American Realist Art

This artwork titled "America! America" is a color lithograph after noted American artist James Fetherolf, 1925-1994. It is hand signed at the lower rig...

Likely a study for an illustration for Harper's Weekly, for which Wiser was a Civil War-era illustrator, focusing on shipwrecks and battles occurring along the mid-Atlantic coast. ...

Jim’s of Lambertville is proud to offer this artwork. Signed lower right. Complemented by a hand carved and gilt frame. Peter Sculthorpe (b. 1948) Peter Sculthorpe was born in ...

Artist: Emmett Kelly Work: Limited Edition, Print on Satin Paper, Medium: Satin Paper Year: (1898-1979) Style: Classic Art Title: Tis the Season, Size: 9" x 7" x 0.1'' inch, (23 x1 8 x 0.2 cm) Framed: 17'' x1 3.5'' x 1'' inch, (43 x 34x5 cm) Ready to Hang. Biography Artist Emmett Kelly is best known as the creator of Weary Willie, a character who reinvented the typical clown. Kelly left Houston, Missouri, and moved to Kansas City in 1919, carrying little with him except his portfolio of drawings. Emmett Kelly's artwork of Weary Willie features a man with a scruffy beard, torn denim overalls, regular hat, and somber face. In 1937, Kelly joined the Bertram Mills Circus where Weary Willie made his debut and was well received. The success of artist Emmett Kelly's Weary Willie portrayal garnered him movie roles, figurines based on his likeness, and a spot with Ringling Brothers' Barnum and Bailey...

The frame adds a few inches to the size and was selected by the artist. Jack Henderson (1931-1998) taught at the Art Students League for many years and had a studio in at 30 East 14th Street, New York City. In that building were many other artists including Henderson's teacher and long-time collaborator, Edward Laning. A Kansas City native, Henderson was the recipient of a Fulbright Fellowship and a Fellow of the American Academy in Rome. He continued the Miller/Laning tradition of travel to Italy to study the masters of the Renaissance and the goal of fine figure painting as the ultimate artistic achievement. A version of his monumental triptych, New York in Ruin, 1967, is in the collection of the New York Landmarks Commission. Work by Jack Henderson was shown at the Susan Teller Gallery...

Allen Rohan Crite: 1910-2007. Extremely well listed and important African-American artist. He lived and worked mostly in Massachusetts Boston area. He has had Auction records for a L...

New York: Associated American Artists, 1950. Drypoint and aquatint on white wove paper, 5 7/8 x 3 15/16 inches (150 x 100 mm), full margins. Signed in pencil in the lower margin. Pri...

"They paved paradise and put up a parking lot," Joni Mitchell said. - - Created in 1969, at the dawn of the American environmental movement, artist Richard Erdoes draws a sequential narrative in the form of a coil. From inception to destruction, it illustrates a list of things that humans are doing to destroy the world we live in. The work was commissioned for school-age humans and executed in a whimsically comic way. Yet the underlying narrative is sophisticated and foreshadows a world that could be on the brink of ecological disaster. Graphically and conceptually, this work exhibits an endless amount of creativity and Erdoes cartoony style is one to fall in love with. Signed lower right. Unframed 12.4 inches Width: 12.85 inches Height is the live area. Board is 16x22 inches. Richard Erdoes (Hungarian Erdős, German Erdös; July 7, 1912 – July 16, 2008) was an American artist, photographer, illustrator and author. Early life Erdoes was born in Frankfurt,to Maria Josefa Schrom on July 7, 1912. His father, Richárd Erdős Sr., was a Jewish Hungarian opera singer who had died a few weeks earlier in Budapest on June 9, 1912.After his birth, his mother lived with her sister, the Viennese actress Leopoldine ("Poldi") Sangora,He described himself as "equal parts Austrian, Hungarian and German, as well as equal parts Catholic, Protestant and Jew..."[4] Career He was a student at the Berlin Academy of Art in 1933, when Adolf Hitler came to power. He was involved in a small underground paper where he published anti-Hitler political cartoons which attracted the attention of the Nazi regime. He fled Germany with a price on his head. Back in Vienna, he continued his training at the Kunstgewerbeschule, now the University of Applied Arts, Vienna.[5] He also wrote and illustrated children's books and worked as a caricaturist for Tag and Stunde, anti-Nazi newspapers. After the Anschluss of Austria in 1938 he fled again, first to Paris, where he studied at the Academie de la Grande Chaumiere, and then London, England before journeying to the United States. He married his first wife, fellow artist Elsie Schulhof (d. xxxx) in London, shortly before their arrival in New York City. In New York City, Erdoes enjoyed a long career as a commercial artist, and was known for his highly detailed, whimsical drawings. He created illustrations for such magazines as Stage, Fortune, Pageant, Gourmet, Harper's Bazaar, Sports Illustrated, The New York Times, Time, National Geographic and Life Magazine, where he met his second wife, Jean Sternbergh (d. 1995) who was an art director there. The couple married in 1951 and had three children.[6] Erdoes also illustrated many children's books. An assignment for Life in 1967 took Erdoes to the Pine Ridge Indian Reservation for the first time, and marked the beginning of the work for which he would be best known. Erdoes was fascinated by Native American culture, outraged at the conditions on the reservation and deeply moved by the Civil Rights Movement that was raging at the time. He wrote histories, collections of Native American stories...

Children on Clinton Street, 1986 From a 6cm x 4.5cm negative, scanned in 2020 Archival Pigment Print available in this size of 16" x 20" in an Edition of 12 with 3 Artist Proofs P...

Signed (lower right): Quincy

Represented by George Billis Gallery, NYC & LA --Every painting begins with a place to stand. Sometimes I find one in seconds; sometimes the hunt goes on for many seasons. A canvas c...

Shapiro's Entrance on Rivington Street, 1984 From a 35mm negative, scanned in 2020 Archival Pigment Print available in this size of 16" x 20" in an Edition of 12 with 3 Artist Proo...

Garden of Eden on Eldridge Street, 1986 From a 35mm negative, scanned in 2020 Archival Pigment Print available in this size of 16" x 20" in an Edition of 12 with 3 Artist Proofs P...

Watercolor and gouache on paper

Joseph Kardonne (1911-1985). Ocean Beach, Fire Island, NY, 1946. Ink on paper, measuring 9 x 12 inches. Signed, dated and titled lower right. Unframed ...

Represented by George Billis Gallery, NYC & LA --RUSS HAVARD Artist Statement I'm drawn towards nature imagery that depicts isolated elements in their continual struggle to flouris...

American, b. 1950 Marla Korr attended Brooklyn College, earning both a B.A. and a M.F.A. There she studied with Philip Pearlstein, Lennart Anderson and Jimmy Ernst. She has also s...

Industrial Man Working Mid 20th Century American Scene Social Realism Modern WPA Jo Cain (1904 - 2003) Hammering Nails 39 x 50 ½ inches Gouache on paper c. 19...

This hyperrealistic painting by Roni Yoffe is from her latest body of works. It is oil on wood and comes not framed, but framing options are available. "My paintings in recent years ...

Jon Carsman Faded Glory - 1978 Print - Silkscreen, on Arches archival paper 34¼'' x 24'' inches Edition: signed in pencil and marked 156/100 image size 20" x 30" inches “Jon Cars...

This painting is emphasizing the situation that encompasses a youthful love story, in a situation whereby your love partner is a shy and timid type when it comes to getting people to be aware of your relationship, most especially their parents. It feels like damn he/she is at the usual spot location as expected but we can't wait to be free to experience the freedom, passion, and excitement that surrounds love scenarios. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist Joshua Salami...

Complex and detailed epic scale history painting of an African tribal celebration with an on-looking king. The work has an abundant amount o...

Industrial Mural Study, Veterans Memorial Building, Santa Barbara WPA American Joseph Edward Knowles (1907-1980) "Study for Industry Mural, Veterans Memorial Building, Santa Barbara, CA" 19 1/2 x 50 1/2 inches Oil on board, c. 1930s. Estate stamp verso Framed: 27 x 60 inches The completed mural is currently hanging on the wall, part of the building actually, at the Veterans Memorial Building in Santa Barbara. A photo of the work insitu is included in the attached photos. BIO Joseph Edward Knowles was born in Kendall, Montana, on June 15, 1907. He grew up in San Diego, California. At age twenty, two years before the beginning of the Great Depression, he moved north to another town on the coast of California---Santa Barbara. There he began studying fine art at the Santa Barbara School of the Arts* (1927-1930), under the supervision of Frank Morley Fletcher, previously director of the Edinburgh College of Art. Fletcher, who was trained in portraiture, landscape painting, and woodblock* printing, was a great influence on young Knowles. It was there that Knowles learned the art of color woodblock printmaking, a medium in which he showed great skill. Not long after completing his studies with Fletcher, Knowles began teaching art. For a period of thirty years, from 1930 to1960, he taught at the Cate School in Carpinteria, California. In 1934-1935, Knowles traveled throughout Europe, further developing his artistic skills in England, France, and Italy. Upon his return, he continued to teach art at various schools and institutions: Cate School, Crane Country School, extension classes at the University of California at Santa Barbara (UCSB), and at the Santa Barbara Museum of Art (SBMA). Knowles also served as an art education consultant for the County of Santa Barbara. In addition, he was founding co-director and president of the Santa Barbara Fine Arts Institute (1969-1972), which later developed a specialization in photography and became the Brooks Institute of Photography. Knowles died at his home in Santa Barbara on September 8, 1980. Much of Knowles' watercolor work is associated with what has been termed the "California School*," a loose grouping of artists throughout the state that included such figures as Millard Sheets, Phil Dike, Dong Kingman, George Post, and the Santa Barbara painters Dan Lutz and Standish Backus, Jr. The California School artists, including Knowles, were known for their fresh, direct, spontaneous style of watercolor painting. Knowles and other members of the school found inspiration in nature and the built environment alike, emphasizing elements of design in their exuberant, boldly stated, colorful scenes from everyday life. While painting in a representational* manner, Knowles generally avoided photographic realism, preferring subjective interpretation of his subjects. In this, as well as in his experimental approach and vigorous brushwork, he displayed a strongly modern sensibility. Knowles often used the wet-on-wet watercolor technique as he painted seascapes and landscapes, mostly along the California coast. He also employed dry-brush* techniques in many of his paintings, often leaving some of the white of the watercolor paper exposed. Some of the latter depict trees and other forms in a broken and airy manner that recalls Cezanne. Knowles' colored woodblock prints are more reserved and exact in their draftsmanship than his paintings. Spare, clean, lyrical lines are drawn to illustrate floral motifs and boat scenes with a touch of asymmetry conjuring Japanese woodblock prints. His murals from the post-World War II period are considerably more modern in their approach and show an emphasis on design and color. PROFESSIONAL ORGANIZATIONS California Watercolor Society (1940 - 1955) Santa Barbara Art Association (Vice President - 1952) ONE-MAN EXHIBITIONS Golden Gate International Exposition (GGIE) - San Francisco, California San Diego Fine Arts Gallery (SDMA) - San Diego, California Santa Barbara Museum of Art (SBMA) - Santa Barbara, California Cowie Galleries - Los Angeles, California Gallery de Silva - Santa Barbara, California Bradley Galleries - Santa Barbara, California MURALS Westmont College - Ellen Porter Hall Mural - Santa Barbara, California Safeway Grocery (now Vons Grocery on West Victoria Street) - Exterior Tile Mosaic - Santa Barbara, California Santa Barbara Bank & Trust - Interior Mosaic Panels, Santa Barbara, California Santa Barbara Girls Club - Interior Mosaic Mural - Santa Barbara, California Ernest Righetti High School - Mosaic Mural - Santa Maria, California Shell Oil Company - Mosaic Panel - California Beckman Instruments, Corporate Headquarters - Mosaic - Fullerton, California STAINED GLASS WINDOWS, WALLS and PANELS Katherine Thayer Cate Memorial Chapel - Cate School, Carpinteria, California William S. Porter Memorial Chapel - Cottage Hospital, Santa Barbara, California La Rinconada Building - Santa Barbara, California ILLUSTRATIONS "California's Wonderful Corner: True Stories for Children from the History of the Santa Barbara Region," by Walter A. Tompkins (1962 & 1975) China Designs: Two sets of dinnerware for Winfield China...

Boy with Action Figures, 1984 From a 35mm negative, scanned in 2020 Archival Pigment Print available in this size of 16" x 20" in an Edition of 12 with 3 Artist Proofs Print size ...

Mel Hunter, American (1927 - 2004) - Curious Visitor, Year: 1994, Medium: Lithograph, signed and numbered in pencil, Edition: 950, Size: 19 x 26 in. (48.26 x 66.04 cm), Descripti...

"Morning By The Bay" features a colorful street scene leading to the sparkling Caribbean sea, and is a quintessential example of Tom Swimm's enhanced realism. This colorful hand pull...

Fifty Cents on Delancey Street, 1985 From a 35mm negative, scanned in 2020 Archival Pigment Print available in this size of 16" x 20" in an Edition of 12 with 3 Artist Proofs Prin...

If there ever were a perfect work in the canon of art history, this masterpiece study by Dean Cornwell would be it. Every line has meaning and not a line out of place, as Cornwell d...

Original World War II poster: "Men Working Together", horizontal original American World War II antique vintage military poster. Size 40" x 30". Year:...

Stanton Street View with Cars, 1987 From a 6cm x 4.5cm negative, scanned in 2020 Archival Pigment Print available in this size of 16" x 20" in an Edition of 12 with 3 Artist Proofs...

This artwork "Two Children with Dog" is an original ink drawing on vey thick Bristol paper by American artist Lynn Gertenbach, b.1940. It is hand signed a...

Boats at sunset depicted in this calm and peaceful oil painting — Tamales Bay Evening — from American Realist Willard Dixon. The canvas is 17 x 50 inches...

"Civil Rights." Evergood's early commentary on racial issues in the 1950s depicts four black men gagged, roped and hanging from a tree. In the background, imprisoned blacks look on through a barbed-wire fence. Whites watch in horror but do nothing to help. Meanwhile, a two-legged and three-headed serpent who symbolizes evil - wraps himself around the tree that physically and symbolically separates the races. This is an important work in the history of American art. It may be one of the very earliest examples of a major American painter doing a major work that challenges racial segregation and injustice at a time when no one else would. The title of the work is inspired by a Historic Supreme Court decision on racial segregation. The Little Rock...

Chris Forrest, American (1946 - ) - Luna (Racoon), Year: circa 1979, Medium: Lithograph, Signed and numbered in pencil, Edition: 300, AP 40, Image Size: 18 x 22 inches, Size: 22...

Meticulously rendered account of three prospectors trying to rustle up some water before they can dig up some gold. Magazine Illustration of the Old West, American West, Cowboys Casein on board, Western / Frontier Art...

"Harbor Rainbow" with rippling water reflections of the blue boat floating in the sea is a quintessential example of Tom Swimm's enhanced realism. This ...

This late 1950s portrait photograph, captured by society photographer Slim Aarons, features Marietine Birnie snorkeling at the Blue Lagoon, Kemmuna (Comina), Malta, July 1959. This ...

This late 1950s urban portrait photograph, captured by society photographer Slim Aarons, features Faith Gibbons checks her hair in the mirror of a motor scooter, Bermuda. She is wear...

Limited edition offset print of the original photorealistic painting, a portrait that portrays a historical reenactment of a civil war volunteer by James Bama...

Norman Cohen's on Stanton Street, 1990 From a 6cm x 9cm negative, scanned in 2020 Archival Pigment Print available in this size of 16" x 20" in an Edition of 12 with 3 Artist Proof...

Photorealist flower screenprint by American artist Lowell Blair Nesbitt, signed and numbered in pencil. Title: Spotted Leopard and Iris Year: 1981 Medium: Serigraph, signed and num...

This modern still life diptych by Gio Bellagio is inspired by ancient Greek ceramic vessels. The pots are adorned with minimalist patterns reminiscent of Greek geometry, emphasising...

Etching on thick, hand made laid paper, 8 1/8 × 5 13/16 inches (206 × 148 mm), full margins. Scattered light age tone surface soiling, dog-eared corners, and minor edge nicks. An imp...

Hail Victoria, by 1955, oil on Masonite, signed lower left, 20 x 16 inches, exhibited 26th Annual Exhibition of Paintings of Contemporary New England Artists, Jordan Marsh Company, B...

Lawrence Nelson Wilbur, 'Gloucester Harbor', drypoint, 1940. Signed, dated, and titled in pencil. Signed in the plate, lower right. Annotated 'PERSONAL...

Artist: Richard Haas Title: Houses, Texas Year: circa 1980 Medium: Lithograph, signed and numbered in pencil Edition: 10/40 Image Size: 17.5 x 24 inches Paper Size: 21.5 x 29 in. (5...

This painting by Jenness Cortez features recreations of the following works, clockwise from upper left: 1. “Girl with a Red Hat,” Johannes Vermeer, 1665-1670, Collection of National Gallery, Washington, DC 2. “Daughters of Revolution,” Grant Wood, 1932, Collection of Cincinnati Art Museum, Cincinnati, OH 3. “Arrangement in Gray and Black-Number One,” James McNeill Whistler, 1871, Collection of Musee d’Orsay, Paris 4. “The Gleaners,” Jean Francois Millet, 1890, Collection of Musee d’Orsay, Paris 5. “Sha-Ko-Ka” (”Mint,” A Pretty Girl), George Catlin, c.1832, Collection of Smithsonian American Art Museum,Washington, DC 6. “Atalanta” (Bronze sculpture), Paul Manship, 1921, Collection of Smithsonian American Art Museum, Washington DC 7. “Purple Robe and Anemones,” Henri Matisse, 1937, Collection of Baltimore Museum of Art, Baltimore, MD 8. “Parvati,” South Indian Bronze...

Magnificent scarlet poppies in an impressionistic manner on a blue background. The original abstraction of Lilia Volskaya. This luxurious modern abstraction of beautiful scarlet flow...

Original vintage poster: YOU Buy a Liberty Bond. Linen Backed World War 1 bonds poster. Archival linen backed in good condition; ready to frame. Artist: C . R. Macauley created...

Balloons on Delancey Street, 1986 From a 35mm negative, scanned in 2020 Archival Pigment Print available in this size of 16" x 20" in an Edition of 12 with 3 Artist Proofs Print s...

December 1959, Scrap Metal Loading Area, 8A Yard between 9th & 8th Street by Kent Avenue. Looking East. American, b. 1949 In his more than three decades as an artist, Nicholas Berg...

John McNulty, Irish/American (1949 - ) - Lakeside Trees IV, Year: 1982, Medium: Etching with Aquatint, signed and titled in pencil, Edition: 250, Size: 22 x 30 in. (55.88 x 76.2 cm)

Mid-century city life is captured in this Clyde Singer painting, Market Woman, where he depicts a woman with her shopping in 1955. An accomplished American Scene painter, Singer su...

Original Windsor See Britain by Train vintage railroad poster. Linen backed in very fine condition, ready to frame. No restoration to t...

This late 1950s landscape photograph, captured by society photographer Slim Aarons, features holidaymakers on a cafe terrace in Nice on the French Riviera. This is an estate stamped...

Oil painting by Willard Dixon featuring flying above the wispy clouds. Willard Dixon, who is one of the finest American contemporary realist painters today, has painted coastal landscapes for 35 years, capturing the undeniable beauty of the West with its grand and humble spirit. The painting, with its atmospheric light and calm palette is contemporary and serene. Dixon’s work can be found in numerous distinctive private and public collections, as well as the San Francisco Museum of Art, and the Metropolitan Museum of Art and his work is collected Internationally. Artist signed and dated. A classic Dixon that will sure to bring those who view it a life time of pleasure. At Thirty Thousand Feet no. II, painted in 2023. the canvas is 54 X 43 inches. Oil on canvas. Condition is new and excellent. Artist signed and dated. Ready to ship. Proudly presented by Andra Norris Gallery in California. Selected Collections The San Francisco Museum of Modern Art The Metropolitan Museum of Art The Oakland Museum The Utah Museum of Fine Art San Francisco Art Commission Shaklee Corporation Pacific Gas and Electric Company, San Francisco, CA Kemper Insurance Company, Long Grove, Il Morrison and Foerester, San Francisco, CA SSI Container Corporation, San Francisco, CA San Francisco International Airport Oxford Petroleum Company, Houston,TX California First Bank, San Francisco, CA United Pipeline, Houston, TX Security Pacific National Bank, S.F., CA Crocker Bank, Los Angeles, CA Visa Corporation, San Francisco, CA Atlantic Richfield Corporation Shell Oil, Houston, TX First National Bank of Seattle RREEF Corporation, San Francisco, CA Texas Heritage Society Genstar Corporation, San Francisco, CA Sohio Corporation Skidmore Owings and Merrill, N.Y.C., NY Chemical Bank...

Female artist Louise Lue Osborne paints a classic composition with an interaction of two women and a child soaked in golden late light. The figural gro...