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Emma LevineFawn Hawthorne, Contemporary 3D Tree Art, Original Paper Still Life Art2019
2019
About the Item
Fawn Hawthorn
Laser Cut Paper Hawthorn Tree Attached with Pins
Fawn Hawthorne is an original paper cut artwork by Emma Levine. The neutral tones give this piece a calming effect.
Emma Levine is available with Wychwood Art. Emma followed working in London for several textile print studios with 4 years designing textiles and embroidery for a fashion house in Paris, regularly travelling to India for inspiration and to develop the print collection. Colour, texture and light all inspire, delight and inform me. I look for the journey of my materials particularly paper- it’s source, it’s evolution to a finished piece and it’s eventual destination. It’s a silent language usually revealing itself beyond completion. I like to feel a fragility and a quiet change between colour and texture. I want light to filter and cast shadows over each work gently forming new life, movement and dimension. I watch for the space in each piece, how the eye travels around the image, how light on the pins pushes the layers forward. I listen to what each piece asks for.
Emma Levine
Fawn Hawthorn
Laser Cut Paper Hawthorn Tree Attached with Pins
Etymology Pins and Paper
Sheet Size: H 44cm x W 44cm x D 0.5cm
Framed Size: H 48.5cm x W 48.5cm x D 7cm
Framed in a Dark Grey Wood Effect Box Frame
Please note that insitu images are purely an indication of how a work may look.
- Creator:Emma Levine (British)
- Creation Year:2019
- Dimensions:Height: 19.1 in (48.5 cm)Width: 19.1 in (48.5 cm)Depth: 2.76 in (7 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Deddington, GB
- Reference Number:1stDibs: LU632311684082
Emma Levine
Emma followed working in London for several textile print studios with 4 years designing textiles and embroidery for a fashion house in Paris, regularly travelling to India for inspiration and to develop the print collection. Emma delicately cuts images, especially trees, from a medium like felt or paper and pins them minutely to their chosen background, raised ethereally from the surface, forming beautiful shadows and layers. ‘’Colour, texture and light all inspire, delight and inform me. I look for the journey of my materials particularly paper- its source, it’s evolution to a finished piece and its eventual destination. It’s a silent language usually revealing itself beyond completion. I like to feel fragility and a quiet change between colour and texture. I want light to filter and cast shadows over each work gently forming new life, movement and dimension. I watch for the space in each piece, how the eye travels around the image, how light on the pins pushes the layers forward. I listen to what each piece asks for.’
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