1980s Sculptures

Pair of rare Murano handblown glass Toucans sculptures. 20"and 19" height 15" and 14"wide depth 5" base 4"x4" Artist signed (engraved), artist's seal.​ Wa...

Figurative sculpture of a nude female figure. The stone is a grey tone with speckling. The artist signed and dated the piece in the crevice on the bottom. Jose Zacarias is known for ...

Lusia Robinson: Bamboo sculpture - This sculpture is characteristic of Robinson’s work emphasizing materiality within form integrating indigenous materials with modern technology a...

Felicor by Roberto Matta, Chilean (1911–2002) Terracotta Wall Plaque, signature inscribed, numbered in ink Edition of 49/150 Size: 15 x 12.75 x 2.25 in. (38.1 x 32.39 x 5.72 cm) Fram...

Original sculpture 1/8 ex. Signed and numbered by the artist and stamped Bocquel fondeur. Acquired directly from the artist. Free shipment worldwide. Arman wrote, “The bow on the ...

Interesting Latin American art collage/assemblage of images. bears elements of Arte Povera. it is mounted onto a wood construction. Signed verso and bears label from Stux Gallery. Well Known Brazilian political artist and collector. Showed at Stux Gallery (they showed Doug Anderson and then Mike and Doug...

Wonderful post-modern wall sculpture that is part of artist Jack Reilly (American, b. 1950) "Classics Series" solo exhibition held at the Boritzer-Gray Gallery in October, 1989 at Los Angeles. This unique piece juxtaposes classical motifs with 3 dimensional stacked geometrically modern shapes and hues. The combination of linear structure and color field painting with illusionary space resulted in a unique synthesis of abstraction and pictorial depth, which was sometimes referred to as "Abstract Illusionism." Signed and dated on verso "Jack Reilly, October 1989." Image size: 19"H x 29"W x 3.5"D Reilly's early work reflected various influences of prominent artists of the time including Frank Stella, Elsworth Kelly...

An original wearable sculpture by Berrocal. Artist: Miguel Berrocal, Spanish (1933 - 2006) Title: Torso Verona Year: 1980 Medium: Bronze Sculpture, signature and numbering inscrib...

In 1987, Arman began his Transculptures series, created by combining sections of several objects on top of each other. This magnificent example from 1988 bears witness to Arman's uni...

Artist: Paul Oestreicher, American Title: Touching Leaves Woman Year: 1988 Medium: Bronze Sculpture with Patina, signature and date inscribed Edition: 2/12 Size: 15 in. x 11 in. (38....

Fabulous copper metal Curtis Jere wall sculpture signed and dated either 1983 or 1987. Measures approximately 51 inches long by 18. C...

Cool grey figurative sculpture of a female figure. Sculpture has concave areas where the limbs would extend from the body. The sculpture sits on a base that appears to be a leg. Jose...

Artist: Kay Ritter Title: Florist Medium: Papier-mache with metal watering can, glasses, papier-mache flowers Year: 1995 Size: 57 x 24 x 14 in. (...

"Kearsarge" by Carole Eisner Abstract, Outdoor Sculpture in welded steel Carole Eisner has worked with scrap and recycled metal for 40 years creating elegant, abstract forms welded ...

Roughly hewn and painted, carved wooden sculpture. Hand signed and dated. Provenance Richard Gray Gallery, Chicago, Illinois, (accompanied with copy of original invoice dated 1986.) This was from his show Out of Africa. Expressionist paintings and carved reliefs at the Richard Gray Gallery, Chicago His first one-man exhibition in the United States, the show featured multidimensional and multi-media work with influences from Africa and nature. Philippe Cognée...

Eric Rhein “Clarrisa” 1989 Accompanied by a certificate of authenticity Wire, suede, brocade fabric, and found objects 16.5 x 17.5 x 8.5 inches (41.9 x 44.5 x 21.6 cm) This work...

Modern abstract sculpture of a woman's torso, signed and dated Warner in stone and marker pen, "Warner '80" and "Warner #106". Dimensions: 16"L x 11"W x 9"H. Listed artist Doris Ann...

This painted ceramic tile by Italo Scanga, epitomizes the characteristics of his oeuvre. Polychrome and vibrant art from the Memphis Milano era. This is signed with his initials. This is reminiscent of the mid century work of Jean Lurcat and Jean Picart le Doux. Italo Scanga (June 6, 1932 - July 7, 2001), an Italian-born American artist, was known for his sculptures, prints and, paintings, mostly created from found objects. In his youth in Calabria, Italy he worked as a cabinetmaker's apprentice and studies sculpture with a man who carved statues of saints. Italo Scanga was an innovative neo Dada, neo-Expressionist, and neo-Cubist multimedia artist who made assemblage, collage, sculptures of ordinary objects and created prints, glass, and ceramic works. Modern Italian abstract geometric folk art. Scanga's materials included natural objects like branches and seashells, as well as kitsch figurines, castoff musical instruments and decorative trinkets salvaged from flea markets and thrift shops. He combined these ingredients into free-standing assemblages, which he then painted. Although visually ebullient, the results sometimes referred to gruesome episodes from Greek mythology or the lives and deaths of martyred saints. He considered his artistic influences to be sweepingly pan-cultural, from African sculpture to Giorgio de Chirico. He often collaborated with the sculptor Dale Chihuly, who was a close friend. Constructed of wood and glass, found objects or fabric, his ensembles reflect a trio of activities—working, eating, and praying. These activities dominate the lives of those who live close to the land, but they are also activities that are idealized by many who contemplate, romantically, a simpler, bucolic life. Italo graduated from Michigan State University where he befriended fellow artists Richard Merkin and David Pease. He studied under Lindsey Decker who introduces him to welding and sculpture after his initial interest in photography. Also studies with Charles Pollock, the brother of Abstract Expressionist Jackson Pollock. His first teaching job was at University of Wisconsin (through 1964). where he met Harvey Littleton, a fellow instructor. He later moves to Providence, Rhode Island,I to teach at Rhode Island School of Design (RISD). Is colleagues with artists Richard Merkin and Hardu Keck. Starts a correspondence with HC Westermann. Spends summers teaching at Brown University; colleague of Hugh Townley. Moves to State College, PA, and teaches at Pennsylvania State University for one year. Meets artists Juris Ubans, Harry Anderson, Richard Frankel, and Richard Calabro, who remain friends throughout his career. 1967: David Pease helps him get a tenure track position at Tyler School of Art in Philadelphia, PA, . Artists he works closely with include Ernest Silva, Lee Jaffe, Donald Gill, and William Schwedler. Meets graduate student Dale Chihuly while lecturing at RISD and develops a lifelong friendship. 1969: One person exhibition, Baylor Art Gallery, Baylor University, Waco, TX. Works very closely with students Larry Becker and Heidi Nivling (who later run a gallery in Philadelphia, PA), and Harry Anderson. Welcomes many artists into his home including Donald Judd, Dan Flavin, Bruce Nauman (a former student), Vito Acconci, Ree Morton and Rafael Ferrer. 1973: "Saints Glass" at 112 Greene Street Gallery, NYC. Installation at the Institute of Contemporary Art at University of Pennsylvania, Philadelphia, PA. Meets Gordon Matta Clark and contributes to an artist cookbook. Goes to Pilchuck Glass School, Stanwood, WA, founded by Dale Chihuly, as a visiting artist. He continues to work there annually through 2001. Works over the years with Pilchuck artists Richard Royal, Seaver Leslie, Jamie Carpenter, Joey Kirkpatrick, Flora Mace, Robbie Miller, Billy Morris, Buster Simpson...

Girl With Blue Ribbon Tribute To Picasso Signed near base "Omaggio A Picasso' or as a tribute to Picasso. Measures 16"H x 10"W x 7"D. Walter Furlan was born in 1931 in Chioggia, a s...

Bust Of A Young Woman Bronze sculpture signed by the artist inside the cast and dated 1988, 1st cast in London. Kevin Berlin is an international arti...

This painted wood sculpture by the Belgian artist Corneille, circa 1980, is an expressionist rendering of a two nudes. Corneille was influenced by Miró, Picasso and Paul Klee but c...

Artist: Sandro Chia (Italian, b. 1946) Title: Il Palio di Siena Year: circa 1980 Edition: 4/6 Medium: Bronze, signature and numbering inscribed Size:...

ceramic relief sculpture, glazed in colors. Bold colors. Edition 186/200 In original wooden box (22 x 24 x 4 3/4")

Artist: Jean Richardson, American (1940 - ) Title: Genesis Year: 1989 Medium: Bronze Sculpture, signature and numbering inscribed Edition: 50 Size: 16 x 15.5 x 12 inches Base: 1.5 x...

Original Barcelona chairs, designed by the last director of the Bauhaus - Ludwig Mies van der Rohe. The newly-replaced cushions are supported by steel frames laced with new leather s...

Rimma Gerlovina and Valeriy Gerlovin Clock, 1987-94 Aluminum sculpture, mixed media and c-print photograph construction, c-print, felt tip marker 13 h × 13 w × 4 d in (30 × 30 × 6 cm) Rimma Gerlovina and Valeriy Gerlovin were founding members of the underground conceptual movement Samizdat in the Soviet Union, described in their book Russian Samizdat Art. Based on a play of paradoxes, their work is rich with philosophic and mythological implications, reflected in their writing as well. Their book Concepts was published in Russia in 2012. The work by Rimma Gerlovina and Valeriy Gerlovin is emphatically contemporary. The artist couple were part of the Moscow Conceptualists, their performance Costumes, from 1977, deepened their ongoing work with linguistic semiotic systems and their own bodies. Considering the context in which Gerlovina and Gerlovin made their work—that of political restrictions on public life, of unfreedom, and censorship—their collaborative togetherness must also be read as a space of possibility for political community and resistance. Rimma Gerlovina’s hair is featured prominently in the art of the Gerlovins as a constructing element of the body. Used for the linear drawings her braids transmit transpersonal waves reminiscent of an aura of live filaments. Long loose hairs function as threads of life; streaming in abundance, they allude to Aphrodisiac vitality and Samsonian strength. On the other hand, they are the haircloth worn during mourning and penitence. In New York they continued to make sculptural objects, and their photographic projects grew into an extended series called Photoglyphs. In their photographs, they use their own faces to explore the nature of thought and what lies beyond it. Since coming to the United States in 1980, they had many exhibitions in galleries and museums including the Art Institute of Chicago. The New Orleans Museum of Art launched a retrospective of their photography, which traveled to fifteen cities. Group exhibitions include the Venice Biennale, the Guggenheim Museum, New York, Smithsonian National Museum of American Art, Washington D.C., Bonn Kunsthalle, Germany, Tokyo Metropolitan Museum of Photography, State Tretyakov Gallery, Moscow, and others. Samizdat or “self-published” began in the Soviet Union, and Samizdat art consists mainly of books and magazines published and distributed by the artists who made them. Samizdat art has sources in the innovative books and magazines turned out by the early 20th century Russian avant-garde—artists and writers like Olga Rozanova, Vladimir Mayakovsky, El Lissitzky, and Alexander Rodchenko. Artists as varied as Alexander Archipenko, Leon Bakst, Marc Chagall, Naum Gabo, Alexandra Exter...

A folksy rendered hand-painted mother cow stands with her calf in a springtime field in this small wooden sculpture by self taught artist, Menno. This unique artwork makes a great gi...

Linda Stein, Measured Expansion 69 - Mixed Media Assemblage Contemporary Art Wall Sculpture Measured Expansion 69 is from artist Linda Stein's Brush Assemblage series, where she com...

"White Wedding Tears" is an original porcelain and ink piece by Marjorie Mau. The artist signed the sculpture. 16" x 14" x 3" art Artist's Statement: "My works are about the act o...

Carole Eisner's indoor sculptures, averaging two to four feet tall, are made from a welded collage of drops and cut-out steel pieces from the same series of scrap she found in a Conn...

"Raku Vase with Fireworks" is an original ceramic vase by Marty Marcus. The artist signed the piece on the bottom. It features brightly colored abstract patterns on an earth-toned background. The vessel is a unique piece of décor priced well under $900. Part of the Design Lovers Sale...

Now available by commission. Dancing Lady in polished bronze is sealed with Glasurit- it never needs to be polished. She is cast from a wood carving of Dancing Lady- an iconic Hostet...

Gilbert Portanier ( Cannes . 1926 ) Sculpture RECTO / VERSO année 1989 . signé . Size: 37 cm . posé sur un socle amovible sur une tige d'acier 12 x 12 cm . " En quelques mots " ...

Yuko Nasaka (1938) Untitled Resin and lacquer on board 44.5 x 44.5 cm (17.5 x 17.5 in) not considering the frame Executed in 1984 About the Artist: Born in Osaka in 1938, Yuko Nasak...

With the exception of the dark metallic one they are transparent and opaque glass. I have shot the photos on a dark background so you can better see the images. they are signed in ink, dated and numbered from the edition of 25. I am selling them individually. the box from Vincent Fremont Multiples is not included. Suzan Etkin's passionate involvement with glass began in 1993, when she was invited to design sculptural chandeliers for gallery exhibitions with Giorgio Giuman and master glass blowers in Murano, Italy. Prior to working with glass as a medium she was the production manager for Andy Warhol Factory (Production Manager, Film & Video), and quickly emerged as a conceptual artist of global recognition. Her work has been shown in the Museum of Modern Art in New York, Paul Kasmin Gallery, Holly Solomon Gallery, and other museums and galleries around the world. In 2001, Suzan founded sei studio in SoHo with her husband, Brenden FitzGerald. They have collaborated with some of the industry’s most innovative architects and interior designers to produce custom chandeliers and art features for hundreds of landmark spaces, including the W Hotel Seoul, Mandarin Oriental New York, and Intercontinental Hong Kong. School of Visual Art: Instructor Drawing, Sculpture and Interrelating the Arts RESIDENCIES AND GRANTS: Pollack-Krasner Foundation Grant Artist in Residence – Foundation Cartier pour L Art Contemporanian, Jouy-en-Josas, France SELECT EXHIBITIONS Holly Solomon Gallery, New York City Cleveland Center for Contemporary Art, Cleveland Phillipe Rizzo Gallery, Paris The Greenberg Gallery, St. Louis Anders Tornberg Gallery, Lund, Sweden Earl...

Gun Gordillo (Swedish, 1945-) Ege Axminster, Denmark. Danish Tapestry Rug Art-Line 55" X 79" "Blue Hour" Tapis rectangulaire en laine tuftée, fond bleu marine sur lequel se détache un néon bleu turquoise. Etiquette de l'éditeur Ege Axminster (Danemark) titrée au revers. vintage 1980's. This had a velcro strip to be used as a wall hanging. It can also be laid on the floor. This is a tufted pile wool tapestry not a flat weave like an Aubusson. Perfect for a Memphis Milano 80's interior. Gun Gordillo was born in Lund, Sweden. Contemporary Scandinavian Artist. Her fluency with the material, which comes so natural to Gun Gordillo, makes her works unusually suited to function in many different context in a public milieu. Dolerite, lead, copper, and zinc plate in combination with contemporary fragile art materials such as glass, plexiglass and, above all, neon light makes her works stand out among those which have been created with light as the basic architecture of their artistic expression. There is a decidedly personal angle to her way of dealing with neon light which gives it a poetic dimension in marked contrast to the harsh stridency of advertising signs. Gordillo's work has been shown at several major solo exhibitions, most recently in 2015 at the famous French galerie denise rené, Paris. She has worked with the legendary gallerist Denise Rene for more then 30 years. She has also participated many group exhibitions including "The spirit of white" at Galerie Beyeler, Basel in 2004 and most recently "Néon, who's afraid of red, yellow and blue?" at la Maison Rouge, Paris in 2012. She has also been invited to create several major installations at world famous companies and public sites in cities like Basel, Paris, Copenhagen and Stockholm. Gordillo today lives and work in Copenhagen, Denmark after spending many years living and working in Paris, France. Her work straddles the lines of design and sculpture with her Neon and Fluorescent Light installations reminiscent of the California Light & Space artists such as Larry Bell, Robert Irwin, Bruce Nauman, James Turrell as well as Dan Flavin. Tapisserie d' Artiste. select group exhibitions 2021 galerie denise rené, paris, "Retour à la ligne" Artists included: Carlos Cruz-Diez, Geneviève Claisse, Gun Gordillo, Jesus-Rafael Soto, Julio Le Parc & others. galerie denise rené, Espace Marais Paris, "Esprit des couleurs" Artists included: Aurélie Nemours, Carlos Medina, Christian Megert, Darío Pérez-Flores, Francis Celentano, Gun Gordillo, Hans Kooi, Hugo Demarco, Tony Bechara galerie denise rené, paris, "Small is beautiful" Artists included: Gun Gordillo, Heinz Mack, Henryk Stazewski, Jesus-Rafael Soto, Josef Albers, Sonia Delaunay, Victor Vasarely, Yaacov Agam. galerie denise rené, paris, "Let there be light" Artists included: Angel Duarte...

Bronze sculpture of a woman resting in a hammock.

Rocks (1985), Wool, Post-Modern Abstract Landscape Woven Tapestry, Textile Sculpture. Zofia Butrymowicz (1904-1987) was born in Warsaw, Poland. Artis...

An original clay wall sculpture by American artist Neil Tetkowski.

Gary Kahle (American, 1942- ) Metal abstract sculpture on black base, Hand signed and dated 1984 25 1/2" H x approximately 18" W x and 12 1/2" D. Proven...

'Illeagle' is a humorous and playful ceramic sculpture by the American artist Bill Reid. Reid is known for his animal sculptures based around word play, and indeed, this sculpture is...

This enamel on aluminum in plexi box by Jay Phillips is a structural contemporary work. Phillips cut and folded his materials to form overlaps and projections. His use of bright colors reflected his early Southern California...

With the exception of the dark metallic one they are transparent and opaque glass. I have shot the photos on a dark background so you can better see the images. they are signed in ink, dated and numbered from the edition of 25. I am selling them individually. the box from Vincent Fremont Multiples is not included. Suzan Etkin's passionate involvement with glass began in 1993, when she was invited to design sculptural chandeliers for gallery exhibitions with Giorgio Giuman and master glass blowers in Murano, Italy. Prior to working with glass as a medium she was the production manager for Andy Warhol Factory (Production Manager, Film & Video), and quickly emerged as a conceptual artist of global recognition. Her work has been shown in the Museum of Modern Art in New York, Paul Kasmin Gallery, Holly Solomon Gallery, and other museums and galleries around the world. In 2001, Suzan founded sei studio in SoHo with her husband, Brenden FitzGerald. They have collaborated with some of the industry’s most innovative architects and interior designers to produce custom chandeliers and art features for hundreds of landmark spaces, including the W Hotel Seoul, Mandarin Oriental New York, and Intercontinental Hong Kong. School of Visual Art: Instructor Drawing, Sculpture and Interrelating the Arts RESIDENCIES AND GRANTS: Pollack-Krasner Foundation Grant Artist in Residence – Foundation Cartier pour L Art Contemporanian, Jouy-en-Josas, France SELECT EXHIBITIONS Holly Solomon Gallery, New York City Cleveland Center for Contemporary Art, Cleveland Phillipe Rizzo Gallery, Paris The Greenberg Gallery, St. Louis Anders Tornberg Gallery, Lund, Sweden Earl...

A steel sculpture by Bruce Stillman from 1980. A kinetic sculpture with rotating components perched atop a whimsically modernist base. Artist: Bruc...

Biomorphic abstract sculpture by Canadian artist John McKinnon. The work features a mother figure holding her child in a loving embrace. Inspired by other modern artists such as Henr...

Artist: Catherine Lee, American (1950 - ) Title: Geometric (Dancing Gold Var.) Year: circa 1989 Medium: Welded Bronze and Steel Sculpture Size: 57 x 35.5 x 3.5 in. (144.78 x 90.17 x ...

Shona sculpture from Zimbabwe

Artist: Branko Bahunek, Croatian (1935 - ) Title: Woman with Dog Year: circa 1990 Medium: Bronze Sculpture, Signature 'BB' inscribed Size: 12 x 6 x 5 in. (30.48 x 15.24 x 12.7 cm...

Geneviève Claisse Linear Sculpture Plexi & Neon 1982 65 x 17 x 17 cm Edited by Mike-Art-Kunst Numbered copy 4/8 (8 copies = Very rare) Signed by the a...

"Veil of Light" Dimensions: 22" x 12" x 6" Medium: Clear Acrylic Resin Edition of 350 Created in 1987, the work “Veil of Light” is characterized by an other-worldly appearance. Payi...

Ron Nagle "Mr. E" Plate pink porcelain .5 x 13 x 12.75" 1988 signed by artist Ron Nagle is one of the most important sculptors in the United States. He work is highly collected and included in museum collections such as Shigaraki Museum, Japan; Los Angeles County Museum of Art; Musée de Plastique, Paris; San Francisco Museum of Modern Art; and the Stedelijk Museum in the Netherlands. He was born in San Francisco and began working with ceramics during the 1950s as a high school student. In 1961 he apprenticed to Peter Voulkos at the University of California, Berkeley, and later exhibited his work alongside Voulkos, Ken Price, and other innovative West Coast artists working in clay. His work is inspired by such artists as Giorgio Morandi, Phillip Guston, and George Herriman...

This mixed media sculpture by Sylvia Seventy, from 1986, is a conceptual work in neutral tones. Materials include handmade paper, Apple Wood, Willow, Paint, Oil Pastel, Wax, Cotton ...

41x25x10" Ceramic Steven Kemenyffy (born 1943) is an American ceramic artist living and working in Pennsylvania. He is most recognized for his contributions to the development of the American ceramic raku tradition. He has served as a Professor of Ceramic Art at Edinboro University of Pennsylvania (formerly Edinboro State College) since 1969. He Has retired from teaching, but continues to produce artwork at his home studio in McKean, Pennsylvania. Kemenyffy is often characterized in regard to his contributions to American experimental ceramics of the late 1960s and early 1970s. More specifically, Kemenyffy’s contributions to American raku techniques are often cited. Kemenyffy has stated that his interest in raku came out of practical considerations: “We [Steven and Susan] were doing a variety of workshops in a variety of different media. Raku was always an official way of making pieces in a short period of time…In raku it seems to compress all the firings into one.” Kemenyffy, himself, describes his early work as “Biomorphic forms alluding to old ceramic traditions such as tiles, vases, and containers.” These works were often in excess of six feet tall and many times included mixed media elements. In 1974, Kemenyffy wrote about the work he was producing; “For several years now, my work has dealt with certain formal considerations. Chief among these is using clay in such a way as to crystallize the moment and permanentize the impermanent. These have been among the primary concerns of all potters since the earliest times.” Today, Kemenyffy continues his pursuit of biomorphic imagery and themes. He writes, “Personally I am most challenged by the business of transforming porous organics into porcelain.” For much of Kemenyffy’s career, he has worked in tandem with his wife, Susan Hale Kemenyffy. In 1987 Susan stated about their collaborative works: “Steven is the [sculptor], I am the drawer. These works would not exist if it weren’t for the sculpture; if it weren’t for the clay. The clay entity comes first and my drawings come second.” James Paul Thompson further clarifies this relationship (as observed in 1987): “Steven Kemenyffy uses patterns as a point of departure for his work, while Susan Kemenyffy...

Artist: Lee Stoliar, American (1956 - ) Title: Untitled Medium: Bronze Sculpture, signature inscribed Size: 6.5 in. x 7 in. x 9 in. (16.51 cm x 17.78 cm x 22.86 cm)

Zigi Ben-Haim, Metal sculpture Hand signed and dated Zigi Ben-Haim, 1998 Untitled, patinated aluminum or steel, Dimensions: 6"h x 2"w x 2"d This listing is for 1. I have 2 similar ones available. Zigi Ben-Haim (born 1945 in Baghdad, Iraq) is an Iraqi-American-Israeli painter, collage artist and sculptor who lives and works in New York City and Israel. Ben-Haim unveiled his sculpture, Treasure the Green, in SoHo on Broadway. The project was sponsored by the SoHo Broadway Initiative and the New York Department of Transportation's Art Program. The sculpture is considered to be the first sculpture to receive permission to be installed on a bus bulb on Broadway. The sculpture was made to "emphasize the importance of nature in our lives," and stands as a reminder of "the importance of reconnecting with the pure nature of the green." The sculpture uses the symbol of the leaf, which has been a major icon of Ben-Haim's work for the past 30 years. It symbolizes nature and it is a metaphoric way of emphasizing nature and the surrounding environment. He is of the first generation of Israeli artists to develop large international followings like Yaacov Agam, Menashe Kadishman and Avigdor Arikha. Ben-Haim has received numerous grants and awards, including from Pollock-Krasner Foundation, National Endowments for the Arts, New York State Council on the Arts, The German Academic Exchange Service (DAAD), Emily Harvey Foundation Venice, Muestra Int. de Obra Grafica (Spain), and the Ministry of Culture in Israel. His works are included and exhibited in numerous public and private collections around the world, including the Guggenheim Museum in N.Y.C., the Jewish Museum, the Brooklyn Museum, the Israel Museum, and the Tel-Aviv Museum. Education 1972-74 M.F.A., San Francisco State University, San Francisco, California, USA. 1972-73 M.A., J.F.K. University, Orinda, California, USA. 1971 California College of Arts & Crafts, Oakland, California, USA. 1966-70 The Avni Institute of Fine Arts, Tel Aviv, Israel. Selected public collections Splendid Step (2003) next to the Tel Aviv Museum of Art Museum of Contemporary Art, Athens, Greece Columbia Museum of Art, Columbia, SC Israel Air Force Center Foundation, Tel Aviv, Israel NASA, Houston, Texas Bank Leumi USA, Fifth Avenue, New York, NY Pfizer Company Collection, New York, NY Reading Public Museum, Reading, PA Guggenheim Museum, New York, NY Haifa Museum, Haifa, Israel Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY New School, New York, NY University of Maryland, College Park, Maryland. Israel Museum, Jerusalem, Israel. Brooklyn Museum, Brooklyn, NY Malmö Museum, Malmö, Sweden. Jewish Museum, New York, NY Tel Aviv Museum of Art, Tel Aviv, Israel. Museum of Fine Arts, Ghent, Ghent, Belgium. National Gallery of Art, Washington D.C. Fine Arts Museum of Long Island, Hempstead, NY Buscaglia-Castellano, University Museum, Lewiston, NY Dan Eilat Hotel, Israel. International Paper Company, New York, NY World Bank, Washington D.C. Westminster Bank, New York, NY Israel Embassy, Washington D.C. Frederick R. Weisman, Los Angeles, CA. Rikers Hill Sculpture Park, Livingston, NJ Heckscher Museum of Art, Huntington, NY Allen Memorial Art Museum, Oberlin College, Oberlin, Ohio Group Exhibitions Bertha Urdang Gallery, NY, USA Artists: Larry Abramson, Yosef Zaritsky, Zelig Segal...

A unique clay mask by Hawaii based artist Ira Ono. Artist: Ira Ono Year: 1982 Medium: Ceramic Size: 10.5 x 5.5 x 3 in. (26.67 x 13.97 x 7.62 cm)

Abstract modernist steel sculpture produced by Texas artist Marshall Cunningham. This sculpture was a private commission for the Norman V. Kinsey family of Shreveport LA. It is about...

An original woven paper and staple wall sculpture by Jozef Bajus. This piece is comprised of hundreds of pieces of old textile patterns created by the artist in his capacity as a fa...

Linda Stein, One Dollar Ring 139 - Mixed Media Assemblage Contemporary Art Wall Sculpture One Dollar Ring 139 is from artist Linda Stein's Brush Assemblage series, where she combine...

Naturalistic figure of a women with long hair and a long dress. The stone is a darker blue toned with natural veins and speckling. The figure is signed on the bottom of the dress.