Resin Sculptures

Follow Me is a resin sculpture made by Patrice Breteau, a French contemporary artist. This piece is available in eight different colors, all resistant to UV ...

This sculpture by Kenzie Wells depicts a surrealist landscape and an abstraction of a home or "castle." Stone tiles create a small walkway and steps to an archway, where a blue foam ...

2006, edition of 20 resin fiberglass painted & varnished 39 2/5 × 47 1/5 × 23 3/5 in - 100 × 120 × 60 cm The artwork is signed by the Artist , carved with edition number and date und...

2011, edition of 20 resin fiberglass painted & varnished 39 2/5 × 47 1/5 × 23 3/5 in - 100 × 120 × 60 cm The artwork is signed by the Artist , carved with edition number and date und...

2011, 8 Editions mix media resinfiberglass and diamondsstrass 39 2/5 × 47 1/5 × 23 3/5 in - 100 × 120 × 60 cm The artwork is signed by the Artist , carved with edition number and dat...

Michelangelo Bastiani (1979, Italy) uses technology in his representations of water to illustrate its dynamic nature and facilitate a direct connection and tangible interaction with ...

A piece from the exhibition "Cosmic Duality" by artist Mr. Mitote. Mitote is a term we use today to describe a lively, noisy, and excessive gathering. It’s also used to depict tumul...

2011, Unique Edition Resin fiberglass chrome effect with protective cap plexiglas with LED 54 3/10 × 12 1/5 × 7 9/10 in - 138 × 31 × 20 cm The artwork is signed by the Artist , carve...

Arabesques Horse is a resin sculpture made by Patrick Schumacher, a French contemporary artist. This white Horse sculpture with blue "arabesques...

2006, edition of 20 resin fiberglass painted & varnished 39 2/5 × 23 3/5 × 15 7/10 in - 100 × 60 × 40 cm The artwork is signed by the Artist , carved with edition number and date und...

2017, Edition of 8 Resin painted and varnished 51 1/5 × 47 1/5 × 31 1/2 in - 130 × 120 × 80 cm The artwork is signed by the Artist , carved with edition number and date under the fee...

Kathleen Vance, “Traveling Landscape, "Golden Interior” found case, artificial foliage, resin, paint (12.5”x5”x8”) 2022 Kathleen Vance is an environmental artist who creates sculptures and installations that connect people to local aspects of nature that are overlooked or under-appreciated. Vance received her B.F.A. from Pratt Institute and her M.F.A. from Hunter College in sculpture. She has received numerous grants and awards for her artwork including: a travel grant to research the geo-thermal regions of Iceland, a grant from the Puffin foundation for public sculpture, a development grant from Aljira, Center for Contemporary Art in conjunction with the Creative Capital Foundation, and a grant from the Brooklyn Arts council which aided the development and implementation of an outdoor community based art project in East New York. Ms. Vance was artist in resident in Berlin, Germany, presenting a workshop on environmental arts in connection with the Grunewald Parks Department in Germany. Her sculptural installations have been featured at the Museum of Contemporary Art in Krakow, the Museum of Contemporary Art in Jacksonville, the Orlando Museum of Art, the Weatherspoon Art Museum, the Peeler Art Center, the Weisman Art Museum, the Brandywine River Museum of Art, the Bruce Museum, the Ellen Noel Art Museum, Nassauischer Kunstverein Wiesbaden, the Hillwood Art Museum, VOLTA New York, PULSE New York and Miami, and EXPO Chicago, as well as many private and public institutions. Kathleen Vance has exhibited extensively in New York and internationally and continues to live and work in New York. Kathleen Vance Artist Statement, “Traveling Landscapes” With the series “Traveling Landscapes” Vance creates miniature landscapes inside vintage suitcases and trunks...

Linda Stein, Knight Spirit 675 - Contemporary Art Metallic Wall Sculpture Edition Knight Spirit 675 is from Linda Stein’s Knights of Protection series, which she started after being...

2017, Edition of 8 Resin FiberGlass Painted & Varnished 51 1/5 × 37 2/5 × 37 2/5 in - 130 × 95 × 95 cm The artwork is signed by the Artist , carved with edition number and date under...

2015, Edition of 8 Mix Media Resin Fiberglass Painted and Varnished & Stainless Steel Polished 19 7/10 × 19 7/10 × 19 7/10 in - 50 × 50 × 50 cm The artwork is signed by the Artist , ...

2011, 8 Editions mix media resinfiberglass and diamondsstrass 39 2/5 × 47 1/5 × 23 3/5 in - 100 × 120 × 60 cm The artwork is signed by the Artist , carved with edition number and dat...

2011, Unique Edition Resin painted and varnished 21 7/10 × 17 7/10 × 17 7/10 in - 55 × 45 × 45 cm The artwork is signed by the Artist , carved with edition number and date under the ...

Kathleen Vance, “Traveling Landscape, "Golden Interior” found case, artificial foliage, resin, paint (12.5”x5”x8”) 2022 Kathleen Vance is an environmental artist who creates sculptures and installations that connect people to local aspects of nature that are overlooked or under-appreciated. Vance received her B.F.A. from Pratt Institute and her M.F.A. from Hunter College in sculpture. She has received numerous grants and awards for her artwork including: a travel grant to research the geo-thermal regions of Iceland, a grant from the Puffin foundation for public sculpture, a development grant from Aljira, Center for Contemporary Art in conjunction with the Creative Capital Foundation, and a grant from the Brooklyn Arts council which aided the development and implementation of an outdoor community based art project in East New York. Ms. Vance was artist in resident in Berlin, Germany, presenting a workshop on environmental arts in connection with the Grunewald Parks Department in Germany. Her sculptural installations have been featured at the Museum of Contemporary Art in Krakow, the Museum of Contemporary Art in Jacksonville, the Orlando Museum of Art, the Weatherspoon Art Museum, the Peeler Art Center, the Weisman Art Museum, the Brandywine River Museum of Art, the Bruce Museum, the Ellen Noel Art Museum, Nassauischer Kunstverein Wiesbaden, the Hillwood Art Museum, VOLTA New York, PULSE New York and Miami, and EXPO Chicago, as well as many private and public institutions. Kathleen Vance has exhibited extensively in New York and internationally and continues to live and work in New York. Kathleen Vance Artist Statement, “Traveling Landscapes” With the series “Traveling Landscapes” Vance creates miniature landscapes inside vintage suitcases and trunks...

2015, Unique Artwork Resin FiberGlass Painted & Varnished 50 x 50 x 50 cm The artwork is dated, signed and numbered carved on base of the sculpture: 1 / 1 The artwork come accompanied with a formal Certificate of Authenticity issued by the studio of the Artist and signed by the Artist serie "Enchanted Dimensions : The Sculpted Odyssey of Virtual Wonders" Potchi Moopp's sculptural masterpieces, stemming from the series "Enchanted Dimensions: The Sculpted Odyssey of Virtual Wonders," unveil a fascinating narrative that delves into the roots of her inspiration. As an art biographer, it is crucial to explore the intricacies of Moopp's creative journey and the origins of her fascination with magic, crazy mushrooms, and the enchanting landscapes of virtual fantasylands. Moopp's artistic genesis can be traced to her upbringing in Nagoya, Japan, where the rich tapestry of Japanese folklore, steeped in mythical creatures and whimsical landscapes, left an indelible mark on her imagination. Growing up in a society that gracefully blends tradition with cutting-edge technology, Moopp found herself captivated by the seamless coexistence of the old and the new, the tangible and the digital. The world of Japanese manga and video games, with its vibrant hues and fantastical narratives, became a wellspring of inspiration for Moopp. In particular, the iconic imagery of mushrooms, as seen in the renowned Super Mario Bros...

This striking piece, known for its bold red finish and lifelike detail, exemplifies Zareski's unique artistic vision and mastery in sculpture. "Babyfoot" is a part of Idan Zareski's...

2008, Edition of 20 resin fiberglass painted & varnished 39 2/5 × 23 3/5 × 15 7/10 in - 100 × 60 × 40 cm The artwork is signed by the Artist , carved with edition number and date und...

Joseph Safina Atlantic, 2024 Resin and mixed media with decommissioned 1911 gun10 x 10 x 3 in (25.40 x 25.40 x 7.62 cm)

Sumo The sumo wrestler is a symbol of power and spirituality seen as a messenger from the gods in Japan. He throws an oil drum countering spiritual power and industrial power to ask ...

The Panda (WWF logo) on a can of nuclear waste subtitled “You want to fuck my life”. While remaining humorous and aesthetically attractive, his messages become more powerful reflecting current environmental and humanitarian issues. Born in 1953, Patrick Schumacher is a German contemporary sculptor based in Nice, France. Classically trained in the foundation of Art in Strasbourg, France, he specialises in restoring art antiquities. As a result of his training, Schumacher acquired an extensive range of technical knowledge which he applies to a broad spectrum of materials. Finding inspiration in cultural origins combined with his interests in both classical and Asiatic art...

2011 - 8 Editions mix media resin and diamondsstrass 39 1/3 × 35 4/10 × 35 4/10 in - 100 × 90 × 90 cm The artwork is signed by the Artist , carved with edition number and date under ...

2017, Edition of 8 Resin FiberGlass Painted & Varnished 51 1/5 × 37 2/5 × 37 2/5 in - 130 × 95 × 95 cm The artwork is signed by the Artist , carved with edition number and date under...

2008, Edition of 20 resin fiberglass painted & varnished 39 2/5 × 23 3/5 × 15 7/10 in - 100 × 60 × 40 cm The artwork is signed by the Artist , carved with edition number and date und...

65” x 35” x 4" resin, metal- signed on reverse by the artist. This wall sculpture depicts two cowboys riding horses against a vibrant red arc of the setting sun. The contour of the...

Lucky Elephant (Red) - Edition of 75. Christopher Schulz (b. 1974) works in a variety of mediums to create his sculptures and 2D wall pieces, Schulz seeks to engage the viewer in v...

Cindy Avroch is a multi-talented artist who began her career by following in her mother’s footsteps. Cindy’s first love was always drawing, painting and sculpting, although Cindy is also a trained dancer. While other little girls could be seen carrying Barbie dolls around, Cindy would be juggling a sketchbook, pencils and an eraser in her hands. Among her earlier accomplishments, she received a degree in textile design from the Fashion Institute of Technology in New York City, and a scholarship to study at Winchester School of Art in England.
 Cindy worked for many years as a studio artist and then an art director in New York City’s fashion industry. Her designs were in major department stores and specialty shops nationwide. Working directly with The Walt Disney Co., Warner Bros., United Media and Nickelodeon, she created licensed print collections for the men’s, women’s and children’s markets. Her unique approach and vision, combined with her philosophy to diversify her modes of expression, enabled her to create and to direct her team to develop fashion collections that tripled sales. She left the fashion industry to care for her special needs son and found herself a stay- at-home mom for the first time. Soon afterwards, she launched a new venture from home, designing fine art lighting...

A piece from the exhibition "Cosmic Duality" by artist Mr. Mitote. Mitote is a term we use today to describe a lively, noisy, and excessive gathering. It’s also used to depict tumul...

Soon is a resin sculpture made by Patrick Schumacher, a French contemporary artist. This sculpture represents a gorilla in the posture of the "David" Renaissance sculpture by Michelangelo. "Through my artistic work, I try to highlight the possible parallels between animals and human beings, at the crossroads of humor and mockery." P. Schumacher Classically trained, Schumacher further specializes in restoring art antiquities, with a particular interest in Asiatic arts. He acquired an extensive range of technical knowledge which he applies to a broad spectrum of materials. From the melting pot of diverse cultural origins, interests in both classical and Asiatic art and an array of technical skills rose his three-dimensional contemporary...

A piece from the exhibition "Cosmic Duality" by artist Mr. Mitote. Mitote is a term we use today to describe a lively, noisy, and excessive gathering. It’s also used to depict tumul...

Rhinoceros adorned with a zebra skin - Rhinozebros is a resin sculpture made by Patrick Schumacher, a French contemporary artist. This sculpture represents a rhinoceros adorned with a zebra skin. "Through my artistic work, I try to highlight the possible parallels between animals and human beings, at the crossroads of humor and mockery." P. Schumacher Enlargements or reductions - Edition of 8 Equipped with a portfolio of internationally renowned artists, Gauchet Fine Art...

This striking piece, known for its bold red finish and lifelike detail, exemplifies Zareski's unique artistic vision and mastery in sculpture. "Le Sifflleur" is a part of Idan Zares...

Sculpture in resin Fanfan is a French female artist born in 1962 who lives and works in Sare, France. As atechnical virtuoso, she is constantly searching for innovative pigment mate...

Sculpture in resin Fanfan is a French female artist born in 1962 who lives and works in Sare, France. As atechnical virtuoso, she is constantly searching for innovative pigment mate...

Sculpture in resin Fanfan is a French female artist born in 1962 who lives and works in Sare, France. As atechnical virtuoso, she is constantly searching for innovative pigment mate...

A piece from the exhibition "Cosmic Duality" by artist Mr. Mitote. Mitote is a term we use today to describe a lively, noisy, and excessive gathering. It’s also used to depict tumultuous gatherings marked by disorder, commotion, and sometimes even quarrels. In the colonial past, mitote was a celebration commemorating the establishment of the New Spain kingdom, blending local pride with imperial solemnity. However, throughout both ancient times and the present day, mitotes serve as rituals embedded in the culture and religiosity of various indigenous groups in Mexico, such as the Nahua, Cora, Tepehuan, and Huichol. Adorned in rich attire, gathered around a fire amidst the sounds of musical instruments, and under the intoxicating influence of alcoholic beverages, mitotes serve as occasions to invoke sacred beings—whether protective deities of nature or Christian saints associated with agriculture—to pray for bountiful harvests. Mitotes encompass and have always embodied rites, myths, and life. In homage to the artist’s name, this exhibition is presented as a mitote: a celebration displaying the intimate mythologies of its creator through various artistic expressions such as sculpture, artwork, and video. Cosmic Duality is a concept wherein Mr. Mitote delves into memories of his childhood from a contemporary perspective. His mother introduced him at a young age to the traditions and customs of her native Maltrata, Veracruz, a town steeped in the memory of a noble past wherein it fought for its autonomy. Every year on January 1st, to invoke prosperity, the dance of the huehues (meaning “old people” or “elders” in Nahuatl) is performed. According to oral and local traditions, these characters embody foes in a mocked and vanquished manner, dancing beneath the lash of a tiger or devil. Their costumes feature pre-Columbian symbols merged with elements evoking nature, alongside nods to contemporary entertainment culture. Through the observation and interpretation of nature, numerous ancestral cultures created dual cosmologies. Far from viewing opposites, they conceived of dual complementary systems such as chaos-order, cold-heat, humidity-drought, feminine-masculine, and life-death, among others, to uphold cosmic order. Placed within the context of Mexico City, Mr. Mitote reimagines these enduring principles from ancient religious practices alongside contemporary languages. He does so through vibrant entities that blend tradition and innovation, memory and fantasy, past and present, ancestral ceremonies, and urban rituals. Each artwork serves as a reminder that across all latitudes and human territories, culture thrives, tradition evolves continuously, the past is revitalized, and the present shapes the path forward into the future. The body has served as the quintessential conduit bridging two dual dimensions: the human and the divine, the earthly and the celestial, the microcosm and the macrocosm. In several of his artworks, Mr. Mitote invokes propitiatory dances, and ritual practices, aimed at attracting abundant rain and fostering good harvests, many of which entail risking the physical well-being and even the lives of participants. The tiger hunt...

73” x 40” x 2” variable dimensions (resin, metal) In Philip Simmons' series of sculpture made of resin, metal, and vinyl, he references pop sources and the news media to comment o...

Spinning-top is a tall abstract resin sculpture made by Patrice Breteau, a French contemporary artist.This sculpture is available in eight different colors, all resistant to UV expos...

This striking piece, known for its bold red finish and lifelike detail, exemplifies Zareski's unique artistic vision and mastery in sculpture. "LadyFoot" is a part of Idan Zareski's...

This striking piece, known for its bold red finish and lifelike detail, exemplifies Zareski's unique artistic vision and mastery in sculpture. "Babyfoot" is a part of Idan Zareski's...

Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In Extrapolations, Lachapelle extracts seemingly mundane mechanical objects from a typical cityscape – such as radiators, fire hydrants, and balconies – and manipulates their appearance by creating 3D printed models that visually oscillate between the magical and the monstrous. In some of his sculptures, Lachapelle uses photogrammetry – a method that scans a series of two-dimensional photographs or images to create three-dimensional models. While photogrammetry typically enables real-life objects to be accurately reproduced, the artist challenges this paradigm by tampering with the machine’s process, both by accepting the machine’s glitches and by triggering them. When scanning images, the results may not always be what is anticipated, however, for Lachapelle it is about welcoming the unknown. In several examples, he encourages the program to read screenshots of images and extrapolates what should be there, filling in blank data with added images and various shapes. The resulting sculptures are symmetrical and geometric, appearing uncannily familiar like human vertebrae, yet unfamiliar in fantastical abstracted forms. The sculptures merge between two different worlds, bridging human and machine through unexpected adaptations to everyday things. Extrapolations balances between this duality, ultimately reflecting on the increasing dependency humans have on technology in our everyday world. For Lachapelle, this is especially pertinent in a world where technology is continuously developing. The sculptures highlight the dynamic and everchanging relationship between humans and technology, making us question this reliance on technology. In this exhibition, Lachapelle also introduces the inclusion of human characters back into his art practice. He places people in unnatural and impossible exchanges with machines and technology. For instance, while in past exhibitions, he has usually tried to conceal the electronic components that make moving pieces...

Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In ...

This striking piece, known for its bold red finish and lifelike detail, exemplifies Zareski's unique artistic vision and mastery in sculpture. "Le Sifflleur" is a part of Idan Zares...

37" x 26" x 4", resin, vinyl This wall hanging sculpture depicts three cowboys standing with a prize bull. The surface is cast in a deep midnight blue and b...

Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In ...

Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In ...

Carla was born in Rome on 23 April 1998. Since she was a child she has felt a strong artistic vocation and a great passion for fashion. For many years she searched for her way in the world of art through experimentation: cutting clothes, painting on canvas, writing... The spark was ignited in 2019, while Carla was attending fashion school in her hometown, when she and her family, who have always collected vintage luxury handbags, began designing her own flowers starting with roses. The following year Carla learned modeling techniques as a self-taught, beginning to elaborate on her vision and bring her vocation to life. Thus were born Carla's works, the perfect synthesis of her two great loves: handbags and nature's most precious gift: Flowers. Always a collector of handbags, as a child Carla spent her days looking at them, studying them and adoring them . Influenced by the currents of the early 2000s, Carla acquired a unique romantic pop style. Flowers are the other constant in her life and that of her family, the natural element that has always fascinated her. Roses as a gift from nature, as a gift for someone we love, as a gift for ourselves. Unfortunately short-lived. Her creations are Carla's answer to this urgency: to stop time and make the love of bags and flowers eternal. Carla gives her works uniqueness, creating special and unique boxes...

Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In Extrapolations, Lachapelle extracts seemingly mundane mechanical objects from a typical cityscape – such as radiators, fire hydrants, and balconies – and manipulates their appearance by creating 3D printed models that visually oscillate between the magical and the monstrous. In some of his sculptures, Lachapelle uses photogrammetry – a method that scans a series of two-dimensional photographs or images to create three-dimensional models. While photogrammetry typically enables real-life objects to be accurately reproduced, the artist challenges this paradigm by tampering with the machine’s process, both by accepting the machine’s glitches and by triggering them. When scanning images, the results may not always be what is anticipated, however, for Lachapelle it is about welcoming the unknown. In several examples, he encourages the program to read screenshots of images and extrapolates what should be there, filling in blank data with added images and various shapes. The resulting sculptures are symmetrical and geometric, appearing uncannily familiar like human vertebrae, yet unfamiliar in fantastical abstracted forms. The sculptures merge between two different worlds, bridging human and machine through unexpected adaptations to everyday things. Extrapolations balances between this duality, ultimately reflecting on the increasing dependency humans have on technology in our everyday world. For Lachapelle, this is especially pertinent in a world where technology is continuously developing. The sculptures highlight the dynamic and everchanging relationship between humans and technology, making us question this reliance on technology. In this exhibition, Lachapelle also introduces the inclusion of human characters back into his art practice. He places people in unnatural and impossible exchanges with machines and technology. For instance, while in past exhibitions, he has usually tried to conceal the electronic components that make moving pieces...

This striking piece, known for its bold red finish and lifelike detail, exemplifies Zareski's unique artistic vision and mastery in sculpture. "Le Sifflleur" is a part of Idan Zares...

This striking piece, known for its bold red finish and lifelike detail, exemplifies Zareski's unique artistic vision and mastery in sculpture. "La nena" is a part of Idan Zareski's ...

Roby Dwi Antono is acclaimed for his art that intricately explores cultural and societal themes. His work seamlessly merges traditional techniques with modern perspectives, offering ...

The artwork of Alejandra España is an invitation to her intimate cosmogony. In it, she displays modules to give meaning to the observer through the configuration of maps or cartograp...

Life can be scary, fast, and discordant. Adulthood, the compilation of myriad experiences, can bury youthful dreams. Alejandra España resists this dark potential, using a common, joy...

Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In ...

Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In ...