Bronze Nude Sculptures

Pollès - Unique Bronze Sculpture - Abysse Bronze 1/1 Created in 1990, casted in 2000 28 x 13 x 14 cm Signed and Numbered BIOGRAPHY Pollès was born in Paris in 1945 Like Leonard de Vinci in an anatomical search of perfection, of representation of movement,with an almost scientifical or medical glance, Pollès holds the utmost passion of anatomy: he learns about the human body, the complicated hank of muscles, movements of members and all the bodily mechanics. That’s why in 1964 he starts medicine school and along side goes to the Charpentier Academy where he follows art lessons. In 1966, he encountered sculpture in London where he was invited by his friend Enzo Plazota. This final step teaching him all the bases of sculpture. Pollès then decides to go to live in Italy, in Carrare, an important art place. He moved in 1970 and settled in Pietrasanta where he still lives. ​ His sculptures, by creating a vision of the moving being, polished and smoothed, break the pureness of aestheticism. He just knows one theme, one model: the female form. According to Pollès, this is the most beautiful one, the most harmonious one. “When we are looking at a feminine body, it is splendid, it is musical”. His love of women, the sensuality, the complexity, the shapes and passions, brought him to explore the female form. Since the beginning he has created a singularly stylized cubist form; this becoming his signature form. ​ All are cast in bronze by Pollès himself and made in a series of four with one artist's proof. His masterliness of the patina is considered unparalleled. The world's recognition of his craft is evidenced by the many awards he has won, the unique places he has shown and the prestigious private collections he is in, including that of Princess Caroline of Monaco. ​ Pollès was recently honored in an exhibition outside Paris, sponsored by the French Government, called “Sculptors From Rodin to The Present”. He was one of the few living sculptors to be so honored; the others include Abakanowicz, Arman, Saint-Phalle & Wesselmann. Maurice Rheims, a respected Art Critic, and a member of The French Academy, has said “I consider Pollès to be one of the outstanding sculptors of our time.” His show in the Bagatelle Gardens in Paris in 1998 was a major honor as he was one of only two artists who have ever been allowed to present their work in the Bagatelle. The other artist is Henry Moore. Main Exhibitions 2018 : Exposition Sculptures Monumentales – Place du Louvre, Paris 2001 : Le corps mis à nu: sculptures de Rodin à Vanessa Beecroft, Donjon de Vez...

'Quiet Elegance' is a beautiful nude bronze sculpture of ballet dancer by the renowned sculptor Benson Landes. For Benson Landes, sculpture was most definitely a passion. His oeuvre of cast bronzes is populated with ‘off duty’ ballet dancers, rather wistful women, often caught in moments of solitary repose. Such an obvious appreciation of the grace and elegance of the female form was, no doubt, heightened by 25 years spent in the couture business, which Benson entered at the age of 14. The sculptor admitted that his time as an apprentice at his father’s clothing workroom and factory was given rather reluctantly, as he always harbored desires to become an artist. The young boy’s sense of responsibility was clearly equal to his creativity, though, as Benson knuckled down...

Pollès - Bronze Sculpture - Chrysolithe Bronze 3/4 Created in 2012, casted in 2013 22 x 10 x 13 cm Signed and Numbered BIOGRAPHY Pollès was born in Paris in 1945 Like Leonard de Vinci in an anatomical search of perfection, of representation of movement,with an almost scientifical or medical glance, Pollès holds the utmost passion of anatomy: he learns about the human body, the complicated hank of muscles, movements of members and all the bodily mechanics. That’s why in 1964 he starts medicine school and along side goes to the Charpentier Academy where he follows art lessons. In 1966, he encountered sculpture in London where he was invited by his friend Enzo Plazota. This final step teaching him all the bases of sculpture. Pollès then decides to go to live in Italy, in Carrare, an important art place. He moved in 1970 and settled in Pietrasanta where he still lives. ​ His sculptures, by creating a vision of the moving being, polished and smoothed, break the pureness of aestheticism. He just knows one theme, one model: the female form. According to Pollès, this is the most beautiful one, the most harmonious one. “When we are looking at a feminine body, it is splendid, it is musical”. His love of women, the sensuality, the complexity, the shapes and passions, brought him to explore the female form. Since the beginning he has created a singularly stylized cubist form; this becoming his signature form. ​ All are cast in bronze by Pollès himself and made in a series of four with one artist's proof. His masterliness of the patina is considered unparalleled. The world's recognition of his craft is evidenced by the many awards he has won, the unique places he has shown and the prestigious private collections he is in, including that of Princess Caroline of Monaco. ​ Pollès was recently honored in an exhibition outside Paris, sponsored by the French Government, called “Sculptors From Rodin to The Present”. He was one of the few living sculptors to be so honored; the others include Abakanowicz, Arman, Saint-Phalle & Wesselmann. Maurice Rheims, a respected Art Critic, and a member of The French Academy, has said “I consider Pollès to be one of the outstanding sculptors of our time.” His show in the Bagatelle Gardens in Paris in 1998 was a major honor as he was one of only two artists who have ever been allowed to present their work in the Bagatelle. The other artist is Henry Moore. Main Exhibitions 2018 : Exposition Sculptures Monumentales – Place du Louvre, Paris 2001 : Le corps mis à nu: sculptures de Rodin à Vanessa Beecroft, Donjon de Vez...

Pollès - Bronze Sculpture - Athanor Bronze 1/4 Created in 2013, casted in 2013 19 x 16 x 14 cm Signed and Numbered BIOGRAPHY Pollès was born in Paris in 1945 Like Leonard de Vinci i...

For Benson Landes, sculpture was most definitely a passion. His oeuvre of cast bronzes is populated with ‘off duty’ ballet dancers, rather wistful women, often caught in moments of solitary repose. Such an obvious appreciation of the grace and elegance of the female form was, no doubt, heightened by 25 years spent in the couture business, which Benson entered at the age of 14. The sculptor admitted that his time as an apprentice at his father’s clothing workroom and factory was given rather reluctantly, as he always harbored desires to become an artist. The young boy’s sense of responsibility was clearly equal to his creativity, though, as Benson knuckled down and learned the family trade. At the age of 18, however, a 2 year conscription to the RAF provided one of the few opportunities for Benson to experience artistic freedom. The possibilities of otherwise unobtainable materials such as pastels, paper, perspex and plaster of paris fuelled his ingenuity at the base’s well-stocked workshop. On completion of his RAF service, Benson briefly returned to the clothing factory...

Solid Bronze Figurative Ballet Dancer Sculpture 'Petticoats' by Benson Landes is a remarkably delicately made sculpture - you can barely believ...

A stunning sculpture of a young ballet dancer 'Repose' by Benson Landes - full of elegance & poise. For Benson Landes, sculpture was most definit...

'Home Alone' by Benson Landes is a Solid Bronze Sculpture of a Nude Figure. Benson Landes sculpted dancers, as he loved their elegance - this passion is communicated to the viewer perfectly in this incredible sculpture. For Benson Landes, sculpture was most definitely a passion. His oeuvre of cast bronzes is populated with ‘off duty’ ballet dancers, rather wistful women, often caught in moments of solitary repose. Such an obvious appreciation of the grace and elegance of the female form was, no doubt, heightened by 25 years spent in the couture business, which Benson entered at the age of 14. The sculptor admitted that his time as an apprentice at his father’s clothing workroom and factory was given rather reluctantly, as he always harbored desires to become an artist. The young boy’s sense of responsibility was clearly equal to his creativity, though, as Benson knuckled down and learned the family trade. At the age of 18, however, a 2 year conscription to the RAF provided one of the few opportunities for Benson to experience artistic freedom. The possibilities of otherwise unobtainable materials such as pastels, paper, perspex and plaster of paris fuelled his ingenuity at the base’s well-stocked workshop. On completion of his RAF service, Benson briefly returned to the clothing factory now owned by his father. After his marriage to Ruth at 21, in an effort to provide for his new wife, Benson decided to set up his own business. Starting with a single sewing machine and tailoress, Benson and Ruth soon expanded the business. By the 1970s they employed over 50 staff and supplied to prestigious stores such as Dickens & Jones and Harrods. As the decade progressed, however, fashion turned towards less structured, more casual garments; a trend that prompted Benson to retire and spend time with his first love, sculpture. Buoyed by the liberty he enjoyed in his studio, Benson succeeded in selling some of his first pieces of sculpture, a collection of sporting trophies shown at the 1981 Open Golf Championship, to Garrards, the Crown Jewellers. This success quickly brought important contacts and new commissions. Benson always maintained that being able to work as a sculptor is a unique privilege. Usually in the company of a model, he often worked in the studio against the soothing background of classical music. Indeed, now eminently collectable, Benson’s work provided much comfort after the death of Ruth. Benson said that the things that mattered in life are those of beauty; he truly believed that romance and elegance are necessary shields to what he saw as the sometimes too hurried manner of life today. Benson sadly passed away in the autumn of 2013. Solid Bronze Nude Figure...

'Circe' was inspired around Greek Myth involving the Goddess of Magic. The sculpture is a stunning Life-size Solid Bronze Nude Figure by Carl Payne. Art has played a large part in Carl's academic work taking through Burslem School of Art, the Henry Doulton School of Sculpture and to Stafford College. After qualifying in Figurative Sculpture he launched his career with commission after commission, which has now secured his reputation for fine quality workmanship both in life-size format and smaller decorative pieces. The list of his completed commissioned work is extensive, including many house-hold names from the sporting world, commerce and the part. A half life size figure of The Duke of Westminster, a full life size bronze of Stanley Matthews and George Best to name a few. Carl recently won the commission to sculpt the full size horse...

Resting. A bronze sculpture of a resting ballet dancer figure by Benson Landes. For Benson Landes, sculpture was most definitely a passion. His oeuvre of cast bronzes is populated with ‘off duty’ ballet dancers, rather wistful women, often caught in moments of solitary repose. Such an obvious appreciation of the grace and elegance of the female form was, no doubt, heightened by 25 years spent in the couture business, which Benson entered at the age of 14. The sculptor admitted that his time as an apprentice at his father’s clothing workroom and factory was given rather reluctantly, as he always harbored desires to become an artist. The young boy’s sense of responsibility was clearly equal to his creativity, though, as Benson knuckled down and learned the family trade. At the age of 18, however, a 2 year conscription to the RAF provided one of the few opportunities for Benson to experience artistic freedom. The possibilities of otherwise unobtainable materials such as pastels, paper, perspex and plaster of paris fuelled his ingenuity at the base’s well-stocked workshop. On completion of his RAF service, Benson briefly returned to the clothing factory now owned by his father. After his marriage to Ruth at 21, in an effort to provide for his new wife, Benson decided to set up his own business. Starting with a single sewing machine and tailoress, Benson and Ruth soon expanded the business. By the 1970s they employed over 50 staff and supplied to prestigious stores such as Dickens & Jones and Harrods. As the decade progressed, however, fashion turned towards less structured, more casual garments; a trend that prompted Benson to retire and spend time with his first love, sculpture. Buoyed by the liberty he enjoyed in his studio, Benson succeeded in selling some of his first pieces of sculpture, a collection of sporting trophies...

RYSZARD PIOTROWSKI (born in 1952) Sculptor. He graduated from the Academy of Fine Arts in Warsaw. His works include intimate, small forms in marble, bronze and silver. He specializes...

'Olympiad' is a solid bronze figurative sculpture of a resting ballet dancer by Benson Landes. The figure is so refined and delicate, a perfectly judged sculpture. Benson's theme is predominately the wonderful world of ballet and dancers, although some are beautiful ladies in quiet repose and elegance. Such an obvious appreciation of the grace and elegance of the female form was, no doubt, heightened by a lifetime spent in the couture business, which Benson entered at the age of 14. Benson succeeded in selling some of his first pieces of sculpture, a collection of sporting trophies...

The Spirit Phantom. Defined as “an individual's true inner self” referring to “the unconscious mind” or “the undiscovered self” in the analytic psychology of Carl Jung. It can also “...

Pollès - Bronze Sculpture - Yterbine Bronze 4/4 Created in 1998, casted in 2003 120 x 85 x 70 cm Signed and Numbered BIOGRAPHY Pollès was born in Paris in 1945 Like Leonard de Vinci in an anatomical search of perfection, of representation of movement,with an almost scientifical or medical glance, Pollès holds the utmost passion of anatomy: he learns about the human body, the complicated hank of muscles, movements of members and all the bodily mechanics. That’s why in 1964 he starts medicine school and along side goes to the Charpentier Academy where he follows art lessons. In 1966, he encountered sculpture in...

Pollès - Bronze Sculpture - Schweppsy Bronze 4/4 Created in 2010, casted in 2014 42 x 22 x 20 cm Signed and Numbered BIOGRAPHY Pollès was born in Paris in 1945 Like Leonard de Vinci...

Pollès - Bronze Sculpture - Ahlem Bronze 1/4 Created in 2013, casted in 2014 20 x 13 x 11 cm Signed and Numbered BIOGRAPHY Pollès was born in Paris in 1945 Like Leonard de Vinci in ...

Pollès - Bronze Sculpture - Oxynamide Bronze Edition: 1/4 2011 21 x 13 x 17 cm Signed and Numbered BIOGRAPHY Pollès was born in Paris in 1945 Like Leonard de Vinci in an anatomical ...

Pollès - Bronze Sculpture - Thelxinoé Bronze Edition: 1/4 2016 Dimensions: 28 x 21 x 20 cm Signed and Numbered BIOGRAPHY Pollès was born in Paris in 1945 Like Leonard de Vinci in an...

Pollès - Bronze Sculpture - Zinzolibdène 2015 128 x 68 x 64 cm Edition: 1/3 Signed and Numbered BIOGRAPHY Pollès was born in Paris in 1945 Like Leonard de Vinci in an anatomical sea...

Angel of Victory. Bahram reveals inner strength and complexity of character. She stands tall in the face of danger. Her coiled interior is firmly grounded and it is unclear where s...

Angel of Dignity. Hamael encourages us to persist and be practical. Bronze Monaco 2012 Unique Piece 29.1 x 7.5 x 13.4 inches ARTIST STATEMENT: "The beauty, grace and symmet...

Andromeda Series: Devorah 62 Digital 3D Printed in wax polymer Cast Final bronze case produced at ArtCast Georgetown Ontario, Canada 2018 Bronze Monaco 2013 24.4 x 4.7 x 7.9 inc...

Babylonian Marut (Angel of Babylon). The Qur’an (2:102) relates an account of two angels named Harut and Marut who were sent to the people of Babylon to test their faith by teaching ...

Babylonian Harut (Angel of Babylon). The Qur’an (2:102) relates an account of two angels named Harut and Marut who were sent to the people of Babylon to test their faith by teaching ...

Wonderful 20th Century Bronze African Sculpture of a warrior on a donkey from Foumban in Cameroon.

The Shadow Phantom. The Egyptians believed that a person’s shadow was an important element of that person as it is formed by the sun; a sacred symbol in their faith. An individual’s ...