Marble Sculptures

This lamb is also featured in my statue of Saint David. It conveys such character and gentleness that I decided to present it as a sculpture in its own right. I lays on a base of bla...

Jaguar Cultivated Marble Casted Sculpture Wildlife In Stock Chris Tap (1973, Amsterdam) attended university where he studied economy and cultural anthropology, before he became a fu...

Ilaria Gasparroni Delicate words / Parole delicate, 2021 Medium: Sculpture Calacatta gold marble, ink, wooden and glass case Unique Size: Marble sculpture 28 x 21 x 1 cm, glass case...

Bronze, enamel & marble Irakli Tsuladze is a Georgian sculptor born in 1973 who lives and works in Tbilisi, Georgia. His sculptures present a peculiar...

Ilaria Gasparroni Once upon a time, 2021 Medium: Sculpture Gold Calacatta marble, ink, antique wooden container Unique Size: marble elements ...

BRECCIA FRAGMENT PLINTH Italy, 18th Century Breccia medicea 55 x d 25 cm 21 3/4 x d 9 3/4 in

Coming from a family with a long artistic tradition. Vincent Du Bois accomplished to synthesize both classical background and comtemporary vision. From...

John William Mills (born 4 March 1933, London) is an English sculptor. He studied at Hammersmith School of Art, 1947–54, and at the Royal College of Art, 1956–60. He was a resident ...

Large romanesque capital with water leaf in red Verona marble. This type of capital is typical of 12th century Cistercian abbeys and represents a tr...

John William Mills (born 4 March 1933, London) is an English sculptor. He studied at Hammersmith School of Art, 1947–54, and at the Royal College of Art, 1956–60. He was a resident ...

Antoine-Denis CHAUDET (1763 - 1810) NAPOLEON Ist, circa 1808 Carrare Marble - First Empire Hermes Bust of Napoleon Ist, after Antoine-Denis CHAUDET Dimen...

Artist: Kuno Vollet Title: Bronze Gingko with 8 leaves sculpture Materials: Cast bronze, white marble base Size: 80 x 10 x 10 cm _________________________________________________...

This marble bust, signed S. Albano dated 1890, belongs to his adult age and to the last years of his life, when he was already very requested and he had a prolific workshop in Florence. It represents a young peasant, portrayed with a simple handkerchief covering her hair and a shirt opened on the neckline to let us a see the crucifix cross, symbol of a sincere and innocent faith (the necklace appears in other is Albano’s works, like in the artist’s sister, Evangeline, Marguerite busts and in the Marguerite sculpture, all of them in private collections). The simple and tender subject is made with an exquisite technique, still quoting De Gubernatis “he can be enviable because he gives to the modelled flesh a singular transparency”, as we can see in the delicacy of the cheeks, nose, chin. His skills especially appear in the details: the locks naturally coming out, the light signs of the eyebrows, handkerchief with his thin folding line, the collar of the shirt bending on itself, the use of the drill for the rendering of the curly hair. Born in a small town in the deep South of Italy by a decent but very modest family, he developed artistic inclination since he was a child by modelling Nativity Scene characters for the people of his neighbour until the1858 when, thanks to the help of some oh his fellows recognising his talent, he moved to Naples to follow the lessons of the sculptor Antonio Sorbillo before starting his training at the Fine Art Academy with Tito Angelini...

Circle of Henri-Gaudier-Breska 1891-1915 Reclining Figure Carved marble Height 5 inches Born Henri Alphonse Séraphin Marie Gaudier near Orléans in France, Gaudier-Brzeska started using his hyphenated name in 1910 when he met the Polish writer Sophie Brzeska. They moved to London together in January 1911 and adopted their new names and the identity of brother and sister in order to make their cohabitation respectable. Gaudier-Brzeska started to establish himself as a sculptor in 1912. Initially influenced heavily by Rodin, he later assimilated more influences from the modernist movement of cubism and from examples of non-European art he saw in London’s museums. He met the sculptor Jacob Epstein in June 1912, who further encouraged him to break with classical Greek tradition. While working from 25 Winthorpe Road in 1913–14, Gaudier-Brzeska became increasingly involved in London’s avant-garde art scene. He exhibited at the London Salon in July 1913, where he met the poet and arts patron Ezra Pound. Pound described Brzeska as ‘like a well-made young wolf or some soft-moving, bright-eyed wild thing’. Gaudier-Brzeska subsequently became associated with the vorticist movement led by Wyndham Lewis, contributing two important articles to Lewis’s magazine Blast and signing his name against the vorticist manifesto. He was also a founding member of the London Group, which formed when the all-male Camden Arts Group joined with independent artists to challenge the dominance of the Royal Academy of Arts. Other founding members included Walter Sickert, Robert Bevan and Spencer Gore...

Small marble head representing a bearded man in profile, an apostle or a prophet. This sculpture comes from the Joseph Altounian collection dispersed...

Arrighini Nicola (Pietrasanta 1905-1977) a sculptor of Pietrasanta (Italy) in 1930 decided to create, in white Carrara marble on black marble basis, the Mask of Leopoldo Fregoli, o...

John William Mills (born 4 March 1933, London) is an English sculptor. He studied at Hammersmith School of Art, 1947–54, and at the Royal College of Art, 1956–60. He was a resident ...

Hsu Yun Chin is an artist who lives and works in London and Glasgow. Her practice is multifaceted and primarily focused on sculpture and photography. She combines her learned craftsm...

Fratres Bronze Sculpture Boys Brothers Male Nude Figure Marble Stone Wim van der Kant (1949, Kampen) is a selftaught artist. Next to his busy profess...

Bronze, marble & enamel Irakli Tsuladze is a Georgian sculptor born in 1973 who lives and works in Tbilisi, Georgia. His sculptures present a peculiar...

BUST In Marble Probably From Carrara Representing King Henry IV Late 18th Century" Marble BUST probably from Carrara representing King Henry IV with a laurel wreath. late 18th centur...

Aestus Bronze Sculpture Marble Stone Nude Boy Contemporary Wim van der Kant (1949, Kampen) is a selftaught artist. Next to his busy profession as a teacher ...

Lucifer Evangilans Bronze Contemporary Sculpture Nude Boy Male Figure Wim van der Kant (1949, Kampen) is a selftaught artist. Next to his busy profession as ...

Suspensus Bronze Sculpture Nude Boy Male Figure Marble Stone Wim van der Kant (1949, Kampen) is a selftaught artist. Next to his busy profession as a teacher...

Very fine large Neoclassical white marble bust of Arianna wearing a diadem with grape vine in her hair after the antique in Vatican Museum . Ariadne, in Greek mythology (Latin Aria...

"Golden chestnut" A ripe chestnut symbolizes fullness, maturity and wealth. This is one of those moments that affirms eternity, the cycle of life. like an hour hand, like a sunrise. ...

Artist: Kuno Vollet Title: Bronze Gingko with 8 leaves sculpture Materials: Cast bronze, white marble base Size: 80 x 10 x 10 cm _________________________________________________...

Beautiful Abstract Black Marble Sculpture The Ingravidesa Sculpture Alliance is formed by an international group of sculptors and desi...

Artist: Kuno Vollet Title: Golden Gingko with 6 leaves art sculpture Materials: Cast brass, gold leaf, white marble base Size: 56 x 9 x 9 cm This small elegant original brass sculpture by German artist Kuno Vollet brings nature and energy into any art collection. Each sculpture is different and the brass is gilded by hand. You can choose between a white marble and a black marble base - each is a stunning contrast of colour that fits in nicely in any elegant interiors. Limited edition each with individual leaves. Not one sculpture...

"Sheath In Sea Green And Red Marble From Caunes-minervois Nineteenth" Marble green sea for the central part and surrounded by a red of Caunes-Minervois XIXè. Provenance:GalerieParisi...

This monumental pair of sculptures in "Bardiglio" marble represent Greek Athlete of Discobolo and the Hercules figure with a lion pelt, on a cylindrical base...

A very rare bronze cast of two battling Rams, by Sirio Tofanari (1886-1969). An old cast with a dark brown shaded patina. On a heavy green marble steppe...

The distinctive qualities of the Tiger's character are swiftness in making decisions, great reaction, love of risk. Those born under the sign of the tiger love to compete disguising ...

PLINTH: 191 X 55 X 113 CM. The most important work by the artist.

The author seeks to deeply reveal the historical theme in the composition "Hetman". It creates a collective image of that great era full of knightly courage, beauty and strength cele...

This amazing sculpture figures a peacock making the wheel. Each feather is made of a slice of transparent agate, soldered with brass to the rest of the wheel. The agate wheel is me...

Roman marble altar fragment with cupid Provenance: Nicolas Koutoulakis (1910-1996), Paris and Geneva

One piece from the Nail tips series in which the artist talks about the political situation in the USA

Orpheus Bronze Sculpture Contemporary Classic Mythology. Size is including pedestal. The sculptures of Margot Homan (1956, Oss) show a perfect command...

Coming from a family with a long artistic tradition. Vincent Du Bois accomplished to synthesize both classical background and comtemporary vision. From...

Coeur Heart Bronze Sculpture Portrait Classical Contemporary The sculptures of Margot Homan (1956, Oss, the Netherlands) show a perfect command of the old...

Szymon Oltarzewski was born in 1977 in Poland. Graduated in Environmental Engineering from the University of Opole, in 2003 he moved to Pietrasanta where he enrolled at the Academy o...

Standing figure of Julius Caesar wearing a Tunic and holding a billowing drapery with a composition marble square-section pedestal. . The other figure is of Hannibal. Provenance fro...

Szymon Oltarzewski was born in 1977 in Poland. Graduated in Environmental Engineering from the University of Opole, in 2003 he moved to Pietrasanta where he enrolled at the Academy o...

Bacio (Kiss) by Lorenzo Vignoli striking hand carved marble sculpture of rare Portuguese rosa marble by contemporary Italian sculptor Lorenzo Vignoli, incorporating classical refere...

Signed and dated: ‘F. Harwood Fecit 1764’ Collections: Probably commissioned by Alexander Gordon, 4th Duke of Gordon (1743-1827); Probably by descent at Gordon Castle, Banffshire to c.1948; Possibly acquired by Bert Crowther of Syon Lodge, Middlesex; Jacques Hollander (1940-2004); Christie’s, 5 December 2013, lot 101; Private collection; Sotheby’s, 2 July 2019, lot 106 Literature: John Preston Neale, Views of the seats of noblemen and gentlemen, in England, Wales and Scotland, London, 1822, vol.I, unpaginated. This marble copy of an ancient bust in the Musei Capitolini usually identified as Faustina the Younger, the daughter of Antoninus Pius and future wife of Marcus Aurelius, was made in Florence by Francis Harwood in 1764. Harwood was one of the most prolific suppliers of decorative marbles for the Grand Tour market and this finely worked example demonstrates the quality of luxury goods available to travellers to Italy. So often anonymous, this unusually signed and dated example, raises questions about the status of marble copies in the period and of sculptors such as Harwood who are known principally for ornamental work. Harwood’s origins remain obscure. He is documented living in Palazzo Zuccari with Joshua Reynolds and the Irish sculptor Simon Vierpyl at Easter 1752, he had certainly settled permanently in Florence by the following year, when he is recorded working with Joseph Wilton. He was admitted to the Florentine Academy on 12 January 1755 (as pittore Inglese, although he was described as scultore in the matriculation account). After Wilson returned to England in 1755 Harwood appears to have worked in a studio near SS. Annunziata with Giovanni Battista Piamontini who had made life-size copies of The Wrestlers and The Listening Slave for Joseph Leeson in 1754. In 1758 both sculptors were contracted to make a statue and a trophy to complete the decoration of the Porta San Gallo, Harwood completing a statue of Equality, installed the following year. By 1760 Harwood was on the brink of his most productive period as a sculptor, producing copies of celebrated antiquities for the ever-increasing audience of Grand Tour travellers and for the domestic market in London. In 1761 Harwood met the young architect James Adam who was in Italy specifically to make contact with suppliers for Robert Adam’s burgeoning practice back in Britain. The Adams offered a remarkably cohesive design package to their clients, encompassing not just architecture, but fixtures, fittings and furniture as well. Harwood was able to supply the brothers with marbles for their new interiors. At Syon, for example, Harwood produced a full-size copy of Michelangelo’s Bacchus for the new dining room the Adams had designed for Hugh Smythson, 1st Duke of Northumberland. Harwood seems to have also specialised in producing sets of library busts. In 1758 Charles Compton, 7th Earl of Northampton, a distinguished traveller commissioned a set of busts which remain in situ at Castle Ashby in Northamptonshire. It is perhaps no coincidence that the Adam brothers were producing designs for new interiors at Castle Ashby at this date. The set included representations of: Cicero, Julius Caesar, Marcus Aurelius, Faustina the Younger, Sappho, Seneca and Homer. Each of these busts Harwood seems to have replicated for multiple patrons, another Adam patron, Thomas Dundas...

Aparici's work is characterized by simplicity, since most of his pieces bring together few elements, resulting in very elegant compositions with simple lines, which together with his...

Artist Commentary: Half face with one goggling eye. The turnable eye has pupil on both side, light can go through. When the eye turned sideway, it becomes cat eye. Our eye movements are the most talkative part of our face. Keywords: Abstract, geometric, white, black, kinetic, stone Artist Biography: Born in Hungary, Andrasfalvy is 50, with swift dark eyes, a chiseled jaw, and a casually athletic frame that stretch, well over six feet. He exudes a quiet restlessness. He holds an M.D., a Ph.D., and two curricula vitae—one that lists eleven peer-reviewed publications on neuronal physiology, and another that describes dozens of sculptures, several of them commissioned and many gifts. The pivot between art and science started early. When Andrasfalvy was 10 years old, his father gave him a woodcarving set. By age 20, he had completed his first stone sculpture—and was on the path to medical school. Ever since, he’s spent weekends sculpting leftover granite or marble salvaged...

The sculpture is carved from the precious black marble of Belgium, one of the most fascinating materials a sculptor has at his disposal. The work was created a few years ago and is t...

Unusual 14th Century Italian marble mortar with animals depicted on the sides

Transformation by British sculptor Ian Thomson. Thomson's travels have provided inspiration for his work. He holds degrees in Architecture and Philosophy &...

Bronze & marble Irakli Tsuladze is a Georgian sculptor born in 1973 who lives and works in Tbilisi, Georgia. His sculptures present a peculiar unity o...

a drop of black Belgian marble in equilibrium dedicated to Japanese master Kengiro Azuma

A series of works .. ANCIENT .. ..FOREST .. ..AQUA .. all these series have a magical connection with each other. They have the ancient spirit of past civilizations and sections of d...

A series of works .. ANCIENT .. ..FOREST .. ..AQUA .. all these series have a magical connection with each other. They have the ancient spirit of past civilizations and sections of d...

French Mid 20th Century bronze figure of a man presented on an iron 'tige' and marble base. The sculpture is not signed but was purchased from Nice, France, in the 1970s as a work b...

Aquila Bronze Sculpture on pedestal of marble Hight bronze 57 cm with pedestal of marble (included) 68 cm Wim van der Kant's sculptures are in bronze...

A series of works .. ANCIENT .. ..FOREST .. ..AQUA .. all these series have a magical connection with each other. They have the ancient spirit of past civilizations and sections of d...