Neo-Expressionist Art

With cultural icons and world events acting as inspiration, artist Soren Grau strives to communicate meaning through figures and colors. He paints in a street art-inspired Neo-expressionist style inspired by artists such as Keith Haring and Jean-Michel Basquiat. Grau's work engages the viewer with color and symbolism, inviting each person to unscramble the mystery behind his paintings. He explores social commentary and individuality using bold colors and emotive lines. This unique 24 inch high by 18 inch wide painting...

"Alas" is an acrylic painting with litho crayon, ink and collage elements on paper, measuring 36" high by 24" wide. It is one of 50 portraits that comprise Profiles in Democracy. Savage in their execution, they are nevertheless heartfelt expressions from the artist – politically, socially, culturally – in some cases featuring text and language in the portrait. From Dale Williams: "Profiles in Democracy is a group of 50 portraits completed in 2019. They are an expression of sorrow at the fracturing ideals that our country now teeters upon. The portraits are mostly – not exclusively – imaginary: a populace viewed from the inside out, people that someone like our current president might call losers. They perhaps “live in gaudy poverty, powerful destitution,” to quote Osip Mandelstam...

HIS NEW DEN is an original oil pastel drawing on brown paper grocery bag by the self taught African American artist Reginald K. Gee, born April 28, 1964, in Milwaukee, Wisconsin. Gee is known for his Visonary Art filled with comical, expressive faces, figures, and colorful, surreal landscapes and seascapes. He is of African and Native American (Blackfoot/Choctaw) descent. HIS NEW DEN depicts an amusing scene from modern day life - a lanky male figure in a striped shirt, pale yellow toned slacks and blue shoes pushing his upright vacuum cleaner...

Translated title: "Traces" Acrylic paint and pencil on high-quality cotton paper, which is handmade in Italy. This is part of an album. It's been drawn in one go, with no erasure ...

Artist: Sandro Chia, Italian (1946 - ) Title: Bound Man Year: 1983 Medium: Lithograph, numbered in white pencil (blindstamp) Edition: 75 Size: 31 x 26 in. (78.74 x 66.04 cm)

Patterson. boat. ocher. vertical. abstract acrylic painting Licenciado en Bellas Artes por ISPEJV, en la Habana en 2002, especialización en Restauración y Conservación de pintura ...

Mixed media on paper by artist Daria Kusto Shipped well protected, unframed Curated by Art Reserve & Angel Rivas We can do commissioned work of any technique, style and size, cont...

Mixed media on paper by artist Daria Kusto Shipped well protected, unframed.

Markers on paper. by artist Daria Kusto Shipped well protected, unframed

"Idiot Wind, Sweet Reason" is an acrylic painting on canvas measuring 24" high by 36" wide. Again cutting to the quick, Dale Williams posits our best and worst instincts as a duality, and that duality as a confrontation. There's nowhere to hide in any of William's paintings, that's part of the charge coming off his canvases. That's particularly true with this painting – as hideous as these personnages may be in Idiot Wind and Sweet Reason, we recognize their struggle for grace. Press Release 2018: "Williams acknowledges a large range of influences on his vision: the moral lessons embodied in the works of 17th century engraver Jacques Lagniet, the darkling phantasms and tragic reportage of Goya’s Caprichos and Disasters of War, and the personal mythologizing of the late paintings of Philip Guston. Such works echo throughout Williams social surrealist re-visioning." – George Del Barrio, Vanderbilt Republic, Brooklyn NY Dale Williams has exhibited in the New York City area for the past 25 years. He is a 2014 recipient of a Fellowship in Printmaking/Drawing/Book Arts from the New York Foundation for the Arts. His most recent one-person show, “America Now Suite,” which re-visioned American history in service of the civic imagination, was held at Gowanus Loft, Brooklyn in October 2018. A selection of portraits from “America Now Suite” was included in the BRIC Biennial, Winter/Spring 2019. His portrait of Osip Mandelstam...

"Starnosed Mole" is an acrylic painting with litho ink and charcoal on paper, measuring 36" high by 24" wide. It is one of 50 portraits that comprise Profiles in Democracy. Savage in their execution, they are nevertheless heartfelt expressions from the artist – politically, socially, culturally – in some cases featuring text and language in the portrait. In this case, one individual musters faith and fortitude to press on, fight on. The words at top read: "Audacity – said the mole – shall root that mountain down." From Dale Williams: "Profiles in Democracy is a group of 50 portraits completed in 2019. They are an expression of sorrow at the fracturing ideals that our country now teeters upon. The portraits are mostly – not exclusively – imaginary: a populace viewed from the inside out, people that someone like our current president might call losers. They perhaps “live in gaudy poverty, powerful destitution,” to quote Osip Mandelstam...

LAST HOUSE ON KENCH AVE. is an original oil pastel drawing on brown paper grocery bag by the self taught African American artist Reginald K. Gee, born April 28, 1964, in Milwaukee, Wisconsin. Gee is known for his Visionary Art filled with comical, expressive faces, figures, and colorful, surreal landscapes and seascapes. He is of African and Native American (Blackfoot/Choctaw) descent. LAST HOUSE ON KENCH AVE. is a mysterious cliffside landscape scene depicting a lone modern style ranch house...

Matthias Alfen’s series of Janus figures are an innovation in figural art predicated on the advances made by the Futurist sculptor and painter Umberto Boccioni and the Modernist Alberto Giacometti. The qualities of chance and spontaneity, necessarily excluded in the sculptural work, are clearly evident in his drawings and paintings. “Psychograms” of unchoreographed hand movements display wide variation, repeatedly playing through one form after another. In the end, this multitude of variation serves to enhance the logic, consistency, and seductively rich appearance of Alfen’s designed sculptural works. Represented by Gallery Schuckin in New York, Paris, France, and Moscow, Russia. Matthias Alfen’s was strongly influenced by his family’s experience during World War II. His grandfather Klemens Alfen (1894-1955) was an accomplished painter and photographer, recognized for his landscape photography and for his technique (Special Honors for Excellence in Photo-Print Technology, 1932). He enjoyed the friendship and support of many in the artistic community, a community largely influenced by its German Jewish members. Having lost his entire circle of friends under Nazi oppression. Klemens, although not Jewish, also suffered under the Nazis for refusing to join them and struggling in post-war Germany, which had nothing to offer an artist like him, Klemens took his own life. At around the age of 16 he worked for some weeks as an assistant at his uncle’s art studio. Fritz Koenig...

Jean Sanglar was born in France in 1926. He draws with taste and talent from an early age, however, his family will only consider this a mere hobby. After studying law, he later took...

ROCKET LAUNCH is an original oil pastel drawing on brown paper grocery bag by the self taught African American artist Reginald K. Gee, born April 28, 196...

"Vendémiaire" is an acrylic paint and mixed media on paper, by Brooklyn, New York artist Dale Williams. It measures 50" high by 38" wide. This artwork is...

Artist: Sandro Chia Title: Untitled 2 Medium: Carborundum etching with hand coloring on handmade paper, each piece is unique Size: 38.3.5 x 50 Inches Signed: Hand Signed Edition: 3...

Robert Beauchamp (1923 – March 1995) was an American figurative painter and arts educator. Beauchamp's paintings and drawings are known for depicting dramatic creatures and figures with expressionistic colors. His work was described in the New York Times as being "both frightening and amusing,". He was a Guggenheim Fellow and a student of Hans Hofmann. Robert Beauchamp was born in Denver, Colorado in 1923. He had three brothers and three sisters, and the children were orphaned by both parents by the time Beauchamp was three. The family grew up impoverished due to the Great Depression, living in a community house with other families. As a child he dabbled in art but it wasn't until high school that he began taking art classes. When not creating art he also played sports; football and basketball, and enjoyed chemistry and geology. He was told he was good at drawing, and replaced study hall classes with art classes, receiving instruction and inspiration from a Welsh teacher named R. Idris Thomas. While in high school Beauchamp would go, every Monday, to the public library and a local museum where he would read books about art; specifically French painting, as assigned by Thomas. Beauchamp absorbed the tenets of European Modernism and American Abstract Expressionism—with which he eventually broke. While abstraction, with its focus on color and form, underlies his compositions, he filled canvas and paper with psychologically acute portraits of himself and others, nudes, animals, and objects of all kinds. Beauchamp would spend upwards of four hours a day in the art room and eventually won the Carter Memorial Prize, which provided a scholarship to the Colorado Springs Fine Arts Center. At Colorado Springs he studied under Boardman Robinson, painting landscapes in nature. Beauchamp eventually joined the Navy and then returned to Colorado Springs to continue his studies. Traveling the world as an Armed Guard, he spent a year and a half at sea and the rest of the three years in San Francisco. Seeking to make money, and to follow his love for a girl, Beauchamp decided to attend Cranbrook Academy of Art from 1947–1948. There he studied pottery, believing one could "make more money selling pots than you could selling paintings." He described his experience at Cranbrook as intimidating and claustrophobic, and eventually switched to sculpture before switching to painting. Beauchamp moved to New York City in the early 1950s and was involved in the Tenth Street galleries, which provided outlets for more experimental artists and the second generation of abstract expressionists. Despite his involvement with 10th Street and friendships with abstract artists, abstract art never interested in him. He showed at numerous galleries in New York and Provincetown, socializing with gallery owners, artists and collectors. His first exhibition was at the Tanager Gallery in New York, he also showed during the 1950s at the Hansa Gallery. In New York and Provincetown he studied under Hans Hofmann Eventually he felt that abstract expressionism became dull and stalemated. During the 1960s he showed at the Green Gallery. C. 1960 he was awarded a Fulbright Award allowing him to travel to La Romola, Italy. He traveled frequently to cities such as Rome and worked constantly. Beauchamp returned to the states and lived in Provincetown at Walter Gutman's house, who awarded Beauchamp a grant. That year he met his future wife, Nadine Valenti, whom he married in 1967. Beauchamp taught at a variety of schools during his lifetime including Brooklyn College, School of Visual Arts, Cooper Union and the Art Students League of New York during the last fifteen years of his life. Beauchamp described his drawings as painterly, seeking the spontaneity in an image. He would develop a drawing then a painting, and vice versa. His heavily impastoed paintings, often described as sculptures themselves, came from the pouring of paint from a can, with little planning and constant evolution in the medium upon the canvas. He preferred little planning to his creations, believing that an artists work would become stale and repetitive with constant planning. He also created large scale works, at times 70 inches long. Beauchamp had little intention of ever selling his large works, preferring to create them due to the slow and intense experience he received from the process. The large drawings he created on the floor, and the smaller works were created on a table. Paintings were created on either the floor or wall and he described his painting process as "splattering", "pushing the paint around," and sponging. Animals often appear in his paintings, despite a dislike for domestic animals outside of his artistic creations. He called the characters in his paintings as Beauchamps. Some Beauchamps hold meaning, with Beauchamp rarely sharing the meaning behind the symbols and characters. He made up the creatures himself, seeking to emphasize the character of each. In 2006 the University of Massachusetts Amherst College of Visual & Performing Arts hosted an exhibition of Beauchamp's pieces from the 1960s, curators stated that Beauchamp's work: "effortlessly blends innovative style elements with narrative, descriptive images. One senses equal enjoyment in the manipulation of, and interaction with, color and paint, and the often sudden and unexpected presence of a wasp or a lump of sugar." included in the important exhibit "Twelve New York Painters." New York: David Findlay Jr. Fine Art with Mary Abbott, Alcopley, Robert Beauchamp, Byron Browne, Charles Cajori, Jim Forsberg, Carl Heidenreich, Angelo Ippolito, Emily Mason, Robert Natkin, Robert Richenburg and Nina Tryggvadottir...

Mixed media on paper by artist Daria Kusto Shipped well protected, unframed

Art has always been a medium for self-expression, and for centuries, artists have used their creative prowess to capture the world around them. From the depths of human emotions to t...

Mixed media on paper by artist Daria Kusto. Shipped well protected, unframed

The expressionist style is evident in the energetic and torn strokes, which convey the emotional intensity of the scene. The colors are bold and contrasting, creating a vibrant and c...

“It is terrifying to paint. When you start out, you are faced with this great unknown. And you think, am I ever going to paint again? Yet, as you work, it starts to formulate itself....

Original artwork by DARIA KUSTO. the magic flow reality. markers on paper.

This painting is about friendship, life, and relaxation with a sense of freedom, qualities that make life easier and more interesting. Shipping Procedure Ships in a well-protected ...

Patterson. boats. vertical . Licenciado en Bellas Artes por ISPEJV, en la Habana en 2002, especialización en Restauración y Conservación de pintura Mural y caballete. Ha ejercido...

"Human Welfare" is an acrylic painting on paper measuring 36" high by 24" wide. It is one of 50 portraits that comprise Profiles in Democracy. Savage in their execution, they are nevertheless heartfelt expressions from the artist – politically, socially, culturally – in some cases featuring text and language in the portrait. In this case, the reference to Paris October 1979, Boulevard de Sebastopol, marks the afternoon Dale Williams was in Paris and sketched the woman in the portrait. From Dale Williams: "Profiles in Democracy is a group of 50 portraits completed in 2019. They are an expression of sorrow at the fracturing ideals that our country now teeters upon. The portraits are mostly – not exclusively – imaginary: a populace viewed from the inside out, people that someone like our current president might call losers. They perhaps “live in gaudy poverty, powerful destitution,” to quote Osip Mandelstam...

Original art by DARIA KUSTO The magic flow reality.. Acrylic on canvas Shipped From Spain.

In the evocative artwork "My Culture and My Beauty," Loje Oluwaseun masterfully encapsulates the essence of beauty within the rich tapestry of tradition...

In the evocative artwork "My Culture and My Beauty," Loje Oluwaseun masterfully encapsulates the essence of beauty within the rich tapestry of tradition...

Loje Oluwaseun's "Self Appreciation" is a striking artwork that delicately captures the essence of self-love and inner beauty. The focal point of the pi...

In the captivating artwork "Life Enjoyment" by the talented artist Loje Oluwaseun, a delightful celebration of life unfolds before our eyes. The focal p...

Charcoal, acrylic mixed media As a feminist artist, Audrey Anastasi's first commitment is to painting other women, the human face, and figure. Whether working with figurative descri...

Golfam Jozdani Saint Minecraft VII 2024 Mixed Media on Cardboard; Acrylic, Pencil, Colored Pencil Size: 9.44 x 14.17 inches (24 x 36 cm) Signed and date...

Carlo Pittore Oil on canvas, 1984, Self Portrait, initialed and dated lower left, slat framed, 21"sqr (frame) 20 X 20 canvas. Provenance: The Private Collection of Wolf Kahn & Emily Mason Carlo Pittore (1943 – 2005) born Charles J. Stanley was an American painter, educator, art activist, and publisher, whose primary study, teaching and body of work was figurative art and portrait painting. He was a pioneer in the Mail Art movement, he corresponded with such mail art luminaries as Buster Cleveland and Ray Johnson. Pittore is noted for opening the first independent art gallery in the East Village, Manhattan. In 1987, Pittore founded "The Academy of Carlo Pittore" in Bowdoinham, Maine. Pittore (née Charles Stanley) was born to Stanford and Estelle Stanley in Queens, New York. He grew up on Long Island, in Port Washington, New York with his sister Marion and brother Elliott. Pittore graduated from Port Washington High School (1961), where he was active in the political and debating scenes. He then went on to graduate from the School of the Museum of Fine Arts at Tufts (1966), and post graduate from the Brooklyn Museum Art School (1978). Pittore changed his name in the 1970s while studying abroad in Rome, Italy. The children nicknamed him "Carlo Pittore", (”Charles the Painter"). From there he went on to study at the Chelsea College of Arts in London. In 1978, Pittore received the Max Beckmann Scholarship in Advanced Painting. It allowed him to begin studying with American feminist painter Joan Semmel at the Brooklyn Museum Art School. He also studied with visual portrait artist Alice Neel. After which, he taught art at the New York Cultural Foundation. In the 1970s, Pittore and his close friend Bern Porter...

Ulysses I, 2011 Acrylic on canvas (Signed on reverse) 7 9/10 H × 7 9/10 W in. 20 H × 20 W cm The artwork "Ulysses I" was part of the solo show “Epic”. This exhibition, as the artist...

Translated title: "Unripe things in a pocket". Acrylic paint on cardboard. The blue frame is included.

Janet Adebayo's exquisite artwork, "Hiding the Emotions," captivates viewers with its poignant portrayal of a young woman holding a rose-like flower. This evocative piece transcends ...

Whirlwind 1979, paper, lithography, 59x46 cm Ivars Poikans 1952. Riga Ivars Poikāns works in painting, graphics, book illustration, cinema art. Born on O...

an early work by artist on canvas Stephen Basso's highly original pastels and oil paintings are romantic, yet thought provoking fantasies. His whimsical works are alive with bou...

Emilio Cruz (1938-2004) Bonnie and Clyde Pastel on paper Hand signed lower right Dimensions Framed H 15-7/8" W 18-1/2", Sight H 13-1/2" W 16-1/8" Emilio Antonio Cruz (1938 – 2004) was a Cuban American artist who lived most of his life in New York City. His work is held in several major museums in the United States. Emilio Antonio Cruz was an American Artist of Cuban descent. He was born in the Bronx on March 15, 1938. He studied at the Art Students League of New York with Edwin Dickinson, George Grosz and Frank J. Reilly and at The New School in New York City, and finally at the Seong Moy School of Painting and Graphic Arts in Provincetown, Massachusetts. As a young artist in the 1960s, Cruz was connected with other artists who were applying abstract expressionism concepts to figurative art such as Lester Johnson, Red Grooms, Mimi Gross, Bob Thompson and Jan Muller. He combined human and animal figures with imagery from archaeology and natural history to create disturbing, dreamlike paintings. Cruz received a John Hay Whitney Fellowship and awards from the Joan Mitchell Foundation and from the National Endowment for the Arts. In the late 1968, Emilio and wife Patricia Cruz moved to St. Louis to work with Julius Hemphill and the Black Artists Group. He served as director for the visual arts program, which also included painters Oliver Jackson and Manuel Hughes. In addition to artistic contributions, the couple participated in city-wide civil rights protests and rent strikes. Cruz moved to Chicago and taught at the School of the Art Institute of Chicago during the 1970s, where he exhibited widely and was represented by the Walter Kelly Gallery. He wrote two plays, Homeostasis: Once More the Scorpion and The Absence Held Fast to Its Presence. These were first performed at the Open Eye Theater in New York in 1981, and later were included in the World Theater Festival in Nancy and Paris, France, and in Italy. In 1982 he returned to New York where he began to exhibit again. In the late 1980s he resumed teaching at the Pratt Institute and at New York University. Harry Rand, Curator of 20th Century Painting and Sculpture at the Smithsonian American Art Museum, described Emilio Cruz as one of the important pioneers of American Modernism of the 1960s for his fusion of Abstract Expressionist art with figuration. Geno Rodriguez, Curator and Executive Director of The Alternative Museum, wrote in 1985, "Emilio Cruz, is a brilliant and impassioned artist whose current paintings are monumental, imbued with intelligence, fury and an apt sense of irony. They reflect the turbulent world within which we live." Geoffrey Jacques wrote in 1990, "Emilio Cruz paints humanity’s essence. Mythology and archeology are the foremost concerns of the painter Emilio Cruz. Dinosaurs, skeletal humans and fossil-like images are used in his work as metaphoric signposts in a consideration of the basic questions of existence." Art historian and curator Paul Staiti wrote in 1997, "Emilio Cruz's Homo sapiens series is a strange and haunting genealogy of the modern soul... What is at stake here more than biopolitical culture, is the remystification of the body and mapping of consciousness ... For all the trauma, explicit and implicit, Cruz's style is masterful, classical, even beautiful." Exhibitions Cruz held his first solo exhibition at the Zabriskie Gallery in New York in 1963. Afterwards his work was included in many group and solo exhibitions, including the Anita Shapolsky Gallery in 1986 and 1991, museum exhibitions at the Studio Museum in Harlem in 1987, the Pennsylvania Academy of the Fine Arts in 1997. In 1994, Cruz's work was shown as part of the American contingent at the IV Bienal Internacional de Pintura en Cuenca, Ecuador. Other American artists exhibiting at this show were Donald Locke...

Oil paint, enamel, oil stick on canvas.

Complete title: "Magico momento, mi auguro di essere protetto da una donna" Translated title: "Magic moment, I hope to be protected by a woman". Watercolor and acrylic paint on high...

"The golden triangle" is the second pair from the series of Abfillage works referred to as "Renegades of a breaking nation". The eliminated afro hair, the symbol, and the expressions form the basis of the narrative of this art. The expression of serenity, tranquility, calmness, pride, unconscious of the external environment, and a state of deep thought defines the emotional status of the subject. The symbol of this pair is a triangular sign made with a golden color on the neck. It is made of three strokes, unlike the first pair made of 2 strokes, thereby showing a transition. It is basic and a symbol of balance like the other four paintings. The term "golden triangle" is a term used in mathematics for a triangle with an interior angle ratio of 1:2:2. But rather than constructing a mathematical golden triangle, the triangle was painted with golden pigment. The triangle is a symbol of geometric sturdiness and strength, a symbol of harmony, and unity of 3 parts. When we are focused on our truth, we are connected to life and have the experience of life coming to us. "Renegades of a breaking nation" is a series of 5 Abfillage artworks, created in 3 sections creating a form of transition using 3 symbols. A transition from a state of one nation to another. By creating a combination of expressive portraits and symbols in gold acrylic pigments which all signify balance. A transition to steadiness, equilibrium, and stability of a country. Shipping Procedure Ships from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist Born and raised in Nigeria, West Africa, Prosper grew up drawing comics and characters which enabled him to understand the human figure and expressions properly, after which he became a full-time studio artist in 2017 Prosper studied at the Federal University of Technology Owerri, where he learned Building technology with an architectural background on designing. He also acquired expertise in graphic design, illustration, 3D modeling, video editing, and animation In 2018 he had his first official art exhibition where he won the Peace Poster award for his painting on Peace at the ANBUKRAFT He has participated in several exhibitions and competitions since then and has won some of them In 2020 he was signed as a brand ambassador to TECNO mobile Nigeria on a one year deal His works has appeared in countries like South Africa, United Kingdom, United States, Canada, Japan e t c Prosper Aluu makes figurative and expressive paintings His stylized figures show the use of the artistic devices of elongation and exaggeration and his unique style of painting the iconic afro hairstyle These are his ways of celebrating and negotiating African identity In traditional African art visual codes, the exaggeration of the head in comparison to other parts of the body is a well-known visual strategy to establish the head as the seat of wisdom...

Evelyne Ballestra's work with signs, symbols and esoteric spirituality reflects her passion for the ancient past and represents a symbolic return to the ground from which we emerged....

"Lucky Totem" Painting 81" x 53" inch by Vera Kochubey Medium: Oils and acrylic on canvas ATTENTION: please contact us if you want this painting to be shipped rolled to lower the...

"DIVINE LOVE GENIUS WORLD" Painting 59" x 51" inch by Vera Kochubey Medium: Wall paint on canvas ATTENTION: please contact us if you want this painting to be shipped rolled to low...

Ben Zion Magal (1908 - 1999) Ben Zion Magal was born in 1908 in Kishinev - Russia and there, years later, graduated from the Art Academy. He arrived to Erertz Israel together with hi...

Richly painted work on archival paper - abstracted nudes

A unique monotype by noted Canadian artist and actor Stephen Lack. The image measures 16 x 22 inches on a 22.5 x 27.5 inch sheet. The artwork is signed, dated, titled and numbered ...

Translated title: "Bombs are coming" Acrylic paint and pencil paint on high-quality cotton paper, which is handmade in Italy. This is part of an album. It's been drawn in one go, w...

Born in the South of France in 1926 and raised by very strict parents, Jean Sanglar was prohibited from playing with same age mates. Truly talented, as a young boy he drew frequentl...

Hunt Slonem "Purple Haze" Diamond Dust Bunny A single rabbit gestured in white and purple on a matching Diamond Dust background in a vintage frame Unframed: 10 x 8 inches Framed: 21...

In the days when every seaport had its figurehead to show, this same day calls for free, I must go save these countrymen, my honorable crew if they still breathe. I must sail deep down north again, with strong men and skillful hands. All I ask this day is dread naught and a star to steer her as the people blare for salvaging; And all I ask again is a windy day and a friendly storm at night, And a sweet dream with my shipment when the long cruise is over. (Written by the Artist) Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Osoba Omoayo George...

This expansive blue sky we all share is a global symbol of togetherness. It was set in motion by a group of women in Afghanistan ready to be heard. In 2008, a small group of brave women from a group called RAWA” gathered in war-torn Khandahar wearing a blue scarf to publicly pray for peace and justice in Afghanistan. A surprising 1500 more brave women joined to begin the Blue Scarf movement. In 2009, thousands more women joined the movement with organizing help from Unifem. With this peaceful hike, a global movement was born, blue scarves...

"Cockatoos Citron" is a framed Neo-expressionist oil painting on canvas by Hunt Slonem depicting a large group of cockatoos emerging from a white background. The monochromatic palett...

"Guardians Spoken Vow" is a framed Neo-expressionist oil painting on wood by Hunt Slonem depicting a flock of colorful parrots and butterflies against a vibrant textured background. ...

Hunt Slonem "Untitled" Pink Bunny A single rabbit gestured in black on a light pink background in a vintage frame Unframed: 10 x 8 inches Framed: 14.5 x 12.5 inches *Painting is fra...