible perceptions of existence. My most recent body of work examines and illustrates the skeletons of various animals. In looking closely at their anatomy, I find undeniable similarities indicating common evolution. Shared spines, ribs, teeth and vestigial structures are the signatures of millions of years of complex relationships. After sculpting the body of the animal, I then meticulously slip-trail each skeletal detail layer by layer. This process requires an understanding of how every layer, however small, will affect the greater whole. I see clay as a material of ‘deep time’ both in a geological and cultural sense. Fired clay, ceramic, is an archival material, a record keeper of human history. Taking the role of a scientific illustrator, these works are my mark in time, paying homage to the creatures they portray. I hope to highlight the pervasive entanglement of life and honor the delicate, nuanced relationships that exist between human and non-human. BIO Grace Khalsa is a ceramic artist from Knoxville, TN. She is currently an Artist in Residence at the Mendocino Art Center in Mendocino, CA. Khalsa received her BFA in Art Practices with minors in Art History and Anthropology from the University of Colorado Boulder. She has completed two years of Post-Baccalaureate study in ceramics, one year at the University of Colorado Boulder and one at Louisiana State University. Khalsa has exhibited work at the Artists Co-Op of Mendocino, Ann Connelly...

Beth Cavener Untitled Wolf Pack Year: Circa 2006 Hare - Clay and underglaze Size: 8.5 x 18.25 x 12 in. Wolves - Hydrocal and paint, Size: 13 x 13 x 14 in. ...

“Untitled” 2018-2019 Porcelain, Paper Clay Cone 6 Size: 10 in. 9 in. Danielle Weigandt explores the construct of events in time and their role in our lives. Time cannot be seen, hea...

“Untitled” 2018-2019 Porcelain, Paper Clay Cone 6 Size: 3.5 in. x 34.5 in. Danielle Weigandt explores the construct of events in time and their role in our lives. Time cannot be see...

“Untitled” 2018-2019 Porcelain, Paper Clay Cone 6 Size: 16 in. x 30 in. Danielle Weigandt explores the construct of events in time and their role in our lives. Time cannot be seen, ...

Stephanie Lanter Title : "Find the Line" Materials : Porcelain, glaze, stoneware Date : 2018 Dimensions : 12" x 8.5" x 9" Description : Manually slip-...

Stephanie Lanter Title : "If Nothing Else" Materials : Porcelain, glaze, stoneware Date : 2019 Dimensions : 15" x 15.5" x 8" Description : Manually sl...

Stephanie Lanter Title : "You" Materials : Porcelain, glaze, stoneware Date : 2019 Dimensions : 15" x 10" x 6" Description : Manually slip-trailed word sculpture on coil built pedestal Stephanie is an artist and educator working in clay, fiber, and various media. Assistant Professor of Ceramics at Emporia State University, she previously taught at Washburn University and Wichita State University. She has also been fortunate enough to be a resident artist at the Archie Bray Foundation, the LH Project, the Red Lodge Clay Center, the Anderson Ranch Arts Center, and the Mendocino Arts Center, and was the first Jentel/Archie Bray Foundation “Critic at the Bray.” Abstract, abstract art, contemporary art, ceramcs, porcelain, contemporary ceramics, mixed media, fine art, glaze, gold luster, abstract geometric, minimalism, contemporary fine art, ceramic artists, sculptural ceramics, hand-build porcelain, crocheted, Betty Woodman, Toshiko Takaezu, Richard T. Notkin, Tony Marsh, Eva Hesse, Lee Bontecou, Judith...

Brick and 14k gold electroplated styrofoam

Brick and 14k gold electroplated styrofoam

Artist: Rachel Hubbard Kline Title : Cobalt Whiskey Jug Materials : Stoneware, underglaze, glaze, decals, luster Date : 2017 Dimensions : 9.5" x 6" x 6" De...

Artist: Rachel Hubbard Kline Title : Vintage Rust Whiskey Jug Materials : Stoneware, underglaze, glaze, decals, luster Date : 2017 Dimensions : 8.5" x 4.75...

“Untitled” 2018-2019 Porcelain, Paper Clay Cone 6 Size: 23 in. x 34.25 in. Danielle Weigandt explores the construct of events in time and their role in our lives. Time cannot be see...

“Untitled” 2019 Porcelain Unfired Poplar Wood, Plex Size: 8 in. x 8 in. Danielle Weigandt explores the construct of events in time and their role in our lives. Time cannot be seen, ...

“Untitled” 2019 Porcelain Cone 5 (comes in a bag) Size: 10.5 in. x 12.5 in. Danielle Weigandt explores the construct of events in time and their role in our lives. Time cannot be se...

“Untitled” 2018-2019 Porcelain, Paper Clay Cone 6 Size: 10 in. x 10 in. Danielle Weigandt explores the construct of events in time and their role in our lives. Time cannot be seen, ...

“Untitled” 2018-2019 Porcelain, Paper Clay Cone 6 Size: 27 in. x 7 in. Danielle Weigandt explores the construct of events in time and their role in our lives. Time cannot be seen, h...