Expressionist Art

Persian Ballet is a xylograph on ivory-colored, realized at the beginning of the XX century by the Italian artist Arturo Martini (Treviso, 1889 - Milan, 1947). On the lower right ma...

After Gustav Klimt, Max Eisler #9, Haus Im Garten; aka Forester’s House in Weissenbach II; multi-color collotype after 1914 painting in oil on canvas. GUSTAV KLIMT EINE NACHLESE (GU...

After Gustav Klimt, Max Eisler #30, Brautzug; multi-color collotype after unfinished 1917/18 painting in oil on canvas. Painted in the last months of Klimt’s life, The Bride was one...

After Gustav Klimt, Max Eisler Plate #27, Madchen im Profile; grey-toned monochrome collotype after the 1916 painting in oil on canvas. Original destroyed by fire May 1945. GUSTAV K...

DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under ...

Signed lower left, 'Canete' for Robert Canete (American, born 1948) and painted circa 2000. This Carmel artist studied with Vincent Rascon in the 1960's and later with Dwight Miller...

An original oil on canvas (shaped diptych) measuring 60 3/4″ X 156″ by American contemporary artist Mark Lavatelli. Mark Lavatelli is a Western New York painter, educator, and fre...

Erich Heckel (1883-1970), Antwerp, drypoint, 1914, signed and dated in pencil lower right margin. Reference: Dube 123. In excellent condition, the full sheet on a cream/ivory wove pa...

MALE NUDE (SELF-PORTRAIT) I by Egon Schiele, 1912, a brush and ink lithograph on vellum paper made for the Munich-based artists’ association, Sema 15 Originalsteinzeichnungen portfol...

Artist: Gerald Fairclough, American (1946 - ) Title: Nude Year: 1977 Medium: Pastel Drawing, signed and dated Size: 25 x 35 in. (63.5 x 88.9 cm) Frame Size: 33 x 43 inches

Helio-etching on hand-made paper, 1927 by Paul Klee. Signatur is printed, top right: Klee From portfolio Paul Klee, Handzeichnungen 1921-1930; Here no 43 Image: 5.79 x 7.48 in ( 14,7...

Men is a pair of two original monotype woodcuts realized by an Anonymous artist of the XX century, in 1950 ca, glued on paper. In very good condition. Image dimension : 26 x 19.5 c...

Karl Michel, 'Ex Libris Verein' (New Year's Ex Libris Club Announcement), etching, 1924. Signed, dated, and numbered 'op. 167' in pencil. Signed and dated in...

Published anonymously c. 1920, Vienna, in an edition of 100, after the original watercolor and pencil on paper, titled in the plate at the top: “DIE TRAUM/BESCHAUTE” and signed and d...

Artist: Gerald Fairclough Title: Nude Year: circa 1977 Medium: Pastel Drawing, signed Size: 36 x 26 in. (91.44 x 66.04 cm) Frame Size: 43 x 33 inches

Signed lower left, 'Canete' for Robert Canete (American, born 1948) and painted circa 2005. A lyrical Expressionist-style seascape showing the Pacific ocean off Carmel, California, ...

after Carl Otto Czeschka, (1878-1960), Austrian A leading member of the Vienna Secession and later the Wiener Werkstätte (Viennese Workshop), Carl Otto Czeschka was a vital figu...

After Gustav Klimt, Max Eisler #20, Adam und Eva; multi-color collotype after unfinished 1917/18 painting in oil on canvas. GUSTAV KLIMT EINE NACHLESE (GUSTAV KLIMT AN AFTERMATH), a...

Watercolor on paper

Koloman Moser (1868 –1918), AUSTRIAN Instead of applying his flair and art education solely to painting, Koloman Moser embodied the idea of Gesamt Kunstwerk (all-embracing art work) by designing architecture, furniture, jewelry, graphics, and tapestries meant to coordinate every detail of an environment. His work transcended the imitative decorative arts of earlier eras and helped to define Modernism for generations to come. Moser achieved a remarkable balance between intellectual structure (often geometric) and hedonistic luxury. Collaborating with Gustav Klimt and Josef Hoffmann, the artist was an editor and active contributor to Ver Sacrum, (Sacred Spring), the journal of the Viennese Secession that was so prized for its aesthetics and high quality production that it was considered a work of art. The magazine featured drawings and designs in the Jugendstil style (Youth) along with literary contributions from distinguished writers from across Europe. It quickly disseminated both the spirit and the style of the Secession. In 1903 Moser and Hoffmann founded and led the Wiener Werkstatte (Viennese Workshop) a collective of artisans that produced elegant decorative arts items, not as industrial prototypes but for the purpose of sale to the public. The plan, as idealistic then as now, was to elevate the lives of consumers by means of beautiful and useful interior surroundings. Moser’s influence has endured throughout the century. His design sensibility is evident from the mid-century modern furniture of the 1950s and ‘60s to the psychedelic rock posters...

Signed lower left, 'Canete' for Robert Canete (American, born 1948) and painted circa 2000. This noted Carmel artist studied with Vincent Rascon in the 1960's and later with Dwight ...

Artist: Emmet Edwards Title: Eleanor Medium: Watercolor on paper, signed, dated, and titled in pencil Image Size: 21 x 14 inches Frame Size: 28.5 x 21.5 inches

Nude in Red, a collotype figure study by Patricia A. Pearce (American, b. 1948). Unframed. Signed "PP" on verso. Image: 8.5"H x 7.75"W. Patricia Pearce was a California artist and a...

Ink on canvas & handmade paper Sandra Detourbet is a French artist born in 1967 who works & lives in Ivry-sur-Seine, near Paris. She is graduated in 1997 from ENSAD in Paris, Art-Sp...

Signed lower right 'Engel' for Irma Engel Grabhorn (American, 1908-2003) and painted circa 1955. Born in Badenweiler, Irma Leisinger first studied in Paris with Andre Lhote from 192...

Watercolor on paper

Drypoint on copperplate. Printed by Felsing in brown ink. First Impression with the hand-signed inscription lower right: E M// Die Prinzessin von Ilmenau/ ister Druck/ herzlichst von E Munch...

"Seated Figure #2" is distinctly vibrant and sexual with a feminine-mystique glow in this stunning example of Robert Parker's Expressionist watercolor. The blue, pink and black creates a brilliant exploding power that engages the viewer immediately leading to the gorgeously rendered partially nude...

An original oil on MDF by contemporary conceptual painter Rob Lynch. This work was part of a recent pop up exhibition The Dreamer Who Dreams, which was curated to raise money for Th...

Artist: Benny Andrews, American (1930 - 2006) Title: Turtle Dove Year: 1980 Medium: Lithograph on BFK Rives, signed and numbered in pencil Edition: 275 Pap...

Judith I, no. 9 from the second installment of Das Werk Gustav Klimts Much like his treatment of the Classical personage, Danae, from Greek mythology, Klimt’s depiction of Judith takes an Old Testament character, a heroine who avenges the death of her husband by killing an Assyrian king, and firmly positions her in his present-day Vienna. His multicolored collotype rips the canvas from its gilded frame which directly references the subject with its title: “Judith und Holofernes”. Now in print form, Judith, holding the severed head of a male in murky shadow, is the ultimate Viennese femme fatale. Her likeness is unmistakably similar to a former lover of Klimt’s and famous Viennese soprano, Anna von Mildenburg. Though his allusion to ancient Assyria is apt, Klimt literally lifted the gold patterned background’s design motif from a relief detail from Sennacherib’s Palace displayed in a London museum. His context then is contemporary. In a sensual and sexually powerful tour de force, Klimt’s Judith...

Helio-etching on hand-made paper, 1925 by Paul Klee. Signatur is printed, lower right: Klee From portfolio Paul Klee, Handzeichnungen 1921-1930; Here no 28 Image: 5.63 x 7.48 in ( 14...

An original oil on canvas (shaped diptych) measuring 71” X 78 1/4” by American contemporary artist Mark Lavatelli. Mark Lavatelli is a Western New York painter, educator, and free...

Artist: Willy Rieser, Swiss (1927 - ) Title: Swiss Landscape with Bridge Year: circa 1950 Medium: Watercolor on Paper, signed l.r. Size: 18 in. x...

Watercolor on paper

Klimt’s association with Martin Gerlach dates back to the early 1880s when Gerlach and Schenk published their first edition of Allegorien und Embleme. By the mid-1890s, they were pla...

"Collage" by Bernard Herzog (French, b.1935) signed and stamped verso with catalogue number photo collage cut outs on paper, unframed overall paper: 25.5 x 20 inches Highly unique ...

After Gustav Klimt, Max Eisler #12, Aus dem Stoclet-Fries: Erwartung; multi-color collotype after the cartoon for the 1910-1911 mosaic frieze on the west wa...

DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under ...

DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under ...

After Gustav Klimt, Max Eisler Plate #24, Bildnis Friederike Maria Beer; multi-color collotype after the 1916 painting in oil on canvas. GUSTAV KLIMT EINE NACHLESE (GUSTAV KLIMT AN ...

"Collage" by Bernard Herzog (French, b.1935) signed lower corner signed and stamped verso with catalogue number photo collage cut outs on paper, unframed overall paper: 25.5 x 20 in...

"Collage" by Bernard Herzog (French, b.1935) signed lower corner signed and stamped verso with catalogue number photo collage cut outs on paper, unframed overall paper: 25.5 x 20 in...

after Carl Otto Czeschka, (1878-1960), Austrian A leading member of the Vienna Secession and later the Wiener Werkstätte (Viennese Workshop), Carl Otto Czeschka was a vital figu...

Artist: Bernard Buffet, French (1928 - 1999) Title: Oursins et Lampe à Petrole Medium: Lithograph with pochoir Edition: 15/300 Portfolio: Douze Aquare...

Watercolor on paper

Artist: Abraham Rattner, American (1895 - 1978) Title: In the Beginning Portfolio Year: 1972 Medium: 12 Lithographs on Arches, signed and numbered in ...

Watercolor on paper

After Gustav Klimt, Max Eisler Plate #6, Bildnis Frau Serena Lederer; grey monochrome collotype after the 1905 painting in oil on canvas. GUSTAV KLIMT EINE NACHLESE (GUSTAV KLIMT AN...

Watercolor on paper

A strong modernist oil painting depicted in the Mid Century by Russian painter Michael Baxte. Mostly known for his abstracted figures on canvas or street scenes, this piece is a wond...

Helio-etching on hand-made paper, 1927 by Paul Klee. From portfolio Paul Klee, Handzeichnungen 1921-1930; Here no 37 Image: 5.12 x 7.48 in ( 13 x 19 cm ), Framed: 13.46 x 15.16 in ( ...

Signed lower right 'Engel G' and titled, 'Californie ... Cote d'Azur'. Born in Badenweiler, Irma Leisinger first studied in Paris with Andre Lhote from 1926. In 1930, she entered th...

Watercolor on paper

Receding Snow is an original oil onto canvas by Russian painter Victor Egorov. It depicts the turning of seasons as Egorov details the receding snow from...

Louisa Chase was born in Panama City, Panama. Seven years later, her family moved to Lancaster, Pennsylvania. She studied painting and sculpture at Syracu...

After Gustav Klimt, Max Eisler #26, Bauerngarten mit Hühnern; multi-color collotype after 1916 painting in oil on canvas. The original was destroyed by fire in May 1945 at Immendorf Castle, Lower Austria. Landscapes, for Klimt, are vehicles to convey universal themes such as procreation and the mysteries of life. Using a highly personal language of symbols, Klimt creates a voluptuous scene of fertility, fecundity and domesticity. Klimt uses a similarly lustrous palette of pearly iridescence for the path as he had for many of his female nudes. This feminine quality is intensified by the tunnel-effect produced by the walls of colorful floral blooms whose leafy stalks are redolent with wild abundance at the height of summer.The passage leads to a green covered arbor, womb-like, which contains a simple wooden table and a bench. Human presence is unmistakeable.The two chickens shown in the path provide the link to engage with this scene cerebrally and emotionally. Protective and maternal, the mother hens do somewhat bar one’s path, but by no means in a menacing way. The experiential aspect of walking forward and ignoring those chickens, certain that they will dodge out of the way, heightens the rational with the intuitive senses creating the illusion and feeling that the flanking floral walls are parting to provide clear passage to within. Seen in this context, the age old conundrum to divine what came first, the chicken or the egg, begs the question of the greatest mystery of all. One’s relationship to procreation itself, Klimt shows us, is interwoven all around us. Far from banal, this universal quality of the natural world is fraught with thrilling wonder. GUSTAV KLIMT EINE NACHLESE (GUSTAV KLIMT AN AFTERMATH), a portfolio of 30 collotypes prints, 15 are multi-color and 15 are monochrome, on chine colle paper laid down on heavy cream-wove paper with deckled edges; Max Eisler, Editor-Publisher; Osterreichischer Staatsdruckerei (Austrian State Printing Office), Printer; in a limited edition of 500 numbered examples of which: 200 were printed in German, 150 were printed in French and 150 were printed in English; Vienna, 1931. 2018 marks the 100th anniversary of Gustav Klimt’s death. It is a fitting time to reflect upon the enduring legacy and deep impact of his art. Recognizing this need for posterity with uncanny foresight, the publication of Gustav Klimt: An Aftermath (Eine Nachlese) provides a rare collection of work after Klimt which has proven to be an indispensable tool for Klimt scholarship as well as a source for pure visual delight. Approximately 25 percent of the original works featured in the Aftermath portfolio have since been lost. Of those 30, six were destroyed by fire on 8 May 1945. On that fateful final day of WWII, the retreating Feldherrnhalle, a tank division of the German Army, set fire to the Schloss Immendorf which was a 16th century castle in Lower Austria used between 1942-1945 to store objects of art. All three of Klimt’s Faculty Paintings: Philosophy, Medicine and Jurisprudence (1900-1907), originally created for the University of Vienna, were on premises at that time. Also among the inventory of Klimt paintings in storage there was art which had been confiscated by the Nazis. One of the most significant confiscated collections was the Lederer collection which featured many works by Gustav Klimt such as Girlfriends II and Garden Path with Chickens...

Artist: Juan Garcia Ripolles, Spanish (1932 - ) Title: Woman with Flowers III Year: 1970 Medium: Oil on Canvas, signed l.r. Size: 18 in. x 10.5 in. (45.72 cm x 26.67 cm)