American Realist Art

‘Amaryllis', by artist Frédéric Choisel, who lives and works in Paris, France, painted this dramatic, creamy white, amaryllis flower bursting full bloom on green stalks against a dar...

A guest takes a break from the sun at the Marbella Club, Marbella, Spain, 1976. Aarons never used a stylist, or a makeup artist. Natural sun lights the c...

Heller covers monumental and lesser-known works starting with Frank Lloyd Wright and tracing his design principles through his son Lloyd Wright, and students Richard Neutra, Rudolph ...

Original Germany, Bavaria: Munich – the Theatine Church and Felhernhalle vintage poster. Photo by: Jaeger & Goergen, Munich. Printed by the German National Railroad system (Deutsche Reichsbahn). This poster is presumed printed in the 1930s. A lithograph that was printed using blue-toned ink with cream borders. Linen backed in very good condition, ready to frame. The Theatiner Church is a colossal-looking ochre-colored church on Odeonsplatz in Munich built 1663-1692. It was the first baroque church in Bavaria and is one of the very few in Germany. The actual, official name of the Theatine Church is St. Kajetan. The big dome in the background is about 70 meters or 230 feet tall. On the left is the Feldherrnhalle. The model for the building on Odeon Square was the Loggia dei Lanzi in central Florence, which was built in the 14th century. The two monumental lions...

Oil painting by Willard Dixon featuring the Golden Gate Bridge from Crissy Field in San Francisco. Willard Dixon, who is one of the finest American contemporary realist painters today, has painted coastal landscapes for 35 years, capturing the undeniable beauty of the West with its grand and humble spirit. The painting, with its atmospheric light and calm palette is contemporary and serene. Dixon’s work can be found in numerous distinctive private and public collections, as well as the San Francisco Museum of Art, and the Metropolitan Museum of Art and his work is collected Internationally. Artist signed and dated. A classic Dixon that will sure to bring those who view it a life time of pleasure. Beach at Crissy Field, painted in 2022. the canvas is 26 x 45 inches. Oil on canvas, and traditionally framed in contemporary, minimal hardwood floater frame.Condition is new and excellent. Artist signed and dated. Ready to ship. Proudly presented by Andra Norris Gallery in California. Selected Collections The San Francisco Museum of Modern Art The Metropolitan Museum of Art The Oakland Museum The Utah Museum of Fine Art San Francisco Art Commission Shaklee Corporation Pacific Gas and Electric Company, San Francisco, CA Kemper Insurance Company, Long Grove, Il Morrison and Foerester, San Francisco, CA SSI Container Corporation...

FREE SHIPPING Meting the Shade is done in pastel by Garrett Middaugh who lives in San Antonio, Texas. Meeting the Shade is 18 x 24 without the frame....

"Harbor Symmetry" with glowing water reflections of a wooden boat tied up to the dock is a quintessential example of Tom Swimm's enhanced realism. This colorf...

Margot Glass’s rendering of detail demands close attention. Her play with positive and negative space—the almost imperceptible shade of translucence between leaf veins, or the rich p...

A group of women reclining on the snow in Gstaad with rugs covering their knees, 1963. The skiers relax on the mountain after a day of sport, wearing white, silver, red, pink, olive and black sweaters and leggings. They recline in red and blue chairs. Boots, fuzzy hats...

Original poster: SOLDIERS-SAILOR AND WOMEN GUESTS welcome to the Y.W.C.A. hostess house "A bit of home within the camps". A sailor shakes the hand of a man while a woman is standing and smiling at them. Linen-backed original WW1 poster...

American political novelist William F Buckley Jnr takes a break from skiing near Gstaad, Swtizerland with Canadian-born economist John Kenneth Galbraith. Buckley leans back, casually mirthful in a bright red jacket, gray turtleneck and black hat and boots; Galbraith is pensive with a plaid hat...

An oil painting by American Painter Carl Bretzke. This waterscape was painted en plein air in Sag Harbor, NY. A boat heads away from the viewer, toward the tree-lined horizon at twi...

Grace Pischner Miller was born in Washington on January 12, 1912. She painted primarily in watercolors. She specialized in landscapes and seascapes of California. Two paintings of "Raggedy Ann...

This framed 21.5" x 17.25" watercolor on paper painting, 'Still Life with Fruit,' is by Oklahoma artist Cletus Smith. The subject matter include a brown b...

Original "The Greatest Shown on Earth" US 1-sheet vintage movie poster, linen backed. 1952. Now over 70 years old! Restored original theater fold marks. A- condition. Bright and vibrant colors. Linen backed original 1952 one sheet U.S. Movie poster by Cecil B. DeMille: The Greatest Show on Earth. Starring Betty Hutton, Cornel Wilde, Charlton Heston, Dorothy Lamour, James Stewart, Gloria Grahame, Henry Wilcoxon, Lyle Bettger, Lawrence Tierney, and Emmett Kelly...

Jazmen Pen and ink on paper, 2013 Signed and titled lower right (see photo) Annotated: “I want to go to Dunbar,…because my friends are there…” Series: The 99% - Highland Hills Exhibited: Valley House Gallery, Everyday Glory, Dec. 4, 2013-Jan. 11, 2014 Illustrated: Everyday Glory, page 45 Condition: excellent Sheet size: 14 x 10 7/16 inches Provenance: Valley House Gallery (no. 18597) Sedrick Huckaby (b. 1975) Born in Fort Worth in 1975, Huckaby has been creating some form of art since his childhood. In 1995, he began his formal art studies at Texas Wesleyan University in Fort Worth. After a brief stay he transferred to Boston University, where he received a BFA degree. He then earned a MFA degree from Yale University in New Haven, Connecticut. Huckaby is known for his powerful use of color and his exploration of cultural roles and the heritage of the African American family. His work has evolved from portraiture to objects and interiors that venerate his personal family legacy rooted in Fort Worth, Texas. Portraying these familiar subjects on a large scale and pushing his use of materials, Huckaby defines the significance of family and tradition while touching on the subject of ethnographic stereotypes in our culture. For the past few years he has concentrated his efforts on a series of quilt paintings. One of the series he created is a tribute to both of his Grandmothers and a celebration of the African American quilting tradition. He used the actual quilts sewn by family members as models for his paintings. These quilts document significant events in his family history. According to Huckaby, the paintings represent an artistic family legacy. The colorful, rhythmic abstracted patterns come together like the musical notes in African American musician John Coltrane's famous jazz composition, A Love Supreme, from which the painting series acquired its name. He has earned national acclaim for his work over the past several years. Huckaby has received the 2001 Louis Comfort Tiffany Award...

Margot Glass’s rendering of detail demands close attention. Her play with positive and negative space—the almost imperceptible shade of translucence between leaf veins, or the rich p...

An attractive ffemale Hippie in Central Park during an Anti-Vietnam War protest and sandwiched with another image of an American flag. The print is signed...

Dina Brodsky has begun another chapter in her visual journal, documenting her newfound home on the New England coast. Her pinhole representations of the Massachusetts Cape pack virtu...

A trompe l'oeil painting of a finely-crafted oarlock from a row boat. It hangs from a string on the wall; the excess string curling at the edge. Morfis masterfully creates the shadows of this object and the string. Framed dimensions: 21.5 x 17.5 inches John Morfis was born in Bayville, Long Island in 1976. His humble beginnings made pursuing a career in art difficult and paradoxically necessary. Fixated on making things aesthetically pleasing, John made an extreme departure from his family life when he chose to base his life on art. Surrounded by mechanics, welders, and otherwise trade workers John had a tough time expressing his interest in a world much more utilitarian and much less expressive and impractical. With an extraordinary desire to be an artist and a grant awarded, John was able to earn a Bachelor of Fine Arts with a concentration in painting from the University of Hartford in 1998. While there John studied oil painting under American realist Stephen Brown...

American political novelist William F Buckley Jnr takes a break from skiing near Gstaad, Swtizerland with Canadian-born economist John Kenneth Galbraith. Buckley leans back, casually mirthful in a bright red jacket, gray turtleneck and black hat and boots; Galbraith is pensive with a plaid hat, yellow glasses and boots. Behind the weathered wood bench, red, blue, white and yellow signs point to Gstaad and Fanglift. Majestic forest green firs rise in the snowy background. The perfect triangle composition brings dynamism to a scene of male camaraderie from Gstaad's fabled artistic past. Slim Aarons Skiing Holiday, Gstaad, Switzerland 1977, printed later Chromogenic Lambda print Slim Aarons Estate Edition Complimentary dealer shipping to your framer, worldwide. 40 x 40 inches $3950 30 x 30 inches $3350 20 x 20 inches $2500 Complimentary dealer shipping to your framer. Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. The Slim Aarons Estate has released the limited Estate edition as a Lambda print, which is a modern c-type prints. They have chosen Lambda prints for their sharpness, clarity, colour saturation and quality, compared to archival inkjet prints. Lambda printing gives true continuous tone. Photograph is unframed Slide show includes a close-up of the Slim Aarons estate's stamp. Collector will get the next number in the edition * We are pleased to offer the entire archive of the Slim Aarons Estate, offering the official Slim Aarons Estate Edition (only offered in this edition of 150). Please contact us for additional photographs from Slim Aarons * Gstaad is a town in the German-speaking section of the Canton of Bern in southwestern Switzerland. It is part of the municipality of Saanen and is known as a major ski resort and a popular destination amongst high society and the international jet set. The winter campus of the Institut Le Rosey...

Henriette Wyeth-Hurd Hand signed, Collotype, Limited Edition of 490 Image Size: 20" x 26" framed 28.5 X 34.5 Provenance: printed at Triton Press and has their certificate of authenticity verso. Henriette Wyeth Hurd (1907 – 1997) was an American artist noted for her portraits and still life paintings. The eldest daughter of illustrator N.C. Wyeth, she studied painting with her father and brother Andrew Wyeth at their home and studio in Chadds Ford, Pennsylvania. Henrietta Wyeth was born in Wilmington, Delaware, into an artistic family. Wyeth was the eldest of the five children of noted illustrator N.C. Wyeth and his wife Carolyn Bockius. Her siblings Carolyn and Andrew also became artists, and all three studied with their father. Andrew Wyeth became the most well-known artist of this family. Henriette contracted polio at age 3, which altered her health and use of her right hand. As a result, she learned to draw with her left hand and paint with her right. She grew up on the family farm in Chadds Ford, Pennsylvania, and attended local Quaker schools. She and her siblings were eventually homeschooled because their father distrusted the public school system. She began formal art lessons with her father at age 11, making charcoal studies and geometric shapes. A child prodigy, at age 13 Wyeth was enrolled in the Normal Arts School in Boston, Massachusetts. The next year, in 1921, she entered the Boston Museum of Art Academy. Two years later she moved to Philadelphia to study painting at the Pennsylvania Academy of Fine Arts. By age 16, she was well known as a portraitist and received commissions for paintings of Wilmington residents. Deeply influenced by her father's unique realistic style, she rejected early 20th-century painting styles such as Impressionism and Cubism. She was also socially and politically conservative. As a result, later in life she rejected the progressive movements of the 1960s and 1970s, including the women's movement. She often criticized television and modern culture. At age 21, in 1929 Wyeth married artist Peter Hurd, a fellow student at the Pennsylvania Academy and her father's apprentice. The couple had three children together: Peter Jr., Carolyn, and Michael Hurd. In the mid-1930s they moved to San Patricio, New Mexico, settling on a farm of 40 acres. By 1939, they established the Sentinel Ranch there, gradually acquiring more land until they had 2200 acres. It was in southern New Mexico near Roswell, New Mexico, her husband's birthplace. Wyeth's work spanned portraits of adults and children, still lifes, and floral landscapes. In her work, she "often included objects that related to the subject's interest or personality. She eventually stopped painting children because, as she said, “today...

The S.S. San Jose shown making way in medium water. This early refrigerated freighter, built in 1904, was designed to transport bananas between the Caribbean and the American mainlan...

A guest takes a break from the sun at the Marbella Club, Marbella, Spain, 1976. Aarons never used a stylist, or a makeup artist. Natural sun lights the c...

An oil painting of a tomato still life. On a neutral background sits a larger tomato and 6 smaller tomatoes still attached to a vine. The two groups are divided by a diagonal slash of branch. Painting dimensions: 6 x 13 inches Framed dimensions: 12 x 19 inches John Morfis was born in Bayville, Long Island in 1976. His humble beginnings made pursuing a career in art difficult and paradoxically necessary. Fixated on making things aesthetically pleasing, John made an extreme departure from his family life when he chose to base his life on art. Surrounded by mechanics, welders, and otherwise trade workers John had a tough time expressing his interest in a world much more utilitarian and much less expressive and impractical. With an extraordinary desire to be an artist and a grant awarded, John was able to earn a Bachelor of Fine Arts with a concentration in painting from the University of Hartford in 1998. While there John studied oil painting under American realist Stephen Brown...

Original Porsche factory poster. Porsche 25 Years Driving in its Purest Form. Rare, Archival linen-backed original vintage Porsche poster. ...

Ernest Fiene (1894 - 1965) Low Tide at Noon, Wellfleet, Massachusetts Oil on canvas 26 x 36 inches Signed lower right Ernest Fiene was born in Elberfeld, Germany in 1894. As a teenager, Fiene immigrated to the United States in 1912. He studied art at the National Academy of Design in New York City from 1914 to 1918, taking day classes with Thomas Maynard and evening classes with Leon Kroll. Fiene continued his studies at the Beaux-Arts Institute of Design in Paris from 1916 to 1918, adding classes in printmaking at the Art Students League in 1923. Fiene began his career as an artist in 1919 with his first exhibition of watercolors at the MacDowell Club arranged by his mentor Robert Henri. In 1923 the Whitney Studio Club mounted a large exhibition of his works. The following year he had an exhibition at the New Gallery in New York, which completely sold out all fifty-two works, including paintings, watercolors, drawings, and etchings. With the proceeds of sales from the New Gallery exhibition, Ernest Fiene and his younger brother Paul, a sculptor, built studios in Woodstock, New York in 1925. In the early Twenties Ernest Fiene painted mostly landscapes of Woodstock and both the Ramapo and Hudson River Valleys. He was the subject of the first monograph for the Younger Artists Series in 1922. Published in Woodstock, the series went on to include Alexander Brook, Peggy Bacon, and Yasuo Kuniyoshi. The book reproduced 1 illustration in color and another 27 reproductions in black and white. Around 1925 Fiene became fascinated with the intensity, excitement, and opportunities for color harmonies New York City offered as a subject. His paintings shifted to urban and industrial themes with architecture, industry, and transportation becoming his subjects. By 1926 Fiene had attracted the dealer Frank K.M. Rehn, who gave him a one-man exhibition that year, which travelled to the Boston Arts Club. C.W. Kraushaar Galleries gave Fiene a one-man exhibition of urban, landscape, portrait, and still life paintings in 1927. Julianna Force, the director of the Whitney Studio Club and first director of the Whitney Museum of American Art, included two of Fiene's paintings in a fall exhibition in 1928. The Whitney Studio Club showed Fiene's paintings in a two-man exhibition with Glenn O. Coleman that year and acquired three of Fiene's paintings. Also in 1928 Fiene became affiliated with Edith Halpert's Downtown Gallery where he had an exhibition of 20 lithographs in the spring. Fiene sold his house in Woodstock in 1928 to spend more of his time in New York City. With so many successful exhibitions, Fiene returned to Paris in 1928-29 where he rented Jules Pascin's studio and studied at the Académie de la Grande Chaumière. In France, Fiene painted both landscape and urban subjects developed from ideas influenced by Cubist geometry and the use of flat areas of broad color. Upon returning to New York in 1930, Fiene used this new approach to continue to paint New York skyscraper and waterfront subjects, as well as to begin a series of paintings on changing old New York based on the excavations for Radio City Music Hall and the construction of the Empire State Building. Frank K.M. Rehn Galleries exhibited this series, titled "Changing Old New York," in 1931. Fiene also has solo exhibitions at Rehn Galleries in 1930 and 1932. Fiene's oil paintings are exhibited at the Chicago Arts Club in 1930 as well. Fiene was included in the Museum of Modern Art's exhibition Painting and Sculpture by Living Americans in December of 1931. Visiting New York, Henri Matisse saw the exhibition and called Fiene's Razing Buildings, West 49th Street the finest painting he had seen in New York. Fiene had two mural studies from his Mechanical Progress series exhibited at the Museum of Modern Art's exhibition Murals by American Painters and Photographers in 1932. Fiene sent View from my Window which depicts Fiene working on a lithograph stone while looking out his window to the newly completed Empire State Building to the Carnegie International in 1931. In 1932 Fiene participated in the first Biennial of American Painting at the Whitney Museum and his prints were included in exhibitions at the Downtown Gallery and the Wehye Gallery. In the same year, Fiene was awarded a Guggenheim fellowship to further study mural painting in Florence, Italy. On his return from Italy in 1933 Fiene re-engaged himself in New York City life and won several public and private mural projects. Fiene resumed his active exhibition schedule, participating in two group exhibitions at the Whitney Museum and a one-man exhibition of recent paintings at the Downtown Gallery in January 1934. In 1933 he purchased a farm in Southbury, Connecticut, which added Connecticut scenes to his landscape subjects. This was also the year Fiene began to spend summers on Monhegan Island, Maine, where he painted seascapes, harbor scenes, and still lifes. Fiene's landscape paintings attracted numerous commissions as part of the American Scene movement. From 1935-36 Fiene took an extended sketching trip through the urban, industrial, and farming areas of Pennsylvania and West Virginia. Most of the twenty-four Pennsylvania urban and rural paintings from this trip were featured in an exhibition held at the First National Bank in Pittsburgh in October of 1937 by the Pittsburgh Commission for Industrial Expansion. Fiene said of these works that he formed rhythm, opportunity for space and color, and integrity in the Pennsylvania mill and furnace paintings. Fiene received the silver medal for one of the Pittsburgh paintings...

Original vintage poster: "BUS RILEY'S BACK IN TOWN". Horizontal format theater release movie poster. Very good to excellent condition. Ready to frame. Cleaned and starched.. This is an original 22...

Moondog, was a blind American composer and musician. He was a fixture in front of the CBS building Black Rock on 6th Avenue and 5nd street. Photographer Mitchell Funk breaks with tra...

Richard Gordon was born in Chicago in 1945. He studied Political Science at the University of Chicago and did not begin photographing until he worked at a photography studio in 1965. Early in Gordon’s career, Robert Frank critiqued his work and stated that he “loved photography too much.” Gordon frequently makes photographic references in his work and pays homage to the photographers who influenced him: Eugène Atget, Walker Evans, Robert Frank and Helen Levitt. Bookmaking has been an important element of Gordon’s photography from the beginning; he created his own press, Chimaera Press, and published Meta Photographs (Chimaera Press, 1978), One More for the Road: The Autobiography of a Friendship 1966-1996 (Flâneur Bookworks, 1996), American Surveillance: Someone to Watch Over Me (Chimaera Press, 2009), and Notes from the Field (Chimaera Press, 2012), as well as handmade and limited edition books. Richard Gordon’s photographs are represented in many institutional collections including: Art Institute of Chicago; Bibliothéque National, Paris; Centre Nationale de la Photographie, Paris; Corcoran Gallery of Art; J. P. Getty Museum (Wagstaff Collection); Library of Congress; Museum Ludwig, Cologne, Germany; Museum of Fine Arts, Houston; New York Public Library; Oakland Museum of Art; San Francisco Museum of Art; Santa Barbara Museum of Art; Stanford Museum of Art; and University of Colorado, Boulder. From the David C. and Sarajean Ruttenberg Collection The Ruttenbergs are longtime art lovers who have collected abstract expressionist paintings, African art, sculpture, graphics, old watches and photographs-lots and lots of photographs. They started collecting them in the 1960s when the medium was still the stepchild of the arts. They kept collecting until they had more than 3,000 prints, 99 of which are in the Art Institute exhibit, ``The Intuitive Eye: Photographs from the Collection of David C. and Sarajean Ruttenberg.`` The show encompasses the entire history of photography with black-and-white and color prints from every genre, It includes street photography by Walker Evans and Garry Winogrand, glamour shots by Edward Steichen and Richard Avedon, nudes by Robert Mapplethorpe and Nicholas Muray...

Originally published by the Gugler Lithograph Company in 1898 as a chromolithograph, 'Panoramic View of Milwaukee, WI, Taken From City Hall Tower' is a giclée print reproduction that...

Original vintage poster: Terrot 1952 3 fois Champion du France Cyclo-Cross bicycling poster. Linen-backed round vintage bicycle racing poster Terrot 1952; (Terrot-Hutchinson) 3 fois Champion de France et Champion du Monde. The image features: Adolphe Deledda (1919 -?) ; Roger Rondeaux (1920-1999) and Andre Lesca (1927-?). Affiche Palmarès 1952 pour la marque Terrot avec les coureurs Deledda, Lesca et Rondeaux. Diamètre. This is the only copy of this 1952 Terrot French bicycle...

Both spare and dynamic, Karl Hartman’s hyper-saturated countrysides and surreal depictions of Americana perfectly match the vividness of our late-summer heatwave. Hartman’s tightly c...

Carl Frederick Gaertner (American, 1898-1952) Rock Creek, 1950 Gouache on artist board Signed and dated 1950 lower right/inscribed verso 14 x 19.5 inches 20...

A group of women reclining on the snow in Gstaad with rugs covering their knees, 1963. The skiers relax on the mountain after a day of sport, wearing white, silver, red, pink, olive and black sweaters and leggings. They recline in red and blue chairs. Boots, fuzzy hats...

"Another Day" is an oil painting on panel. A winding California road snakes its way up a hill. Houses are perched at the top overlooking brown scrub and ro...

Tetris by Ali Mourabet [2021] original and hand signed by the artist Acrylic on canvas Image size: H:80 cm x W:60 cm Complete Size of Unframed Work: H:80 cm x W:60 cm x D:2.5cm Sold...

A trompe l'oeil oil painting of a child's beach shovel. Morfis' incredible realism contrasts the quaint illustration on the shovel. Framed dimensions: 23.5 x 17.5 inches John Morfis was born in Bayville, Long Island in 1976. His humble beginnings made pursuing a career in art difficult and paradoxically necessary. Fixated on making things aesthetically pleasing, John made an extreme departure from his family life when he chose to base his life on art. Surrounded by mechanics, welders, and otherwise trade workers John had a tough time expressing his interest in a world much more utilitarian and much less expressive and impractical. With an extraordinary desire to be an artist and a grant awarded, John was able to earn a Bachelor of Fine Arts with a concentration in painting from the University of Hartford in 1998. While there John studied oil painting under American realist Stephen Brown...

London original travel poster; artist Sam Wisnom. Size 25 x 37"; archival linen backed and ready to frame. Original vintage travel po...

"Coffee, Fireworks, and Amphetamines" is an oil painting of the titled items, a to-go coffee cup is the focal point, a few red firecrackers resemble miniature dynamite sticks. Pills scattered about the tabletop in capsules and tablet forms. A single match with a red tip rests along the table's edge, ready to ignite a spark. A diagonal shadow dissects the composition. A hole in the wall can be found on the upper right. Painting dimensions: 11 x 14 inches Framed dimensions: 13.5 x 16.5 inches Matthew Weigle...

Dina Brodsky has begun another chapter in her visual journal, documenting her newfound home on the New England coast. Her pinhole representations of the Massachusetts Cape pack virtu...

Represented by George Billis Gallery, NYC & LA -- "When asked what kind of paintings I make, I usually call my work "Urban Landscapes" to distinguish them as paintings about areas o...

Original poster: Uncle Tom's Cabin. Half Sheet; linen backed rereleased 1958 poster. The greatest human drama ever filmed! A cast of thousands! Told by Raymond Massey. A Colorama Features Release. Fine condition. The ever-mounting Civil Rights movement of 1958 prompted entrepreneurs Jules B. Weill and Carroll L. Puciato to reissue the 1926 screen version of Harriet Beecher Stowe...

A trompe l'oeil painting of a toy gun hung upside down by a nail through the trigger.

American political novelist William F Buckley Jnr takes a break from skiing near Gstaad, Swtizerland with Canadian-born economist John Kenneth Galbraith. Buckley leans back, casually mirthful in a bright red jacket, gray turtleneck and black hat and boots; Galbraith is pensive with a plaid hat, yellow glasses and boots. Behind the weathered wood bench, red, blue, white and yellow signs point to Gstaad and Fanglift. Majestic forest green firs rise in the snowy background. The perfect triangle composition brings dynamism to a scene of male camaraderie from Gstaad's fabled artistic past. Slim Aarons Skiing Holiday, Gstaad, Switzerland 1977, printed later Chromogenic Lambda print Slim Aarons Estate Edition Complimentary dealer shipping to your framer, worldwide. 40 x 40 inches $3950 30 x 30 inches $3350 20 x 20 inches $2500 Complimentary dealer shipping to your framer. Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. The Slim Aarons Estate has released the limited Estate edition as a Lambda print, which is a modern c-type prints. They have chosen Lambda prints for their sharpness, clarity, colour saturation and quality, compared to archival inkjet prints. Lambda printing gives true continuous tone. Photograph is unframed Slide show includes a close-up of the Slim Aarons estate's stamp. Collector will get the next number in the edition * We are pleased to offer the entire archive of the Slim Aarons Estate, offering the official Slim Aarons Estate Edition (only offered in this edition of 150). Please contact us for additional photographs from Slim Aarons * Gstaad is a town in the German-speaking section of the Canton of Bern in southwestern Switzerland. It is part of the municipality of Saanen and is known as a major ski resort and a popular destination amongst high society and the international jet set. The winter campus of the Institut Le Rosey...

Mona Rolla, is a photorealistic version of the Mona Lisa created by Leonardo da Vinci. This version by Norm Siegel contains portions of the original painting and a paint roller. It is oil on canvas. It is 30x34. The Mona Lisa is considered an archetypal masterpiece of the Renaissance. About Norm Siegel: Graduate of The Cooper Union in NY, Norman went into advertising design, graphics, and marketing while a free-lance illustrator. As his advertising responsibilities grew, (Crest Toothpaste, Continental...

The town centre at the ski resort of Gstaad, Switzerland, 1961. Slim Aarons Gstaad Town Centre, Switzerland Chromogenic Lambda print Slim Aarons Estate Edition Complimentary dealer shipping to your framer, worldwide. 40 x 40 inches $3950 30 x 30 inches $3350 20 x 20 inches $2500 Complimentary dealer shipping to your framer. Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. The Slim Aarons Estate has released the limited Estate edition as a Lambda print, which is a modern c-type prints. They have chosen Lambda prints for their sharpness, clarity, colour saturation and quality, compared to archival inkjet prints. Lambda printing gives true continuous tone. Photograph is unframed Slide show includes a close-up of the Slim Aarons estate's stamp. Collector will get the next number in the edition * We are pleased to offer the entire archive of the Slim Aarons Estate, offering the official Slim Aarons Estate Edition (only offered in this edition of 150). Please contact us for additional photographs from Slim Aarons * Internal: Vintage Gstaad, Vintage Slim Aarons, Vintage Ski Photography, Vintage Sport Photography, Vintage Glamour, Vintage Switzerland, Vintage Swiss Ski photography, 1960s, '60s photography, 1960s ski...

Dina Brodsky has begun another chapter in her visual journal, documenting her newfound home on the New England coast. Her pinhole representations of the Massachusetts Cape pack virtu...

A guest takes a break from the sun at the Marbella Club, Marbella, Spain, 1976. Aarons never used a stylist, or a makeup artist. Natural sun lights the c...

Artist: Lowell Blair Nesbitt, American (1933 - 1993) Title: Iris on Blue III Year: 1981 Medium: Serigraph, signed and numbered in pencil Edition: 200 Image Si...

Represented by George Billis Gallery, NYC & LA --A walk through any major museum will reveal paintings that depict or legitimate only certain kinds of experience. Despite the good in...

Boldly unique in the field of wildlife art are the paintings of artist and naturalist Peter Darro. His rare ability to achieve meticulous accuracy in his subjects, without sacrificin...