American Realist Art

Andreas Feininger (1906-1999). From "Portfolio of Shells" , 1970 Gelatin Silver print, measuring 9.5 x 12 inches; 16 x 20 inches matted; 17 x 21 inches framed. Signed and numbered lower margins directly on matting. Excellent condition. Provenance: KMart Corporate Collection. Biography Feininger was born in Paris, France, the eldest son of Julia Berg, a German Jew...

Huc Mazelet Luquiens: 1881-1961. Well listed American print maker who spent most of his life in Hawaii. His fabulous etchings were of all different parts of Hawaii. He has had aucti...

Original oil on canvas painting by the renowned marine realism artist, Rinaldo Skalamera. Condition is new. Signed lower right. Executed in 2024. Framed in a contemporary gold leaf ...

This artwork titled "Yelding the Right of Way" c.1975 is a color offset lithograph by renown western artist Arnold Friberg, 1913-2010. It is hand signed...

Alo Manas by Lawrence Fodor (American, b. 1951). A lithograph of Hopi Medicine Men. Shortly after Summer Solstice each year the Hopi ceremony called the Niman Kachina, also known as “The Going Home of the Kachina.” Presented in a wooden frame. Signed "Larry Fodor...

Signed Limited Edition Etching by Charles Bragg. Women in Golf Suite : The Perfect Couple 1988 Etching 13" x 14.5" inches Signed in pencil, titled and marked 100/300 Unframed Ch...

RAPHAEL SOYER (1899 - 1987) THE MODEL 1944 (Cole 64) Lithograph Signed in pencil, edition 250, 11 ¾ x 7 ¾ Full margins, sheet 15 ¾ x 12 with deckle edge. Very slight toning to the ...

3rd Version (Ben Patterson)’s "Masks We Wear, Sometimes it's a Cape" is a 2022 oil painting on cradled panel measuring 12 x 9 x 1.5 inches. The work is unframed but ready to hang. Th...

This artwork titled "An Old Friend" c. 1985 is an original sepia etching by American artist Scott Fitzgerald. It is hand signed, titled and numbered 5...

Kenn Duncan (1928-1986). Woman with Turban and Feathers, ca. 1973. 11 x 14 inches; 12 x 15 inches framed. The print was used for publication in After Dark Magazine. From the estate of William Como, Editor in Chief, After Dark Magazine. Kenneth Duncan was born September 22, 1928, in New Jersey. He began his career as a skater and then a dancer. After breaking his foot and taking a six-week course on photography at a YMCA, he became a photographer. Duncan worked as a principal photographer for After Dark and Dance Magazine. His photographs also regularly appeared in Vogue, Harper's Bazaar, Life, Time, and Newsweek. In addition, he photographed a score of Broadway shows, including Hair, Applause, The Elephant Man, and Sophisticated Ladies and many dance and Broadway stars including Chita Rivera...

Nanci France-Vaz's "Majestic Arabian, Thoroughbred Golden Brown" is an original, handmade oil painting that depicts a regal horse with a dark coat and wearing a leather bridle.

A serene Hudson River scene by a student of Louis Comfort Tiffany. Anna May Walling was born in 1881, a native of Goshen, New York. She was a graduate of the Blair Academy, and Prat...

Mel Hunter, American (1927 - 2004) - Standardbred, Year: 1974, Medium: Lithograph, signed and numbered in pencil, Edition: 53/500, Size: 22 x 29.5 in. (55.88 x 74.93 cm), Descrip...

This artwork titled "Picket Fences" c.2000, is an oil painting on panel by noted American impressionist artist Douglas Paul Morgan, 1948-2021. It is signed at the lower right corner ...

This is an oil on artist board (unframed) by the important Hungarian-born and internationally celebrated Denes de Holesch (1910-1983). Denes de Holesch was an international equestrian artist. His works have been exhibited all over the world, including in New York, Beverly Hills, Boston, Chicago, Paris, Mexico City, Montreal, Tokyo, Sydney, and Madrid. His horse paintings fall into one of seven themes, including polo, cowboys, circus, rodeo, hunt, bull-fight, race-course and running free. His mastery of the subject has been compared to that of Picasso, Delacroix and Franc Marc. 1910 Denes Dezo George de Holesch was born on 9 February, 1910 at Banska-Bystrica, Northern Hungary. He was the third child and youngest son of Hugo de Holesch, an architect and Margit, nee Wagner. Many generations of the de Holesch family had worked as professional architects. He studied at the Hungarian Academy of Fine Arts in Budapest on a scholarship. Early in his career he traveled to China, Japan, Philippines, Java, Bali and Australia, where his reputation grew rapidly. Here he produced portraits in oils, and lithographs of the Chinese, as well as landscape works in oils,depicting the local countryside, and canal, street and city scenes. His exposure to the arts of the Chinese, with their simplicity of line, greatly influenced his later works. In 1939 he established a studio at Lavender Bay near Sydney. In 1940 he exhibited at the Macquarie Galleries in Sydney. In 1944 he married Joyce Greer, the Melbourne concert pianist. In 1945 the couple moved to New York where his interest in horses grew. He held exhibitions at Gallery Wildenstein, Herve, and FAR Gallery. In 1946 Holesch moved to Montreal where he exhibited at the National Gallery of Montreal. In 1947 he moved to Boston where he continued painting portraits and horses. He exhibited there at the Ehrmann and Vose galleries. Later in the year he moved to San Francisco where he was invited to participate in the "Renoir to Picasso" Exhibition held at the Maxwell Gallery.1946 He moved to Montreal, Canada and exhibited at the National Gallery of Montreal. (Frederic Remington and Charles Russell) 1947 Early in the year he moved to Boston and continued painting portraits and horses. In June, he painted the portrait of Harvard Law School Dean, Erwin N. Griswold, and in October his works were exhibited at Margaret Brown's Galerie Intime, Newbury Street, Boston. 1948 He produced a clay sculpture head of Egon Petri, one of a number of clay sculptures that he produced. He also produced a number of wood carvings. His paintings were chosen for inclusion in a Group Exhibition in the National Gallery of San Francisco, and in the important and prestigious 'Renoir to Picasso' Exhibition held at Maxwell's Galleries, 372 Sutter Street, San Francisco. 1953 His works were included in a Group Impressionists Exhibition held at the Ohana Gallery, London 1954 He travelled to New York, where he was commissioned to paint Herbert Gasser, Nobel Prize Winner in Biochemistry. 1955 He returned to England, and then travelled to Paris to exhibit works in the Galerie Marcel Lenoir. 1956 He again returned to New York to work on portrait commissions and for exhibitions of his works, mainly of horses. These exhibitions were held in New York, Boston, San Francisco and late in the year at the Galleries of Frank J. Oehlschlaeger at 107 East Oak Street, Chicago. During this year, visits with his family to Ringling Circus and to a rodeo in Tucson, Arizona must have impressed him greatly, for images of these events soon appeared on his canvases. His work was greatly admired by Hollywood film- stars, such as Ann Rutherford and Burt Lancaster, and David Niven purchased one of the horse paintings to give as his wedding present to Grace Kelly on her marriage to Sovereign Prince Rainier III of Monaco. 1959 The prints of 'Courtship' and 'Chargers' were produced. It has been estimated that close to a million copies of his prints were sold over the next ten years, with 'Courtship' being advertised by Stern's Book Dpt. on 5th Avenue, New York along with prints by Picasso, Degas, Goya, Modigliani, Renoir and Van Gogh. 1960 He moved to Antibes, on the French Riviera in the South-East of France. An exhibition of his works was held in the Galerie des Etats-Unis, Cannes and his works were now permanently exhibited at Galerie Madsen, Rue St. Honore, Paris and Galerie Davis, Place Vendome, Paris. 1961 Known to Picasso, he was invited to attend a special bull-fight held in the South of France, which was organized for Pablo Picasso's 80th birthday. 1975 He moved from Voulangis to Castelfontana in the Dorf Tirol overlooking Merano, Italy. He remained there for close to a year and exhibited his works in a group exhibition in Merano in which works by Salvador Dali and Annigoni were also displayed. 1979 He returned to the old farmhouse at Voulangis. During this time he painted the portrait of Pope John Paul II. 1989 a catalog and biography of Holesch entitled Holesch Horse Paintings 1910-1983 was published by Andrew Mackenzie...

Willard Dixon, 'Morning Zion' was painted in 2023. The original painting is 60 X 47 inches. Framed in a contemporary minimal hardwood, 60.5 x 47.5 inches. Ready to hang and enjoy ove...

Study of an Italian Town with Women in a Doorway Graphite on cream wove paper, c. 1960 Signed by the artist in pencil lower right (see photo) A master of "Magic Realism," French was ...

Signed Lower Right Frank Leyendecker (1877/78 - 1924) An American illustrator. He worked with his brother Joseph Christian Leyendecker, in their studio, first in Chicago,[1] then ...

Mark Harrison's (UK based) "Keeler" is an oil painting that depicts an arid landscape with clouds and road leading to a small unassuming building. Sometimes they are silent epic lan...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. Contemporary figurative painter Andrew S. Conklin creates a co...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. Contemporary figurative painter Andrew S. Conklin creates a co...

'Altarpiece: Good Omen' - oil on canvas is 30 x 60 in, meticulously painted by American Realist Brooks Anderson. Canvas edges are painted dark in artist's signature style. Lovely to ...

"Painted Ladies" (2025) is a beautiful handmade impressionist still-life oil painting by American realist Greg Gandy, depicting a view over the Victorian rows of San Francisco, the s...

Lobsterman's Cove, Winter Harbor, Maine Lithograph, 1941 Signed in pencil lower right (see photo) Edition 50 Impressions are in the collection of the Pennsylvania Academy of the Fine...

This work is part of our exhibition - America Coast to Coast: Artists of the 1940s Army Poker, c. 1943, probably tempera on board, signed upper right, 16 x 20 inches, inscribed verso a) “Army Poker / Mervin Honig / 421 W 42 St. N.Y.C.,” b) “Mervin Honig / US Army Air Force – Seymour Johnson Field – Goldsboro, NC / Circa 1943,” and c) “(This painting was done before men was (sic) shipped off to the Mariana Islands (Saipan) The Second World War.” Note: four pencil sketches for this work included Mervin Honig was a New York-based painter and illustrator who is best known for his realistic depictions of everyday life and sports themes. Honig was raised in Brooklyn and recalled almost never being without a paintbox in hand from the time he started elementary school. Honig had a deep reverence for the Old Master painters, Vermeer and Bellini, as well as the Americans Winslow Homer and Thomas Eakins. He initially studied art from 1939 through 1941 with Francis Criss. At the outbreak of World War II, Honig worked as a mechanic for Republic Aviation, but in August 1942, he enlisted in the US Army Air Corps and was stationed at Seymour Johnson Field in Goldsboro, North Carolina. During the war, Honig began to exhibit nationally, including as part of the Portrait of America exhibitions which originated at the Metropolitan Museum of Art and traveled around the country, as well as at the Carnegie Institute in Pittsburgh. He painted Army Poker in 1943 while stationed at Johnson Field. In this work, Honig draws inspiration from Paul Cezanne's The Card Players (Metropolitan Museum of Art), with a similar placement of the four figures, but Cezanne's table is replaced with an Army cot, the pipe rack with a soldier's mess kit and the drapery in the right background with a heap of discarded uniforms. Unlike the vibrancy of Cezanne's composition, the limited palette of Honig's work suggests the drabness and monotony of stateside Army life. After being discharged from military service, Honig furthered his studies with Amadee Ozenfant in 1946 and Hans Hoffman from 1947 through 1950. Additional exhibitions included the Whitney Museum of American Art, the Brooklyn Museum, the Los Angeles County Museum of Art, the National Academy of Design, the Wadsworth Atheneum, the Provincetown Art Association, and the National Academies Galleries of the Allied Artists Association. He was represented by the venerable Frank Rehn...

Margaretha E. Albers The Ordell, Brooklyn Bridge Signed LR Oil on artist board 12 x 16 inches Provenance Kennedy Galleries, New York Private Collection, New York St. Lifer Art, New...

This artwork titled "Table Elegance" c.2010, is an oil painting on panel by noted American impressionist artist Douglas Paul Morgan, 1948-2021. It is signed at the lower right corner...

Lorna Patrick, American - Grey Gate, Year: 1980, Medium: Screenprint, signed and numbered in pencil, Edition: CLXV, Image Size: 24 x 36 inches, Size: 32 x 42 in. (81.28 x 106....

An oil painting of a landscape in Tuscany. Rolling hills, a winding dirt-road, Cyprus trees, and a small farm-house cottage, underneath a pale blue sky. Rows of vines descend the hil...

Contemporary and mysterious oil painting inspired by 'La Grande Serre' gardens in Paris, France, at dusk. The lush work in mainly forrest greens with floating flowers and splashes of...

In 1852, twenty-nine year old William Bradford was a failing shopkeeper in Fairhaven, Massachusetts. With a wife and child at home, Bradford, by his own admission, “spent too much time in painting to succeed” in business. Rescued from insolvency by his well-to-do in-laws, this is not the beginning of a narrative that generally leads to a happy ending. Not so with Bradford, who ultimately found international fame and fortune as a painter of arctic seascapes and dramatic marine paintings. William Bradford, the artist, was a lineal descendant of the 17th-century Separatist leader William Bradford, a founder of the Plymouth Plantation, signer of the Mayflower Compact and Governor of the Plymouth Colony. Our Bradford born to a New Bedford ship outfitter in Fairhaven, Massachusetts By the nineteenth century, this line of Bradfords were Quakers, living on the tract purchased nearly two centuries earlier by their pilgrim ancestor. Fairhaven, across the mouth of the Acushnet River from the whaling center of New Bedford was described by a New York journalist in 1857 as “the Brooklyn of New Bedford” (Home Journal, January 3, 1857). Young Bradford displayed an early predilection for the arts, but his Quaker parents were disinclined to support this particular pursuit. After working in his father’s business and then for a dry goods merchant in New Bedford, by 1849 Bradford had set up in New Bedford as a “merchant tailor” offering outfits for “those going to California,” “seamen’s clothing,” custom-tailored “piece goods...

Christopher Clark's (US based) "Light and Mystery" is an mixed media painting that depicts a woman reclining into the dark background with green, blue and orange patterning. Biogra...

John McNulty, Irish/American (1949 - ) - Sailing 3, Medium: Lithograph, signed and numbered in pencil, Edition: 615/650, Size: 8 x 12 in. (20.32 x 30.4...

Waiting - Abstracted Urban Landscape with Figures in Acrylic on Canvas Urban landscape by an unknown artist (20th Century). There are several figures standing under what appears to ...

Original KLM to the Caribbean midcentury modern vintage travel poster. Archival linen backed in excellent, Grade A condition, ready to frame. Note that the background color is a light blue-grey. Vibrant and clean. Printed by Kuhn & Zoon, Rotterdam. KLM Royal Dutch Airlines. Capture the allure of mid-century travel with this stunning original vintage KLM Royal Dutch Airlines poster titled "To the Caribbean." This poster features vibrant illustrations and bold imagery designed to inspire wanderlust among travelers. The centerpiece is a captivating portrait of a man in a straw hat, symbolizing the culture and warmth of the Caribbean. Surrounding him are colorful depictions of local architecture, lively festivities, tropical plants, and scenic elements—all rendered in an artistic, postwar illustrative style. The poster's overall design and artistic style evoke a sense of adventure, exoticism, and the allure of tropical vacation destinations. The bold text "to the Caribbean" and the prominent KLM logo at the bottom indicate that this was an advertisement for KLM's air travel services to the Caribbean region. This original vintage KLM poster...

Artist: Richard Haas, American (1936 - ) Title: 57th Street Looking East Year: 2007 Medium: Etching, signed and numbered in pencil Edition: 36/200 Image Si...

Rural scene of a hillside farm, depicted in watercolor on rag paper by Northern California watercolor and acrylic artist W. H. Myers (American, 20th century). Signed "W. H. Myers." P...

This artwork titled "A Burro Train, New Mexico" 1880 is an original etching on Laid paper by noted British/American artist Peter Moran, 1841-1914. It is signed in the plate as issue. The plate mark (Image) size is 9.15 x 6.5 inches, framed size is 14.75 x 18.75 inches. It is framed in a wooden silver frame, with light grey matting. It is in excellent condition, especially considering the age. I like to mention that example of this particular etching is held in the following museums, including, The Toledo Museum Of Art, Toledo, The British Museum, London and The Smithsonian Museum Of Art, Washington D.C. It was also illustrated in American Art Review, volume #2 1881, page 163. About the artist: The younger brother of Thomas Moran, Peter Moran was a painter-etcher best known for his Romantic sensibility and landscape compositions incorporating animals. The Moran family immigrated to the United States from England in 1844, when Peter was three. He began his artistic career as an apprentice to a lithographic firm and eventually studied painting with his brothers Edward and Thomas. He was influenced by the animal paintings of Rosa Bonheur and Constant Troyon and visited England in 1863 to see those of Edwin Landseer. Moran took up etching in 1874, using that medium to record genre scenes that he observed while traveling in New Mexico and Arizona in 1881 on an ethnographic expedition to study Pueblo Indian culture. He later returned to the Southwest in 1890 as an artist for the Bureau of Indian Affairs. In 1882, Moran joined Henry R. Poore, an artist friend, on a visit to Taos Pueblo where the two were given a room and spent a week watching the activities associated with the harvest. Poore recounted the details of their travels in an article titled "A Harvest with the Taos Indians...

"San Pablo Bay" 2016 is 28 x 56 inches. Painted by one of the finest American contemporary realist painters, Willard Dixon. He has painted Northern Californi...

Matthew Paoletti's "U.P." is an original, handmade oil painting. Education:​ The Art Institute of Chicago. American Academy of Art Chicago ​ Leo Burnett Co. 1990-97 Illustrator/art ...

A superb, richly-inked, early impression, in warm black ink, on cream wove paper; the full sheet with wide margins (1 1/2 to 1 3/4 inches). Signed in pencil and dedicated by the art...

Mel Hunter, American (1927 - 2004) - Saddlebred, Year: 1974, Medium: Lithograph, signed and numbered in pencil, Edition: 500, Size: 22 in. x 29.5 in. (55.88 cm x 74.93 cm), Descr...

Original, linen-backed travel by Cunard Line cruise ship R.S.S. "Caronia" horizontal poster. This original poster is ready to frame. RMS Caronia ...

Original. " "Just meet those schedules, will you?" vintage poster. Lithograph. U. S. Army Official Poster. An American pilot, complete with goggles and a flying cap, holds a map up while smiling with a headline of "Just meet those schedules, will you?". Linen-backed and ready to frame World War 2 vintage poster, 1944. This exclusive vintage World War II poster is a rare and beautiful piece of history. This original and authentic poster is truly a sight to behold, showcasing an iconic image of an Army Air Force...

American life is captured in this Clyde Singer painting, Bill Bally Blacksmithing (1987), where he depicts a woman riding her bicycle by a historic and quintessential Minnesota busin...

Shades of Espresso Floral Susan Meeks oil on canvas 36" x 36" Susan is a native Houstonian. She is passionate about oil painting, specializing in large scale florals as seen in Esp...

This mid-1950s landscape photograph, captured by society photographer Slim Aarons, features a group enjoying a picnic at a rocky coastline in Bermuda. This is an estate stamped and ...

Rock formations in landscape

Ivan Theimer, Czech (1944 - ) - Le Leze IV, Year: 1982, Medium: Lithograph, signed and numbered in pencil, Edition: 200, Size: 21 in. x 30 in. (53.34 cm x 76.2 cm)

Breathtaking ocean scene, 'Galatea: Calm Seas' on a folding Japanese screen' 2022 oil on a Japanese screen, 24 x 48 inches, Deep blue water with filtered ear...

Artist: Norman Rockwell (1894-1978) Title: Four Ages of Love: Autumn Year: circa 1985 Medium: Offset lithograph on wove paper Edition: A.P. aside from the edition of 350, plus proofs...

Original British vintage poster: Historic Carlisle - Gateway to Scotland. Artist: Maurice Greiffenhagen. Horizontal size 39" x 48.75". Archival linen-backed original stone lithograph; ready to frame. In very good to excellent condition. Original, 1925 horizontal travel by train stone lithograph. Historic Carlisle ~ 800 years of Civic Independence. See Britain by train. British Railways. Published by British Railways (London Midland Region) LM 16657. Probably the most famous British railway poster of the 1920s. The LMS commissioned designs from 16 leading Royal Academicians in 1924, of which this was by far the most popular. A British Royal seal...

New England Coast (Greenport, New York) Lithograph, 1969 Signed in pencil lower right (see photo) Edition: 350 Published in the book, Stow Wengenroth's New York, 1969 Limited slipcas...

Ice Hockey, Switzerland, Estate Edition, Landscape Photograph This early 1990s winter photograph, captured by society photographer Slim Aarons, features a group of people play an im...

Contemporary 'Storm Source' depicts severe weather at the center of a storm. An intense and electrically radiant sky, ocean, sunset painting from American Realist, Willard Dixon. The unique sky-scape is a birds-eye view to the dramatic and unfolding scene. Framed in dark ebony wood, and ready to hang and enjoy. The original painting is 58 x 60 inches. Signed and dated by the artist. Condition is excellelnt. One of our finest American contemporary realist painters, Willard Dixon has painted Northern California and western landscapes for over 35 years. His work captures the undeniable beauty of the West with its grand and humble spirit. The same sensitivity can be found in Dixon’s urban street scenes that offer viewers a resting place to contemplate our rapidly changing world, and his portraiture, which largely focuses on his artist friends and illustrious colleagues. Willard Dixon’s art has been shown extensively in San Francisco, Los Angeles, and New York, He has had over 40 one-man shows and numerous group shows. His work is in the collections of The Metropolitan Museum of Art in NY, The SFMOMA, and the Oakland Museum of California Art. He has executed large-scale commissions for The California Supreme Court, The Oakland Museum and The Las Vegas Federal Courthouse. He received an NEA Fellowship Grant in 1989. In 2013, one of his portraits was included in The Outwin Boochever Portrait Competition, at the National Portrait Gallery in Washington, DC. Dixon’s works are included in prominent private and museum collections worldwide. Born: Kansas City MO, 1942 Education: Art Students League, New York, NY Cornell University Brooklyn Museum School San Francisco Art Institute, M.F.A. 1969 Awards and Commissions N.E.A. Fellowship Grant- 1989 California Supreme Court Mural Commission- 1998 Las Vegas Federal Courthouse Commission, G.S.A.-1998 Teaching 1989-90: San Francisco State University 1975: San Francisco Art Institute Realism Seminar 1974-76: Academy of Art College, San Francisco, CA 1973-74, 1976: California College of Arts and Crafts, Oakland, CA 1971-72: California State University, Hayward, CA One Man Exhibitions 2015: Willard Dixon Portraits College of Marin Fine Art Gallery, Kentfield 2014: SFMOMA Artists Gallery, San Francisco, CA. 2008: SFMOMA Artists Gallery, San Francisco, CA. 2005: Fischbach Gallery, NYC,NY 2005: Dolby Chadwick Gallery, San Francisco, CA 2004: Fischbach Gallery, NYC, NY. 2002: Earl McGrath Gallery, Los Angeles, CA 2002: Bolinas Museum, Bolinas, CA 2001: Hackett Freedman Gallery, San Francisco, CA 2000: Fischbach Gallery, NYC , NY 2000: Hearst Art Gallery, St. Mary’s College, Moraga, CA 1998: Hackett Freedman Gallery, SF, CA 1997: Tatistcheff/Rogers Gallery, Los Angeles, CA 1996, 1995: Contemporary Realist Gallery (now Hackett Freedman Gallery) 1994: Fischbach Gallery 1993: Contemporary Realist Gallery 1992: Fischbach Gallery 1991: Earl McGrath Gallery, 454 North, Los Angeles, CA 1990: Fischbach Gallery 1989: William Sawyer Gallery, San Francisco, CA 1988: Gallery 454 North, Los Angeles, CA 1987: Fischbach Gallery 1987: Gallery 454 North 1986: William Sawyer Gallery 1985: Fischbach Gallery 1984: Harris Gallery, Houston, Tx 1984: William Sawyer Gallery 1983, 1982: Fischbach Gallery 1981: William Sawyer Gallery 1980,1979: Tortue Gallery, Los Angeles, CA 1976, 1975: William Sawyer Gallery 1973, 1972: William Sawyer Gallery Selected Group Exhibitions 2017: SHIFT / with Elizabeth Barlow, Kim Frohsin, Erin Parrish...

Original vintage poster: Paglieri dai fiori le Cipri i Profumi. Italian artist: Gino Boccasile (1901 - 1952). Size: 13.25" x 19". Archival linen backed authentic Italian post...

Nude Seated in Chair Graphite on paper, 1976 Signed and dated lower right (see photo) Exhibited: Dart Gallery, Chicago, 1976 (see photo of label) Condition: Excellent Sheet size: 14 ...