Abstract Art

Memento 01 (Abstract Painting) Acrylic on Hahnemühle paper - Unframed Emma Godebska is a French abstract artist living in Nimes, France. Her use of natural pigments, reflective of ...

Patricia Fabricant is a painter curator, and award-winning book designer, born in New York City. She received her BA from Wesleyan University and studied painting in Florence Italy. Her abstract and figurative paintings have been exhibited widely at such galleries as ODETTA, M David & Co, Front Room, SFA Projects, Equity Gallery, Morgan Lehman, the Painting Center, and 490 Atlantic. Her curatorial practice includes three editions of the benefit group show, Among Friends, Studio Mates at Front Room Gallery, and With the Grain, at Equity Gallery. She lives and works in Brooklyn, NY. Patricia Fabricant has a deep and abiding interest in process-driven work, from mandalas and yantras to Aboriginal song-line paintings, Islamic tiles, and the Pattern and Decoration movement. The Pattern & Decoration movement interests her in particular since it was a female-driven movement using the materials and techniques of traditional “women’s work” at a time when the art world was dominated by the machismo of minimalism. Fabricant also draws inspiration from spiritualists such as Emma Kunz, Hilma af Klint, Agnes Pelton, early...

Y, 2022 by Hunter & Gatti From the series Lous and The Yakuza Acrylic and oil wax on fine art paper 255 grs. Image size: 20.6 in H x 15.7 in W Unframed This is a project together wi...

Soft Geometry # 13f (Abstract Photography) Photographic C Prints, printed on Canson Platinè fiber Rag 310g - Unframed "Edition of 6 + 2Ap Turnaround...

"Violet Art Nouveau Moulding" is an abstract painting diptych by Spanish artist Natalia Roman. It is a beautiful series of rhythmic brushstrokes combined with subtle tones and unique...

This artwork is an abstract exploration of a sunset. From a memory of flying that is still abstract in nature but has some essence in the real world. The work is in the style of abst...

Oil on canvas

Quiétude is an acrylic painting on canvas 12x18, realized by Antonietta Valente in 2022. Hand-signed on the back. Perfect conditions. Certificate o...

Cosmosis Collage 2B CK6A422 (Abstract Photography) Photographic C Prints, printed on Canson Platinè fiber Rag 310g - Unframed "Edition of 6 + 2Ap Turnaround time 2-3 weeks, print...

Christine Nobel’s dabs & systems explores the connections, similarities and differences between the handmade and the digital. Taken from the foundation of the artist’s practice of ex...

Christine Nobel’s dabs & systems explores the connections, similarities and differences between the handmade and the digital. Taken from the foundation of the artist’s practice of ex...

Soft Geometry # 8C (Abstract Photography) Photographic C Prints, printed on Canson Platinè fiber Rag 310g - Unframed "Edition of 6 + 2Ap Turnaround t...

Soft Geometry # 13f (Abstract Photography) Photographic C Prints, printed on Canson Platinè fiber Rag 310g - Unframed "Edition of 6 + 2Ap Turnaround time 2-3 weeks, printed on d...

Soft Geometry # 13c (Abstract Photography) Photographic C Prints, printed on Canson Platinè fiber Rag 310g - Unframed "Edition of 6 + 2Ap Turnaround...

Cosmosis Collages 24A577C no 123 Pink (Abstract Photography) Photographic C Prints, printed on Canson Platinè fiber Rag 310g - Unframed "Edition of 6 + 2Ap Turnaround time 2-3 we...

Christine Nobel’s dabs & systems explores the connections, similarities and differences between the handmade and the digital. Taken from the foundation of the artist’s practice of ex...

Cosmosis Collage 2B CK6A422 (Abstract Photography) Photographic C Prints, printed on Canson Platinè fiber Rag 310g - Unframed "Edition of 6 + 2Ap Turnaround time 2-3 weeks, print...

Universals Foldouts 07022012 Pink (Abstract Photography) Photographic C Prints, printed on Canson Platinè fiber Rag 310g - Unframed "Edition of 6 + 2Ap. Turnaround time 2-3 weeks...

Bands, squares and rectangles in pink, mauve, aqua and black dance across a fern green ground in this horizontal acrylic on canvas. The curated, lively composition intersects music, ...

Pinky , 2022, 120x100cm

Acrylic on canvas

Color Kinesthesia 6A4221 Pink (Abstract Photography) Photographic C Prints, printed on Canson Platinè fiber Rag 310g - Unframed "Edition of 3 + 2Ap Turnaround time 2-3 weeks, pri...

High Velocity (Abstract painting) Acrylic on canvas - Unframed. Matthew Langley's technique in creating the artworks come from building and extending as well as reducing and minimizi...

High Velocity (Abstract painting) Acrylic on canvas - Unframed. Matthew Langley's technique in creating the artworks come from building and extending as well as reducing and minimizi...

Remains (Body in the Field 22), 2022 oil on paper 16 17/32 h x 11 13/16 w in. 42 H x 30 W cm Zsolt Berszán embodies in his works the dissolution of the human body through the prism ...

Acrylic abstract painting on canvas

Sublimation printing on recycled polyester fabric stretched over wooden stretchers. These pieces are created by fading and changing old photographs from archives of Utrecht (the city Lennard works from) and his childhood. Through subliminal transfer on textile that is made with recycled plastic, he creates a soft work where the colors get all the attention. For the viewer, this gives the opportunity to be constantly shifting their perspective over the gradients. Lennard Blokker...

Transcendental vision. Oil on canvas, 93x92 cm Juris Zvirbulis was born in 1944 in Riga. 1970 graduated from the Riga Secondary School of Applied Arts decorators department. 1971 Member Artists' Union of the Latvia. In 1971 First solo exhibition in the artistic and historical museum of Tukums in Latvia. In 1974 his illustrations for the A.S. Pushkin's book, "Eugene Onegin" (published Liesma) was awarded at the 7th All-Union competition of books, posters and postcards design (Moscow, USSR). Significant exhibitions: 1976 - First place in the All-Union Exhibition of Young Artists in Moscow 1983 - Solo exhibition at the Museum of Foreign Art (Riga, Latvia) 1988 - personal exhibition at the Pushkin State Museum (Moscow, Russia) Museum bought more than 100 of the artist miniatures to collection. 1989 - Group exhibition "Contemporary Soviet Painters from Riga" Edward Nahamkina Art Gallery (New York, USA) 1990 - Group exhibition at the Astra Gallery (Chicago, USA) 1990 - 1992 - works exhibited in the Harmony Gallery (Paris, France) 1992 - Solo exhibition at Gallery Carre d'Or (Paris, France) 1993 - Solo exhibition at the Gallery of the Riga (Riga, Latvia) 1994 - Exhibition in honor of the 50th anniversary at the Latvian National Art Museum, Exhibition Hall Arsenals (Riga, Latvia) 1997 - Solo exhibition at the Gallery of Riga (Riga, Latvia). In cooperation with IBM Latvia and Modo Paper released exhibition catalog. 1998 - Exhibition of watercolors - miniatures at Gallery "Nocturne", Riga 1999 - personal exhibition at the Pushkin State Museum (Moscow, Russia) 2004 - personal exhibition at gallery "Manss" (Jekabpils, Latvia) 2005 - Group exhibition of Latvian-French festival "Amazing Latvia" (in Bourgoin-Jallieu, France). 2011 - Contemporary Art exhibition-fair at Gallery Birkenfeld ArtVilnius'11 (Vilnius, Lithuania) Group Exhibition-Fair of Lineart Contemporary Art (Ghent, Belgium). Group exhibition at the Art Museum Nerima (Tokyo, Japan) 2012 Released artist album "Retrospective". Solo exhibition "The Battle of Waterloo would have ended differently ... Dedication to Marshal L.N. Davu." At gallery Birkenfelds. The artist works in the following genres and techniques: watercolor, painting, drawing, book illustrations, murals for public interiors in Latvia and abroad. Works in museums and private collections: At the Latvian National Museum of Art, at collection of Artists' Union of Latvia, Russian Ministry of Culture (Moscow, Russia), the Pushkins` State Museum (Russia), Bank of Latvia, Džeinas Vorhīsas Cimerlī Art Museum, Radzhersa, State University of New Jersey, at collection of Norton and Nancy Dodge nonconformist art of the Soviet Union (US), Vitaly Gotlib (Latvia), and Indra Benjamin Wilson...

Canvas mounted on wood Golden wooden frame 89 x 73 x 5 cm

Breathe # 202202 (Abstract Photography) Chromogenic Print Face-mounted 3mm Matte Plexiglas - Unframed. Backed with Dibond and C-channel hanging system + keyhole option. Available...

Sublimation printing on recycled polyester fabric stretched over wooden stretchers. These pieces are created by fading and changing old photographs from archives of Utrecht (the city Lennard works from) and his childhood. Through subliminal transfer on textile that is made with recycled plastic, he creates a soft work where the colors get all the attention. For the viewer, this gives the opportunity to be constantly shifting their perspective over the gradients. Lennard Blokker...

Sublimation printing on recycled polyester fabric stretched over wooden stretchers. These pieces are created by fading and changing old photographs from archives of Utrecht (the city Lennard works from) and his childhood. Through subliminal transfer on textile that is made with recycled plastic, he creates a soft work where the colors get all the attention. For the viewer, this gives the opportunity to be constantly shifting their perspective over the gradients. Lennard Blokker...

Ride or Die (Abstract painting) Oil on panel Spielman uses oil paint on canvas, paper and panel in various sizes; she works on up to forty paintings at a time, moving between them as each begins to form, then isolating a work to bring to completion. Her saturated surfaces are luminous, with alternate glossy and matte layers, but also bear rough nail marks that scar and deconstruct the work. These etched lines and marks relate to an image and idea, and are often the underlying structure, the submerged language of a work. Her use of reds and pinks link to flesh and blood...

“I’ll find me a place by the river now and give up all my story lines.” – Van Morrison All of these paintings originated in the past year, but I suspect they truly began in 1955 after I returned from the army to complete my college education at Fresno State. Having discovered the heroic-scaled canvases of the abstract impressionists while away, I changed my major to art. Soon, after enrolling into a painting class taught by Darwin Musselman, I felt I’d be advancing from the old school to the new wave. Wrong. Musselman, an intense taskmaster, held me firm to the basics and taught me how to crawl first. The flying would come after I paid my dues. Musselman had studied at the Los Angeles Art Center and The School of Arts and Crafts in Oakland. Proficient in many styles of painting, he never shied away from demonstrating techniques he felt might spur a student’s progress. About the time I began to suspect he was controlling us all too tightly, he showed the class Hans Namath...

Ride or Die (Abstract painting) Oil on panel Spielman uses oil paint on canvas, paper and panel in various sizes; she works on up to forty paintings at a time, moving between them as each begins to form, then isolating a work to bring to completion. Her saturated surfaces are luminous, with alternate glossy and matte layers, but also bear rough nail marks that scar and deconstruct the work. These etched lines and marks relate to an image and idea, and are often the underlying structure, the submerged language of a work. Her use of reds and pinks link to flesh and blood...

An explosion of colour radiates from one side of the canvas in this extraordinary abstract painting dedicated to renowned NY art critic, Clement Greenberg. As a student, Joseph Drapell met and was influenced by Greenberg while studying at an American art school. This piece is rendered in thickly applied waves of shiny orange, purple, plum, white, and turquoise. Holographic materials are also used. The Czech-born artist creates remarkably vibrant paintings using trowels...

Abstract painting by contemporary artist Anthony Polizzi. This colorful abstract work of art would be a lovely addition to anyone’s home. Anthony Poli...

Finding My Way 3 Cheryl D. McClure oil on wood panel 30 x 30 x 2 Inv #: 821 Price $3,300 To make my paintings I have come to the realization that I use what I call the ‘Three I’s” of INFLUENCES, INTUITION. and INTENT. Like a lot of artists, McClure’s interest in art developed early in childhood. She recalls, “When I was eight years old, I begged my dad to let me take an after-school painting class. I was shocked when I got there and found out they were painting with paint by number kits. I did not want to do that. I hate coloring inside the lines. So, the teacher allowed me to look for images to use as inspiration. In my memory, I think the first one must have been a reproduction of a Cezanne landscape. I just did what I did all on my own, but I loved mixing colors. Then my dad died, and we moved from Oklahoma to Texas. Sadly, I never really did anything else until I was in my twenties. I then took up painting again all on my own and trying to learn from other artists demonstrating their painting techniques and taking workshops. I have been painting ever since, more than forty years.” She continues, “For many years I only painted with acrylics or mixed media collage. In 2005, I also started painting with encaustic and have gone back to using oil paint again. I suppose acrylic remains my dominant medium. Mixing it up now and then keeps me on my toes and is a great way to learn. Each medium can teach you certain aspects of painting others do not. Each medium has its strengths and weaknesses depending on what you want to express. You can learn from all. I did not love watercolor because it took too much pre-planning. But I learned a lot about negative shapes and composition. I learned a lot with pastel and charcoal about making marks. By working back and forth with different media, I am growing as a painter.” If I used only intent, I would more than likely be disappointed because my imagined intent is always elusive. I get more than I imagined by not setting too many rules about how to get there. Using all of these factors, I can use the knowledge of formal issues that comes from viewing a lot of art and, also, from being in the studio making art all of the time. Using that comprehension of formal design as an aid to intuitively know what is the right relationship of color, mark, space, etc. is the intent. Intention is necessary to direct you to explore the former two. Intention also demands you delve more into your own reasons for making art. 2020 University of Texas, College of Pharmacy Partnership Exhibit, Tyler, TX Beauty of Art and Medicine IV, Rogers Nursing and Health Sciences Building, Tyler Junior College, Tyler, TX Stable, Cerulean Gallery, Dallas, TX 2019 Mississippi Art Colony Fall Travel Show, juror, Stanley Kurth Small Works, Gallery Mack, Seattle, WA 2017 Black Tie (optional), Invitational, Adam Peck Gallery, Provincetown, Mass. Mississippi Art Colony Fall Travel Show, David Hornung, juror, Meridian Museum of Art, Meridian, Miss., Southern Cultural Arts Center, Vicksburg, Miss., Museum of the Mississippi Delta, Greenwood, Miss. You Name It, Cerulean Gallery, Amarillo, Texas 2016 N° 10, Invitational, Adam Peck Gallery, Provincetown, Mass. 2015 One + One, Invitational, A Gallery Art, Provincetown, Mass. 2014 East Texas Regional...

Mixed media on canvas 160 x 130 cm - frame thickness 9 cm Signed on the back

Mixed media on canvas 150 x 150 cm - frame thickness 5 cm Signed on front and back

Nicolás Guzmán shows us a selection of pieces from his new pictorial research. Traditional techniques are mixed with industrial materials such as synthe...

Mixed media on canvas 120 x 120 cm - frame thickness 10 cm Signed on the back

This stunning abstract by contemporary artist, architect, and designer Ana Carolina Mönnaco blends a beautiful variety of colors that make the piece jump off the canvas. This piece was made for the artist's exhibit, "Blurred & Fractured," at Modfellows Art Gallery - WeHo in Nashville, Tennessee. The piece is hand signed by the artist in the bottom-right corner and comes with a Certificate of Authenticity issued by the gallery. Mönnaco’s history in architecture has pushed her to peer past the structured world in which we live, to convey the unbound world which surrounds us. She is interested in the continuous reaching of life. She says, “we live with this blurred and fractured vision of the world, yet inside each of us there’s an undeniable conviction that something beautiful and perfect still exists beyond our grasp.” In response to this, Mönnaco uses a sophisticated color palette and inspiration found in the beauty of the natural world to create rich environments which encapsulate the viewer by surrounding them with wonderment of the unknown. About the Artist: Ana Carolina Mönnaco is an artist from Curitiba, Brazil, where she developed a love of art and architecture. She graduated from Carnegie Mellon University in Pittsburgh, Pennsylvania. After graduating in 2002, she joined Morris Architects in Orlando, Florida. Mönnaco has won many prestigious awards including the International Watercolor Masters Merit Award, the AIP 24 Juror Award, and the AIP Hugh Ferris...

A New Life 03, by Angelica Tcherassi From the series "The Journey" Photo Rag Hannemuhle 308grs Sheet size 59 H x 47.2 W inches. Image size 51.1 H x 37.7 W inches. Edition of 11 Unfr...

Acrylics on Yupo paper Sumit Mehndiratta is an Indian artist born in 1986 who lives & works in New Delhi, India. He has pursued Master of Scienc...

Cities 4 – Brussels’ Theatrical Centrepiece by Susan Brown. Hand signed by the artist “Walking through La Grand Place in Brussels, is taking a journey t...

Kirsten Hawthorne received her MFA from the School of the Art Institute of Chicago, and she lives and works in New York City. Hawthorne is a master oil pastellist creating works on p...

No. 49216 (Abstract Photography) Archival ink print on Hahnemühle Photo Rag - Unframed. Artwork is exclusive to IdeelArt. Image size: 80 x 60 cm/31.4 x 23.6 inches Available on request - 2 weeks turnaround. Print can be mounted to 4mm Dibond, price on request. Larger sizes are available on request. The photographic artworks of Sebastiaan Knot...

No. 49579 (Abstract Photography) Archival ink print on Hahnemühle Photo Rag - Unframed. Artwork is exclusive to IdeelArt. Image size: 80 x 60 cm/31.4 x 23.6 inches Available on requ...

No. 42545 (Abstract Photography) Archival ink print on Hahnemühle Photo Rag - Unframed. Artwork is exclusive to IdeelArt. Image size: 80 x 60 cm/31.4 x 23.6 inches Available on requ...

Acrylic, Watercolour Pencil, and Silkscreen on Panel 40in x 50in 2019 Large Sized Abstract Landscape on panel using the medium of Acrylic and Spray Paint,...

I often wonder about otherworldly existance, by being that we can only imagine. What would their world and existence be like? This work is painted in the style of abstract expressionism. This work is painted on professional-grade canvas and has been sealed with varnish. The canvas has the dimensions is 213 cm in width by 112 cm in height. This work was created on the 16th Day of November 2021. A Certificate of Authenticity with hologram - verification is attached to the image. This artwork was selected as a finalist in the Grey Cube Gallery...

Below 03, by Angelica Tcherassi From the series "The Journey" Photo Rag Hannemuhle 308grs Sheet size 59 H x 47.2 W inches. Image size 51.1 H x 37.7...

Maggie LaPorte Banks. Seagulls have yellow eyes [2022] original and hand signed by the artist Acrylic on canvas, gold leaf, and raw pigment from Kerala Image size: H:76 cm x W:76 ...

Judy Chicago Reaching/Uniting/Becoming Free 1979 Silkscreen artist proof from the edition of 100 signed Very rare! Provenance- - The Nevica Project, Chicago IL Born Judy Cohen in...