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Hermann VolzNaked warrior with short sword / - The New Hercules -c. 1935
c. 1935
$2,276.47
£1,694.37
€1,900
CA$3,118.20
A$3,468.12
CHF 1,810.94
MX$42,203.30
NOK 23,128.51
SEK 21,690.46
DKK 14,464.04
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About the Item
Hermann Volz (1847 Karlsruhe - 1914 ibid.), Naked warrior with short sword, c. 1935. Partially (?) patinated bronze with cast plinth mounted on a black marble base (6.8 cm high). 32.5 cm (total height) x 12 cm (width) x 7 cm (depth), weight 3.7 kg. Signed “H.[ermann] Volz” on the plinth.
- Patina rubbed, visible casting seam on the left arm, otherwise in excellent condition for its age.
- The New Hercules -
Despite its relatively small size, the warrior appears monumental. Hermann Volz based the design of the body on the Farnese Hercules. The ancient sculpture measures 3.20 m and has a slightly curved body, just like Volz's warrior. However, the monumental effect of the ancient hero is not only due to his size; his head is smaller in relation to his body than in other ancient statues, which makes the body appear all the more powerful. Volz takes advantage of this effect by giving his warrior a beardless, youthful face. With his short, curly hair and determined gaze, Volz may have been inspired by busts of Caracalla.
In contrast to the older Hercules Farnese, who leans on his mighty club after heroic deeds, the youthful "Hercules" looks resolutely toward the deeds to come. His head is turned to the side, not forward, as if he has discovered something to look forward to. Full of fighting spirit, he has clenched his fist in one hand, while the other holds up the short sword, ready to draw it from its scabbard.
About the artist
While studying architecture in Karlsruhe, Hermann Volz attended art school to take drawing lessons. After serving as an officer in the Franco-Prussian War, he turned to sculpture in 1871 as a student of Carl Johann Steinhäuser. In the same year, he traveled to Italy, where he stayed regularly until 1913. After his return from Rome, he took lessons in anatomical drawing in Stuttgart with Hans Canon, a pupil of Ferdinand Georg Waldmüller. Back in Karlsruhe, Volz taught modeling at the School of Arts and Crafts from 1878 and was subsequently Professor of Sculpture at the Karlsruhe Academy of Art from 1880 until his retirement in 1919, where he also served as director several times.
Volz quickly became the most sought-after sculptor in the Grand Duchy of Baden, receiving numerous commissions for public monuments throughout the country, such as the war memorial in Hanover (1878), the Geibel memorial in Lübeck (1887-1889) and the equestrian statue of Kaiser Wilhelm I in Essen (1898).
In 1935, he created a larger-than-life Hitler head and took part in the Great German Art Exhibition in 1937 and 1938 at the advanced age of over 90, where his portrait bust of Winifred Wagner, the work “Orestes, fleeing from the Furies” and “Youth” were among the works on display.
GERMAN VERSION
Hermann Volz (1847 Karlsruhe - 1914 ebd.), Nackter Krieger mit Kurzschwert, um 1935. Partiell (?) patinierte Bronze mit gegossener Plinthe auf schwarzem Marmorsockel (6,8 cm Höhe) montiert. 32,5 cm (Gesamthöhe) x 12 cm (Breite) x 7 cm (Tiefe), Gewicht 3,7 kg. Auf der Plinthe mit „H.[ermann] Volz“ signiert.
- Patina berieben, sichtbare Gussnaht am linken Arm, ansonsten in einem altersgemäß ausgezeichneten Zustand.
- Der neue Herkules -
Trotz des relativ kleinen Formats wirkt der Krieger monumental. Bei der Durchbildung des Körpers orientiert sich Hermann Volz am Herkules Farnese. Die antike Skulptur misst 3,20 m und weist einen ebenso leicht geschwungenen Körper auf wie Volz' Krieger. Die monumentale Wirkung des antiken Helden resultiert aber nicht allein aus seiner Größe, sein Kopf ist im Verhältnis zum Körper kleiner als bei anderen antiken Statuen, wodurch der Körper umso mächtiger wirkt. Diese Wirkung macht sich auch Volz zu Nutze, wobei er seinem Krieger ein bartloses jugendliches Antlitz verleiht. Bei den kurzen gelockten Haaren und dem entschlossenen Blick mag sich Volz an Caracalla-Büsten orientiert haben.
Im Gegensatz zum bereits älteren Herkules Farnese, der sich nach getanen Heldentaten auf seine mächtige Keule stützt, blickt der jugendliche ‚Herkules‘ entschlossenen den kommenden Taten entgegen. Sein Kopf ist nicht nach vorne, sondern zur Seite ausgerichtet, als ob er etwas erspäht hätte, dem er entgegenblickt. Voller Kampfeslust hat er mit der einen Hand die Faust geballt, während er mit der anderen das Kurzschwert hochhält, um es aus der Scheide zu ziehen.
zum Künstler
Bereits während des Architekturstudiums in Karlsruhe besuchte Hermann Volz die Kunstschule, um Zeichenunterricht zu nehmen. Nach seinem Einsatz als Offizier im Deutsch-Französischen Krieg wandte er sich 1871 als Schüler von Carl Johann Steinhäuser der Bildhauerei zu. Noch im selben Jahr reiste er nach Italien, wo er sich bis 1913 regelmäßig aufhalten sollte. Nach seiner Rückkehr aus Rom nahm er in Stuttgart bei Hans Canon, einem Schüler Ferdinand Georg Waldmüllers, Unterricht im anatomischen Zeichnen. Zurück in Karlsruhe lehrte Volz ab 1878 Modellieren an der Kunstgewerbeschule und war anschließend von 1880 bis zu seiner Emeritierung 1919 Professor für Bildhauerei an der Karlsruher Kunstakademie, der er zudem mehrmals als Direktor vorstand.
Schnell entwickelte sich Volz zum gefragtesten Bildhauer des Großherzogtum Badens, der landesweit mit zahlreichen Aufträgen für öffentliche Denkmäler bedacht wurde, wie das Krieger-Denkmal in Hannover (1878), das Geibel-Denkmal in Lübeck (1887-1889) oder die Reiterstatue Kaiser Wilhelm I. in Essen (1898).
1935 fertigte er einen überlebensgroßen Hitler-Kopf an und nahm 1937 und 1938 im hohen Alter von über 90 Jahren an den Großen Deutschen Kunstausstellung teil, wo unter anderem seine Porträtbüste Winifred Wagners, das Werk „Orestes, vor den Furien fliehend“ und „Jugend“ zu sehen waren.

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