Neo-Expressionist Art

FAST FOOD BREAKFAST is an original oil pastel drawing on brown paper grocery bag by the self taught African American artist Reginald K. Gee, born April 28, 1964, in Milwaukee, Wiscon...

Tom Cramer (b.1960). Standing Figure, 1998. Carved wood and polymer paint. Measures 17.5 inches high. Excellent condition. Signed and dated under base. Tom Cramer is an American artist working in Portland, Oregon noted for his intricately carved and painted wood reliefs and ubiquity throughout the city of Portland. Often called the unofficial Artist Laureate of Portland,[2] Cramer is one of the most visible and successful artists in the city. The influences on his work are both organic and technological. He is widely collected and is in many prominent west coast museum and private collections. He is in the permanent collections of the Portland Art Museum[3] in Portland Oregon, the Halle Ford Museum in Salem Oregon, the Jordan Schnitzer Museum in Eugene, Oregon, the Boise Art Museum in Idaho. Cramer made a name for himself in the 1980s and 1990s becoming a bridge between historical Oregon artists like Clifford Gleason and Milton Wilson...

Kevin Samuel Murphy (born 1969) THE 3 ESTATE AGENTS , 2001 Large - mixed media on canvas Size: 104 × 128 cm (including frame) Depicting three estate agents frenziedly clambering ove...

Loren Munk (American, b. 1951), mixed media painting "Romulus & Remus", signed "Munk '89", 13" x 19" inches sheet, framed 20.25" x 26" inches. In Roman mythology, Romulus and Remus are twin brothers whose story tells the events that led to the founding of the city of Rome and the Roman Kingdom by Romulus. The killing of Remus by his brother, and other tales from their story, have inspired artists throughout the ages. Since ancient times, the image of the twins being suckled by a she-wolf (dog) has been a symbol of the city of Rome and the ancient Romans. The artist Loren Munk (born 1951) is primarily known for his YouTube nickname James Kalm as an uploader of videos about New York exhibitions, amongst others. He presents himself as a maker of contemporary paintings for several decades and of cubist paintings of urban imagery. Munk has received accolades for his drawings and mosaics. He differs from traditional mosaic artists by the manner in which he incorporates glass into his decorative paintings. His unique and innovative use of materials such as mirror, gold-leaf and glass mosaic affirmed him as a founding force of Kitsch Art and a leading member of New York Neo-Expressionism. Munk's work debuted in SoHo in 1981 with a double show at J. Fields Gallery and Gabrielle Bryers. Since then, he has overseen an international career. In addition to exhibiting in Brazil, France, Germany and the United States, Munk has received national and overseas, public and private commissions. He is well represented in important collections throughout Europe, South and North America and the Middle East. Most recently, Munk has been producing a series of paintings which tackle the subject of art itself through a historical and diagrammatic lens. Munk documents the New York art world in YouTube videos, using the name James Kalm. Timeline: 1979 Attended Art Students League, New York 1973-75 Attended University of Maryland at Ramstein, Germany while in US Army 1969-72 Attended Idaho State University, Pocatello, Idaho 1951 Born, Salt Lake City, Utah Select Group Exhibitions 2018 “Under Erasure” curated by Heather and Raphael Rubinstein at Pierogi Gallery New York 2016 "It Was Never Linear: Recent Painting" at the Sheldon Museum of Art Lincoln Neb. with: Robert Bordo, Dawn Clements, Lois Dodd, Michelle Grabner, Colin Prahl, Peter Saul, Barbara Takenaga, and Stanley Whitney 2014 "Some Artists" curated by Matthew Deleget at Minus Space. David Diao, Mary Beth Edelson, Alfred Jensen, George Maciunas, Loren Munk, Ward Shelley, John Zinsser 2013 "Coming Together: Surviving Sandy Year 1" curated by Phong Bui for the Dedalus Foundation, "The Decline and Fall of the Art World: Part I" curated by Nick Lawrence at Freight+Volume, N.Y. "Reticulate" at McKenzie Fine Art Inc., N.Y. "The Pyramids Along the Nile" at English Kills Gallery 2012 "When We Were Ancient" organized by Ethan Petitt at Teddy's Bar, Williamsburg "Heroes" curated by Julie Torres at Small Black Door, Ridgewood Queens, N.Y. 2011 "ABC123" curated by Janet Goleas at Eric Firestone Gallery, East Hampton, N.Y. "6 Who Paint" curated by Fred Valentine at Big & Small/Casual, Long Island City, N.Y. "It's All Good: Apocalypse Now" curated by Richard Timperio, Side Show Gallery, Brooklyn, N.Y. "Paper 2011" at Janet Kurnatowski Gallery, Brooklyn. "NEW year NEW work NEW faces" by Jason Andrew and Deborah Brown at Storefront Gallery. "Unfinished Pictures" curated by Kristin Calabrese...

This painted ceramic tile by Italo Scanga, epitomizes the characteristics of his oeuvre. Polychrome and vibrant art from the Memphis Milano era. This is signed with his initials. This is reminiscent of the mid century work of Jean Lurcat and Jean Picart le Doux. Italo Scanga (June 6, 1932 - July 7, 2001), an Italian-born American artist, was known for his sculptures, prints and, paintings, mostly created from found objects. In his youth in Calabria, Italy he worked as a cabinetmaker's apprentice and studies sculpture with a man who carved statues of saints. Italo Scanga was an innovative neo Dada, neo-Expressionist, and neo-Cubist multimedia artist who made assemblage, collage, sculptures of ordinary objects and created prints, glass, and ceramic works. Modern Italian abstract geometric folk art. Scanga's materials included natural objects like branches and seashells, as well as kitsch figurines, castoff musical instruments and decorative trinkets salvaged from flea markets and thrift shops. He combined these ingredients into free-standing assemblages, which he then painted. Although visually ebullient, the results sometimes referred to gruesome episodes from Greek mythology or the lives and deaths of martyred saints. He considered his artistic influences to be sweepingly pan-cultural, from African sculpture to Giorgio de Chirico. He often collaborated with the sculptor Dale Chihuly, who was a close friend. Constructed of wood and glass, found objects or fabric, his ensembles reflect a trio of activities—working, eating, and praying. These activities dominate the lives of those who live close to the land, but they are also activities that are idealized by many who contemplate, romantically, a simpler, bucolic life. Italo graduated from Michigan State University where he befriended fellow artists Richard Merkin and David Pease. He studied under Lindsey Decker who introduces him to welding and sculpture after his initial interest in photography. Also studies with Charles Pollock, the brother of Abstract Expressionist Jackson Pollock. His first teaching job was at University of Wisconsin (through 1964). where he met Harvey Littleton, a fellow instructor. He later moves to Providence, Rhode Island,I to teach at Rhode Island School of Design (RISD). Is colleagues with artists Richard Merkin and Hardu Keck. Starts a correspondence with HC Westermann. Spends summers teaching at Brown University; colleague of Hugh Townley. Moves to State College, PA, and teaches at Pennsylvania State University for one year. Meets artists Juris Ubans, Harry Anderson, Richard Frankel, and Richard Calabro, who remain friends throughout his career. 1967: David Pease helps him get a tenure track position at Tyler School of Art in Philadelphia, PA, . Artists he works closely with include Ernest Silva, Lee Jaffe, Donald Gill, and William Schwedler. Meets graduate student Dale Chihuly while lecturing at RISD and develops a lifelong friendship. 1969: One person exhibition, Baylor Art Gallery, Baylor University, Waco, TX. Works very closely with students Larry Becker and Heidi Nivling (who later run a gallery in Philadelphia, PA), and Harry Anderson. Welcomes many artists into his home including Donald Judd, Dan Flavin, Bruce Nauman (a former student), Vito Acconci, Ree Morton and Rafael Ferrer. 1973: "Saints Glass" at 112 Greene Street Gallery, NYC. Installation at the Institute of Contemporary Art at University of Pennsylvania, Philadelphia, PA. Meets Gordon Matta Clark and contributes to an artist cookbook. Goes to Pilchuck Glass School, Stanwood, WA, founded by Dale Chihuly, as a visiting artist. He continues to work there annually through 2001. Works over the years with Pilchuck artists Richard Royal, Seaver Leslie, Jamie Carpenter, Joey Kirkpatrick, Flora Mace, Robbie Miller, Billy Morris, Buster Simpson...

Titled: SIlver Bullet, Hand signed, dated and titled. Sheet measures 22 X 30 From her Pompidou Series (1979-1981) built around the X in the raw, exposed architecture of the Centre Georges Pompidou in the center of Paris designed by Richard Rodgers and Renzo Piano. Sheila Elias (born in Chicago, Illinois) is an American artist. Her work is Neo Expressionist, Feminist Pop Art. Her works have been featured in exhibitions across North America and at the Liberty show at the Louvre Museum in Paris. Elias graduated from the Art Institute of Chicago, lives and works in Miami, Florida and in New York City. As an artist and art historian, Elias works with the layers of life and art history, seeking in it a connection between art aesthetics and social consciousness. She has exhibited with diverse artists, Larry Rivers, Bob Stanley, Ford Crull, Sol LeWitt, Mark Tobey, Walter Darby Bannard, Clyde Butcher. Her work spans the disciplines of painting, digital mixed media, sculpture, installation and performance. Her inspiration to be an artist began with the work that Matisse created (La Cirque) in the library of the Art Institute of Chicago. Paul Wieghardt (from the Bauhaus School in Germany), was her art teacher at SAIC. She was influenced by the Marisol, Claes Oldenburg and Jean Dubuffet. Her sculptures also reveal the influence of Andy Warhol and Robert Rauschenberg. Select Exhibitions: Museo Vault in Wynwood Art District, Miami Coral Springs Museum of Art, Sheila Elias: Somewhere-Anywhere, Coral Springs, Fla. Lila G. Martinez Gallery, Cambridge, Mass. “Painted Pixels” Lowe Art Museum, University of Miami, FL (Solo Exhibition) “Salon Series” The Sagamore Hotel, Miami Beach, FL (Group Exhibition) “The Invisible Woman” Concrete Space, Doral, FL (Group Exhibition) “eye-Pad” Silvana Facchini Gallery, Wynwood, Miami, FL “Jewels” Buccellati, Bal Harbour, FL “Chai Contemporary” Jewish Museum, Miami Beach, FL “Tribute to Africa” Silvana Facchini Gallery, Wynwood, Miami, FL The Bakehouse Art Complex, Wynwood, Miami, FL Apple Store “iPaint on my iPad,” Chicago, IL The Multicultural Arts Center, Cambridge, Mass. The Napoleon Grand Salon at The Deauville Hotel, Miami Beach, Fla. Bass Museum, "I Wanna Be Loved by You: Photographs of Marilyn Monroe," Miami Beach, Fla. Boca Raton Museum of Art Norton Museum of Art Bass Museum, Miami Beach, Fla. Jewish Museum of Florida Kim Foster Gallery, "Beyond the Camera...," New York, NY Silvana Facchini Gallery, "Living in Miami," Miami, Fla. South Florida / Art Center, "Reconnect," Miami Beach, Fla. Maryland Federation of Art, "Art on Paper 2001" Corcoran Gallery, Annapolis, MD, juror David C. Levy Veneto Gallery, Miami, Fla. Margulies Taplin Gallery, Bay Harbour, Fla. "Secret Gardens," Travelling Exhibition, Lowe Art Museum, Miami, Fla. Public Art Program, City of Orlando, Fla. Lowe Museum, University of Miami, Fla. Art and Culture Center of Hollywood, Hollywood, Fla. Bernard Biderman Gallery, New York, NY Metro Dade Cultural Resource Center, Miami, Fla. Huntsville Museum of Art New England Center for Contemporary Art San Diego Art Institute, CA Anne Jaffe Gallery, Bay Harbour, Fla. Ratner Gallery, Chicago, IL Santa Monica Heritage Museum, Los Angeles, Calif. Paula Allan Gallery, New York, NY. Otis Parsons...

Artist: Sandro Chia (Italian, b. 1946) Title: Angel with Heart Year: circa 1980 Medium: Bronze sculpture with patina, signature and numbering inscribe...

Translated title: "Colored forest". It is a diptych. Acrylic on canvas panel. It features a vintage frame.

“It is terrifying to paint. When you start out, you are faced with this great unknown. And you think, am I ever going to paint again? Yet, as you work, it starts to formulate itself...

“It is terrifying to paint. When you start out, you are faced with this great unknown. And you think, am I ever going to paint again? Yet, as you work, it starts to formulate itself...

Golfam Jozdani Saint Minecraft VII 2024 Mixed Media on Cardboard; Acrylic, Pencil, Colored Pencil Size: 9.44 x 14.17 inches (24 x 36 cm) Signed and date...

Acrylic paint on paper. This is part of an album. The price refers to the single drawing.

Painted faces, greenwich Village New york. Poetry, based on poem or song lyrics. Watercolor painting hand signed by Peter Emanuel Goldman. Legendary French American Film Auteur, The...

Times Square, New York. The Carpetbaggers Watercolor painting hand signed by Peter Emanuel Goldman. Legendary French American Film Auteur, These are recently produced watercolor pai...

Mark Podwal (American, New York, born 1945) "All This Has Come Upon Us" Archival pigment print Dimensions: 22 X 30 inches Purim theme, with Czech flag, Megillah and Hamentaschen ...

Acrylic painting with frame. Total size with the c-us wooden frame is 88x102 cm Work signed " Angelo" artist unknown from the gallery. Dated 2001

Berlin has loved Manhattan & New York City for decades. This love is passionately brought to life in the dynamic & vibrant series of Guradian Angels that he's created to protect the ...

Georg Baselitz (German, born 1938) Untitled (from Eine Woche), 1972 Medium: Etching on chine-collé, on wove paper Dimensions: 50 × 70 cm (19 7/10 × 27 3/5 in) Edition of 52: Hand-sig...

Paper paint charcoal collage Paper charcoal collage These multi-media collages were created first in the presence of a live model, working quickly, in charcoal and pastel, and again,...

Cezanne Among the Marsupials Jean Messagier, French (1920–1999) Date: 1983 Lithograph on Arches, signed and numbered in pencil Edition of 200 Image Size: 19 x 27.5 inches Size: 21 x ...

Gouache on paper with frame size 91x76 cm, excellent state

This striking sculpture presents an elegant and elongated figure of a ballerina, exuding both grace and strength. Crafted with meticulous detail, the figure showcases an alluring con...

Matthias Alfen’s series of Janus figures are an innovation in figural art predicated on the advances made by the Futurist sculptor and painter Umberto Boccioni and the Modernist Alberto Giacometti. The qualities of chance and spontaneity, necessarily excluded in the sculptural work, are clearly evident in his drawings and paintings. “Psychograms” of unchoreographed hand movements display wide variation, repeatedly playing through one form after another. In the end, this multitude of variation serves to enhance the logic, consistency, and seductively rich appearance of Alfen’s designed sculptural works. Represented by Gallery Schuckin in New York, Paris, France, and Moscow, Russia. Matthias Alfen’s was strongly influenced by his family’s experience during World War II. His grandfather Klemens Alfen (1894-1955) was an accomplished painter and photographer, recognized for his landscape photography and for his technique (Special Honors for Excellence in Photo-Print Technology, 1932). He enjoyed the friendship and support of many in the artistic community, a community largely influenced by its German Jewish members. Having lost his entire circle of friends under Nazi oppression. Klemens, although not Jewish, also suffered under the Nazis for refusing to join them and struggling in post-war Germany, which had nothing to offer an artist like him, Klemens took his own life. At around the age of 16 he worked for some weeks as an assistant at his uncle’s art studio. Fritz Koenig...

“It is terrifying to paint. When you start out, you are faced with this great unknown. And you think, am I ever going to paint again? Yet, as you work, it starts to formulate itself...

Signed lower left. Robert Beauchamp (1923 – March 1995) was an American figurative painter and arts educator. Beauchamp's paintings and drawings are known for depicting dramatic creatures and figures with expressionistic colors. His work was described in the New York Times as being "both frightening and amusing,". He was a Guggenheim Fellow and a student of Hans Hofmann. Robert Beauchamp was born in Denver, Colorado in 1923. He had three brothers and three sisters, and the children were orphaned by both parents by the time Beauchamp was three. The family grew up impoverished due to the Great Depression, living in a community house with other families. As a child he dabbled in art but it wasn't until high school that he began taking art classes. When not creating art he also played sports; football and basketball, and enjoyed chemistry and geology. He was told he was good at drawing, and replaced study hall classes with art classes, receiving instruction and inspiration from a Welsh teacher named R. Idris Thomas. While in high school Beauchamp would go, every Monday, to the public library and a local museum where he would read books about art; specifically French painting, as assigned by Thomas. Beauchamp absorbed the tenets of European Modernism and American Abstract Expressionism—with which he eventually broke. While abstraction, with its focus on color and form, underlies his compositions, he filled canvas and paper with psychologically acute portraits of himself and others, nudes, animals, and objects of all kinds. Beauchamp would spend upwards of four hours a day in the art room and eventually won the Carter Memorial Prize, which provided a scholarship to the Colorado Springs Fine Arts Center. At Colorado Springs he studied under Boardman Robinson, painting landscapes in nature. Beauchamp eventually joined the Navy and then returned to Colorado Springs to continue his studies. Traveling the world as an Armed Guard, he spent a year and a half at sea and the rest of the three years in San Francisco. Seeking to make money, and to follow his love for a girl, Beauchamp decided to attend Cranbrook Academy of Art from 1947–1948. There he studied pottery, believing one could "make more money selling pots than you could selling paintings." He described his experience at Cranbrook as intimidating and claustrophobic, and eventually switched to sculpture before switching to painting. Beauchamp moved to New York City in the early 1950s and was involved in the Tenth Street galleries, which provided outlets for more experimental artists and the second generation of abstract expressionists. Despite his involvement with 10th Street and friendships with abstract artists, abstract art never interested in him. He showed at numerous galleries in New York and Provincetown, socializing with gallery owners, artists and collectors. His first exhibition was at the Tanager Gallery in New York, he also showed during the 1950s at the Hansa Gallery. In New York and Provincetown he studied under Hans Hofmann Eventually he felt that abstract expressionism became dull and stalemated. During the 1960s he showed at the Green Gallery. C. 1960 he was awarded a Fulbright Award allowing him to travel to La Romola, Italy. He traveled frequently to cities such as Rome and worked constantly. Beauchamp returned to the states and lived in Provincetown at Walter Gutman's house, who awarded Beauchamp a grant. That year he met his future wife, Nadine Valenti, whom he married in 1967. Beauchamp taught at a variety of schools during his lifetime including Brooklyn College, School of Visual Arts, Cooper Union and the Art Students League of New York during the last fifteen years of his life. Beauchamp described his drawings as painterly, seeking the spontaneity in an image. He would develop a drawing then a painting, and vice versa. His heavily impastoed paintings, often described as sculptures themselves, came from the pouring of paint from a can, with little planning and constant evolution in the medium upon the canvas. He preferred little planning to his creations, believing that an artists work would become stale and repetitive with constant planning. He also created large scale works, at times 70 inches long. Beauchamp had little intention of ever selling his large works, preferring to create them due to the slow and intense experience he received from the process. The large drawings he created on the floor, and the smaller works were created on a table. Paintings were created on either the floor or wall and he described his painting process as "splattering", "pushing the paint around," and sponging. Animals often appear in his paintings, despite a dislike for domestic animals outside of his artistic creations. He called the characters in his paintings as Beauchamps. Some Beauchamps hold meaning, with Beauchamp rarely sharing the meaning behind the symbols and characters. He made up the creatures himself, seeking to emphasize the character of each. In 2006 the University of Massachusetts Amherst College of Visual & Performing Arts hosted an exhibition of Beauchamp's pieces from the 1960s, curators stated that Beauchamp's work: "effortlessly blends innovative style elements with narrative, descriptive images. One senses equal enjoyment in the manipulation of, and interaction with, color and paint, and the often sudden and unexpected presence of a wasp or a lump of sugar." included in the important exhibit "Twelve New York Painters." New York: David Findlay Jr. Fine Art with Mary Abbott, Alcopley, Robert Beauchamp, Byron Browne, Charles Cajori, Jim Forsberg, Carl Heidenreich, Angelo Ippolito, Emily Mason, Robert Natkin, Robert Richenburg and Nina Tryggvadottir...

Woman Cradling Man - Expressionistic Figure Pastel Drawing Dynamic and intriguing drawing of two figures, a woman in red and a man in blue, by Louis Nadalini (American, 1927-1995)....

Date: 1982 Woodcut on Japon Paper Unsigned proof aside from the edition of 60 and the fully colored edition Paper Size: 35 x 48 inches Publisher: Brooke Alexander Editions In this d...

Ben Zion Magal (1908 - 1999) Ben Zion Magal was born in 1908 in Kishinev - Russia and there, years later, graduated from the Art Academy. He arrived to Erertz Israel together with hi...

Acrylic paint on paper. This is part of an album. The price refers to the single drawing.

Artist: Sandro Chia Title: Dinner Table Year: circa 1989 Medium: Lithograph, signed and numbered in pencil Edition: AP VIII/XXV Paper Size: 29 in. x 25 in. (73.66 cm x 63.5 cm)

Translated title: "Face". Marker on paper. This is part of an album. The price refers to the single drawing.

Signed AP (Artist's Proof) Michael Druks - painter, sculptor, and conceptual, video, performance and installation artist - was born in Jerusalem September 26, 1940. He has lived in L...

Acrylic paint on canvas.

circo- originalneo-expressionist acrylic paper painting contemporary work by the mallorquin artist Toni CALDENTEY Painting on paper Perfect state CALDENTEY, Toni - (Portocolom, Mall...

Artist: Sandro Chia Title: Untitled 8 Medium: Carborundum etching with hand coloring on handmade paper, each piece is unique Size: 38 x 50 Inches Signed: Hand Signed Edition: 31/50...

Translated title: "Interrupted path". Marker on paper. This is part of an album. The price refers to the single drawing.

“My work can be understood through the mind, but it is best felt with the heart, experienced through the emotions, recognized as a manifestation of the spiritual that is born on the ...

114,000,000 Refugees. Cate Blanchett Goodwill Ambassador to UNHCR Addressing European Parliament Cate Blanchett,  Goodwill Ambassador for UNHCR addressed the European Parliament on ...

"Ophelia". Contemporary, Realism, figurative, expresionism, impresionism, nude

“Everybody has that feeling when they look at a work of art and it’s right, that sudden familiarity, a sort of...recognition, as though they were creating it themselves, as though it...

Complete title: "Magico momento, mi auguro di essere protetto da una donna" Translated title: "Magic moment, I hope to be protected by a woman". Watercolor and acrylic paint on high...

original neo-expressionist acrylic painting contemporary work by the mallorquin artist Toni CALDENTEY virtual framed Perfect state CALDENTEY, Toni - (Portocolom, Mallorca - Spain) T...

Translated title: "Bell tower and a tree" Acrylic paint on high-quality cotton paper, which is handmade in Italy. This is part of an album. It's been drawn in one go, with no erasu...

Translated title: "Traces" Acrylic paint on high-quality cotton paper, which is handmade in Italy. This is part of an album. It's been drawn in one go, with no erasure and with a c...

Translated title: "Bombs are coming" Acrylic paint and pencil paint on high-quality cotton paper, which is handmade in Italy. This is part of an album. It's been drawn in one go, w...

Acrylic paint on paper. This is part of an album. The price refers to the single drawing.

Translated title: "Study for a sculpture". Watercolor on high-quality cotton paper, which is handmade in Italy. This is part of an album. The price refers to the single drawing.

Translated title: "Unripe things in a pocket". Acrylic paint on cardboard. The blue frame is included.

Enhance your collection with this exquisite pair of 19th-century Neoclassical black and white etchings by the renowned Italian artist Giovanni Battista Piranesi. These highly detaile...

Georg Baselitz (German, born 1938) 45 – August, 1990 Medium: Woodcut on paper Dimensions: 124.2 x 68 cm Edition of 30: Hand-signed, numbered and dated in pencil Condition: Excellent

This painting from the Atlantic studio of Sax Berlin captures the essence of ecstasy. It’s imbued with a special sense of immediacy and fluid movement. The painting draws one in and ...

Acrylic paint on masonite.

Entire title: "Testa d'asino tagliata che grida e brucia nel fuoco" Translated title: "Head of a donkey that screams and burns in a fire" Acrylic on canvas.

Translated title: "(Oh) my life!" Acrylic on canvas.

"Spirit Sunrise" is an abstract acrylic painting on canvas by Reginald K. Gee. It includes a red orb at the top of the painting with beige, green, and yellow marks in front of a dark...

Master artist Sax Berlin has turned his attention and considerable skills to creating this signature work, a self portrait. It's a complex piece that takes inspiration from the peace...

Sax Berlin is currently working in the heat of a villa in the Spanish desert, his "billion dollar hands" creating pieces referencing cutting edge icons. This new work has such colour...

What better time than now to introduce Sax Berlin's Mortality series. Since people started creating art works there have been representations of human (and animal) bones; skeletons a...

“My work can be understood through the mind, but it is best felt with the heart, experienced through the emotions, recognized as a manifestation of the spiritual that is born on the ...

This sophisticated lithograph was executed by the renowned visual artist Peter Eugene Ball circa 1970. Realized in black and white, it depicts a styl...