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Old Masters Art

OLD MASTERS

Encompassing centuries of change in Europe between 1300 and 1800, from booms of prosperity to bloody revolutions, Old Masters describes a wide range of artists. The informal term was derived from the title of an artist who trained in a guild long enough to become a master, such as Leonardo da Vinci, who studied in a Florence painters’ guild. However, Old Masters paintings, prints and other art is now used to refer to work made by any artist with a high level of skill in painting, drawing, sculpture or printmaking who worked during this era.

The 15th century’s expansive trade and commerce spread culture across borders. A vibrant period of art emerged, bolstered by studies of anatomy and nature that influenced a new visual realism. From Raphael and Michelangelo in the Renaissance to Rembrandt van Rijn and Johannes Vermeer in the Dutch Golden Age, artists expressed emotion, naturalism, color and light in new ways. El Greco and Paolo Veronese were leaders in the dramatic style of Mannerism, while Caravaggio and Peter Paul Rubens demonstrated the movement and meticulous detail of Baroque art.

Historically, most attention was concentrated on male artists, but recent research and exhibitions have elevated the impactful work of women such as Rachel Ruysch and Artemisia Gentileschi. In late-18th-century France, female artists like Adélaïde Labille-Guiard and Élisabeth Vigée Le Brun were prominent names. Nevertheless, access to the academies and guilds was highly restricted for women, and even those able to establish practices were expected to adhere to portraits and still lifes rather than the grand history paintings being created by men.

Find a collection of Old Masters prints, paintings, drawings and watercolors and other art on 1stDibs.

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Period: 18th Century and Earlier
Style: Old Masters
Still Life with Oysters - The earliest known still life in Swedish art history
Located in Stockholm, SE
This previously unpublished painting was first securely attributed to Govert Dircksz Camphuysen in 1944, following an examination at the Nationalmuseum in Stockholm during which the ...
Category

1650s Old Masters Art

Materials

Oak, Oil, Wood Panel

The Artist's Mother
Located in San Francisco, CA
Artist: Rembrandt Van Rijn (Dutch, 1606-1669) Title: The Artist's Mother Year: 1631 Medium: Etching Paper: Verge paper Image (plate mark) size: 3.35 x 2.5 inches Framed size. 22...
Category

Mid-17th Century Old Masters Art

Materials

Etching

The Bird Concert – After Jacob Savery
Located in Stockholm, SE
Follower of Jacob Savery (1566-1603) Concert of Birds 18th-century oil on panel no signature unframed: 42 × 44 cm (16.5 × 17.3 in) framed: 53 × 54 ...
Category

18th Century Old Masters Art

Materials

Oil, Wood Panel

The Death of the Virgin - Etching by Rembrandt - 1639
Located in Roma, IT
The Death of the Virgin is an etching by Rembrandt executed in 1639. Signed and dated in the plate. The state of preservation is good. Foxings and browning of the paper due to the ...
Category

1630s Old Masters Art

Materials

Etching

Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art
Located in Saint Augustine, FL
Artist: Treadway Russell Nash (English, 1724-1811) Title: "A View of Stourbridge", "A View of Upton upon Severn, from Ryal Hill", "Bewdley", and "Tenbury" Portfolio: Collections for the History of Worcestershire Year: 1781-1782 (First edition) Medium: Set of Four Original Engravings on watermarked laid paper Limited edition: Unknown Printer: John Nichols, London, UK Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK Reference: Upcott III, page 1330 Sheet size (each): approx. 10" x 16.5" Image size (each): approx. 6.88" x 11.75" Condition: A few light handling creases. Have been professionally stored away for decades. They are all strong impressions in excellent condition Notes: Provenance: private collection - Aspen, CO. All four works were engraved by English artist Thomas Sanders (Active: Mid-Late 18th Century) after drawings by himself. Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from one copper plate in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in 1799. And, both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". Both "A View of Stourbridge" and "A View of Upton upon Severn, from Ryal Hill" have unidentified fleur-de-lis watermarks in the center of their sheets. "Bewdley" has an unidentified watermark in the center of its sheet resembling "XV" and "Tenbury" has no watermark. Biography: Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London. Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names. He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour. On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...
Category

1780s Old Masters Art

Materials

Laid Paper, Engraving

Huge 18th Century Classical Italianate Arcadian Landscape Figures & Buildings
Located in Cirencester, Gloucestershire
Figures in an Arcadian Landscape Italian School, 18th century follower of Claude Lorrain (French 1600-1682) oil painting on canvas: 28 x 36 inches framed: 39.5 by 47 inches presented...
Category

18th Century Old Masters Art

Materials

Canvas, Oil

18th Century French Old Master Oil Painting Ancient Port Harbor Shipping Marine
Located in Cirencester, Gloucestershire
Harbor Scene Circle of Claude Joseph Vernet (French, 1714-1789) oil painting on canvas, framed in antique gilt frame framed: 20.5 x 25.5 canvas: 19 x 23.5 inches condition: very good...
Category

18th Century Old Masters Art

Materials

Oil, Canvas

The Beheading of St. John the Baptist - Etching by Rembrandt - 1640
Located in Roma, IT
Beautiful proof of I state on III before the white space under the sword is covered. Without Margins. Very good condition. Ref. Bartsch 92; Biörklund 40-B; Hollstein (White and Bo...
Category

1640s Old Masters Art

Materials

Etching

Portrait of Cornelis and Michiel Pompe van Meerdervoort with Their Tutor
By Aelbert Cuyp
Located in Stoke, Hampshire
Attributed to Aelbert Cuyp (1620-1691) An Equestrian Portrait of Cornelis (1639–1680) and Michiel Pompe van Meerdervoort (1638–1653) with Their Tutor and Coachman Signed 'A. Cuyp. fe...
Category

17th Century Old Masters Art

Materials

Oil

Apollo, plate 11 from the series of The Gods in Niches
Located in Middletown, NY
by Jacopo Caraglio (after Rosso Fiorentino) Rome: Carlo Losi, 1526. Engraving on cream laid paper, 8 1/2 x 4 3/8 inches, 215 x 110 mm), thread margins. In very good condition with a...
Category

17th Century Old Masters Art

Materials

Laid Paper, Handmade Paper, Engraving

The Archangel Raphael Leaving Tobias' Family - Etching by Rembrandt - 1641
Located in Roma, IT
The Archangel Raphael Leaving Tobias' Family is an etching by Rembrandt executed in 1641. This etching is a proof of the 3rd state (of 4) before of the diagonals on the ground at the...
Category

1640s Old Masters Art

Materials

Etching

Rare 18th Century English Still Life of Grapes, Peaches and Strawberries
Located in Harkstead, GB
A rare and most attractive still life by William Jones of Bath. The sumptuous textures of the peaches, grapes and strawberries contrasting with the dark background. A really handsome...
Category

18th Century Old Masters Art

Materials

Oil, Canvas

Huge Classical Old Master Oil Painting Ancient Roman Buildings Merchants Port
Located in Cirencester, Gloucestershire
The Ancient Trading Port Italian Old Master, 18th century oil painting on canvas, in antique gilt frame of beautiful quality canvas: 32 x 33 inches framed: 37 x 38 inches condition: ...
Category

18th Century Old Masters Art

Materials

Canvas, Oil

Study of a horse lying on its right side seen from the front
By Adam Frans van der Meulen
Located in Stockholm, SE
Provenance: Jean-Marc Du Pan (1785–1838), Geneva (L. 1440), passed to his brother Alexandre-Louis Du Pan (1787–1846); his sale, Geneva, March 26–28, 1840, included in lots 913–917; ...
Category

17th Century Old Masters Art

Materials

Paper, Crayon

18th century Dutch, with figures goats and sheep outside in a barn yard or farm
Located in Woodbury, CT
Unknown Artist (Dutch School, late 18th century) Pastoral Scene with Goatherds, ca. 1780–1800 Oil on canvas In this lively pastoral composition, a group of figures reclines in rusti...
Category

1790s Old Masters Art

Materials

Oil, Wood Panel

Portrait of a woman with red jacket trimmed with fur and braid German School.
Located in Firenze, IT
Portrait of a woman with red jacket trimmed with fur and braid German School, late 18th - early 19th century Oil on canvas, 64 × 48 cm Gilded wooden frame, not original Dressed in a...
Category

Late 18th Century Old Masters Art

Materials

Oil, Canvas

18th Century Huge Floral Still Life Oil Painting Depicting Bouquet Ornate Urn
Located in Cirencester, Gloucestershire
Bouquet of Flowers French School, early 1700's period, unsigned oil painting on canvas, framed in antique gilt frame framed: 37 x 54.4 inches canvas: 30 x 47 inches Provenance: priva...
Category

18th Century Old Masters Art

Materials

Canvas, Oil

Fine 17th Century French Old Master Oil on Copper The Madonna & Christ Child
Located in Cirencester, Gloucestershire
Madonna and Christ Child French Old Master, 17th century circle of Simon Vouet (French 1590-164 oil on copper, unframed Copper : 9 x 7 inches Provenance: private collection, Lyon, Fr...
Category

17th Century Old Masters Art

Materials

Copper

Beggar man and woman coming from behind a bank – after Rembrandt van Rijn
Located in Middletown, NY
Etching on cream laid paper laid down to a wove paper support, 4 x 2 5/8 inches (101 x 67 mm) (sheet). In good condition with scattered light areas of discoloration. Printed early 19...
Category

17th Century Old Masters Art

Materials

Laid Paper, Etching

Peter and John Healing the Cripple at the Gate... - Etching by Rembrandt - 1659
Located in Roma, IT
Etching, excellent proof of II state on IV, before the retouching of the ground and the vault on the right, margin line. Ref. Bartsch, Hollstein 94; Hind 301; New Hollstein 312; Sto...
Category

1650s Old Masters Art

Materials

Etching

Flemish Early 17th Century Old Master Oil on Panel Painting Hunting Scene 1620
Located in Portland, OR
A highly important Flemish Old Master oil painting by Peter Van Lint (1609-1690), titled "Preparing for the Hunt", the painting is dated & signed by the artist, 1620. The painting wa...
Category

1620s Old Masters Art

Materials

Oil, Panel

18th-Century Old Master Painting Harbor Scene with Tall Ships & Fortifications
Located in Cirencester, Gloucestershire
The Fortified Harbour French School, circa 1700's oil on canvas, framed in antique carved gilt wood frame Framed: 21.5 x 28.5 inches Canvas : 15 x 22 inches Provenance: private colle...
Category

Early 18th Century Old Masters Art

Materials

Oil

'Star', A running horse belonging to His Grace the Duke of Bridgewater
Located in Stoke, Hampshire
James Seymour (1702-1752) 'Star', A running horse belonging to His Grace the Duke of Bridgewater Mezzotint by R. Houston Image size 10 x 14 in Framed size 13 x 17 in James Seymour w...
Category

18th Century Old Masters Art

Materials

Mezzotint

17th Century by Pietro della Vecchia Bacchus and Ceres Oil on canvas
Located in Milano, Lombardia
Pietro della Vecchia (Vicenza, Italy, 1603 – Venice, Italy, 1678) Title: Bacchus and Ceres Medium: Oil on canvas Dimensions: without frame 109 x 130 cm – with frame 128 x 152 x 8 cm...
Category

17th Century Old Masters Art

Materials

Canvas, Oil

Ship of Fools Diptych, Old Masters Woodcut and Engraving by Albrecht Dürer
Located in Long Island City, NY
Albrecht Dürer, German (1471 -1528) - Diptych from First Edition of The Ship of Fools, Year: 1494, Medium: Woodcut and Engraving, Image Size: 7 x 12.25 inches, Frame Size: 10.75 ...
Category

15th Century and Earlier Old Masters Art

Materials

Engraving, Woodcut

A pair of Classical landscapes
Located in Stoke, Hampshire
George Smith of Chichester (Chichester 1714-1776) Landscape with figures resting by a river; River landscape with figures outside a thatched cottag...
Category

18th Century Old Masters Art

Materials

Oil

Mid-16th-Century South German School, Portrait Of A Nobleman
Located in Cheltenham, GB
This historic mid-16th-century, half-length, South German School oil on panel depicts a gentleman wearing a fur-trimmed coat and black cap, while holding a small glass and, what appe...
Category

16th Century Old Masters Art

Materials

Wood Panel, Panel, Oil

An Arabian stallion in a wooded landscape
Located in Stoke, Hampshire
Jacques-Laurent Agasse (1767-1849) An Arabian stallion in a wooded landscape Oil on canvas Canvas Size 12 x 14 in Framed Size 21 x 22 in Provenance Believed to have passed by descen...
Category

18th Century Old Masters Art

Materials

Oil

Very Large 1700's Dutch Old Master Oil Painting The Nativity Scene
Located in Cirencester, Gloucestershire
The Nativity Dutch Old Master, early 1700's period oil on canvas, unframed canvas: 36 x 27.5 inches provenance: private collection condition: very good and sound condition, some scuf...
Category

Early 18th Century Old Masters Art

Materials

Oil, Canvas

17th Century Dutch Old Master Ink Drawing Christ on the Cross Many Figures 1674
Located in Cirencester, Gloucestershire
Christ on the Cross attributed to Jan Luyken (Dutch, 1649–1712) inscribed 1674 upper corner pencil drawing, watercolor and ink wash on paper over oard, framed framed: 12 x 11 inches ...
Category

17th Century Old Masters Art

Materials

Color Pencil, Ink, Watercolor

Antique Italian sculptor - 18/19th century terracotta sculpture - Memento Mori
Located in Varmo, IT
Terracotta sculpture - Memento mori. Italy, 18th-19th century. 16 x 25 x h 18 cm. Entirely in terracotta. - This item is sold with a certificate of authenticity with legal validi...
Category

Late 18th Century Old Masters Art

Materials

Terracotta

Fine 18th Century British Old Master Oil The Young Shepherdess with Lamb
Located in Cirencester, Gloucestershire
The Young Shepherd English School, 18th century circle of Sir Joshua Reynolds oil on canvas, unframed Canvas: 30 x 25 inches Provenance: Private collection Condition: very good condi...
Category

18th Century Old Masters Art

Materials

Oil

Italian School, 17th Century - Study After The Frescoes Of Bernardino Lanino
Located in Paris, Île-de-France
Italian School, 17th century Study after Bernardino Lanino’s Frescoes in Santa Caterina, Milan Red chalk on paper 297 x 186 mm Annotated on the verso: “Vani” (otherwise unsigned) ...
Category

17th Century Old Masters Art

Materials

Chalk, Laid Paper

Antique Circular Oil Painting Flagellation of Christ, 18th Century Old Master
Located in Cirencester, Gloucestershire
The Flagellation of Christ Italian, 18th century oil on canvas, framed Framed: 15 x 14 inches Canvas : 12 x 12 inches Provenance: private collection, UK Condition: very good conditio...
Category

18th Century Old Masters Art

Materials

Oil

St. John the Baptist in the wilderness , Ecce Agnus Dei (Behold the Lamb of God)
By Giovanni Francesco Barbieri (Il Guercino)
Located in Middletown, NY
Pen and sepia ink and wash on vellum, 8 7/8 x 10 1/2 inches (225 x 267 mm). In very good condition with some modern notations in pencil on the verso, minor cockling, and a 1-inch hor...
Category

Mid-17th Century Old Masters Art

Materials

Ink, Watercolor, Vellum, Pencil

Annunciation Allori Religious Leonardo 17/18th Century Paint Oil on canvas Italy
Located in Riva del Garda, IT
The Annunciation Florentine painter, 17th/18th century Follower of Alessandro Allori (Florence, 1535 – Florence, 1607) Oil on canvas 45 x 58 cm  - Framed 55 x 68 cm A sp...
Category

17th Century Old Masters Art

Materials

Oil

Large 18th Century British Old Master Oil Painting Figures at Dusk in Woodland
Located in Cirencester, Gloucestershire
The Close of Day English artist, second half 18th century circle of Thomas Gainsborough (British 1727-1788) oil on canvas, unframed canvas: 24.5 x 29 inches provenance: private colle...
Category

18th Century Old Masters Art

Materials

Oil, Canvas

A saddled officer's Arabian horse with a hound and gun, in a landscape
Located in Stoke, Hampshire
Johann Georg de Hamilton (1672-1737) A saddled officer's Arabian horse with a hound and gun, in a landscape Oil on canvas Canvas size - 21 x 23 in Framed size - 27 x 29 in Provenanc...
Category

18th Century Old Masters Art

Materials

Oil

Large 17th century Italian old master - Noli me tangere, Christ in the garden
By Pier Francesco Cittadini
Located in Aartselaar, BE
Large 17th Century Italian Old Master, The Garden - Noli me tangere, Pier Francesco Cittadini (attr.) Description In the stillness of a garden in bloom, Noli me tangere captures a p...
Category

17th Century Old Masters Art

Materials

Canvas, Oil

16th century Renaissance Florentine painting Domenico Puligo Virgin and Child
Located in Aartselaar, BE
The Virgin and Christ with the Young Saint John the Baptist attributed to Domenico Bartolomeo Ubaldini, known as Domenico Puligo (1492–1527) The attribution to Domenico Puligo was c...
Category

16th Century Old Masters Art

Materials

Oil, Panel

Florals in classic urn Old Masters 17th century Dutch style
Located in Hillsborough, NC
Floral with Urn is in a classical Dutch style that dates to the 17th century. The bright flowers drape the urn in whites, crimsons and pinks, standing out against the darker foliage...
Category

17th Century Old Masters Art

Materials

Canvas, Oil

Fine 1700's Italian Old Master Ink & Wash Drawing Roman Allegorical Providenza
Located in Cirencester, Gloucestershire
'Providenza' Italian School, 18th century ink and wash drawing on paper, framed within a light oak wood frame (behind glass) image size: 10.5 x 7 inches overall framed: 17 x 13 inche...
Category

18th Century Old Masters Art

Materials

Ink, Watercolor, Archival Paper

Fine Italian Old Master Oil Painting c. 1700's The Madonna Christ Child St. John
Located in Cirencester, Gloucestershire
The Madonna, Christ Child and St. John Italian Old Master, circa 1700's period oil painting on canvas, unframed Canvas: 28.5 x 24 inches conditon: overall very good for its age, a fe...
Category

Early 18th Century Old Masters Art

Materials

Canvas, Oil

An equestrian portrait of Field Marshal Sir John Ligonier, 1st Earl of Ligonier
By David Morier
Located in Stoke, Hampshire
David Morier (c.1705–1770 London) An equestrian portrait of Field Marshal Sir John Ligonier, 1st Earl of Ligonier (1680–1770) Oil on canvas Canvas size - 40 x 50 in Framed size - 48 ...
Category

18th Century Old Masters Art

Materials

Oil

Fine Italian Old Master Oil Painting Angel & Saints Appearing to Figures
Located in Cirencester, Gloucestershire
Artist/ School: Italian Old Master, 18th century Title: Angel and Saints appearing to figures, one dressed in a white ruff collar. Medium: oil on canvas...
Category

Early 18th Century Old Masters Art

Materials

Canvas, Oil

Holy Family with the Young St John The Baptist and St Elizabeth
Located in Stoke, Hampshire
Scipione Pulzone, called Il Gaetano (Gaeta 1544 - Rome 1598) Holy Family with the Young St John The Baptist and St Elizabeth Oil on canvas A Royal Coat of Arms lower left Canvas size...
Category

16th Century Old Masters Art

Materials

Oil

Fine 18th Century Dutch Old Master Oil Painting Cattle & Sheep Ancient Ruins
Located in Cirencester, Gloucestershire
Pastoral Landscape Dutch Old Master, 18th century oil on canvas, unframed canvas: 12 x 10 inches provenance: private collection, UK condition: good a...
Category

18th Century Old Masters Art

Materials

Oil

Colliers lying in the Thames at Deptford and unloading their cargoes for London
Located in Stoke, Hampshire
Peter Monamy (London 1681-1749) Colliers lying in the Thames at Deptford and unloading their cargoes for the London market signed 'P: Monamy: Pinx' lower left Oil on canvas Canvas Si...
Category

18th Century Old Masters Art

Materials

Oil

After Hendrick MOMMERS (1623-1693) Haarlem Vegetable Market c1750
Located in Holywell, GB
After Hendrick MOMMERS (1623-1693) Haarlem Vegetable Market c1750 An early copy c1750, of an entertaining Dutch vegetable market scene in an Italianate landscape. The original was p...
Category

1750s Old Masters Art

Materials

Oil

Huge 18th Century Italian Old Master Oil Painting Figures & Animals Arcadian
Located in Cirencester, Gloucestershire
The Arcadian Landscape Italian School, 18th century oil painting on canvas, unframed canvas size: 32 x 40 inches condition: excellent condition for its age, fully restored. provenance: from a private collection in Paris, France. Large scale classical 18th century Italian Old Master...
Category

Early 18th Century Old Masters Art

Materials

Canvas, Oil

Fine 17th Century Dutch Old Master Oil on Panel Angelic Visitation to Figures
Located in Cirencester, Gloucestershire
The Angelic Visitation Dutch School, mid 17th century circle of Rembrandt (Dutch 1606-1669) oil on wooden panel, framed in faux tortoiseshell style frame. framed: 25 x 28.75 painting...
Category

17th Century Old Masters Art

Materials

Oil, Wood Panel

Old Master Painting, Flemish School from 1600s, Saint Nicholas of Tolentino
Located in Stockholm, SE
This small Flemish painting, measuring only 24.5 x 18.5 cm and executed on a copper plate, depicts Saint Nicholas of Tolentino. Created in the 17th century, the artist remains unknow...
Category

17th Century Old Masters Art

Materials

Copper

Rare on the Art Market, A Drawing by Moitte, A Fashionable Couple, 1766
Located in Stockholm, SE
Pierre Etienne Moitte studied in Paris under Jacques-Firmin Beauvarlet and Pierre-François Beaumont (1719–1769). In 1771, he was accepted (agréé) by the Académie Royale de Peinture e...
Category

1760s Old Masters Art

Materials

Paper, Pencil

Young Man in a Velvet Cap (Ferdinand Bol) by James Bretherton, after Rembrandt
Located in Middletown, NY
Etching and drypoint on heavy cream laid paper, 3 3/4 x 3 1/4 inches (96 x 83 mm), narrow margins. In very good condition with some minor surface soiling. [Björklund's second state ...
Category

18th Century Old Masters Art

Materials

Etching

Shipping in Calm Waters, 18th Century Dutch Oil on Wood Panel, Man o War
Located in Cirencester, Gloucestershire
Shipping in Calm Waters Dutch School, 18th century oil painting on wood panel panel: 10 x 12.75 inches framed: 14 x 17 inches condition: very good, minor evidenc...
Category

18th Century Old Masters Art

Materials

Oil, Wood Panel

Portrait of a lady in blue dress ”Countess of Peterborough”
Located in Stockholm, SE
This exquisite portrait, with its new attribution to Theodore Russel, is believed to depict Lady Penelope O'Brien, daughter of Barnabas O'Brien, the sixth Earl of Thomond, and wife of the Earl of Peterborough, whom she married in 1644. The painting thus belongs to a historically significant period, capturing the refined elegance of the time. The portrait has a prestigious provenance from Elleholms Hofgård, a historic estate in Mörrums socken, Blekinge, Sweden. Elleholms Hofgård, whose two-story, timber-framed main building was constructed in 1730 and expanded in 1804, has changed ownership several times since the 17th century. The ancestors of the present owners acquired the estate in 1915, and from the 20th century until 2023, this painting was prominently displayed in the estate’s main building, making it an integral part of the estate’s history. Theodore Russel, an English portrait artist born in 1614, studied under the renowned Sir Anthony van Dyck, whose influence can be seen in Russel’s meticulous style. Russel often painted on cabinet-sized panels, such as this one, which measures approximately 39 x 31 cm. This preference for panels is a notable characteristic that sets him apart from contemporary artists like Sir Peter Lely, who exclusively used canvas. The size of the panel is a key reason for the reattribution to Russel from Peter lely, as Lely never used panels for his works. This distinctive format, along with Russel’s characteristic style, strongly supports the new attribution. Russel, the son of Nicasius Rousseel, a goldsmith and jeweler to James I and Charles I, refined his skills under the mentorship of his uncle, the famous portrait painter Cornelis Janssen. He also worked as an assistant and copyist for van Dyck, further honing his artistic style. This captivating portrait exemplifies Russel’s craftsmanship, reflecting the elegance of the period’s fashion and the artist's refined techniques. oil on wood panel with indistinct inscription Countess of Peter[...] upper left. with inscription on the reverse: ”Countess of Peterborough. P. Lely 1670. S Beatty Picture Restorer [...] Warwick”. unframed 39 x 31 cm = 15.35 x 12.2 inches framed 52 x 41.5 cm = 20.47 x 16.34 inches Condition: The portrait has just been restored by a professional art conservator in Stockholm and is now in a very good condition. The colors are vivid, and the skin tones appear more natural than before. It is a very fine painting. The frame is newly made and included. Provenance: Elleholms Hofgård, Mörrums socken, Blekinge, Sweden **; Stockholms Auktionsverk, Fine Art & Antiques Autumn...
Category

17th Century Old Masters Art

Materials

Oil, Wood Panel

Portrait of a Man – A Dramatic Study in Light and Expression
Located in Stockholm, SE
This compelling portrait, recently studied by Stéphane Pinta of the esteemed Cabinet Turquin in Paris, has been confidently attributed to the Austrian painter Matthäus (Matthias) Lod...
Category

Late 18th Century Old Masters Art

Materials

Canvas, Oil

Shipping in Stormy Waters, Attributed to Italian Artist Francesco Guardi
By Francesco Guardi
Located in Stockholm, SE
The splendour of the tragic sea Francesco Guardi and maritime painting in Venetian art No Venetian painter was a stranger to the sea. After all, Venice was not only one of the most prominent ports of the Mediterranean, but indeed a city literally submerged in the ocean from time to time. Curiously however, the famous Venetian school of painting showed little interest in maritime motifs, favouring scenes from the iconic architecture of the city rather than seascapes. That is why this painting is a particularly interesting window into not only the painter Francesco Guardi himself – but to the significance of the element of water in art history, in absence as well as in the centre of attention. Whether it be calm, sunny days with stunning views of the palaces alongside the canals of Venice or – more rarely – stormy shipwrecking tragedies at sea, water as a unifying element is integral to the works of painter Francesco Guardi (1712–1793). During his lifetime, Venetian art saw many of its greatest triumphs with names like Tiepolo or Canaletto gaining international recognition and firmly establishing Venice as one of the most vibrant artistic communities of Europe. While the city itself already in the 18th century was something of an early tourist spot where aristocrats and high society visited on their grand tour or travels, the artists too contributed to the fame and their work spread the image of Venice as the city of romance and leisure to an international audience, many of whom could never visit in person. Still today, the iconic image of Venice with its whimsical array of palaces, churches and other historic buildings is much influenced by these artists, many of whom have stood the test of time like very well and remain some of the most beloved in all of art history. It was not primarily subtility, intellectual meanings or moral ideals that the Venetian art tried to capture; instead it was the sheer vibrancy of life and the fast-paced city with crumbling palaces and festive people that made this atmosphere so special. Of course, Venice could count painters in most genres among its residents, from portraiture to religious motifs, history painting and much else. Still, it is the Vedutas and views of the city that seems to have etched itself into our memory more than anything else, not least in the tradition of Canaletto who was perhaps the undisputed master of all Venetian painters. Born into his profession, Francesco lived and breathed painting all his life. His father, the painter Domenico Guardi (1678–1716) died when Francesco was just a small child, yet both he and his brothers Niccolò and Gian Antonio continued in their fathers’ footsteps. The Guardi family belonged to the nobility and originated from the mountainous area of Trentino, not far from the Alps. The brothers worked together on more challenging commissions and supported each other in the manner typical of family workshops or networks of artists. Their sister Maria Cecilia married no other than the artist Giovanni Battista Tiepolo himself, linking the family to the most renowned Venetian name of the time. During almost a decade, Guardi worked in the studio of Michele Giovanni Marieschi, sometimes simply known as Michiel, a painted similar in both style and motif. Canaletto is, however, the artist Guardi is most often compared to since they shared a mutual fascination for depicting the architecture and cityscape of Venice. During the course of his career, Guardi tried his hand in many different genres. He was as swift in painting landscapes, Vedutas of Venice, sacred motifs, interiors and architectural compositions as he was in a number of other motifs. His style is typical of the Venetian school but also distinct and personal once we look a little closer. There is an absolute certainty in the composition, the choice of which sometimes feels like that of a carefully calculated photograph – yet it is also very painterly, in the best sense of the word: fluid, bold, sensitive and full of character. The brushwork is rapid, intense, seemingly careless and extraordinarily minute at the same time; fresh and planned in a very enjoyable mixture. His interiors often capture the breath-taking spacious glamour of the palaces and all their exquisite decor. He usually constructed the motif through remarkably simple, almost spontaneous yet intuitively precise strokes and shapes. The result was a festive, high-spirited atmospheric quality, far away from the sterile and exact likeness that other painters fell victim to when trying to copy Canaletto. The painting here has nothing of the city of Venice in it. On the contrary, we seem to be transported far away into the solitary ocean, with no architecture, nothing to hold on to – only the roaring sea and the dangerous cliffs upon which the ships are just moments away from being crushed upon. It is a maritime composition evoking both Flemish and Italian precursors, in the proud tradition of maritime painting that for centuries formed a crucial part of our visual culture. This genre of painting is today curiously overlooked, compared to how esteemed and meaningful it was when our relationship to the sea was far more natural than it is today. When both people and goods travelled by water, and many nations and cities – Venice among them – depended entirely on sea fare, the existential connection to the ocean was much more natural and integrated into the imagination. The schools and traditions of maritime art are as manifold as there are countries connected to the sea, and all reflect the need to process the dangers and wonders of the ocean. It could symbolize opportunity, the exciting prospects of a new countries and adventures, prospering trade, beautiful scenery as well as war and tragedy, loss of life, danger and doom. To say that water is ambivalent in nature is an understatement, and these many layers were something that artists explored in the most wondrous ways. Perhaps it takes a bit more time for the modern eye to identify the different nuances and qualities of historic maritime paintings, they may on first impression seem hard to differentiate from each other. But when allowing these motifs to unfold and tell stories of the sea in both fiction and reality – or somewhere in between – we are awarded with an understanding of how the oceans truly built our world. In Guardi’s interpretation, we see an almost theatrically arranged shipwrecking scene. No less than five ships are depicted right in the moment of utter disaster. Caught in a violent storm, the waves have driven them to a shore of sharp cliffs and if not swallowed by the waves, crushing against the cliffs seems to be the only outcome. The large wooden ships are impressively decorated with elaborate sculpture, and in fact relics already during Guardi’s lifetime. They are in fact typical of Dutch and Flemish 17th century ships, giving us a clue to where he got the inspiration from. Guardi must have seen examples of Flemish maritime art, that made him curious about these particular motifs. One is reminded of Flemish painters like Willem van de Velde and Ludolf Backhuysen, and this very painting has indeed been mistakenly attributed to Matthieu van Plattenberg...
Category

18th Century Old Masters Art

Materials

Canvas, Oil

17th Century French Old Master Oil Painting Classical Robed Semi Nude Figures
Located in Cirencester, Gloucestershire
17th century French School circle of Nicolas Poussin (French 1594-1665) "Figures in Arcadia" oil on canvas, unframed canvas: 16 x 20 inches provenance: private collection, England condition: very good and sound condition Nicolas Poussin was a renowned French painter of the 17th century. He is considered one of the greatest figures of classical French Baroque art...
Category

17th Century Old Masters Art

Materials

Oil, Canvas

Portraits of John Wood of Hollin Hall, Yorkshire; and Francis Wood (pair)
Located in West Sussex, GB
A Superb pair of oval portraits with full provenance .Portrait of John Wood Esq of Hollin Hall, Yorkshire; Portrait of Francis Wood. Circa 1710. Oils on canvas:29 x 24 in. Frame: 37...
Category

Early 18th Century Old Masters Art

Materials

Oil

Old Masters art for sale on 1stDibs.

Find a wide variety of authentic Old Masters art available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add art created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of orange, yellow, blue and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Charles Amand Durand, Giuseppe Vasi, Thomas Holloway, and Vincenzo Campana. Frequently made by artists working with Etching, and Paint and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Old Masters art, so small editions measuring 0.4 inches across are also available. Prices for art made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $11 and tops out at $1,495,000, while the average work sells for $546.

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