Op Art

Screen print. Produced in 2007. Edition of 75. Hand signed, titled, dated and numbered in pencil by Bridget Riley. Printed by Artizan Editions, Hove. Schubert 65.

Original color silkscreen, cca. 1970. Edition of 70 signed and numbered impressions on Arches paper. Marko Spalatin was a modern and contemporary artist from Croatia, who immigrated ...

Victor Vasarely Planetary Folklore (Hand signed by Victor Vasarely), 1973 Hardback monograph with dust jacket Hand signed by Victor Vasarely on the first front end page 9 1/2 × 9 7/...

Victor VASARELY ( 1906 -1997 ) VEGA MIR Sérigraphie sur verre signée au recto et au verso . Edition sur 200. Extrait de l'album BACH 1973. 50 X50 X 7cm .

Scultura metacrilato (plexiglass 100% riciclato) assemblata a mano - design by Gio Schiano (LIMITED EDITIONS OF 50) Misure: alto 30 cm e larga 30 cm, è firmata e numerata con certi...

Signed and numbered art print by Julio Le Parc from the series "ALCHIMIES" containing a poem by Julio Le Parc. Very Limited edition Print of only 12 copies ! Technic : Pigment print...

Untitled. Original color silkscreen, cca. 1980. Edition of 250 signed and numbered impressions on Arches paper. Victor Vasarely was a French painter of Hungarian origin. Influenced b...

Signed and numbered print by Julio Le Parc. The original drawing from 1958 is now part of the MET New-York. This edition has been done in 2018. This print is number 25 on an edition of 50. Technic : Lithograph on vélin de Rives 270gr. Format : Lithograph 48x54 cm Frame : 60 x 60 cm black painted oak, plexiglass U.V. Proof Edition Size : 50 signed and numbered copies from 1 to 50. Julio Le Parc (born September 23, 1928) is an Argentina-born artist who focuses on both modern op art and kinetic art. He is a precursor of Kinetic Art and Op Art, founding member of Groupe de Recherche d’Art Visuel and recipient of the Grand Prize for Painting at the 33rd Venice Biennale in 1966, Julio Le Parc is a major figure in modern art history. Upon arriving in Paris in 1958 he connected with Jesús Rafael Soto and Carlos Cruz-Diez who were already in Paris. There they met Victor Vasarely, Georges Vantongerloo...

Jesus Rafael Soto (1923-2005) Quadrato 1974 Editions Denise Rene 46 of 75 Acrylic/aluminum with painted metal rods 17,5 x 15,7 x 12,5 in Signed and dated Provenance: Editions Galeri...

Scultura metacrilato metacrilato (plexiglass 100% riciclato) assemblata a mano - design by Gio Schiano (LIMITED EDITIONS OF 69) Misure: 30x30x5 è firmata e numerata con certificato,...

La Escalera Azul, de la serie Sintesis 1979 Plexiglas and metal Ed 37 of 110 20 x 14 x 5 in Literature: Museo Guggenheim Bilbao. “Soto. The Fourth dimension”. Catalogue published on...

Untitled [Wave], 1975 Bridget Riley Screenprint in colours, on wove Signed, dated and numbered from the edition of 400 Printed by Graham Henderson, London Published by Galerie Beyel...

Chiapas I. Original color silkscreen, cca. 1970. Edition of 70 signed and numbered impressions on Arches paper. Marko Spalatin was a modern and contemporary artist from Croatia, who ...

Start, 2000 Bridget Riley Screenprint in colours, on paper Signed, titled, dated and numbered from the edition of 200 Printed by Artizan Editions, Hove Image: 34.8 × 38 cm (13.7 × 1...

Victor Vasarely (9 April 1906 – 15 March 1997), was a Hungarian-French artist, who is widely accepted as a grandfather and leader of the Op art movement. In 1928, he enrolled at Sán...

Signed and numbered print by Julio Le Parc. The original drawing from 1958 is now part of the MET New-York. This edition has been done in 2018. Lithograph on vélin de Rives 270gr. ...

Victor VASARELY 1906 - 1997 EREBUS - 1982 Verre et bois Signature gravée sur le verre et numérotation sous la base "/2000" Edition Rosenthal studio-linie, Allemagne Dans sa boîte...

Signed and numbered print by Julio Le Parc. The original drawing from 1958 is now part of the MET New-York. This edition has been done in 2018. Technic : Lithograph on vélin de Riv...

Scultura metacrilato metacrilato (plexiglass 100% riciclato) assemblata a mano - design by Gio Schiano (LIMITED EDITIONS OF 69) Misure: 30x30x5 è firmata e numerata con certificato,...

Optical green composition is an original contemporary artwork realized by Victor Debach in the 1970s. Mixed colored screen print on paper. Hand signed on the lower right margin. ...

Artist: (after) Bridget Riley (English, 1931-) Title: "Hayward Gallery (Blaze 4)" Year: 1992 Medium: Original Screenprint, Exhibition Poster on heavy wove paper Limited edition: Unkn...

Signed and numbered lithograph by Julio Le Parc. This edition has been done in 2018. Item is new, sold by the publisher. Available without frame. Ask for more detail. Technic : Lit...

Sideways, 2011 Bridget Riley Screenprint in colours, on Fabriano 5 wove Signed, titled, dated and numbered from the edition of 250 Printed by Artizan Editions, Hove Image: 29 × 17 c...

Abstract composition in purple is a screenprint realized by Victor Debach in 1970s. 50x70 cm. Edition 11/100 Handsigned in pencil on the right lower margin. Excellent conditions.

Frieze, 2000 Bridget Riley Screenprint in colours, on wove paper Signed, dated, titled and numbered from the edition of 200 (plus 20 artist's proof) Printed by Sally Gimson Artizan ...

Abstract composition in purple is a screenprint realized by Victor Debach in 1970s. 50x70 cm. Edition 22/100 Handsigned in pencil on the right lower margin. Excellent conditions.

Over the course of her prolific and radical career, Nancy Graves became a master of translating the primary data of soft science disciplines such as archaeology and anthropology into empirically informed, expressive works, such as "Canopic Prestidigitation." A large-scale, 23-color lithograph, Canopic Prestidigitation is as technically masterful as it is conceptually layered. Graves combines the Egyptian visual lexicon of the afterlife and allusions to European Renaissance masterworks to catalyze heuristic understandings of cross-cultural communication—Figures rendered in the hybridized profile-portrait style of Egyptian hieroglyphs float through a swirling and subtle maze of neo-classical architectural suggestions, while a disembodied hand reminiscent of Michelangelo’s "The Creation of Adam" reaches out through a frothing red portal. A cast-paper representation of Horus perches in the bottom right corner of the work, a nod to the symbolic language of the print and Graves’ multi-disciplined artistic approach. When read together, the elements of Canopic Prestidigitation become an artistic interpretation of the intangible qualities of social science...

Yaacov Agam Israeli (b. 1928) Hand signed, not individually numbered but from edition of 180. I can include a copy of the title sheet with the edition size and his signature if you request. sheet: 13.5 X 13.5 inches Some of these works have beautiful Hebrew calligraphy and mod imagery, animals and such that are not usually found in his work. This is a masterpiece of bold, graphic, mod design. Along with Reuven Rubin and Menashe Kadishman he is among Israel's best known artists internationally. Biographical info: The son of a rabbi, Yaacov Agam can trace his ancestry back six generations to the founder of the Chabad movement in Judaism. in 1946, he entered the Bezalel Academy of Arts and Design in Jerusalem. Studying with Mordecai Ardon, a former student at the Weimar Bauhaus. Yaakov Agam has been associated h with “abstract” artists, “hard edge” artists, and artists such as Josef Albers and Max Bill. Others find in Agam’s work an indebtedness to the masters of the Bauhaus. Agam’s approach to art, being conceptual in nature, has been likened to Marcel Duchamp’s, who expressed the need to put art “at the service of the spirit.” And, because of Agam’s employment of color and motion in his art, he has been compared to Alexander Calder, the artist who put sculpture into motion. (Motion is not an end, but a means for Agam. Calder’s mobiles are structures that are fixed, revolving at the whim of the wind. In a work by Agam, the viewer must intervene.) Agam has also been classified as an “op art” artist because he excels in playing with our visual sensitivities. Agam went to Zurich to study with Johannes Itten at the Kunstgewerbeschule. There, he met Frank Lloyd Wright and Siegfried Giedion, whose ideas on the element of time in art and architecture impressed him. In 1955, Galerie Denise René hosted a major group exhibition in connection with Vasarely's painting experiments with movement. in addition to art by Vasarely, it included works by Yaacov Agam, Pol Bury, Soto and Jean Tinguely, among others. Most Americans were first introduced to Vasarely by the groundbreaking exhibition, "The Responsive Eye," at New York's Museum of Modern Art in 1965. Josef Albers, Richard Anuszkiewicz. The show confirmed Vasarely's international reputation as the father of Op art. Agam has sought to express his ideas in a non-static form of art. In his abstract Kinetic works, which range from paintings and graphics to sculptural installations and building facades. Agam continually seeks to explore new possibilities in form and color and to involve the viewer in all aspects of the artistic process. Thus, for the past 40 years, Yaacov Agam’s pioneering ideas have impacted developments in art, (painting, monoprint, lithograph and agamograph) architecture, theatre, and public sculpture. Reflecting both his Israeli Jewish...

Abstract composition in purple is a screenprint realized by Victor Debach in 1970s. 50x70 cm. Edition 19/100. Handsigned in pencil on the right lower margin. Excellent conditions.

Yellow Composition is an original screen print realized by Victor Debach in 1970s. Hand signed and numbered. Edition of 100 prints. On headed paper.

Artist: Victor Vasarely, Hungarian (1908 - 1997) Title: Vega Linear Blue Year: 1978 Medium: Screenprint, signed and numbered in pencil Edition: FV 63/70 Image Size: 12 x 12 inches Fr...

Blue Composition is an original contemporary artwork realized by Victor Debach in the 1970s. Mixed colored screen print on paper. Hand signed on the lower right margin. Numbered o...

A serigraph print by Pedro Friedeberg from 1987. A optical abstract image of a surrealist interior. Artist: Pedro Friedeberg, Mexican (1936 - ) Title: Encuentro de dos Mundos...

Yaacov Agam Israeli (b. 1928) Hand signed, not individually numbered but from edition of 180. I can include a copy of the title sheet with the edition size and his signature if you request. sheet: 13.5 X 13.5 inches Some of these works have beautiful Hebrew calligraphy and mod imagery, animals, children and such that are not usually found in his work. This is a masterpiece of bold, graphic, mod design. Along with Reuven Rubin and Menashe Kadishman he is among Israel's best known artists internationally. Biographical info: The son of a rabbi, Yaacov Agam can trace his ancestry back six generations to the founder of the Chabad movement in Judaism. in 1946, he entered the Bezalel Academy of Arts and Design in Jerusalem. Studying with Mordecai Ardon, a former student at the Weimar Bauhaus. Yaakov Agam has been associated h with “abstract” artists, “hard edge” artists, and artists such as Josef Albers and Max Bill. Others find in Agam’s work an indebtedness to the masters of the Bauhaus. Agam’s approach to art, being conceptual in nature, has been likened to Marcel Duchamp’s, who expressed the need to put art “at the service of the spirit.” And, because of Agam’s employment of color and motion in his art, he has been compared to Alexander Calder, the artist who put sculpture into motion. (Motion is not an end, but a means for Agam. Calder’s mobiles are structures that are fixed, revolving at the whim of the wind. In a work by Agam, the viewer must intervene.) Agam has also been classified as an “op art” artist because he excels in playing with our visual sensitivities. Agam went to Zurich to study with Johannes Itten at the Kunstgewerbeschule. There, he met Frank Lloyd Wright and Siegfried Giedion, whose ideas on the element of time in art and architecture impressed him. In 1955, Galerie Denise René hosted a major group exhibition in connection with Vasarely's painting experiments with movement. in addition to art by Vasarely, it included works by Yaacov Agam, Pol Bury, Soto and Jean Tinguely, among others. Most Americans were first introduced to Vasarely by the groundbreaking exhibition, "The Responsive Eye," at New York's Museum of Modern Art in 1965. Josef Albers, Richard Anuszkiewicz. The show confirmed Vasarely's international reputation as the father of Op art. Agam has sought to express his ideas in a non-static form of art. In his abstract Kinetic works, which range from paintings and graphics to sculptural installations and building facades. Agam continually seeks to explore new possibilities in form and color and to involve the viewer in all aspects of the artistic process. Thus, for the past 40 years, Yaacov Agam’s pioneering ideas have impacted developments in art, (painting, monoprint, lithograph and agamograph) architecture, theatre, and public sculpture. Reflecting both his Israeli Jewish...

Hommage a Bach III. Original etching and aquatint, cca. 1980. Edition H.C. (horse commerce/exhibition copy). Victor Vasarely was a French painter of Hungarian origin. Influenced by B...

Purple Composition is a contemporary artwork realized by Victor Debach in the 1970s. Mixed colored screen print on paper. Hand signed on the lower rig...

Zebra Zambo is a contemporary artwork realized by Victor Vasarely (1906-1997) in 1983. Silkscreen in colors on wove paper. Hand signed on the lower right side in pencil. Edition ...

Signed and numbered lithograph by Julio Le Parc. Item is new, sold by the publisher. Available without frame. Ask for more detail. Technic : Pigment print on archival paper 310gr. ...

Signed and numbered lithograph by Julio Le Parc. Item is new, sold by the publisher. Available without frame. Ask for more detail. Technic : Pigment print on archival paper 310gr. ...

Early graphic work by the photographer Todd Smith during his period at Pratt Institute in the early 1970s. Edition of 250, unsigned and unnumbered, as issued.

Abstract Electric Blue Composition is aScreen Print on Paper realized by Victor Debach in 1970s. Limited edition of 100 copies numbered and signed by the artist with pencil on the l...

Abstract Violet Composition is a Screen Print on Paper realized by Victor Debach in 1970s. Limited edition of 100 copies numbered and signed by the artist with pencil on the lower m...

Abstract Pink Composition is a Screen Print on Paper realized by Victor Debach in 1970s. Limited edition of 100 copies numbered and signed by the artist with pencil on the lower mar...

Abstract Violet Composition is a Screen Print on Paper realized by Victor Debach in 1970s. Limited edition of 100 copies numbered and signed by the artist with pencil on the lower m...

Abstract Pink Composition is a Screen Print on Paper realized by Victor Debach in 1970s. Limited edition of 100 copies numbered and signed by the artist with pencil on the lower mar...

Yaacov Agam 2 +3 = 4, 1981 offers another excellent example of the artist’s ability to induce the illusion of movement through color and pattern. By combining a multicolor palette wi...

Blue Composition is an original contemporary artwork realized by Victor Debach in the 1970s. Mixed colored screen print on paper. Hand signed on the lower right margin. Numbered o...

Blue Composition is an original contemporary artwork realized by Victor Debach in the 1970s. Mixed colored screen print on paper. Hand signed on the lower right margin. Numbered o...

Optical green composition is an original contemporary artwork realized by Victor Debach in the 1970s. Mixed colored screen print on paper. Hand signed on the lower right margin. ...

Blue Composition is an original contemporary artwork realized by Victor Debach in the 1970s. Mixed colored screen print on paper. Hand signed on the lower right margin. Numbered o...

Op art c. 1967/2022 Estate stamped and numbered on label, verso Digital C-print 31 x 31 inches, image (Edition of 15) $4,500 22 x 22 inches, image (Edition of 15) $3,250 15 x 15...

This refined mid century modern mixed media work was realized in the United States circa 1970. In dialogue with the Op Art movement of the time- popularized by such artists such as V...

TRIDIM Gris Screen print, 1986 Signed in pencil lower right (see photo) Edition: 200 (76/200) From: portfolio enetitled "35 ans apres" Printed at Atelier Arcay, Paris, France Publisher: Park West Gallery...

Optical green composition is an original contemporary artwork realized by Victor Debach in the 1970s. Mixed colored serigraph on paper. Hand signed on the lower right margin. Num...

Artist: Jurgen Peters, German (1936 - ) Title: Pinwheel Year: 1980 Medium: Screenprint, signed and numbered in pencil Edition: 14/250 Image Size: 24 x 24 inches Size: 27 in. x...

VICTOR VASARELY (1908-1997) CHOKK-MINI C, 1988. Colored paper collage, signed in black ink lower right Titled, signed, dated and numbered 'VAS-440' on the verso; Frame: 24.75" x 18" ...

Molded crystal sculpture made for Rosenthal studio-line, Germany. Etched signature "Vasarely" on the reverse. Identified and numbered 485/2000 on ...

Olkia-1 Color lithograph, 1962 Signed dated and numbered in lower margin Edition: 80 (32/80) Condition: Very good. White pigment appears to have been added along the border of the oval shape by the artist. Framed with matting in a metal section frame. Image: 20 x 17 3/4" Frame: 31 1/2 x 24" Reference: Benavides & Vasarely 529 Provenance: Martha Jackson Gallery, NY Anderson Gallery...